11,045 results
1984ref. 171899N.p.: Blake Edwards Entertainment 1984. Draft script for the 1984 film seen here under the working title "Mickey and Maude." With rainbow revisions. A tabloid television reporter is torn between his wife and his girlfriend both of whom have recently announced that they are pregnant. Ann Reinking's final film performance. Silver generic Blake Edwards Entertainment wrappers. Title page present dated March 7 1984 with credit for screenwriter Jonathan Reynolds. 128 leaves with last page of text numbered 121. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between March 7 and 22 2984. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Blake Edwards Entertainment unknown
1957ref. 164746Universal City: Universal-International 1957. Two vintage studio still photographs from the 1957 film both showing actor Tony Curtis. Printed mimeo snipe affixed to the verso of one. An opportunistic busboy at a resort gambles his way into high society where he falls in love with a wealthy but disinterested young heiress. Director Blake Edwards' third directorial effort. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Set in Wisconsin shot on location at Lake Arrowhead and Lake Tahoe California. 8 x 10 inches. Very Good plus. Universal-International unknown
1957ref. 155307Universal City: Universal-International 1957. Vintage reference photograph from the 1957 film showing Blake Edwards directing actors Tony Curtis and Martha Hyer on the set. Printed mimeo snipe affixed to the verso. An opportunistic busboy at a resort gambles his way into high society where he falls in love with a wealthy but disinterested young heiress. Edwards' third directorial effort. Set in Wisconsin shot on location at Lake Arrowhead and Lake Tahoe California. 8 x 10 inches. Near Fine. Universal-International unknown
1987ref. 171907N.p.: N.p. 1987. Draft script for the 1988 film. Copy belonging to stunt coordinator Joe Dunne with his annotations in manuscript ink on several pages indicating stunt sequences. Crew contact list and eight white revision pages bound in at the rear of the script. Based on an unpublished novel by Rod Amateau. In Hollywood during the transition to sound film US Marshal Wyatt Earp and Western actor Tom Mix team up to solve a murder involving a violent gangster. The second film in which James Garner portrayed Wyatt Earp following "Hour of the Gun" in 1967. Cream titled pictorial wrappers. Title page present dated March 20 1987 with credits for Amateau and screenwriter Blake Edwards. 138 leaves with last page of text numbered 133. Xerographic duplication rectos only with blue and pink revision pages throughout dated 3/27/87 and 3/30/87 respectively. Pages Near Fine wrapper Very Good plus extremities lightly toned bound internally with two gold brads. N.p. unknown
1965ref. 150160N.p.: N.p. 1965. Vintage borderless reference photograph from the 1965 film showing actor Jack Lemmon in costume as Professor Fate in turn in disguise as Crown Prince Fredrich Hapnick covered in cake and pie. With the stamp of Globe Photos dated 14 April 1965 two Italian agency stamps and a stamp noting No. 7053 on the verso. Loosely based on the 1908 race from New York to Paris billed as the "Greatest Auto Race" of its time. An homage to slapstick farces and silent film comedies following two competing daredevils at the turn of the 20th century: handsome courteous hero The Great Leslie Tony Curtis and his nemesis the dastardly Professor Fate Lemmon. Set and shot on location in Austria Paris and Kentucky Oregon and California in the United States. 10 x 8 inches. Near Fine. N.p. unknown
1988ref. 171904N.p.: N.p. 1988. Revised Draft script for the 1988 television movie aired as part of the revamped 1988-1990 Disney television anthology series. With two annotations in manuscript ink to two pages of the script noting prices. The ghost of a private eye teams up with an out-of-work dancer to find the woman he believes to be responsible for his death. Originally aired on May 15 1988 on ABC. White titled pictorial wrappers. Title page present dated January 14 1988 noted as Revised with credits for screenwriters Blake and Jennifer Edwards. 113 leaves with last page of text numbered 109. Xerographic duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown
1982ref. 171906N.p.: N.p. 1982. Final Draft script for the 1983 film. Copy belonging to stunt coordinator Joe Dunne with his annotations in manuscript ink on several pages. Based on the 1977 François Truffaut film about a middle-aged man whose single-minded obsession with sex and beauty disrupts his life and eventually leads to his downfall. Self wrappers. Title page present dated October 1982 noted as Final Draft with credits for screenwriters Blake and Geoffrey Edwards. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue revision pages throughout dated 11/2/82. Pages Near Fine bound with two gold brads. N.p. unknown
1982ref. 169091N.p.: N.p. 1982. Final Draft script for the 1983 film. Blake Edwards remake of Francois Truffaut's 1977 film about sculptor David Fowler Burt Reynolds whose obsessive love of women leads to his eventual death told from the perspective of his analyst and eventual lover Marianna Julie Andrews. Shot on location in Texas New York and California. Front wrapper integral with title page dated October 1982 noted as FINAL DRAFT with credits for screenwriters Blake Edwards Geoffrey Edwards Milton Wexler. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue and pink revision pages throughout dated 11/2/82 and 2/23/83. Pages Near Fine bound with two gold brads. N.p. unknown
1958ref. 132722London: Unviersal International Pictures 1958. Eight vintage full-color British front-of-house cards from the UK release of the 1958 US film. Based on a play by F. Hugh Herbert about a young woman who asks another guest at party to rescue her from her lecherous boss. When her rescuer suggests that she get out of her wet clothes she escapes and finds safety in the home of a retired actor. A story set in Connecticut shot at Universal Studios in California. 8 x 10 inches. Faint creasing overall else Near Fine. Unviersal International Pictures unknown
1965ref. 153069N.p.: N.p. 1965. Vintage borderless reference photograph from the 1965 film showing actors James Coburn and Dick Shawn crouching in a bush with director Blake Edwards and a camera to the right capturing the shot. During the Allied invasion of Sicily an outfit of US soldiers are assigned to capture the small town of Valerno but find the townspeople ready and willing to be captured with two stipulations: a soccer match and a wine festival. Set in Sicily shot on location in Lake Sherwood California. 10 x 8 inches. Near Fine. N.p. unknown
1984ref. 140554Culver City CA: Columbia Pictures 1984. Draft script for the 1984 film. With a few annotations in manuscript ink throughout. Rob Salinger Moore works as a television reporter and his wife Micki Reinking is a lawyer who is having difficulty getting pregnant to the chagrin of Rob. While working Rob meets a cellist Maude Irving who he begins dating without mentioning his wife. She soon becomes pregnant as well as his current wife and he ends up marrying Maude as well. To hide his bigamy he uses work as an excuse to spend days with one woman and nights with another. The women eventually find out about each other as they go into labor at the same time and are at the same hospital on the same floor. Self wrappers. Title page integral with front wrapper is present dated March 7 1984 with a credit for screenwriter Jonathan Reynolds. 127 leaves with last page of text numbered 122. Later generation photocopy with revision pages throughout dated variously between March 6 1984 and March 22 1984. Pages Very Good plus wrapper missing bound with two gold brads. Columbia Pictures unknown books
1984ref. 171899N.p.: Blake Edwards Entertainment 1984. Draft script for the 1984 film seen here under the working title "Mickey and Maude." With rainbow revisions. A tabloid television reporter is torn between his wife and his girlfriend both of whom have recently announced that they are pregnant. Ann Reinking's final film performance. Silver generic Blake Edwards Entertainment wrappers. Title page present dated March 7 1984 with credit for screenwriter Jonathan Reynolds. 128 leaves with last page of text numbered 121. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between March 7 and 22 2984. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Blake Edwards Entertainment unknown books
1965ref. 132873London: Warner-Pathe Distributors 1965. Vintage full-color still photograph from the UK release of the 1965 US film. A professional daredevil convinces auto makers that a race from New York to Paris will help to promote automobile sales. A rival vows to win the race in a car of his own invention. Shot on location in Austria and throughout California. 8 x 10 inches. Light rubbing else Near Fine. Warner-Pathe Distributors unknown books
1962ref. 132191London: Warner-Pathe 1962. A collection of 7 vintage vintage black-and-white still photographs from the UK release of the 1962 US film. Distributor rubber-stamps and mimeograph snipes on the versos. Jack Lemmon plays an alcoholic who falls in love with an innocent young women whom he convinces to start drinking leading them both lose themselves in the downward spiral of addiction. Henry Mancini composed the score and along with Johnny Mercer won an Academy Award for the for the title song. 8 x 10 inches. Very Good plus with light toning. Warner-Pathe unknown books
1962ref. 132163London: Warner-Pathe 1962. Two vintage vintage black-and-white publicity photographs of Jack Lemmon from the UK release of the 1962 US film. Mimeograph snipes affixed to the versos. Lemmon plays an alcoholic who falls in love with an innocent young women whom he convinces to start drinking leading them both lose themselves in the downward spiral of addiction. Henry Mancini composed the score and along with Johnny Mercer won an Academy Award for the for the title song. 8 x 10 inches. Very Good plus with light corner creases to one and a closed tear to one of the mimeograph snipes. Warner-Pathe unknown books
1959ref. 132443London: Rank Film Distributors 1959. Seven vintage full-color British front-of-house cards from the UK release of the 1958 US film. Tony Curtis stars as a sex-starved soldier who wins a date with pinup model Linda Cristal. Janet Legih Curtis' real life wife plays an Army shrink tasked with keeping things chaste. 8 x 10 inches. One still with faint stains and light corner creases to most else Near Fine. Rank Film Distributors unknown books
1965ref. 153069N.p.: N.p. 1965. Vintage borderless reference photograph from the 1965 film showing actors James Coburn and Dick Shawn crouching in a bush with director Blake Edwards and a camera to the right capturing the shot. During the Allied invasion of Sicily an outfit of US soldiers are assigned to capture the small town of Valerno but find the townspeople ready and willing to be captured with two stipulations: a soccer match and a wine festival. Set in Sicily shot on location in Lake Sherwood California. 10 x 8 inches. Near Fine. N.p. unknown books
1965ref. 150160N.p.: N.p. 1965. Vintage borderless reference photograph from the 1965 film showing actor Jack Lemmon in costume as Professor Fate in turn in disguise as Crown Prince Fredrich Hapnick covered in cake and pie. With the stamp of Globe Photos dated 14 April 1965 two Italian agency stamps and a stamp noting No. 7053 on the verso. Loosely based on the 1908 race from New York to Paris billed as the "Greatest Auto Race" of its time. An homage to slapstick farces and silent film comedies following two competing daredevils at the turn of the 20th century: handsome courteous hero The Great Leslie Tony Curtis and his nemesis the dastardly Professor Fate Lemmon. Set and shot on location in Austria Paris and Kentucky Oregon and California in the United States. 10 x 8 inches. Near Fine. N.p. unknown books
1987ref. 171907N.p.: N.p. 1987. Draft script for the 1988 film. Copy belonging to stunt coordinator Joe Dunne with his annotations in manuscript ink on several pages indicating stunt sequences. Crew contact list and eight white revision pages bound in at the rear of the script. Based on an unpublished novel by Rod Amateau. In Hollywood during the transition to sound film US Marshal Wyatt Earp and Western actor Tom Mix team up to solve a murder involving a violent gangster. The second film in which James Garner portrayed Wyatt Earp following "Hour of the Gun" in 1967. Cream titled pictorial wrappers. Title page present dated March 20 1987 with credits for Amateau and screenwriter Blake Edwards. 138 leaves with last page of text numbered 133. Xerographic duplication rectos only with blue and pink revision pages throughout dated 3/27/87 and 3/30/87 respectively. Pages Near Fine wrapper Very Good plus extremities lightly toned bound internally with two gold brads. N.p. unknown books
1982ref. 169091N.p.: N.p. 1982. Final Draft script for the 1983 film. Blake Edwards remake of Francois Truffaut's 1977 film about sculptor David Fowler Burt Reynolds whose obsessive love of women leads to his eventual death told from the perspective of his analyst and eventual lover Marianna Julie Andrews. Shot on location in Texas New York and California. Front wrapper integral with title page dated October 1982 noted as FINAL DRAFT with credits for screenwriters Blake Edwards Geoffrey Edwards Milton Wexler. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue and pink revision pages throughout dated 11/2/82 and 2/23/83. Pages Near Fine bound with two gold brads. N.p. unknown books
1958ref. 132722London: Unviersal International Pictures 1958. Eight vintage full-color British front-of-house cards from the UK release of the 1958 US film. Based on a play by F. Hugh Herbert about a young woman who asks another guest at party to rescue her from her lecherous boss. When her rescuer suggests that she get out of her wet clothes she escapes and finds safety in the home of a retired actor. A story set in Connecticut shot at Universal Studios in California. 8 x 10 inches. Faint creasing overall else Near Fine. Unviersal International Pictures unknown books
1988ref. 171904N.p.: N.p. 1988. Revised Draft script for the 1988 television movie aired as part of the revamped 1988-1990 Disney television anthology series. With two annotations in manuscript ink to two pages of the script noting prices. The ghost of a private eye teams up with an out-of-work dancer to find the woman he believes to be responsible for his death. Originally aired on May 15 1988 on ABC. White titled pictorial wrappers. Title page present dated January 14 1988 noted as Revised with credits for screenwriters Blake and Jennifer Edwards. 113 leaves with last page of text numbered 109. Xerographic duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown books
1982ref. 171906N.p.: N.p. 1982. Final Draft script for the 1983 film. Copy belonging to stunt coordinator Joe Dunne with his annotations in manuscript ink on several pages. Based on the 1977 François Truffaut film about a middle-aged man whose single-minded obsession with sex and beauty disrupts his life and eventually leads to his downfall. Self wrappers. Title page present dated October 1982 noted as Final Draft with credits for screenwriters Blake and Geoffrey Edwards. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue revision pages throughout dated 11/2/82. Pages Near Fine bound with two gold brads. N.p. unknown books
1983ref. 147795Culver City CA: Columbia Pictures 1983. Two vintage studio still photographs one color one black and white from the 1983 film. Blake Edwards remake of Francois Truffaut's 1977 film about a sculptor whose obsessive love of women leads to his eventual death told from the perspective of his analyst and eventual lover. 8 x 10 inches. Near Fine. Columbia Pictures unknown books
1986ref. 152504Culver City CA: Columbia Pictures 1986. Archive of five original architectural blueprints for location shooting purposes relating to the 1986 comedy film. Each blueprint numbered one through five out of five labeled "Ext. Pazzo Mansion" with the Beverly Hills address of the house and credits for director Blake Edwards production designer Roger Maus and others. The blueprints detail both interiors and exteriors for sections of the house as well as indicated places where the existing house would be augmented by new set construction. The location was used as the home of Paul Servino's mob boss character Tony Pazzo and his wife Claudia Pazzo played by Maria Conchita Alonso. A remake of Laurel and Hardy's classic 1932 short "The Music Box" about two friends who overhear a plot to fix a horse race and try to capitalize on it while being pursued by both the mob fixers and the police. 36 x 24 inches. Stapled on the left edge and rolled. Very Good plus. Columbia Pictures unknown books
