11,047 results
1970ref. 162482N.p.: V.I. Productions 1970. Vintage studio still photograph from the 1970 US/Danish film. Provenance stamp on the verso. A Danish fashion designer returns home with his prudish American wife who after a visit to a psychiatrist is revealed to be a latent lesbian. Shot on location in Copenhagen Denmark. 8 x 10 inches. Very Good plus with light edgewear and faint creasing at the extremities. V.I. Productions unknown books
1963ref. 161786N.p.: Vanguard Productions 1963. Vintage studio still photograph from the 1963 film. An early "roughie" wherein country girl Judy moves to New Orleans seeking fame but instead becomes an exploited and abused stripper. Set in and shot on location in New Orleans. 8 x 10 inches. Near Fine. Vanguard Productions unknown books
1952ref. 133067Culver City CA: RKO Radio Pictures 1952. Original Pressbook for the 1952 film released on a double-bill with "The Secret Sharer" and collectively given a new title "Face to Face." This pressbook was produced prior to release and only advertises for 1 film. Based on the story of the same name Stephen Crane and written for the screen by James Agee. A two-part film released as "Face to Face" in 1952 with the second half of the film based on Crane's story "The Bride Comes to Yellow Sky" and the first half based on a Joseph Conrad story "The Secret Sharer" starring James Mason and Gene Lockhart. Equal parts nautical drama and hilarious western unique during its time with no apparent connection between the two segments. 4 pages folded 11 x 17 inches. Very Good plus with a horizontal fold at the middle a corner crease and light soil. RKO Radio Pictures unknown books
1981ref. 142167US: Cinema 77 / Geria Productions / Filmways 1981. Eight vintage borderless color photographs from the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 7 x 9.5 inches. Fine. Criterion Collection 562. Grant US. Spicer US Neo-Noir. Cinema 77 / Geria Productions / Filmways unknown
1981ref. 127394N.p.: Filmways 1981. Vintage one sheet poster for the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 27 x 41 inches. Very Good plus with light splashing to the top third. Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown
1981ref. 151952N.p.: Filmways 1981. Vintage reference photograph of Brian De Palma on the set of the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 8 x 10 inches. Near Fine. Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown
1981ref. 142109US: Filmways 1981. Vintage borderless color photograph from the 1981 film. Director Brian De Palma and Nancy Allen confer on the set with the stage setup for the film's wild parade sequence ending clearly in the background. Conceptual remake of Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 7 x 9.5 inches. Fine. Criterion Collection 562. Grant US. Spicer US Neo-Noir. Filmways unknown
1989ref. 135643Burbank CA: Warner Brothers 1989. Two original screenplays for the 1990 film one being a First Draft 1988 and the other a Second Revised Draft 1989. Brief annotations in manuscript ink on the title page of the second script. Director De Palma's unfortunate box-office flop based on Tom Wolfe's first novel. Sherman McCoy Hanks the "master of the universe" is a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin Griffith. One day the two find themselves in the South Bronx where Maria sees a black youth approaching so frightened she guns the engine and runs him over killing him. The two drive away and decide not to report the accident to the police. Alcoholic journalist Peter Fallow Willis anxious for a story hears about the incident through a local black community activist. Once the story is out the end is inevitable for Sherman. Set in New York shot on location there and in California. De Palma would return to independent filmmaking with his next effort the creepy horror film "Raising Cain" 1992 starring John Lithgow. First Draft script: White wrappers. Title page present dated October 1 1988 noted as FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe.163 leaves with last page of text numbered 161. Xerographically reproduced. Pages and wrapper Near Fine bound with two gold brads. Second Revised Draft script; Yellow wrappers. Title page present dated October 12 1989 December 15 1989 in manuscript ink just above the printed date noted as SECOND REVISED FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe. 154 leaves with last page of text numbered 152. Xerographic duplication with pink blue green and yellow revision pages throughout dated variously between 10/17/89 and 10/27/89. Pages and wrapper Near Fine bound with two gold brads. Warner Brothers unknown
ref. 153222N.p. Two vintage color reference photographs of director Brian De Palma and actress Angie Dickinson along with a camera crew on the set of the 1980 film. A defining De Palma film suspenseful in the vein of Alfred Hitchcock and opening with an homage to the famous shower scene in Hitchcock's "Psycho." The sixth of nine highly distinctive films De Palma made between 1973 and 1984. Set in New York shot on location in New York and Pennsylvania. 10 x 8 inches. Near Fine. Arrow 842. Criterion Collection 770. Grant US. Spicer US Neo-Noir. unknown
1974ref. 148219Los Angeles: Twentieth Century-Fox 1974. Eight vintage color lobby cards from the 1974 film. One of the greatest and most garish rock musicals ever made imposing a wild psychedelic pop veneer on the "Phantom of the Opera" and Faust stories and updating them to the present-day of 1970s mega-record-label-dominated culture. Written and directed by De Palma at the beginning of his "classic" period of the 1970s and 1980s on the heels of "Sisters" 1973. Singer Paul Williams is unforgettably ambitiously nasty as Swan the head of an evil conglomerate that ruins the life of young Winslow William Finley with a teeth-clenching opening narration by Rod Serling. Twentieth Century-Fox bought the film for two million dollars the largest sum ever paid by the company for an independent film but failed to properly market it and the film did not reach a large audience. "Phantom" did please the critics however notably Pauline Kael who called the film "a new Guignol in a modern idiom out of the Guignol of the past." Shot on location in Beverly Hills California and Dallas Texas. 14 x 11 inches. Near Fine. Twentieth Century-Fox unknown
1989ref. 135643Burbank CA: Warner Brothers 1989. Two original screenplays for the 1990 film one being a First Draft 1988 and the other a Second Revised Draft 1989. Brief annotations in manuscript ink on the title page of the second script. Director De Palma's unfortunate box-office flop based on Tom Wolfe's first novel. Sherman McCoy Hanks the "master of the universe" is a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin Griffith. One day the two find themselves in the South Bronx where Maria sees a black youth approaching so frightened she guns the engine and runs him over killing him. The two drive away and decide not to report the accident to the police. Alcoholic journalist Peter Fallow Willis anxious for a story hears about the incident through a local black community activist. Once the story is out the end is inevitable for Sherman. Set in New York shot on location there and in California. De Palma would return to independent filmmaking with his next effort the creepy horror film "Raising Cain" 1992 starring John Lithgow. First Draft script: White wrappers. Title page present dated October 1 1988 noted as FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe.163 leaves with last page of text numbered 161. Xerographically reproduced. Pages and wrapper Near Fine bound with two gold brads. Second Revised Draft script; Yellow wrappers. Title page present dated October 12 1989 December 15 1989 in manuscript ink just above the printed date noted as SECOND REVISED FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe. 154 leaves with last page of text numbered 152. Xerographic duplication with pink blue green and yellow revision pages throughout dated variously between 10/17/89 and 10/27/89. Pages and wrapper Near Fine bound with two gold brads. Warner Brothers unknown books
1981ref. 142167US: Cinema 77 / Geria Productions / Filmways 1981. Eight vintage borderless color photographs from the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 7 x 9.5 inches. Fine. Criterion Collection 562. Grant US. Spicer US Neo-Noir. Cinema 77 / Geria Productions / Filmways unknown books
1981ref. 127394N.p.: Filmways 1981. Vintage one sheet poster for the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 27 x 41 inches. Very Good plus with light splashing to the top third. Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown books
1981ref. 142109US: Filmways 1981. Vintage borderless color photograph from the 1981 film. Director Brian De Palma and Nancy Allen confer on the set with the stage setup for the film's wild parade sequence ending clearly in the background. Conceptual remake of Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 7 x 9.5 inches. Fine. Criterion Collection 562. Grant US. Spicer US Neo-Noir. Filmways unknown books
1981ref. 168110Culver City CA: Columbia Pictures / Filmways 1981. Two vintage studio still photographs from the 1981 film both showing actor John Travolta. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 8 x 10 inches. Fine. Criterion Collection 562. Grant US. Spicer Neo-Noir. Columbia Pictures / Filmways unknown books
1981ref. 151952N.p.: Filmways 1981. Vintage reference photograph of Brian De Palma on the set of the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 8 x 10 inches. Near Fine. Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown books
1981ref. 132103N.p.: Filmways Pictures 1981. Vintage black-and-white still photograph of John Travolta from the 1981 film. A De Palma highspot with influences from Antonioni's "Blow-Up" and Francis Ford Coppola's "The Conversation." A fine role for John Travolta who would experience a slight career dip and bounce back hard with Quentin Tarantino's "Pulp Fiction." 8 x 10 inches. About Near Fine. Filmways Pictures unknown books
1974ref. 148219Los Angeles: Twentieth Century-Fox 1974. Eight vintage color lobby cards from the 1974 film. One of the greatest and most garish rock musicals ever made imposing a wild psychedelic pop veneer on the "Phantom of the Opera" and Faust stories and updating them to the present-day of 1970s mega-record-label-dominated culture. Written and directed by De Palma at the beginning of his "classic" period of the 1970s and 1980s on the heels of "Sisters" 1973. Singer Paul Williams is unforgettably ambitiously nasty as Swan the head of an evil conglomerate that ruins the life of young Winslow William Finley with a teeth-clenching opening narration by Rod Serling. Twentieth Century-Fox bought the film for two million dollars the largest sum ever paid by the company for an independent film but failed to properly market it and the film did not reach a large audience. "Phantom" did please the critics however notably Pauline Kael who called the film "a new Guignol in a modern idiom out of the Guignol of the past." Shot on location in Beverly Hills California and Dallas Texas. 14 x 11 inches. Near Fine. Twentieth Century-Fox unknown books
1973ref. 133031Los Angeles: American International Pictures AIP 1973. Two vintage black-and-white still photographs from the 1973 US film. De Palma does "Rear Window" sort of in the breakthrough film that would signal his move toward both Hollywood and the psycho-sexual thrillers that would come to be his signature as much as his virtuosic visual style. Set and shot on location in New York City. 8 x 10 inches. Near Fine with some light toning. Arrow 919. Criterion Collection 89. Grant US. Spicer US. American International Pictures [AIP] unknown books
ref. 153222N.p. Two vintage color reference photographs of director Brian De Palma and actress Angie Dickinson along with a camera crew on the set of the 1980 film. A defining De Palma film suspenseful in the vein of Alfred Hitchcock and opening with an homage to the famous shower scene in Hitchcock's "Psycho." The sixth of nine highly distinctive films De Palma made between 1973 and 1984. Set in New York shot on location in New York and Pennsylvania. 10 x 8 inches. Near Fine. Arrow 842. Criterion Collection 770. Grant US. Spicer US Neo-Noir. unknown books
1984ref. 150934N.p.: N.p. 1984. Vintage reference photograph of Brian DePalma on the set of the 1984 film. The fourth of a quartet of films made by Brian De Palma in the 1980s that paid homage to Alfred Hitchcock while adding elements of pop culture and the grotesque. "Body Double" was by far the funniest of these though no less compelling. Shot on location in Los Angeles Long Beach and Hollywood California. 8 x 9.75 inches. Near Fine. Clover Men Women and Chainsaws. Destroy All Movies The Complete Guide to Punks on Film. Spicer Neo-Noir US. N.p. unknown books
2006ref. 156849Columbia NC: HPE Rights 2006. Shooting script for the 2007 neo-noir film. Based on the 1975 novel by Brian Garfield the sequel to his 1972 novel "Death Wish." Kevin Bacon seeks revenge after seeing his son killed in a gang initiation. Set in Columbia South Carolina shot on location in Columbia South Carolina and Los Angeles. Front wrapper dated 8/11/06 noted as Shooting Script with credits for screenwriter Ian Mackenzie Jeffers. 126 leaves with last page of text numbered 106. Xerographic duplication rectos only with pink and yellow revision pages throughout dated variously between 9/13/06 and 9/14/06. Pages Near Fine bound with two gold brads. Grant US Neo-Noir. HPE Rights unknown
2006ref. 156849Columbia NC: HPE Rights 2006. Shooting script for the 2007 neo-noir film. Based on the 1975 novel by Brian Garfield the sequel to his 1972 novel "Death Wish." Kevin Bacon seeks revenge after seeing his son killed in a gang initiation. Set in Columbia South Carolina shot on location in Columbia South Carolina and Los Angeles. Front wrapper dated 8/11/06 noted as Shooting Script with credits for screenwriter Ian Mackenzie Jeffers. 126 leaves with last page of text numbered 106. Xerographic duplication rectos only with pink and yellow revision pages throughout dated variously between 9/13/06 and 9/14/06. Pages Near Fine bound with two gold brads. Grant US Neo-Noir. HPE Rights unknown books
1980ref. 152392N.p.: Warner Columbia Film 1980. Archive of material from the screening of the 1980 British film at the 1980 Cannes Film Festival including three borderless reference photographs one pressbook and one xerographically reproduced competition sheet. All text in French. A young punk singer from London rises to stardom but discovers that fame comes at the expense of her friends and integrity. The directorial debut of Brian Gibson who would go on to direct a plethora of films focusing on rock musicians most notably "What's Love Got to Do with It" 1993 and "Still Crazy" 1998. Set and shot on location in London. Photographs 9.5 x 7 inches. Pressbook 8.25 x 11.5 inches 15 leaves. All materials Near Fine. Carlson and Connolly Destroy All Movies. Olive Films 309. Warner Columbia Film unknown
1980ref. 152392N.p.: Warner Columbia Film 1980. Archive of material from the screening of the 1980 British film at the 1980 Cannes Film Festival including three borderless reference photographs one pressbook and one xerographically reproduced competition sheet. All text in French. A young punk singer from London rises to stardom but discovers that fame comes at the expense of her friends and integrity. The directorial debut of Brian Gibson who would go on to direct a plethora of films focusing on rock musicians most notably "What's Love Got to Do with It" 1993 and "Still Crazy" 1998. Set and shot on location in London. Photographs 9.5 x 7 inches. Pressbook 8.25 x 11.5 inches 15 leaves. All materials Near Fine. Carlson and Connolly Destroy All Movies. Olive Films 309. Warner Columbia Film unknown books
