11,065 results
1966ref. 157335N.p.: N.p. 1966. Eight vintage oversize borderless hand-tinted color reference photographs from the French release of the 1966 American sexploitation film. Stamp of French distributor Les Films Hustaix on the versos. Lonely men seek companionship from a variety of increasingly odd sources including an embittered prostitute and the jealous madam of a brothel catering to sadomasochists. Shot on location in Los Angeles. 9.5 x 12 inches. Very Good plus with several with pinholes at the corners. N.p. unknown
1990ref. 157300N.p.: N.p. 1990. Vintage reference photograph from the 1990 film showing director Roger Corman directing John Hurt on the set. Annotations in manuscript ink on the verso. From the archive of film historian and author Joel Finler. Based on the 1973 novel by Brian Aldiss. Low-budget horror king Roger Corman's final directorial effort and his first film after a hiatus of nearly 20 years about a scientist from future Los Angeles who accidentally travels back to 1817 Switzerland where he meets both Mary Shelley and confusingly her fictional creation Victor Frankenstein. INXS frontman Michael Hutchence makes a humorous appearance as Shelley's husband Percy as well. Set in Los Angeles and Switzerland shot on location in Italy. 10 x 8 inches. Near Fine. N.p. unknown
1965ref. 157286N.p.: N.p. 1965. Three borderless reference photographs taken on the set of the 1965 film. Two photographs with printed mimeo snipes affixed to the versos and one with a date stamp reading 8 OCT 1965. Roman Polanski's second feature film and his first in English. A disturbed young woman experiences a variety of hallucinations and nightmares when left alone in the apartment she shares with her sister. A breakthrough role for Catherine Deneuve and the film that paved the way for Polanski's future success. Set and shot on location in London. One photograph 8 x 9.5 inches two photographs 7 x 9.5 inches. Very Good plus with light wear and creasing at the corners. Criterion Collection 483. Grant UK. Spicer UK. N.p. unknown
1963ref. 157290N.p.: N.p. 1963. Vintage reference photograph from the 1963 film showing director Carol Reed in conversation with actress Lee Remick on the set. Based on Shelley Smith's 1961 novel "The Ballad of the Running Man" about a man who fakes his own death in the hopes of gaining a substantial insurance payout but encounters trouble in the form of the company's nosy claim investigator. Shot on location in Cadiz Spain in Gibraltar and in Ireland. 10 x 8 inches. Near Fine. N.p. unknown
1949ref. 151703Beverly Hills CA: United Artists 1949. Post-production Cutting Continuity script for the 1945 film issued for the Selznick Studio files in 1949. Light blue titled wrappers noted as Cutting Continuity on the front wrapper dated Rerun June 10 1949. 49 leaves with last page of text numbered REEL SIX-B Page 5. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound along top with two gold brads. Selby Canon US. Silver Classic Noir. Spicer US. United Artists unknown
1957ref. 157302Los Angeles: Twentieth Century-Fox 1957. Vintage reference photograph from the 1957 film showing actors Dan Dailey and Ginger Rogers filming a scene with a camera crew in the foreground. Studio stamp specific to the film's German release on the verso. Based on the 1953 play by Edward Chodorov about a wealthy New York psychiatrist who begins to suspect his fiancée of infidelity after hearing about her from several of his patients. Set in New York. 10 x 8 inches. Very Good plus with light creasing at the corners. Twentieth Century-Fox unknown
1954ref. 157301N.p.: N.p. 1954. Vintage borderless double weight reference photograph from the 1954 film. Stamp of the film's title in German on the verso. An exploitation film focusing on fashion models' diet plans and cosmetics regimens. 9.5 x 7.25 inches. Near Fine. N.p. unknown
1974ref. 157287Universal City CA: Universal Pictures 1974. Vintage reference photograph from the 1974 film showing actors Michael Caine and Delphine Seyrig talking with director Don Siegel on the set. Mimeo snipe on the verso. From the archive of film historian and author Joel Finler. Based on Clive Egleton's 1973 novel "Seven Days to a Killing" about the kidnapping of a British agent's son and the agent's subsequent quest for revenge. Shot on location in England and in Paris. 10 x 8 inches. Near Fine. Universal Pictures unknown
1979ref. 156737Studio City CA: EMI Television Programs 1979. Revised Shooting script for the 1979 television film here under the working title "Can You Hear the Laughter The Freddie Prinze Story." Copy belonging to sound mixer Keith A. Wester with his name in manuscript ink on the top right of the front wrapper and his annotations in manuscript ink and pencil on 20 pages. Bound in preceding the script are a six page Staff and Crew contact list a 30 page Shooting Schedule 17 pages of Call Sheets with annotations in manuscript ink and a map to the Comedy Store West. Originally aired on CBS on September 11 1979. Based on the article "Good Night Sweet Prinze" by Peter Greenberg published in the June 1977 issue of Playboy magazine. A portrayal of the sudden rise and success of the troubled Puerto Rican stand-up comedian and actor Freddie Prinze who died of a self-inflicted gunshot wound on January 29 1977. White titled wrappers rubber-stamped copy No. 60. Title page present dated March 19 1979 noted as REV. SHOOTING SCRIPT with credits for screenwriter Dalene Young. 125 leaves with last page of text numbered 119. Xerographic duplication rectos only with green and goldenrod revision pages throughout dated variously between 4/23/79 and 5/4/79. Pages Near Fine wrapper Very Good plus bound with three gold brads. EMI Television Programs unknown
2006ref. 156849Columbia NC: HPE Rights 2006. Shooting script for the 2007 neo-noir film. Based on the 1975 novel by Brian Garfield the sequel to his 1972 novel "Death Wish." Kevin Bacon seeks revenge after seeing his son killed in a gang initiation. Set in Columbia South Carolina shot on location in Columbia South Carolina and Los Angeles. Front wrapper dated 8/11/06 noted as Shooting Script with credits for screenwriter Ian Mackenzie Jeffers. 126 leaves with last page of text numbered 106. Xerographic duplication rectos only with pink and yellow revision pages throughout dated variously between 9/13/06 and 9/14/06. Pages Near Fine bound with two gold brads. Grant US Neo-Noir. HPE Rights unknown
1972ref. 156668N.p.: N.p. 1972. Vintage oversize borderless color reference photograph from the 1972 French film. The sixth and final film in Éric Rohmer's "Six Moral Tales" series about a married businessman whose harmless fantasies threaten to spill over into reality when he encounters an old flame at his office. Set and shot on location in Paris. 11.75 x 9.25 inches. Near Fine. Criterion Collection 348. N.p. unknown
1997ref. 157411Hollywood: Volcanic Films 1997. Revised Draft script for the 1998 film. A pitch-black comedy about two middle-class couples who lie and cheat in their struggles to find satisfaction in their empty relationships. Neil LaBute's second feature following "In the Company of Men" 1997. Gray titled wrappers with credit for director-screenwriter Neil LaBute. Title page present dated 10/20/97 noted as Revised with credits for screenwriter Neil LaBute. 125 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Fine wrapper about Fine bound with two gold brads. Volcanic Films unknown
1998ref. 157392Pasadena: Madison Avenue Productions 1998. Shooting script for the 1998 television film with annotations in manuscript highlighter on pages 8-9. Laid in is a Crew Call Sheet with copied annotations ten reduced copies of ten pages of the script with copied annotations and a copy of a map for the crew to the Metropolitan Baptist Church with the copied date of 6/6/98. Bound in following the script is a nine page Crew List a June 2 1998 Memorandum and a two page shooting schedule. The television film aired on CBS on November 29 1998. Based on a true story of a Pasadena cab driver who picks up an elderly woman en route to a funeral who ends up insisting the driver take her on a cross-county trip ending in Vancouver. Shot on location in Los Angeles. Front wrapper integral with the title page dated 4/27/98 noted as SHOOTING SCRIPT with credits for screenwriter Dalene Young and story by Beth Polson. 117 leaves with last page of text numbered 106. Xerographic duplication rectos only with blue and pink revision pages throughout dated 5/5/98 and 5/15/98. Pages Near Fine bound with two gold brads. Crew Call Sheet 6 x 9 inches stapled to the reduced script pages. Near Fine. Ten Reduced Script Pages 5.75 x 7.5 inches. Near Fine Map 14 x 8.5 inches. With a single vertical fold else Near Fine. Madison Avenue Productions unknown
1925ref. 150993Los Angeles: First National Pictures 1925. Vintage borderless studio still photograph from the 1925 film showing actress Constance Talmadge sitting at a piano. Based on Ludwig Fulda's 1902 play "The Twin Sister." A housewife and her visiting twin sister a famed erotic dancer switch places in order to teach the men in their lives a lesson. 7.25 x 9.5 inches. Near Fine. First National Pictures unknown
1929ref. 150997Culver City CA: Columbia Pictures 1929. Vintage publicity photograph from the 1929 film showing actress Ruth Taylor posing in a backless gown. With a mimeo snipe on the verso. Taylor was best known for her performance as Lorelei Lee in Malcom St. Clair's adaptation of Anita Loos' "Gentleman Prefer Blondes" alongside actors Alice White and Ford Sterling. Taylor also appeared in "Butter Fingers" 1925 "Flirty Four-Flushers" 1926 and "Just Married" 1928. 8 x 10 inches. Very Good plus overall with a few nicks along the bottom edge. Columbia Pictures unknown
1957ref. 150849N.p.: Continental Distributing 1957. Two vintage photographs from the US release of the 1957 UK film one studio still photograph and one reference photograph. A man recalls his past and present relationships in order to help another man understand his wife. One 10 x 8 inches one 9.75 x 7.7x inches. Near Fine. Continental Distributing unknown
1962ref. 150413N.p.: N.p. 1962. Vintage borderless reference photograph from the 1962 French film showing actors Michel Legrand Corinne Marchand and Jean-Pierre Taste-from the memorable early sequence in the film where Legrand and Taste drop in to Marchand's flat. With manuscript pencil and ink annotations on the verso. Agnes Varda's second feature film following a pop singer over the course of two hours as she talks with friends and anxiously awaits the results of a biopsy. Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film stylistically prefigures the French New Wave and is today considered very much a part of it. Set and shot on location in Paris. 9.5 x 7 inches. Near Fine. N.p. unknown
1947ref. 157481N.p.: N.p. 1947. Vintage reference photograph from the 1947 film noir. An amateur prizefighter's desire for fortune and fame leads him to join a corrupt boxing syndicate led by an unethical promoter. Widely considered one of the finest boxing films ever made with a strong screenplay by noted screenwriter Abraham Polonsky who would later face blacklisting in Hollywood as a result of the HUAC trials. 10 x 8 inches. Near Fine. Grant US. Olive Films 452. Selby US. Silver and Ward Classic Noir. Spicer US. N.p. unknown
1960ref. 150445N.p.: N.p. 1960. Vintage borderless publicity photograph from the 1960 French film showing actress Catherine Demongeot posing near a metro stop in Paris. With a printed mimeo snipe specific to the film's German release on the verso along with layout annotations in ink. A satire of Parisian society through the eyes of a ten-year-old girl visiting from the French countryside who sneaks away from her relatives to venture into the city alone. Set and shot on location in Paris. 7 x 9.25 inches. Near Fine. N.p. unknown
1970ref. 150426N.p.: N.p. 1970. Vintage borderless double weight reference photograph from the 1970 French film showing actress Simone Signoret and an unknown crew member. With manuscript pencil and ink annotations on the verso regarding cropping and the stamp of Pariscope. Based on the 1968 book by Artur London which detailed London's own experiences as a defendant during the Slansky trial a 1952 show trial held by the Czechoslovak Republic against 14 members of the Communist Party of Czechoslovakia which resulted in the deaths of 11 defendants. Set in Czechoslovakia and shot on location in France. 9 x 6 inches. Very Good plus with brief wear to the left edge. Criterion Collection 759. N.p. unknown
1929ref. 150991Beverly Hills CA: United Artists 1929. Vintage borderless studio still photograph of actors Constance Talmadge and Andre Roanne from the 1929 silent film. Based on Jean Vignaud's 1928 novel. Talmadge sister of actresses Norma and Natalie starred in her first major role in D.W. Griffith's "Intolerance" 1916. Unlike her sisters Constance preferred to appear in light romantic comedies such as "A Pair of Silk Stockings" 1918 "Wedding Bells" 1921 and "The Primitive Lover" 1922. Although many of her films are now considered lost Talmadge is now best remembered for originating the tradition of preserving footprints in concrete outside Grauman's Chinese Theatre after accidentally stepping into wet concrete in front of the theatre in 1927. As with many silent film stars her career faded with the advent of sound film and by the 1930s she and her sisters had retired from the screen. 7.25 x 9.75 inches. Very Good plus overall. United Artists unknown
1924ref. 150975New York: Theatre Owners Distributing 1924. Vintage studio still photograph from the 1924 French silent film seen here under its US title "Perils of Paris" showing actress Pearl White in riding garb perched on a railing. White's last film ending a two-decade career in films. During her Hollywood heyday the actress appeared as the plucky heroine in a number of popular serials most notably the Pathe production "The Perils of Pauline" in 1914. Unlike many of her contemporaries White performed most of her own stunts including flying airplanes racing cars long-distance swims and similar feats. 8 x 10 inches. Very Good lightly toned overall. Theatre Owners Distributing unknown
1958ref. 150440N.p.: N.p. 1958. Vintage borderless black and white photograph of director Jacques Tati at the premiere of his 1958 film preparing to pour a celebratory toast of champagne into an empty paper sleeve for the vinyl single from the film's soundtrack held by actress Mylene Demongeot. Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. 8 x 10 inches. Near Fine. N.p. unknown
1966ref. 150448Los Angeles: Twentieth Century-Fox 1966. Vintage studio still photograph from the 1966 film showing actress Monica Vitti's leg emblazoned with a tattooed scorpion a trademark of the titular character. With the stamp of Pedro Lima archive on the verso along with manuscript ink annotations identifying Vitti director Joseph Losey and the film title. Based on the British comic strip which originally appeared in 1963. Modesty Blaise a former criminal mastermind occasionally employed by the Secret Service must protect a shipment of diamonds en route to a small Middle Eastern kingdom from a crime syndicate. Monica Vitti's first English-speaking role. Shot on location throughout Italy the Netherlands and England. 8 x 10 inches. Very Good plus overall. Twentieth Century-Fox unknown
1962ref. 150414Rome: Cineriz 1962. Vintage borderless reference photograph of director Michelangelo Antonioni and actors Monica Vitti and Alain Delon during a cafe scene on the set of the 1962 film. With a mimeo snipe on the verso along with the stamps of Keystone Photo and Publifoto and a stamp noting No. 8710. A woman's newfound relationship with a power-hungry stockbroker gradually erodes as she becomes dissatisfied with his shallow interests. The final film in Antonioni's modernity trilogy all starring Vitti preceded by "L'avventura" 1960 and "La notte" 1961. Awarded the Jury Special Prize and nominated for the Palme d'Or at the 1961 Cannes Film Festival. Shot on location in Rome and Verona Italy. 10.5 x 8.5 inches. Near Fine. Criterion Collection 278. Rosenbaum 1000. Scorsese My Voyage to Italy. Vogel Film as a Subversive Art. Cineriz unknown
