11,049 results
1959ref. 147595Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Three vintage double weight studio still photographs from the 1959 film. With a stamp for The Silver Screen Archives stamp and separate mimeo snipe to the verso. A comedy about an Air Force sergeant who meets a beautiful model at a raffle for a new car. After a whirlwind romance he marries her before shipping off to Spain. When the new wife promises him in a letter "the most wonderful surprise that could happen to two people" he naturally assumes that she's pregnant. To his surprise it turns out to be the new car the prototype Lincoln Futura that eventually became the "Batmobile" for the 1966 television series causing the new couple problems with the military local populace and IRS. Set and partially shot on location in Spain. 8 x 10 inches. Very Good plus slightly wavy with some faint soil and light edgewear. Metro-Goldwyn-Mayer [MGM] unknown
1915ref. 151537Los Angeles: Fox Film 1915. Vintage lobby card for the 1915 silent film. Based on the 1908 play by Walter C. Hackett and Owen Frawley Kildare in turn based on Kildare's 1903 memoir "My Mamie Rose." A poor Irish-American orphan rises into power as a mob leader but decides to cut his criminal ties when he falls in love with a beautiful social worker. One of the first full-length gangster films presumed to be lost until the 1970s and now preserved at the Museum of Modern Art's Department of Film. Set in New York. 14 x 11 inches. Very Good moderately toned and edgeworn with pinholes to the corners. National Film Registry. Scorsese A Personal Journey Through American Movies. Fox Film unknown
1930ref. 151540Culver City CA: RKO Radio Pictures 1930. Vintage program for the 1930 pre-Code musical film. Based on the 1927 musical by Vincent Youmans in turn based on the 1922 play "Shore Leave" by Hubert Osborne. A young woman decides to sell her valuable heirloom necklace in order to buy a boat for for her US Navy sweetheart. Considered a lost film. 9 x 12 inches. Eight pages with illustrated wrappers. About Near Fine with light toning to the top and left edges. RKO Radio Pictures unknown
1959ref. 147596Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Five vintage studio still photographs from the 1959 film. Three with mimeo snipes to the verso. A comedy about an Air Force sergeant who meets a beautiful model at a raffle for a new car. After a whirlwind romance he marries her before shipping off to Spain. When the new wife promises him in a letter "the most wonderful surprise that could happen to two people" he naturally assumes that she's pregnant. To his surprise it turns out to be the new car the prototype Lincoln Futura that eventually became the "Batmobile" for the 1966 television series causing the new couple problems with the military local populace and IRS. Set and partially shot on location in Spain. 8 x 10 inches. Four Very Good plus with light creasing and light edgewear one Very Good with a light diagonal crease running from bottom left to top right. Metro-Goldwyn-Mayer [MGM] unknown
1972ref. 151604Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Vintage press kit for the 1972 film here called an "editor's portfolio." Full-color illustrated pocketed folder containing 12 black and white photographs and one gathering of promotional reading material. A dramatization of the life and work of French sculptor Henri Gaudier-Brzeska. Much of the content was taken from letters sent between Henri and his older emotionally detached lover Polish writer Sophie Brzeska. Shot on location in England. Folder photographs and promotional material Very Good plus. Metro-Goldwyn-Mayer [MGM] unknown
1970ref. 148337N.p.: N.p. 1970. Collection of 12 vintage French color lobby cards from the 1970 film. Housed in original labeled paper envelope. Based on the 1967 novel "Intersections" by Paul Guimard who also worked on the screenplay. Nominated for the Palme d'Or at Cannes and remade in 1994 as "Intersection" directed by Mark Rydell and starring Richard Gere Sharon Stone and Lolita Davidovich. Shot on location in Paris La Rochelle and Thoiry France. 11.75 x 9.25 inches. Near Fine. N.p. unknown
2000ref. 169932Pine Bush New York: Abandon Pictures 2000. Draft script for the 2001 film. Agency copy in ICM Agency wrappers with a copied annotation on the title page noting "Please copy return." A retelling of Shakespeare's "Macbeth" set in suburban Pennsylvania in the 1970s following ambitious hamburger stand worker Joe McBeth. Shot on location in Halifax. White generic ICM agency wrappers. Title page present dated 02/08/00 noted as Production Draft with credit for director and screenwriter Billy Morrissette. 58 leaves with last page of text numbered 116. Xerographic duplication printed on rectos and versos. Pages Fine wrapper Fine bound internally with two gold brads. Abandon Pictures unknown
1965ref. 160196N.p.: N.p. 1965. Treatment script for an unproduced film. A planned sequel to "Christmas on Earth" an absurd Beat-era stream-of-consciousness narrative following the Snow Queen and a group of fairies as they attempt to save Jean Genet playing himself from life as a Bowery Bum. Filmmaker Barbara Rubin was a figure of almost mythical importance in the New York underground. Rubin introduced Andy Warhol to the Velvet Underground was friends with Bob Dylan and a former lover of Allen Ginsberg and helped Jonas Mekas organize the Film-Makers' Cooperative all before converting to Orthodox Judaism at 24 and moving to France with her husband and children. Rubin is today best remembered for her transgressive 1963 masterpiece "Christmas on Earth" a 16mm film so sexually explicit it sent ripples through the New York film scene and was subject to multiple censorship efforts by the police made when Rubin was only 18 years old. Self wrappers. Title page present copyrighted 1965 with credit for screenwriter Barbara Rubin. 32 leaves with last page of text numbered 31. Mimeograph duplication rectos only. Pages Very Good plus with light rust marks along the binding bound with three staples. N.p. unknown
1953ref. 169939New York: Kagran Corporation 1953. Revised script for Season 2 Episode 2 of the 1953-1954 ABC television series. Screenwriter Jerome Coopersmith's working copy with his substantive annotations in manuscript ink throughout marking deletions editorial notes and revisions. The "Johnny Jupiter" program appeared in two iterations throughout 1953 and 1954: the first aired on the DuMont Television Network from March to June of 1953 and the second aired on ABC and aired between September 5 1953 and May 29 1954. Both series featured 30-minute episodes blended hand puppetry and live action and featured a shop employee interacting with aliens through a magical television set but the second series was geared toward adults while the first was geared toward children. The ABC series followed a young television shop employee as he fielded interactions with his human colleagues his boss and his boss' daughter and the Jovian aliens from Jupiter the titular Johnny Jupiter and two robots. In this episode the Frisby general store is paid a visit by the chief scoutmaster of the Frontier Scouts of America throwing Duckweather Horatio and Katherine into a tizzy and causing the Jovians to intervene in an unwanted attempt to help. Self wrappers. Title page present with credit for series writer Jerome Coopersmith noted as "Script #1" and "'Frontier Scout Story'". 53 leaves with last page of text numbered 48. Mimeograph duplication rectos only with undated pink revision pages throughout. Pages Very Good plus first and last leaves detached from the binding partially bound with a single staple at the top left corner. Kagran Corporation unknown
ref. 169944Chanhassen MN: Graffiti Bridge Inc 1990. Archive of two original scripts and over 100 pages of production documents from the 1990 film all belonging to Sound Mixer and Playback Operator Matthew Quast. The archive consists of: A Fourth Draft script dated February 1 1990 with manuscript ink annotations on the versos of two pages and the recto of a third housed in a large generic blue three-ring binder with the labels "Graffiti Bridge" on the spine and "Sound Mixer / M. Quast" on the front board. Bound in preceding the script are: 40 pages of song lyrics with manuscript ink and highlighter annotations noting timing of stanzas on nearly every page. Seven pages of employment applications agreements and memos. Sixteen pages of crew contact information. And thirteen pages of One-Line Schedules dated February 8 20 and 26 1990. An undated Revised Draft script lacking the first seven pages and title page housed in a narrow generic red three-ring binder. Bound in following the script is a six-page "Contact Suppliers List" an eight-page "Area Info" and four pages of maps and directions to Prince's Paisley Park studio. Laid in with the scripts are: Copies of Prince's wardrobe sketches on three pages and one half leaf. A four page Music List dated January 26 1990. Four Call Sheets dated 3/13/90 3/26/90 3/27/90 and 3/28/90 with a memo dated March 27 1990 stapled to the last call sheet. A three page One-Line Schedule dated March 20 1990. A copy of a handwritten page listing six scenes for "Thursday 3/8/90." And six "Graffiti Bridge" film reel labels and a blank Avalon Entertainment employee time and reimbursement submission form with the attached carbon copy. Prince's standalone sequel to his hit 1984 movie "Purple Rain" and his third and final film role following "Purple Rain" and the 1986 film "Under the Cherry Moon" Prince's directorial debut. Prince returns as "The Kid" now a club owner in a "West Side Story" style rivalry with competing club owner Morris Morris Day and puts his club on the line with a bet with Morris over who can write the best song. Set and shot on location in Eden Prairie and Minneapolis Minnesota. Fourth Draft script: Housed in a large blue generic three-ring binder. Title page present dated February 1 1990 noted as FOURTH DRAFT with credits for screenwriter Prince. 70 leaves with last page of text numbered 66. Xerographic duplication rectos only with blue and yellow revision pages throughout dated variously between 2/7/90 and 3/9/90. Pages Near Fine bound in a Very Good plus three-binder. Revised Draft script: Housed in a thin red generic three-ring binder. 56 leaves with last page of text numbered 60. Xerographic duplication rectos only with undated blue revision pages. Pages Near Fine bound in a Very Good plus three-ring binder. Other production documents 8.5 x 11 inches to 8.5 x 14 inches. Near Fine overall. Graffiti Bridge Inc unknown
2000ref. 169959N.p.: N.p. 2000. Revised Draft script for the 2001 film an internally duplicated copy with copied hole punches as issued housed in a red inkjet paper box with the title "Hedwig" in manuscript marker to the lid of the box. Based on the 1998 stage musical by director John Cameron Mitchell and Stephen Trask. Hedwig a genderqueer punk rock singer from East Berlin tours the US with her band the Angry Inch shadowing the tour of arena rock star Tommy Gnosis her former lover and protégé who stole her songs. As she travels she tells the story of her life culminating in a botched sex reassignment surgery to escape East Berlin with Tommy immediately before the Berlin Wall fell and Tommy left her. Shot on location in Toronto. Red titled wrappers with credits for screenwriter John Cameron Mitchell. Title page present dated 1/3/00 noted as Revised with credits for screenwriter John Cameron Mitchell and Song Lyrics by Stephen Trask. 80 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with dampstaining to the bottom right of the front wrapper and first three leaves bound with a prong binding. Criterion Collection 982. N.p. unknown
1998ref. 169960N.p.: N.p. 1998. Revised Draft script for the 2001 film. An agency copy printed on the rectos and versos written seven months prior to the commencement of the production with the marker annotation of "O" on the front wrapper. A modern day adaptation of Shakespeare's "Othello" set in a US high school wherein Odin James Mekhi Phifer the only black student at Palmetto Grove Academy who is the star basketball player and dating the Dean's beautiful daughter Desi Julia Stiles is the envy of his troubled friend Hugo Josh Hartnett who plots a deadly scheme to sow mistrust between Desi and Odin. Shot on location in Charleston South Carolina. Untitled International Creative Management wrappers. Title page present dated 08/12/98 noted as Revision with credits for screenwriter Brad Kaaya. 59 leaves with last page of text numbered 114. Xerographic duplication on the rectos and versos. Pages Near Fine wrapper Very Good plus with dampstaining to the rear board bound internally with two gold brads. N.p. unknown
1993ref. 169975N.p.: Wife N' Kids Productions 1993. Fifth Draft script for the 1993 film. With extensive manuscript marker and ink annotations to the front wrapper and manuscript ink annotations to six pages. After his grandmother is murdered a nerdy repairman with a knack for invention stumbles onto a method to make his clothes bulletproof and decides to become the low budget superhero "Blankman" to help defend his neighborhood from crime. Set in New York City filmed on location in Chicago Illinois. Blue untitled wrappers. Title page present dated July 20 1993 noted as 5th DRAFT with credits for screenwriter Damon Wayons "based on revisions" by Wayons J.F. Lawton and Chris Matheson and "Revised by" Wayons and Lawton. 102 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Wife N' Kids Productions unknown
1939ref. 156293Hollywood: RKO Radio Pictures 1939. Five vintage studio still photographs from the 1939 film. One photograph with a mimeo snipe on the verso and one with a provenance stamp on the verso. The only feature film written by Langston Hughes in collaboration with African American actor Clarence Muse who also appeared in the film in the role of Uncle Caton. While Hughes and Muse intended to create a story about antebellum Louisiana with a more accurate portrayal of African Americans' role during the period studio interference inevitably compromised their initial vision. Set in Louisiana shot on location in Calabasas and Santa Monica California. 10 x 8 inches. Very Good plus. RKO Radio Pictures unknown
1950ref. 169980N.p.: N.p. 1950. Treatment script for an unproduced film. Copy belonging to screenwriter Harold Jacob Smith with the maker annotation of "H.J. Smith" and a telephone number on the top left corner of the front wrapper. Script with four carbon typescript pages the final three pages and a second title page with the alternative title "The Last American" found preceding the title page matching the front wrapper. The title page with the title matching the front wrapper with a manuscript marker annotation striking second screenwriter Nathan E. Douglas. Nathan E. Douglas was the pseudonym of blacklisted screenwriter Nedrick Young with whom Smith co-wrote the Academy Award winning script for the 1958 film "The Defiant Ones" as well as the acclaimed 1960 film "Inherit the Wind." For generations Joshua Cable's family have lived on their farm in the Appalachia Mountains. After strip mining has left everyone but the coal companies destitute and all the farms poisoned with coal dust Cable desperately gathers the help of other impoverished men to steal equipment from the coal company and mine his farmland for coal in spite of having sold the mineral rights to his land to the coal company years ago. Tan titled wrappers. Two title pages present one with credits for screenwriter Harold Jacob Smith and one for screenwriters Harold Jacob Smith and Nathan E. Douglas with Douglas' name stuck. 37 leaves with last page of text numbered 33. Mimeograph duplication with four pages carbon typescript rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown
1978ref. 169977N.p.: N.p. 1978. Archive of 180 pages of post-production documents including Italian and English dialogue-only scripts regarding English translations and subtitles for the 1975 Italian film here under the working English title "Young Dracula." Included in the archive are: 68-page dialogue-only script in Italian with manuscript ink annotations on 28 pages checking dialog and occasionally noting timing. Attached is a carbon typescript letter signed from distributor Robert M. Phillips to a "Mr. Finder" at Titra Film Laboratories in New York regarding the English subtitling for the film dated December 18 1978. Xerographic duplication. 46-page dialogue-only script in English with manuscript ink annotations on every page noting timing and checking dialogue. 40-page carbon typescript "English Copy Superimposed Spotted List" on "Spottted and Edited by Nat and Robert Hoffberg" onionskin forms with manuscript ink annotations on nine pages regarding dialogue and timing. 15-page carbon typescript of "Revised text" on onionskin stock with ink annotations on every page checking and noting dialogue. Four ribbon copy typescript pages on onionskin stock of "Changes For Spotting List" and "Additional Changes for Young Dracula." Three ribbon copy typescript pages on onionskin stock comprised of two trailer spotting list pages and a one page "Changes for Trailer Spotting List." Three-page Xerographic copy of "Trailer Dialogue" with manuscript ink annotations throughout noting timing and checking dialogue. Typed letter signed on onionskin stock from Phillips to Robert Hoffberg dated January 19 1979 regarding discrepancies in dialogue translations. Giallo director Lucio Fulco's vampire comedy wherein a boorish quick-tempered toothpaste factor owner finds himself thirsty for blood and re-examining his life after a curse from a gypsy aunt and a business trip to Romania where he shared a bed with a suave vampire. Shot on location in Rome Italy. Italian dialogue-only script: Front wrapper integral with cover letter. 69 leaves with last page of text numbered 68. Xerographic duplication rectos only. Pages Near Fine letter Very Good plus unbound with a large paper clip to the top left corner. English dialogue-only script: Front wrapper integral with first leaf. 46 leaves with the last page of text numbered 46. Xerographic duplication rectos only. Pages Near Fine unbound with a binder clip to the top left corner. Letter dated January 19 1979 8.5 x 11 inches. Very Good with a small closed tear to the right side and a large closed tear to the top left and light edgewear and creasing. All other documents 8.5 x 11 inches to 8.5 x 14 inches. Very Good plus to Near Fine overall. N.p. unknown
1983ref. 169954New York: Cates Films 1983. Revised script for an unproduced film. A drama about a psychology professor who gets involved with a sexual abuse case against a respected therapist. Playwright Jerome Coopersmith wrote prolifically for television and the stage throughout the mid- to late-twentieth century. He is best remembered today for his writing for "Hawaii Five-O" 1968-1980 and the 1974 Christmas television special "'Twas the Night Before Christmas" but also contributed episodes for "Armstrong Circle Theater" "The Streets of San Francisco" "Combat!" "Spenser for Hire" and others. In 1965 he received a Tony nomination for the Sherlock Holmes Broadway musical "Baker Street" and wrote and co-wrote a number of off-Broadway plays including "Eleanor" 1967 about the early life of Eleanor Roosevelt. Coopersmith and Cates Films would work together in 2004 on the television movie adaptation of the 1980 Mary Higgins Clark novel "The Cradle Will Fall." Untitled William Morris Agency wrappers with clear front wrapper and navy rear wrapper. Title page present noted as Revised dated November 1983 with credit for Coopersmith. 107 leaves with last page of text numbered 105. Xerographic duplication rectos only. Pages Near Fine wrapper about Near Fine bound internally with three silver brads. Cates Films unknown
1974ref. 169951Los Angeles: Rankin/Bass Productions 1974. Draft script for the 1974 animated Christmas television special originally aired on CBS on December 8 1974. From the archive of screenwriter Jerome Coopersmith. A children's Christmas tale loosely based on Clement Moore's classic 1823 poem. Although produced in the US the special was animated in Japan by Topcraft an animation studio later linked to Studio Ghibli. Topcraft would collaborate numerous times with Rankin/Bass throughout the 1970s and 1980s most notably on "The Hobbit" 1977 and "The Last Unicorn" 1982. Script housed in a mylar folder with a navy blue binding. Pink titled William Morris Agency wrappers. Title page present dated 3-12-74 with credits for Moore and screenwriter Jerome Coopersmith. 36 leaves with last page of text numbered 34. Mimeograph duplication rectos only. Pages Near Fine wrappers Near Fine bound internally with three silver brads. Rankin/Bass Productions unknown
1978ref. 170201Burbank CA: National Broadcasting Company NBC 1978. Draft script for the 1978 television movie "Katie: Portrait of a Centerfold" seen here under the working title "Centerfold" which aired October 23 1978 on NBC. Copy belonging to unknown crew member Irwin Draper with his name in manuscript in on the front wrapper. One of Kim Basinger's earliest film roles and the film that would begin to transition her reputation away from being a model to that of a respected screen actress. Here she plays a Texas beauty queen who moves to Hollywood to seek her fame only to wind up posing for a centerfold. Set in Texas and California. Blue titled wrappers. Title page present dated May 25 1978 with credits for screenwriters Nancy Audley and Howard Chesley and producers Robert Greenwald and Frank von Zerneck. 113 leaves with last page of text numbered 111. Xerographic duplication. Pages and wrapper Fine bound with two copper brads. National Broadcasting Company [NBC] unknown
1945ref. 170263Los Angeles: Twentieth Century-Fox 1945. First Draft Continuity script for an unproduced film. Laid in with the script is a typed letter dated January 11 1946 from story department head David Stephenson to director Brian Foy critiquing the script's plot and recommending revisions. Annotations on the distribution page in manuscript pencil regarding potential casting options. Not to be confused with the 1953 film starring Cyd Charisse and Fred Astaire. An orphan turned successful pop singer organizes a show-stopping dance and music event to raise money for his former orphanage while balancing a love triangle with two beautiful women. Screenwriter Richard Macaulay is best known for "Riding on Air" 1937 "Ready Willing and Able" 1937 "The Roaring Twenties" 1939 and "Born to Kill" 1947. Orange titled wrappers dated August 30 1945 and noted as FIRST DRAFT CONTINUITY on the front wrapper stamped copy No. 14. Distribution page present receipt removed. Title page present dated August 30 1945 noted as 1st Draft Continuity with credit for screenwriter Richard Macaulay. 106 leaves with last page of text numbered 104. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Twentieth Century-Fox unknown
1990ref. 170252N.p.: N.p. 1990. Draft script for an unproduced film seen here under two titles: "Once Upon a Poor Boy" and "Flavor Tale" the latter in manuscript ink on the title page. A modern take on "Cinderella" about an unpopular African-American teenager who is helped out by his "Funky Freshfather" a magical being sent to help the boy get ready for the school formal. Screenwriter Tyger Williams wrote the screenplay for "Menace 2 Society" 1993 and continues to write prolifically for television. Self wrappers. Title page present undated with credit for Williams. 114 leaves with last page of text numbered 113. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. N.p. unknown
2011ref. 170195Burbank CA: Warner Brothers 2011. Revised Draft script for the 2013 film with rainbow revision pages throughout. Based on the 2012 book "Gangster Squad: Covert Cops the Mob and the Battle for Los Angeles" by Paul Lieberman. A dramatization of the formation of the "Gangster Squad" a team of Los Angeles police officers and detectives tasked with taking down a prominent crime boss. Set in 1949 Los Angeles shot on location in Los Angeles. White untitled front wrapper lacking rear wrapper. Title page present dated September 8 2011 noted as FULL PINK with credits for Lieberman and screenwriter Will Beall. 142 leaves with last page of text numbered 133. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between September 8 and November 22 2011. Pages Near Fine wrapper Near Fine bound with two gold brads. Silver and Ursini American Neo-Noir. Warner Brothers unknown
1971ref. 170164Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1971. Final Draft script for Season 3 Episode 17 of the 1969-1976 television series. A long-running medical drama that followed doctors Paul Lochner and Joe Gannon as they went about their daily lives at a university hospital in Los Angeles. In this episode Gannon reconnects with an old flame a doctor with a troubled past. Originally aired on January 19 1972 on CBS. Screenwriter Jerome Coopersmith wrote prolifically for television and the stage throughout the mid- to late-twentieth century. He is best remembered today for his writing for "Hawaii Five-O" 1968-1980 and the 1974 Christmas television special "'Twas the Night Before Christmas" but also contributed episodes for "Armstrong Circle Theater" "The Streets of San Francisco" "Combat!" "Spenser for Hire" and others. In 1965 he received a Tony nomination for the Sherlock Holmes Broadway musical "Baker Street" and wrote and co-wrote a number of off-Broadway plays including a biographical play about the early life of Eleanor Roosevelt. Orange titled MGM wrappers dated November 18 1971 noted as FINAL DRAFT and production No. 7852 stamped copy No. 61 with credit for screenwriter Jerome Coopersmith. Title page integral with the front wrapper. 62 leaves with last page of text numbered 60. Mimeograph duplication rectos only. Pages Very Good plus wrapper Near Fine with light foxing to the page edges bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1988ref. 169970Burbank CA: Warner Brothers 1988. First Draft script for Season 1 Episode 4 of the 1989 television series. A spinoff of the 1985-1988 television series "Spenser: For Hire" which was based in turn on Robert B. Parker's long-running detective novel series. In this episode Hawk helps an old friend a defense attorney who has taken on a seemingly hopeless murder case. Originally aired on February 18 1989 on ABC. Shot on location in Washington DC. Red titled wrappers dated December 23 1988 and noted as First Draft on the front wrapper. Title page present dated December 23 1988 noted as First Draft with credit for screenwriter Jerome Coopersmith. 57 leaves with last page of text numbered 54. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown
1993ref. 170168Los Angeles: Twentieth Century-Fox 1993. Revised Final Draft script for the 1994 film. Loosely based on a 1976 "New Yorker" article by Roger Angell about a baseball scout who discovers a promising new player and successfully negotiates his signing with the Yankees only to realize that the man is emotionally stunted after years of childhood abuse. Shot on location in Zempoala and Veracruz in Mexico in Bracken County Kentucky and in New York. Self wrappers. Title page present dated 12/5/93 noted as FINAL DRAFT and Revised. 130 leaves with last page of text numbered 126. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 12/20/93 and 3/15/94. Pages Near Fine bound with three gold brads. Twentieth Century-Fox unknown
