Roger Ernest (screenwriter)Biblio.com
10,264 results
ref. 146801N.p.: N.p. Unknown. Draft script for an unproduced film. Included with the script are four laid-in xerographically duplicated pages detailing the script's summary and prospective audience. A young successful photographer for a women's erotic magazine finds herself caught in a love triangle between a gallery owner and a troubled boxer. Set in Hollywood and Malibu. Green untitled wrappers. Title page present with credits for screenwriter Roger Ernest. 100 leaves with last page of text numbered 99. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
1970ref. 141850N.p.: N.p. 1970. Draft script for an unproduced film. During a visit to the 1890 Annual Bicycle Race in Boston a young man gets inspired to take up bicycle riding. He improves and eventually is ready to compete on a professional level. Set in Boston. Blue titled wrappers. Title page present with credit for screenwriter Roger Ernest. 127 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
ref. 142235N.p.: N.p. Treatment script for an unproduced film. Two men are captured and are being held in a plantation camp deep within the Mexican jungle where conditions are unspeakably horrendous. Set in Mexico. Blue untitled wrappers. Title page present with credits for screenwriter Roger Ernest. 25 leaves with last leaf of text numbered 24. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with comb binding. N.p. unknown
1981ref. 153804Long Beach CA: Premiere World Pictures 1981. Draft script for an unproduced film. Annotation in manuscript ink on the front wrapper noting copy No. 12 and single annotation in manuscript pencil on the title page. A photographer becomes involved in the murder of a prominent fashion model. Set in California. Green untitled wrappers. Title page present dated 1981 with credits for screenwriter Roger Ernest. 121 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages and wrapper Near Fine bound internally with three silver brads. Premiere World Pictures unknown books
ref. 146801N.p.: N.p. Unknown. Draft script for an unproduced film. Included with the script are four laid-in xerographically duplicated pages detailing the script's summary and prospective audience. A young successful photographer for a women's erotic magazine finds herself caught in a love triangle between a gallery owner and a troubled boxer. Set in Hollywood and Malibu. Green untitled wrappers. Title page present with credits for screenwriter Roger Ernest. 100 leaves with last page of text numbered 99. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown books
1970ref. 141850N.p.: N.p. 1970. Draft script for an unproduced film. During a visit to the 1890 Annual Bicycle Race in Boston a young man gets inspired to take up bicycle riding. He improves and eventually is ready to compete on a professional level. Set in Boston. Blue titled wrappers. Title page present with credit for screenwriter Roger Ernest. 127 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown books
ref. 142235N.p.: N.p. Treatment script for an unproduced film. Two men are captured and are being held in a plantation camp deep within the Mexican jungle where conditions are unspeakably horrendous. Set in Mexico. Blue untitled wrappers. Title page present with credits for screenwriter Roger Ernest. 25 leaves with last leaf of text numbered 24. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with comb binding. N.p. unknown books
1997ref. 135849London: Bentley Productions 1997. 5th Draft script for the 1997 television episode of the show "The Broker's Man." Though broadcast in two parts this script contains both the first and second parts. Kevin Whately plays Jimmy Griffin an ex-cop now working as an investigator for an insurance company still finds ways to use his detective skills at his new job and somehow between his wife and employees fawning over him manages to create a lot of drama beyond that which he finds through his work. In this episode an ex-soldier kills his father and attempts to claim the father's insurance at which point Jimmy and his whole family gets involved. Tall white self wrappers as issued noted as 5th Draft on the front wrapper dated 30 January 1997 with credits for screenwriters Ashton and O'Mara. Title page integral with the front wrapper. 163 leaves with last page of text numbered 162. Mechanical duplication. Pages Very Good plus wrapper Very Good plus bound with a single silver brad. Bentley Productions unknown
1997ref. 135849London: Bentley Productions 1997. 5th Draft script for the 1997 television episode of the show "The Broker's Man." Though broadcast in two parts this script contains both the first and second parts. Kevin Whately plays Jimmy Griffin an ex-cop now working as an investigator for an insurance company still finds ways to use his detective skills at his new job and somehow between his wife and employees fawning over him manages to create a lot of drama beyond that which he finds through his work. In this episode an ex-soldier kills his father and attempts to claim the father's insurance at which point Jimmy and his whole family gets involved. Tall white self wrappers as issued noted as 5th Draft on the front wrapper dated 30 January 1997 with credits for screenwriters Ashton and O'Mara. Title page integral with the front wrapper. 163 leaves with last page of text numbered 162. Mechanical duplication. Pages Very Good plus wrapper Very Good plus bound with a single silver brad. Bentley Productions unknown books
ref. 142399Los Angeles: Feathertouch Communications. Two screenplays for an unproduced radio drama. Each belongs to actor Billy O'Sullivan who was to play Billy with both manuscript and photocopied annotations related to his lines in manuscript ink and pencil. The story of a teddy bear where it comes from and its hopes of becoming someone's toy this upcoming Christmas. Screenplay #1: White titled self wrappers with credits for screenwriters Rojay North and Michelle Nosco. Title page integral with front wrapper. 36 leaves with last page of text numbered 8. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine unbound. Screenplay #2: White illustrated titled wrappers. Title page present with credits for screenwriter Rojay North. 42 leaves with last page of text numbered 40. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine bound with two gold brads. Feathertouch Communications unknown
ref. 142399Los Angeles: Feathertouch Communications. Two screenplays for an unproduced radio drama. Each belongs to actor Billy O'Sullivan who was to play Billy with both manuscript and photocopied annotations related to his lines in manuscript ink and pencil. The story of a teddy bear where it comes from and its hopes of becoming someone's toy this upcoming Christmas. Screenplay #1: White titled self wrappers with credits for screenwriters Rojay North and Michelle Nosco. Title page integral with front wrapper. 36 leaves with last page of text numbered 8. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine unbound. Screenplay #2: White illustrated titled wrappers. Title page present with credits for screenwriter Rojay North. 42 leaves with last page of text numbered 40. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine bound with two gold brads. Feathertouch Communications unknown books
1974ref. 150774Los Angeles: Paramount Pictures 1974. Vintage borderless studio still photograph with bottom margin of Roman Polanski from the 1974 film. Mimeo snipe on verso. A definitive entry in the New Hollywood canon and a worthy rival to director Roman Polanski's 1968 masterpiece "Rosemary's Baby." Nominated for eleven Academy Awards winning one for Best Original Screenplay for Robert Towne. Set in 1930s Los Angeles shot on location throughout California. 8 x 10 inches. Near Fine. National Film Registry. Ebert I. Grant US. Penzler 101 Greatest Films of Mystery and Suspense. Schrader's Canon Fodder 43. Silver and Ward Neo-Noir US. Spicer Neo-Noir US. Paramount Pictures unknown
1974ref. 150774Los Angeles: Paramount Pictures 1974. Vintage borderless studio still photograph with bottom margin of Roman Polanski from the 1974 film. Mimeo snipe on verso. A definitive entry in the New Hollywood canon and a worthy rival to director Roman Polanski's 1968 masterpiece "Rosemary's Baby." Nominated for eleven Academy Awards winning one for Best Original Screenplay for Robert Towne. Set in 1930s Los Angeles shot on location throughout California. 8 x 10 inches. Near Fine. National Film Registry. Ebert I. Grant US. Penzler 101 Greatest Films of Mystery and Suspense. Schrader's Canon Fodder 43. Silver and Ward Neo-Noir US. Spicer Neo-Noir US. Paramount Pictures unknown books
1965ref. 162284N.p.: American International Pictures 1965. Vintage studio still photograph from the US release of the 1963 Italian film. Provenance stamp on the verso. An early mondo-style shockumentary focusing on various curious and repulsive customs and practices around the globe. Original US release narrated by Vincent Price. 8 x 10 inches. Very Good plus with light edgewear and faint creasing with three spots of toning two to the top left and one to the margin of the top right corner. American International Pictures unknown
1965ref. 162284N.p.: American International Pictures 1965. Vintage studio still photograph from the US release of the 1963 Italian film. Provenance stamp on the verso. An early mondo-style shockumentary focusing on various curious and repulsive customs and practices around the globe. Original US release narrated by Vincent Price. 8 x 10 inches. Very Good plus with light edgewear and faint creasing with three spots of toning two to the top left and one to the margin of the top right corner. American International Pictures unknown books
1962ref. 167544Various cities: Columbia Pictures / Hammer Films 1962. Vintage lobby card for the Spanish-language release of the 1962 British horror film. In turn-of-the-century Egypt a mummy revives and begins to kill the Egyptologists responsible for its discovery. The second film in Hammer's Mummy franchise following the studio's better-remembered 1959 film "The Mummy" released as a double feature with "The Gorgon." 14 x 11 inches. Very Good plus with pinholes at the corners. Johnson and Del Vecchio 244-246. Columbia Pictures / Hammer Films unknown
1962ref. 167544Various cities: Columbia Pictures / Hammer Films 1962. Vintage lobby card for the Spanish-language release of the 1962 British horror film. In turn-of-the-century Egypt a mummy revives and begins to kill the Egyptologists responsible for its discovery. The second film in Hammer's Mummy franchise following the studio's better-remembered 1959 film "The Mummy" released as a double feature with "The Gorgon." 14 x 11 inches. Very Good plus with pinholes at the corners. Johnson and Del Vecchio 244-246. Columbia Pictures / Hammer Films unknown books
1969ref. 139328Middlesex England: Eve Productions Cinecenta 1969. Vintage black-and-white double weight British still photograph from the 1968 US film. Rubber stamp on the verso of COLTMAN DISPLAYS LTD a distributor in Middlesex England. "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. 8 x 10 inches. Very Good plus with edge creasing and a single short tear. Eve Productions Cinecenta unknown
1969ref. 139328Middlesex England: Eve Productions Cinecenta 1969. Vintage black-and-white double weight British still photograph from the 1968 US film. Rubber stamp on the verso of COLTMAN DISPLAYS LTD a distributor in Middlesex England. "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. 8 x 10 inches. Very Good plus with edge creasing and a single short tear. Eve Productions Cinecenta unknown books
1966ref. 147190N.p.: N.p. 1966. Draft script for the fourth episode of the fourth season of "Bob Hope Presents the Chrysler Theatre." With two manuscript pencil annotations to the first leaf noting names of prospective actors for the roles of Vicky and Ramon. While the Chrysler Theatre program was primarily known for actor Bob Hope's comedy routines many of the episodes presented musical and dramatic storylines. In "Crazier Than Cotton" after being forced to borrow money from his girlfriend to attend his father's funeral an unsuccessful young sculptor realizes he must drastically change his life. Set in New York City. White self-wrappers lacking front wrapper and title page. 75 leaves with last page of text numbered 74. Mimeograph duplication rectos only. Pages Very Good with the first leaf detached from the binding partially bound with a single staple. N.p. unknown books
1952ref. 141063N.p.: N.p. 1952. Draft script for an unproduced television episode. With a letter from screenwriter Jack Lewis dated 1952 laid in. The series as intended would have followed the jungle adventures of child actor Sabu. White titled wrappers with credits for screenwriter Jack Lewis. 34 leaves with last page of text numbered 34. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three silver brads. N.p. unknown
1952ref. 141063N.p.: N.p. 1952. Draft script for an unproduced television episode. With a letter from screenwriter Jack Lewis dated 1952 laid in. The series as intended would have followed the jungle adventures of child actor Sabu. White titled wrappers with credits for screenwriter Jack Lewis. 34 leaves with last page of text numbered 34. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three silver brads. N.p. unknown books
1961ref. 149567Spain: Argos SLPC 1961. Vintage poster for the 1961 Spanish film. 27.5 x 38.75 inches. Very Good plus. Light edgewear to the upper right edge minor starting to one of the folds and light soil. Argos SLPC unknown
1961ref. 149567Spain: Argos SLPC 1961. Vintage poster for the 1961 Spanish film. 27.5 x 38.75 inches. Very Good plus. Light edgewear to the upper right edge minor starting to one of the folds and light soil. Argos SLPC unknown books
1980ref. 147217N.p.: N.p. 1980. Treatment script for an unproduced television series. Two Americans busk their way across Europe traveling only with their guitars and the clothing on their backs. Green titled wrappers. Title page present with credits for screenwriters Scott Fitz-Randolph and James L. Stewart. 13 leaves with last page of text numbered 11. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with a small dampstain on the front wrapper bound with three gold brads. N.p. unknown
