11,160 results
1968ref. 162499N.p.: Joseph Brenner Associates 1968. Two vintage studio still photographs from the US release of the 1967 British film. Photographs with provenance stamps on the versos one with a label obscuring a previous provenance stamp. Released in the UK as "Mini Weekend" wherein Anthony Trent stars as Tom a horny man lost in fantasies desperate for some fun in "Swinging London." Shot on location in London. 8 x 10 inches. Near Fine. Joseph Brenner Associates unknown
1968ref. 162499N.p.: Joseph Brenner Associates 1968. Two vintage studio still photographs from the US release of the 1967 British film. Photographs with provenance stamps on the versos one with a label obscuring a previous provenance stamp. Released in the UK as "Mini Weekend" wherein Anthony Trent stars as Tom a horny man lost in fantasies desperate for some fun in "Swinging London." Shot on location in London. 8 x 10 inches. Near Fine. Joseph Brenner Associates unknown books
1966ref. 162177Los Angeles: Paramount Pictures 1966. Vintage lobby card for the 1966 film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the 1964 novel by Len Deighton. A British secret agent is sent to Berlin to facilitate the defection of a Soviet Intelligence officer. Once the agent arrives in Berlin he quickly finds that the situation is much more complicated than he anticipated. . Shot on location in Berlin. 14 x 11 inches. Poor with pinholes at the corners and light creasing and toning overall. Paramount Pictures unknown
1966ref. 162177Los Angeles: Paramount Pictures 1966. Vintage lobby card for the 1966 film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the 1964 novel by Len Deighton. A British secret agent is sent to Berlin to facilitate the defection of a Soviet Intelligence officer. Once the agent arrives in Berlin he quickly finds that the situation is much more complicated than he anticipated. . Shot on location in Berlin. 14 x 11 inches. Poor with pinholes at the corners and light creasing and toning overall. Paramount Pictures unknown books
1968ref. 137831Nassau Bahamas: McWhorter Productions 1968. Revised First Draft script for an unproduced film called "The Keep" adapted by Ray Jenkins from Gwyn Thomas' 1962 play. Bound in is an excised shooting schedule leaf on one side noting $7000 owed to Jean McDonald and the other side detailing production requirements for Ernest Lehman's 1972 film "Portnoy's Complaint" the film with Richard McWhorter as the Unit Production Manager. McWhorter operated his own production company very briefly with the company's Bahamas address on the title page. Thomas' play was adapted as an episode of "Festival" Season 1 Episode 28 and aired May 6 1964 starring Glyn Owen Eynon Evans and David Garfield. The story focuses on a family and their recollection of their mother who may or may not be deceased. This script then is likely a lengthening of the original television script for film development purposes. Red titled wrappers with die-cut window in the British style. Title page present dated August 19 1968 noted as REVISED SECOND DRAFT with credits for playwright Thomas and screenwriter Jenkins. 150 leaves with last page of text numbered 147. Roneograph with a few revision pages throughout dated 3/9/68. Pages and wrapper Near Fine bound internally with two gold brads. McWhorter Productions unknown
1968ref. 137831Nassau Bahamas: McWhorter Productions 1968. Revised First Draft script for an unproduced film called "The Keep" adapted by Ray Jenkins from Gwyn Thomas' 1962 play. Bound in is an excised shooting schedule leaf on one side noting $7000 owed to Jean McDonald and the other side detailing production requirements for Ernest Lehman's 1972 film "Portnoy's Complaint" the film with Richard McWhorter as the Unit Production Manager. McWhorter operated his own production company very briefly with the company's Bahamas address on the title page. Thomas' play was adapted as an episode of "Festival" Season 1 Episode 28 and aired May 6 1964 starring Glyn Owen Eynon Evans and David Garfield. The story focuses on a family and their recollection of their mother who may or may not be deceased. This script then is likely a lengthening of the original television script for film development purposes. Red titled wrappers with die-cut window in the British style. Title page present dated August 19 1968 noted as REVISED SECOND DRAFT with credits for playwright Thomas and screenwriter Jenkins. 150 leaves with last page of text numbered 147. Roneograph with a few revision pages throughout dated 3/9/68. Pages and wrapper Near Fine bound internally with two gold brads. McWhorter Productions unknown books
1969ref. 164370N.p.: Falcon International 1969. Vintage one sheet from the 1969 documentary. A thorough study of the mating rituals of various animals narrated by the eminent husband and wife naturalist-biologist team Lorus and Margery Milne. An anomaly that arise among sexploitation films of the 1960s; a seemingly earnest nature documentary which contains graphic footage of animal genitalia and copulation. 26.75 x 40.75 inches. Folded as issued. With two white labels on the recto obscuring the MPAA rating and the word "uncensored" else Near Fine. Falcon International unknown
1969ref. 164370N.p.: Falcon International 1969. Vintage one sheet from the 1969 documentary. A thorough study of the mating rituals of various animals narrated by the eminent husband and wife naturalist-biologist team Lorus and Margery Milne. An anomaly that arise among sexploitation films of the 1960s; a seemingly earnest nature documentary which contains graphic footage of animal genitalia and copulation. 26.75 x 40.75 inches. Folded as issued. With two white labels on the recto obscuring the MPAA rating and the word "uncensored" else Near Fine. Falcon International unknown books
1965ref. 161827N.p.: Astro Films 1965. Vintage studio still photograph from the 1965 film. A stripper is a mule for her gangster boyfriend transporting heroin from Mexico across the border into the US. Shot on location in Dallas and Houston Texas and Mexico City Mexico. 8 x 10 inches. Very Good plus with a half inch closed tear to the lower right. Astro Films unknown
1965ref. 161827N.p.: Astro Films 1965. Vintage studio still photograph from the 1965 film. A stripper is a mule for her gangster boyfriend transporting heroin from Mexico across the border into the US. Shot on location in Dallas and Houston Texas and Mexico City Mexico. 8 x 10 inches. Very Good plus with a half inch closed tear to the lower right. Astro Films unknown books
1958ref. 146678Universal City: Universal International Pictures 1958. Collection of eleven vintage studio still photographs from the 1958 film. Two photographs shown. Please inquire to see the others. A high school romance wherein Melinda Sandra Dee 16 years old and rumored to be an illegitimate child is a source of contention in her small town. When Will John Saxon the son of a traveling salesman begins attending he school the pair are instantly drawn to one another. The relationship is another source of drama for the poor scandalized Melinda. Shot on location in California. 8 x 10 inches. Very Good to Near Fine some light creasing 6 with uniform fading 2 with diagonal crease along bottom. Universal International Pictures unknown
1958ref. 146678Universal City: Universal International Pictures 1958. Collection of eleven vintage studio still photographs from the 1958 film. Two photographs shown. Please inquire to see the others. A high school romance wherein Melinda Sandra Dee 16 years old and rumored to be an illegitimate child is a source of contention in her small town. When Will John Saxon the son of a traveling salesman begins attending he school the pair are instantly drawn to one another. The relationship is another source of drama for the poor scandalized Melinda. Shot on location in California. 8 x 10 inches. Very Good to Near Fine some light creasing 6 with uniform fading 2 with diagonal crease along bottom. Universal International Pictures unknown books
1969ref. 126627Crown International Pictures 1969. Very Good. Original b/w film still photograph featuring blonde Patricia Wymer in her best-known role as Candy Wilson. Recalls the lecherous themes of "Lolita" and adds a motorcycle gang. Released the year of the gay rights movement Woodstock and Nixon. Soundtrack by and great dance party scene with The Food. 8 x 10 inches small white border. Very Good Plus faint spots and creasing. Crown International Pictures unknown
1968ref. 161541N.p.: Sam Lake 1968. Three vintage studio still photographs from the 1968 film two with provenance stamps on the versos. A dominatrix picks up a young male hitchhiker and takes him to a farmhouse where she and two other dominatrixes take turns abusing and humiliating him and each other. 8 x 10 inches. Near Fine. Sam Lake unknown
1968ref. 161541N.p.: Sam Lake 1968. Three vintage studio still photographs from the 1968 film two with provenance stamps on the versos. A dominatrix picks up a young male hitchhiker and takes him to a farmhouse where she and two other dominatrixes take turns abusing and humiliating him and each other. 8 x 10 inches. Near Fine. Sam Lake unknown books
1959ref. 132206London: National Screen Service 1959. Eight vintage British front-of-house cards from the UK release of the 1959 US film. A high-budget comedy with low-budget results about an older couple chasing their daughters through South America while they search for love. 8 x 10 inches. Pinholes to one still and brief light creases overall else Near Fine. National Screen Service unknown
1959ref. 132206London: National Screen Service 1959. Eight vintage British front-of-house cards from the UK release of the 1959 US film. A high-budget comedy with low-budget results about an older couple chasing their daughters through South America while they search for love. 8 x 10 inches. Pinholes to one still and brief light creases overall else Near Fine. National Screen Service unknown books
1968ref. 161839N.p.: Unusual Films International 1968. Two vintage still photographs from the 1968 film. A backwards and lonely professor builds female robots to satisfy his carnal desires. Shot on location in Miami Florida. 8 x 10 inches. Near Fine. Unusual Films International unknown
1968ref. 161839N.p.: Unusual Films International 1968. Two vintage still photographs from the 1968 film. A backwards and lonely professor builds female robots to satisfy his carnal desires. Shot on location in Miami Florida. 8 x 10 inches. Near Fine. Unusual Films International unknown books
1998ref. 173096N.p.: New Line Cinema 1998. Four vintage studio still photographs from the 1998 film. Story following a will-they-won't-they relationship between a woman recently separated from her cheating husband and her building superintendent. Set in New York City shot on location in Brooklyn New York and Los Angeles California. 8 x 10 inches. Fine. New Line Cinema unknown
1998ref. 173096N.p.: New Line Cinema 1998. Four vintage studio still photographs from the 1998 film. Story following a will-they-won't-they relationship between a woman recently separated from her cheating husband and her building superintendent. Set in New York City shot on location in Brooklyn New York and Los Angeles California. 8 x 10 inches. Fine. New Line Cinema unknown books
1971ref. 162469N.p.: J.E.R. Pictures 1971. Two vintage studio still photographs from the US release of the 1969 German film. Both photographs with a provenance stamp on the versos. Marie Liljedahl stars as the young Eva who solemnly swears to remain a virgin until it can be logically argued that her view is foolish and contradicts the course of human fate. 8 x 10 inches. Near Fine. J.E.R. Pictures unknown
1971ref. 162469N.p.: J.E.R. Pictures 1971. Two vintage studio still photographs from the US release of the 1969 German film. Both photographs with a provenance stamp on the versos. Marie Liljedahl stars as the young Eva who solemnly swears to remain a virgin until it can be logically argued that her view is foolish and contradicts the course of human fate. 8 x 10 inches. Near Fine. J.E.R. Pictures unknown books
1972ref. 162173N.p.: N.p. 1972. Two vintage lobby cards for the 1972 German film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. An exploitation film exploring the sex lives of women who arrive in Munich for the 1972 Olympics. 11.5 x 9.25 inches. Near Fine one with a tiny splash at the bottom margin. N.p. unknown
1972ref. 162173N.p.: N.p. 1972. Two vintage lobby cards for the 1972 German film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. An exploitation film exploring the sex lives of women who arrive in Munich for the 1972 Olympics. 11.5 x 9.25 inches. Near Fine one with a tiny splash at the bottom margin. N.p. unknown books
