4,909 results
1972ref. 162173N.p.: N.p. 1972. Two vintage lobby cards for the 1972 German film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. An exploitation film exploring the sex lives of women who arrive in Munich for the 1972 Olympics. 11.5 x 9.25 inches. Near Fine one with a tiny splash at the bottom margin. N.p. unknown
1997ref. 161775N.p.: N.p. 1997. Final Draft script for Season 1 Episode 12 of the long-running 1997-2007 television series seen here under the working title "Funeral for a Friend." Originally aired on October 17 1997 on Showtime. Loosely based on the 1994 science fiction film about the discovery of an ancient alien device that holds unusual powers of space travel and communication. In this episode the Stargate team race to save Dr. Jackson after he is captured by the last survivor of an aquatic species. Self wrappers. Title page present dated July 21 1997 noted as FINAL DRAFT and production No. 3965 with credit for screenwriter Katharyn Powers. 49 leaves with last page of text numbered 47. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
2000ref. 161774N.p.: N.p. 2000. Draft script for Episode 7 Season 4 of the long-running 1997-2007 television series. Originally aired on August 11 2000 on Showtime. Loosely based on the 1994 science fiction film about the discovery of an ancient alien device that holds unusual powers of space travel and communication. In this episode the Stargate crew help Russian scientists with their own Stargate portal. Self wrappers. Title page present dated April 4 2000 noted as WRITERS DRAFT and production No. 6712 with credit for screenwriter Robert C. Cooper. 46 leaves with last page of text numbered 45. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
1940ref. 162233N.p.: N.p. 1940. Treatment script for an unproduced film. A drama about a young farm girl who years for an education after seeing several of her siblings die from poor medical treatment. Jan Fortune is today best remembered for penning several films in the 1930s and 1940s most notably "Dark Command" 1940 and "Mokey" 1942. Blue titled front wrapper missing rear wrapper dated March 8 1940 with credit for Fortune. Title page integral with front wrapper as issued. 36 leaves with last page of text numbered 36. Mimeograph duplication rectos only. Pages Very Good moderately edgeworn wrapper Good side stapled. N.p. unknown
1980ref. 162396N.p.: N.p. 1980. Vintage borderless color reference photograph from the 1980 film. An orphaned heiress enjoys a series of erotic encounters with men and women none of whom satisfy her insatiable drive for sex. Shot on location in London. 10 x 8 inches. Very Good plus with pinholes at the corners. N.p. unknown
1966ref. 162289N.p.: N.p. 1966. Vintage borderless reference photograph from the 1966 British film showing actress Susannah York. Annotations in manuscript ink on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A roving gambler breaks into a playing card manufacturing facility to mark the cards in order to win big at casinos across Europe. Set in Geneva and Monte Carlo. 8 x 10.25 inches. Near Fine. N.p. unknown
1974ref. 162155N.p.: N.p. 1974. Vintage lobby card for the German release of the 1974 French film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. In 1944 a disaffected boy from a small French town agrees to collaborate with the Gestapo but later falls in love with the daughter of a local Jewish family. Actress Aurore Clément's film debut. Shot on location in Arcambal Montauban Sénaillac-Lauzès and Figeac France. 9.25 x 11.75 inches. Very Good plus with a diagonal crease near the left edge. Criterion Collection 329. N.p. unknown
1971ref. 162505N.p.: N.p. 1971. Vintage borderless reference photograph from the 1971 film showing a nude JoAnna Cameron. Annotations in manuscript ink and pencil on the verso. A young television producer has an affair with his man-eating boss and her teenage daughter. 7 x 9.5 inches. Very Good plus. N.p. unknown
1970ref. 162706N.p.: N.p. 1970. Draft typescript for an unproduced television episode. With typeovers and whiteout annotations throughout. A brief comedy about a wealthy family's reactions to the loss of their family fortune. Screenwriter Stephen Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s most memorably for the television series "Alice" 1976-1985 and "The Jeffersons" 1975-1985. Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" 1998-2004. Lacking wrappers presumably as issued. Title page present undated with credit for Sustarsic. 19 leaves lacking page numbers. Typescript rectos only. Pages Near Fine unbound. N.p. unknown
1980ref. 162953N.p.: N.p. 1980. Draft script for an unproduced short film. A woman who receives a lifesaving heart transplant is haunted by the ghost of the man whose heart she received. White titled self wrappers lacking rear wrapper with credits for screenwriter Stephen Sustarsic. Title page integral with front self wrapper. 25 leaves with last page of text numbered 25. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with a paper clip at the top left corner. N.p. unknown
1990ref. 162956N.p.: N.p. 1990. Draft script for an unproduced short film. A down-on-his-luck man flirts with a waitress at a run down restaurant. Set in the Bronx New York City. White titled self wrappers lacking rear wrapper with credits for screenwriter Stephen Thomas Sustarsic II. Title page integral with front self wrapper. 15 leaves with last page of text numbered 15. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine unbound. N.p. unknown
1980ref. 162962N.p.: N.p. 1980. Draft script for an unproduced episode of the 1975-1984 television series. The series followed a divorced career woman and single mother as she tries to raise her two teenage daughters in an apartment building in Indianapolis with frequent visits from the building's nosy superintendent. In this episode the eldest daughter wants to move out into her own apartment to her mother's dismay. Set in Indianapolis. White titled self wrappers lacking rear wrapper with credits for screenwriter Stephen Thomas Sustarsic II. Title page integral with front self wrapper. 36 leaves with last page of text numbered 35. Xerographic duplication rectos only with one white revision page undated. Pages Near Fine wrapper Near Fine unbound. N.p. unknown
1990ref. 162930N.p.: N.p. 1990. Draft script for an unproduced short film. A man is trying to get his heart checked but his doctor will only speak to him in riddles. White titled self wrappers lacking rear wrapper with credits for screenwriter Stephen Sustarsic. Title page integral with front wrapper. 20 leaves with last page of text numbered 19. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine unbound. N.p. unknown
1980ref. 162954N.p.: N.p. 1980. Draft script for an unproduced short play. A group of criminals get stuck inside a bank vault with the owner and two bank employees. White titled self wrappers lacking rear wrapper with credits for screenwriter Stephen Sustarsic. Title page integral with front self wrapper. 30 leaves with last page of text numbered 29. Mimeograph duplication. Pages Near Fine wrapper Near Fine bound with a paper clip at the top left corner. N.p. unknown
1980ref. 162958N.p.: N.p. 1980. Draft script for an unproduced short play. A innocent man is arrested for crimes against the State. White titled self wrappers lacking rear wrapper with credits for screenwriter Stephen Thomas Sustarsic II. Title page integral with front self wrapper. 37 leaves with last page of text numbered 36. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with a paper clip at the top left corner. N.p. unknown
1958ref. 163067N.p.: N.p. 1958. Vintage studio still photograph from the 1958 film showing uncredited actor Russell Nype. Newspaper clippings and reference library stamps on the verso. A comedy of errors about a married man who comes to believe that he has impregnated the owner of an adoption agency and that she will serve as the surrogate. From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. 8 x 10 inches archivally matted on a 11 x 14 inch mat. Very Good with annotations in manuscript ink on the recto regarding cropping and a small splash on the right edge. N.p. unknown
1955ref. 162913N.p.: Dell Publishing 1955. Vintage oversize satin finish borderless photograph of actor Marlon Brando on the set of the 1955 film. Stamp of Dell Publishing on the verso with annotations in manuscript pencil crediting photographer Peter Basch. Based on the 1950 Broadway musical in turn based on Damon Runyon's short stories "The Idyll of Miss Sarah Brown" and "Blood Pressure." A gambler wins a bet that he can get a Christian missionary to travel with him to Havana where the pair begin to fall for each other. Nominated for four Academy Awards. Set in New York and Havana. From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. 11 x 14 inches with wide top and bottom margins archivally matted in a 16 x 20 inch 8-ply white mat. Very Good plus with a small splash on the bottom edge. Dell Publishing unknown
1984ref. 153832N.p.: N.p. 1984. Draft script for an unproduced film. Laid in with the script is a letter from Kodiak Films producer Wolf Schmidt to agent Walter Kohner declining to produce the film. A group of scientists accidentally create a deadly chemical compound which is promptly stolen by a rival scientist who threatens to kill thousands of people with the compound unless he is given one billion dollars. Two spies from the mysterious Sub Rosa agency are sent to retrieve the chemical. Blue card wrappers with a printed title label affixed to the front wrapper. Title page present dated 1984 with credits for screenwriter R. Delano Brown. 99 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a silver prong. N.p. unknown
1982ref. 153824N.p.: N.p. 1982. Draft script for an unproduced film. Laid in with the script is a three-page autograph note discussing the script's plot. In the Virgin Islands in the 18th century a prominent doctor is given a valuable crucifix to protect his employer the governor of Jamaica unaware that the artifact is highly desired by a nefarious supernatural being for its mystical properties. Set in the Virgin Islands. Black untitled wrappers. Title page present dated 1982 with credits for screenwriter Michael H. Krohn. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a silver prong. N.p. unknown
1982ref. 141746N.p.: N.p. 1982. Draft script for an unproduced television series. Laid in is a letter to agent Walter Kohner and five pages relating to another unrelated and unproduced television program. After speaking very fondly about the Americans he met while traveling abroad a chef is arrested by the KGB. Set in the Czech Republic. Green titled wrappers with credit for screenwriter Robin Sanborn. Title page present with credit for screenwriter Robin Sanborn. 39 leaves with last page of text numbered 38. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
1985ref. 153801N.p.: N.p. 1985. Treatment script for an unproduced film. Based on screenwriter Imre Lazar's 1980 book "Der Fall Horst Wessel" "The Horst Wessel Case" about a Nazi stormtrooper who was killed by two Communists in 1930 and whose death was subsequently used by Joseph Goebbels as a propaganda symbol for the Nazi party. Set in Germany. Clear mylar front wrapper black rear wrapper. Title page present dated 1985 with credits for screenwriter and author Imre Lazar. 109 leaves with last page of text numbered 103. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
1970ref. 161703N.p.: Grove Press 1970. Six vintage studio still photographs from the 1970 film. Five photographs with provenance stamps on the versos. A pair of filmmakers in hopes of raising money to shoot a documentary on Lenny Bruce decide to meet that goal by shooting pornographic films with runaway flower kids in Greenwich Village over a weekend. Aspects of cinema verite mixed with sexploitation with an early appearance by actress Joy Bang and a cameo by Robert Altman in the same year he directed MASH. Shot on location in New York. 8 x 10 inches. Very Good plus with some faint creasing edgewear and one with a wax pencil annotation on the recto. Grove Press unknown
1966ref. 161505N.p.: N.p. 1966. Five vintage studio still photographs from the 1966 film. Four with provenance stamps on the verso one with a label obscuring a previous provenance stamp. Hank and Rob go to New York City in search of adventure and sexual exploits until Hank meets the seductive Carol and Rob a woman who is more shy and inexperienced. Shot on location in New York. 8 x 10 inches. Near Fine. N.p. unknown
1968ref. 162096N.p.: N.p. 1968. Vintage borderless reference photograph from the American release of the 1968 French film showing actors Claude Jade and Jean-Pierre Léaud. Newspaper clipping 1970 date stamp and annotations in manuscript ink on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A follow-up to director François Truffaut's 1959 film "The 400 Blows" continuing the story of Antoine Doinel who-now an adult-has been dishonorably discharged from the army. Set and shot on location in Paris. 10 x 8 inches. About Fine. Criterion Collection 186. N.p. unknown
1982ref. 149942N.p.: N.p. 1982. Final Draft script for the 1983 television film originally aired on March 20 1983 on NBC. Manuscript ink annotations throughout most noting moments where special effects would be required. A terrorist group plants a homemade atomic bomb aboard a tugboat docked in a South Carolina harbor hoping to blackmail the US government into giving up its nuclear weapons. Presented as a series of live news broadcasts for the fictional RBS network. The first collaboration between director Ed Zwick and screenwriter Marshall Herskovitz who would later work together on the television shows "thirtysomething" 1987-1991 and "My So-Called Life" 1994-1995. Set in Charleston South Carolina and Washington DC. Black titled wrappers. Title page present dated December 20 1982 noted as FINAL DRAFT with credits for screenwriter Marshall Herskovitz. 123 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Reyes 58 106. N.p. unknown
