11,046 results
1968ref. 161710N.p.: Cambist Films 1968. Three vintage studio still photographs from the 1968 US English language release of the 1962 Argentinian film. One photograph with a provenance stamp on the verso. Mexican prostitute Cora reminisces on her life and how she got to where she is. Nominated for the Palme d'Or. Shot on location in Argentina. 8 x 10 inches. Near Fine. Cambist Films unknown
1968ref. 161665N.p.: Cannon Films 1968. Three vintage studio still photographs from the 1968 film. All three photographs with provenance stamps on the versos. A woman hosts an annual licentious reunion parties for her former sorority sisters and their lovers at her beach estate. Shot on location in Fire Island New York. 8 x 10 inches. Very Good plus one photograph with a wax pencil annotation along the top right edge and a one inch closed tear to the top center right. Cannon Films unknown
1968ref. 161642N.p.: N.p. 1968. Vintage studio still photograph from the 1968 sexploitation film. Several couples on a fishing trip become involved in sexual trysts. 8 x 10 inches. Very Good plus with several pinholes. N.p. unknown
1959ref. 161565N.p.: President Films 1959. Vintage studio still photograph from the US release of the 1957 German film. Ingmar Zeisberg stars as Eva a girl who illegally leaves Germany for Denmark and is forced into working as a call girl under the threat of deportation. Set in Copenhagen Denmark. 8 x 10 inches. Near Fine. President Films unknown
1958ref. 161683N.p.: Films Around the World 1958. Vintage studio still photograph from the US release of the 1956 French/Italian film. Hélène a well off and devoted social worker convinces her family to take in Christine a young girl in distress. After Christine is kicked out for something she didn't do Hélène falls under the influence of Monsieur Roger a pimp who intends to force Hélène into prostitution. 8 x 10 inches. Very Good plus with a crease and a tiny chip to the bottom right corner. Films Around the World unknown
1965ref. 161670N.p.: Planet Film Distributors 1965. British front-of-house card from the 1965 British film. Provenance stamp on the verso on two labels obscuring a previous provenance stamp. A secret vampire cult which has a headquarters under a graveyard in the small village of Brittany searches for human sacrifices. Shot on location in Finistere France. 8 x 10 inches. Very Good plus with light creasing edgewear and faint toning at the extremities. Planet Film Distributors unknown
1972ref. 161664N.p.: Mature Pictures 1972. Vintage studio still photograph from the 1970 film. Provenance stamp on the verso. Meta sexploitation film in which Tina Russell stars as May a woman held hostage in a mansion after seeking a job in an experimental film. 8 x 10 inches. Light edgewear else Near Fine. Mature Pictures unknown
1968ref. 161669N.p.: Boxoffice International 1968. Three vintage studio still photographs from the 1968 sexploitation film. All three photographs with provenance stamps on the versos. A fanciful account of the Marquis de Sade and the women who are irresistibly drawn to him. 8 x 10 inches. Very Good plus. Boxoffice International unknown
1972ref. 161709N.p.: American International Pictures 1972. Vintage studio still photograph from the 1973 film with a provenance stamp on the verso. A feminist newspaper columnist Marjorie is fired for not curbing her column's libertine content and begins to organize monthly sessions with five other women to discuss sex for a future writing project. 8 x 10 inches. Near Fine. American International Pictures unknown
1969ref. 161645N.p.: Forbes Unistar 1969. Three vintage studio still photographs from the 1969 film. Two photographs with provenance stamps on the versos and each with a label obscuring a previous provenance stamp. Outrageous Argentinian sexploitation film wherein a mad doctor based on instructions from a talking brain kidnaps couples having sex and injects them with a drug to enhance their sexual abilities-all so he can then extract from them a resulting fluid which prevents him from transforming into a monster. Set in and shot on location in Buenos Aires. 8 x 10 inches. Light edgewear else Near Fine. Forbes Unistar unknown
1975ref. 161667N.p.: Rainbow Distributors 1975. Three vintage studio still photographs from the 1975 sexploitation film. One photograph with a provenance stamp on the verso. Three escaped mental patients break into a private girls' school with bad intentions unaware that the girls' curriculum includes wrestling and karate. Shot on location in Santa Barbara California. 8 x 10 inches. Light edgewear else Near Fine. Rainbow Distributors unknown
1966ref. 161628New York: William Mishkin Motion Pictures 1966. Three vintage studio still photographs from the 1966 film. Two with provenance stamps on the versos one with two labels on the verso obscuring two previous provenance stamps. Country girl Cherry arrives in New York to start a career and find romance and gets caught up in the seedy side of the city. Shot on location in New York City. 8 x 10 inches. Very Good plus with light edgewear overall and faint creasing at the extremities one with a wax pencil annotation on the recto and one with pinholes in the lower right margin. William Mishkin Motion Pictures unknown
1965ref. 161630N.p.: American Film Distributing 1965. Vintage studio still photograph from the classic 1965 exploitation film. Provenance stamp on the verso. An outrageous "exposé" which claims to reveal the shocking truth about predatory lesbianism in today's society. Set in and shot on location in Greenwich Village New York. 8 x 10 inches. Near Fine. American Film Distributing unknown
1968ref. 161640N.p.: Chancellor Films 1968. Three vintage studio still photographs from the 1968 film. One photograph with a provenance stamp on the verso on a label obscuring an older provenance stamp. Loosely based on the 1924 short story "The Most Dangerous Game" by Richard Connell wherein wealthy beatnik Virginia offers a former wrestler played by boxer Jake LaMotta a washed up actor and a drug dealer $100000 if they can survive being hunted down in the streets of Manhattan. Shot on location in New York City. 8 x 10 inches. Very Good plus. Chancellor Films unknown
1971ref. 161636N.p.: Sherpix 1971. Vintage studio still photograph from the 1970 film. Little known exploitation film by filmmaker Patrick Mulcahy also released under the title "Cum Laude Fraud" which was known to have played at the Playboy Theater in Chicago 8 x 10 inches. Near Fine. Sherpix unknown
1971ref. 161586N.p.: Gentlemen II Productions 1971. Three studio still photographs from the presumably lost 1971 film. All photographs with provenance stamps on the verso one with a label obscuring a previous provenance stamp. Posters from the film have survived but photographs are excessively rare. 8 x 10 inches. Very Good plus one with wax pencil annotations on the recto. Gentlemen II Productions unknown
1963ref. 161702N.p.: Eve Productions 1963. Vintage studio still photograph from the 1963 film. Famed director Russ Meyer's documentary about the underground world of sex work in Europe. According to film critic Roger Ebert's article "Russ Meyer: King of the Nudies" published in the Jan/Feb 1973 issue of "Film Comment" Meyer "concealed a 16-mm camera in a suitcase and got footage in the red-light districts of Paris Amsterdam and elsewhere." 8 x 10 inches. Near Fine. Eve Productions unknown
1968ref. 161637N.p.: Distribpix / A.F.P.I. 1968. Four vintage studio still photographs from the 1968 film. Three photographs with provenance stamps on the versos. Rare. The exploits of "college girls" who'll do anything for a good grade. 8 x 10 inches.Very Good plus one with a bruise to the center of the photograph. Distribpix / A.F.P.I. unknown
1980ref. 163629Los Angeles: AVCO Embassy Pictures 1980. Collection of eighteen vintage studio still photographs from the 1980 film all with bottom margins with text and all with a dated "Oct 10 1980" MPAA stamps on the versos. Based on Brian Garfield's 1975 novel about CIA agent Miles Kendig Matthau who decides to retire and to ensure his privacy threatens to send his memoirs to the world's intelligence agencies. When the CIA disregards his threat he writes and mail chapters one-by-one. To avoid compromising their operations two CIA agents Waterston and Beatty set out to silence Kendig by any means. Shot on location in Georgia England Germany and Austria. 8 x 10 inches Near Fine all with light overall toning. Criterion Collection 163. AVCO Embassy Pictures unknown
ref. 163896Hollywood: Mépris Films / Pretty Pictures 2001. Revised Draft script for the 2003 film. Working copy belonging to director and producer Neil LaBute annotated throughout bound in a three-ring binder with numerous production documents including handwritten shot sequences color photos contact sheets shooting and post-production schedules and location and vendor lists. Laid in with the binder are three borderless wardrobe test photographs of actor Paul Rudd in costume an additional white set of revision pages a manuscript shot breakdown in LaBute's hand and three xerographically duplicated images of Rudd with a prosthetic neck. Laid into the front of the binder is a full-page newspaper advertisement for LaBute's play. Based on the 2001 play written by LaBute. A pitch-black comedy about a frumpy literature major whose personality and appearance begins to change as he is wooed by a beautiful graduate art student. Title page present dated December 12 2001 with credit for LaBute. 134 leaves with last page of text numbered 112. Xerographic duplication rectos only with blue yellow and pink revision pages throughout dated variously between January 21 and February 8 2002. Pages Near Fine binder Near Fine. Mépris Films / Pretty Pictures unknown
ref. 163898Los Angeles: Gramercy Pictures / Propaganda Films / Fleece Films / Volcanic Films 1997. Draft script for the 1998 film seen here under the working title "The Fine Art of Living." Working copy belonging to director Neil LaBute with his extensive annotations throughout noting deletions and revisions to dialogue. Bound in a three-ring binder with numerous production documents including contact sheets scene breakdowns memos legal documents shooting and post-production schedules location and vendor lists and edits of promotional material. LaBute's second feature following "In the Company of Men" 1997 about two middle-class couples who lie and cheat in their struggles to find satisfaction in their empty relationships. Title page present dated 9/19/97 with credit for LaBute. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Near Fine binder about Near Fine. Gramercy Pictures / Propaganda Films / Fleece Films / Volcanic Films unknown
1945ref. 164474Universal City: Universal Studios 1945. Vintage publicity photograph from the 1945 film showing actress Yvonne De Carlo. Printed mimeo snipe affixed to the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901. Jones worked for Paramount Pictures in the early 1930s and was the first still photographer to win an Academy Award. He went on to be the head of the still photography department at Universal Pictures where he worked well into the 1950s. Loosely based on the life of famed dancer and courtesan Lola Montez. De Carlo's breakthrough role about an exotic dancer who becomes a spy during the American Civil War. 8 x 10 inches. Near Fine. Universal Studios unknown
1960ref. 163885Hollywood: United Artists / Ziv 1960. Draft script for Season 2 Episode 20 of the 1959-1961 television series. Originally aired on February 4 1961 in syndication. "Lock Up" was a short-lived legal drama series focusing on the cases of renowned Philadelphia corporate attorney Herbert L. Maris. In this episode Maris heads west to investigate a mining scam in Nevada. Screenwriter Robert Bloch is best known for penning Alfred Hitchcock's "Psycho" 1959 although his six-decade writing career encompassed novels short stories radio cinema and television. A protégé of H.P. Lovecraft Bloch received the Hugo Award the Bram Stoker Award and the World Fantasy Award and served as the president of the Mystery Writers of America in 1970. Orange titled wrappers dated 20 October 1960 on the front wrapper with credit for Bloch. Title integral with the front wrapper. 45 leaves with last page of text numbered 44. Mimeograph duplication rectos only. Pages about Fine wrapper Near Fine bound with two gold brads. United Artists / Ziv unknown
1960ref. 163883Hollywood: United Artists / Ziv 1960. Draft script for Season 2 Episode 5 of the 1959-1961 television series. Originally aired on October 22 1960 in syndication. "Lock Up" was a short-lived legal drama series focusing on the cases of renowned Philadelphia corporate attorney Herbert L. Maris. In this episode the owner of an archery range is charged with killing his psychologist after the latter is found murdered with an arrow sticking out of his chest. Screenwriter Robert Bloch is best known for penning Alfred Hitchcock's "Psycho" 1959 although his six-decade writing career encompassed novels short stories radio cinema and television. A protégé of H.P. Lovecraft Bloch received the Hugo Award the Bram Stoker Award and the World Fantasy Award and served as the president of the Mystery Writers of America in 1970. Orange titled wrappers dated 29 July 1960 on the front wrapper with credit for Bloch. Title integral with the front wrapper. 40 leaves with last page of text numbered 38. Mimeograph duplication rectos only. Pages about Fine wrapper Near Fine bound with two gold brads. United Artists / Ziv unknown
1938ref. 163880N.p.: N.p. 1938. James Hilton's typescript draft screenplay for the 1939 film an adaptation of his own 1937 novel the only such adaptation he ever completed. With the author's profuse manuscript ink annotations as well as many pages executed entirely in manuscript ink throughout. Included is a privately commissioned essay by Hilton scholar Kurt Kausler detailing both the history of Hilton's work on the film an analysis and a breakdown of the manuscript. Almost certainly Hilton's first corrected manuscript screenplay for the film. After Jack Warner raised concerns about the script being too long screenwriter Milton Krims was employed to clean up and shorten it-though in the end Hilton received sole credit as screenwriter. A man hires an Austrian governess and both are suspected of murder when his wife is discovered to be dead. 123 leaves a gathering demonstrating the author's method his attention to detail and his extreme frugality with the use of paper the last most likely due to wartime shortages. The script consists of a ribbon copy typescript leaves on both onionskin and paper stock with manuscript emendations on virtually every page in many cases both recto and verso with some leaves executed on the versos of unrelated previous work by Hilton b leaves consisting entirely of text executed in manuscript ink c hand-cut partial leaves and d a handful of later Xerographically duplicated facsimiles of Hilton's original annotated typescript leaves. Included is a very detailed analysis of the manuscript as well as the events surrounding its creation along with a detailed breakdown of the manuscript elements. Hilton's manuscript leaves Very Good to Fine quite supple and well preserved. Housed in a modern white three-ring binder. Leaves individually held in modern mylar page protectors. N.p. unknown
