11,071 results
1976ref. 163767Saint-Ouen France: Société Nouvelle de Doublage SND 1976. Vintage press kit for the 1976 French release of the 1975 Canadian film. White pocketed folder containing three black-and-white photographs 13 leaves of promotional reading material six color lobby cards and a German promotional leaflet. A high-rise apartment building is infected by a parasite that turns its victims into sex-crazed maniacs with the infection spreading at the slightest touch. An early influential entry in the body horror canon. Shot on location at Nuns' Island. Folder photographs and promotional material Near Fine. Arrow 1497. Canuxploitation Complete. Société Nouvelle de Doublage [SND] unknown books
1975ref. 144464Montreal: Canadian Film Development Corporation CFDC 1975. Three vintage borderless photographs from the 1975 film. With manuscript annotations on the versos. A high-rise apartment building is infected by a parasite that turns its victims into sex-crazed maniacs that can infect with the slightest touch. Shot on location in Montreal Canada. 7 x 5 inches. Near Fine. Arrow 1497. Canuxploitation Complete. Canadian Film Development Corporation [CFDC] unknown books
1969ref. 157979London: The Other Cinema 1969. Vintage borderless reference photograph from the 1969 Canadian film. Stamps of The Other Cinema and ICA Press Office on the verso. In the future the Canadian Academy for Erotic Enquiry CAEE investigates the claims of a parapsychologist by recruiting seven volunteers to submit to a form of brain surgery that removes their power of speech but increases their telepathic ability. Director David Cronenberg's feature film debut. 9.75 x 7.75 inches. Near Fine. The Other Cinema unknown books
1971ref. 161546N.p.: MDA Film 1971. Six studio still photographs from the 1971 film. Five photographs with provenance stamps on the versos one of which is on a label obscuring an older provenance stamp. After an artist's suicide friends and lovers share their memories of him most of whom are convinced he would never have killed himself and that one of them had something to do with his demise. Set in and shot on location in New York. 8 x 10 inches. Near Fine overall. MDA Film unknown
1965ref. 161893N.p.: Vansan Productions 1965. Vintage studio still photograph from the 1965 film. Provenance stamp on the verso. Struggling Greenwich Village artist Tyler is in love with the belittling and mean cabaret dancer Lisa. After a nightmarish three-day LSD trip Tyler returns to his apartment to find Lisa murdered and doesn't know if he killed her. Set in and shot on location in New York City. 8 x 10 inches. Near Fine. Vansan Productions unknown
1971ref. 161546N.p.: MDA Film 1971. Six studio still photographs from the 1971 film. Five photographs with provenance stamps on the versos one of which is on a label obscuring an older provenance stamp. After an artist's suicide friends and lovers share their memories of him most of whom are convinced he would never have killed himself and that one of them had something to do with his demise. Set in and shot on location in New York. 8 x 10 inches. Near Fine overall. MDA Film unknown books
1965ref. 161893N.p.: Vansan Productions 1965. Vintage studio still photograph from the 1965 film. Provenance stamp on the verso. Struggling Greenwich Village artist Tyler is in love with the belittling and mean cabaret dancer Lisa. After a nightmarish three-day LSD trip Tyler returns to his apartment to find Lisa murdered and doesn't know if he killed her. Set in and shot on location in New York City. 8 x 10 inches. Near Fine. Vansan Productions unknown books
1995ref. 164015N.p.: N.p. 1995. Archive of three original scripts and a collection of green revision scripts for the 1996 film. From the archive of crew member Chris Scher. Archive includes: A Fourth Draft script on pink and yellow leaves copy belonging to Construction Foreman Ramsey Smith with the manuscript ink annotations of "Ramsey S." and copy number "98" on the title page. A Third Draft script on blue leaves copy belonging to Scher with the manuscript ink annotations of "Chris Scher" and copy number "88" on the title page. A Second Draft script on white leaves with a manuscript marker annotation of "1/" on the title page. And a collection of 53 green revision pages for the Fourth Draft script copy belonging to Scher with the manuscript ink annotations of "Chris" and copy number "94" on the title page. Based on the 1984 play by Michael Brady. On the second anniversary of his wife Gillian's Michelle Pfeiffer death and birthday David Peter Gallagher who spends his evenings walking the beach talking with his wife's ghost has his in-laws come to stay for the weekend with him his daughter and her friend hoping to snap him back into the present. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Set in Nantucket Massachusetts shot on location in Massachusetts North Carolina and California. Fourth Draft Script: Front wrapper integral with title page dated September 28 1995 noted as Fourth Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 106 leaves with last page of text numbered 101. Xerographic duplication rectos only on pink and yellow revision pages dated September 27 1995 and September 28 1995. Pages Near Fine bound with two gold brads. Third Draft Script: Front wrapper integral with title page dated September 11 1995 noted as Third Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 100 leaves with last page of text numbered 97. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Second Draft Script: Front wrapper integral with title page dated July 25 1995 noted as Second Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 99 leaves with last page of text numbered 96. Xerographic duplication rectos only. Pages Near Fine wrapper CONDITIONWRAPPER bound with two gold brads. Green Revision Pages: Front wrapper integral with title page dated October 4 1995 noted as Fourth Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 53 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
1995ref. 164015N.p.: N.p. 1995. Archive of three original scripts and a collection of green revision scripts for the 1996 film. From the archive of crew member Chris Scher. Archive includes: A Fourth Draft script on pink and yellow leaves copy belonging to Construction Foreman Ramsey Smith with the manuscript ink annotations of "Ramsey S." and copy number "98" on the title page. A Third Draft script on blue leaves copy belonging to Scher with the manuscript ink annotations of "Chris Scher" and copy number "88" on the title page. A Second Draft script on white leaves with a manuscript marker annotation of "1/" on the title page. And a collection of 53 green revision pages for the Fourth Draft script copy belonging to Scher with the manuscript ink annotations of "Chris" and copy number "94" on the title page. Based on the 1984 play by Michael Brady. On the second anniversary of his wife Gillian's Michelle Pfeiffer death and birthday David Peter Gallagher who spends his evenings walking the beach talking with his wife's ghost has his in-laws come to stay for the weekend with him his daughter and her friend hoping to snap him back into the present. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Set in Nantucket Massachusetts shot on location in Massachusetts North Carolina and California. Fourth Draft Script: Front wrapper integral with title page dated September 28 1995 noted as Fourth Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 106 leaves with last page of text numbered 101. Xerographic duplication rectos only on pink and yellow revision pages dated September 27 1995 and September 28 1995. Pages Near Fine bound with two gold brads. Third Draft Script: Front wrapper integral with title page dated September 11 1995 noted as Third Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 100 leaves with last page of text numbered 97. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Second Draft Script: Front wrapper integral with title page dated July 25 1995 noted as Second Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 99 leaves with last page of text numbered 96. Xerographic duplication rectos only. Pages Near Fine wrapper CONDITIONWRAPPER bound with two gold brads. Green Revision Pages: Front wrapper integral with title page dated October 4 1995 noted as Fourth Draft with credits for screenwriter David E. Kelley and playwright Michael Brady. 53 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown books
1967ref. 161559N.p.: F.P.S. Ventures 1967. Vintage studio still photograph from the 1967 film. Five roommates describe to the police the events leading up to finding the body of their exotic dancer roommate including the debauched orgies they hold on a daily basis. Shot on location in Los Angeles. 8 x 10 inches. Near Fine. F.P.S. Ventures unknown books
1995ref. 155633N.p.: N.p. 1995. Vintage reference photograph of actors Morgan Freeman and Brad Pitt talking with producer Arnold Kopelson between takes on the set of the 1995 film. Two detectives-one younger and inexperienced the other older and ready to retire-track down a serial killer who bases his murders on the seven deadly sins. Director David Fincher's breakthrough film. Shot on location throughout California. 10 x 6.5 inches. Fine. Ebert IV. Grant US. Silver and Ward Neo-Noir. N.p. unknown
1995ref. 155633N.p.: N.p. 1995. Vintage reference photograph of actors Morgan Freeman and Brad Pitt talking with producer Arnold Kopelson between takes on the set of the 1995 film. Two detectives-one younger and inexperienced the other older and ready to retire-track down a serial killer who bases his murders on the seven deadly sins. Director David Fincher's breakthrough film. Shot on location throughout California. 10 x 6.5 inches. Fine. Ebert IV. Grant US. Silver and Ward Neo-Noir. N.p. unknown books
1969ref. 150225N.p.: N.p. 1969. Vintage borderless double weight satin-finish black and white photograph from the 1969 film one showing actors Robert Stephens Geraldine McEwan and Laurence Olivier the other showing Olivier alone. With a photographer's stamp on the verso noted only as "Dominic" along with a library stamp. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A filmed version of the National Theatre Company play originally directed by Glen Byam Shaw which was based in turn on the 1900 play by August Strindberg. In their isolated home on the coast of Sweden an aging mentally ill ex-military captain engages in vicious battles of will with his wife a former actress whose marriage ended her career. Set in Sweden. One photograph 8 x 9.5 inches one photograph 7.5 x 10 inches. Near Fine. N.p. unknown
1969ref. 150206London: Camera Press 1969. Vintage borderless reference photograph from the 1969 television serial showing actors John Westbrook Roger Mutton and John Rapley. With a printed mimeo snipe affixed to the verso. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A one-season television series dramatizing the lives of John Churchill the first Duke of Marlborough and his wife Sarah. The show originally aired in the UK on BBC on September 27 1969 and was aired two years later in the US on PBS' long-running Masterpiece Classic series. 9.5 x 8 inches. Near Fine. Camera Press unknown
1969ref. 150225N.p.: N.p. 1969. Vintage borderless double weight satin-finish black and white photograph from the 1969 film one showing actors Robert Stephens Geraldine McEwan and Laurence Olivier the other showing Olivier alone. With a photographer's stamp on the verso noted only as "Dominic" along with a library stamp. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A filmed version of the National Theatre Company play originally directed by Glen Byam Shaw which was based in turn on the 1900 play by August Strindberg. In their isolated home on the coast of Sweden an aging mentally ill ex-military captain engages in vicious battles of will with his wife a former actress whose marriage ended her career. Set in Sweden. One photograph 8 x 9.5 inches one photograph 7.5 x 10 inches. Near Fine. N.p. unknown books
1969ref. 150206London: Camera Press 1969. Vintage borderless reference photograph from the 1969 television serial showing actors John Westbrook Roger Mutton and John Rapley. With a printed mimeo snipe affixed to the verso. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A one-season television series dramatizing the lives of John Churchill the first Duke of Marlborough and his wife Sarah. The show originally aired in the UK on BBC on September 27 1969 and was aired two years later in the US on PBS' long-running Masterpiece Classic series. 9.5 x 8 inches. Near Fine. Camera Press unknown books
1972ref. 135242Paris: Twentieth Century-Fox 1972. Two vintage borderless black-and-white reference still photographs from the 1972 French film "La course du lievre a travers les champs" release in the US as "And Hope to Die." Featured is a rare still of director Clement brandishing a rifle and a still of actor Trintignant contemplating the true value of a ten-dollar bill. Loosely based on David Goodis' 1954 seminal hardboiled novel "Black Friday" a paperback original. A French fugitive heads for Canada and ends up joining a gang of criminals in the midst of kidnapping the mentally-challenged daughter of a rival crimelord. The plan goes accordingly until the girl accidentally dies. Shot on location in Quebec Canada and Hauts-de-Seine France. Both stills 7 x 9.25 inches borderless as issued. Ink annotations on the versos else Near Fine overall. Twentieth Century-Fox unknown
1972ref. 135242Paris: Twentieth Century-Fox 1972. Two vintage borderless black-and-white reference still photographs from the 1972 French film "La course du lievre a travers les champs" release in the US as "And Hope to Die." Featured is a rare still of director Clement brandishing a rifle and a still of actor Trintignant contemplating the true value of a ten-dollar bill. Loosely based on David Goodis' 1954 seminal hardboiled novel "Black Friday" a paperback original. A French fugitive heads for Canada and ends up joining a gang of criminals in the midst of kidnapping the mentally-challenged daughter of a rival crimelord. The plan goes accordingly until the girl accidentally dies. Shot on location in Quebec Canada and Hauts-de-Seine France. Both stills 7 x 9.25 inches borderless as issued. Ink annotations on the versos else Near Fine overall. Twentieth Century-Fox unknown books
1970ref. 147686Los Angeles: AVCO Embassy Pictures 1970. Collection of 20 vintage black and white reference photographs from the 1970 film. A cautionary tale following a suburban couple who discover their teenage daughter is addicted to LSD and cocaine. Set in New York. 8 x 10 inches. Near Fine. AVCO Embassy Pictures unknown
1970ref. 147686Los Angeles: AVCO Embassy Pictures 1970. Collection of 20 vintage black and white reference photographs from the 1970 film. A cautionary tale following a suburban couple who discover their teenage daughter is addicted to LSD and cocaine. Set in New York. 8 x 10 inches. Near Fine. AVCO Embassy Pictures unknown books
1984ref. 167521Burbank CA: Pressman Productions 1984. First Draft script for the 1985 UK/US film circa 1984 with manuscript pencil annotations on the cast of characters page noting the actor's names adjacent to their characters. Based on the 1978 play by screenwriter David Hare. Spanning nearly 20 years in the life of Englishwoman Susan Traherne played by Meryl Streep the film follows her from her life-changing experiences as a French Resistance fighter during World War II to her life in post-war England which she finds inadequate and trivial her alienation often leading her to act with disregard for those around her. Nominated for two BAFTA Awards. Of note screenwriter Hare divided the script found here into eight segments of which there is a note on the first leaf that this was not for the viewing audience but for clarity in reading for the cast and crew. The eight segments are: "The War" "Europe On The Move" "Austerity" "Plenty" "Suez" "Iran" "The Crisis" and "Liberation." Set in and shot on location in London Brusels Belgium France and Tunisia. Front wrapper integral with first introductory note leaf. Title page present noted as FIRST DRAFT with credits for screenwriter David Hare. 112 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Pressman Productions unknown
1984ref. 160850London: Greenpoint Films 1984. Draft script for the 1985 British film INSCRIBED by director/screenwriter David Hare on the title page "For Steve with thanks - / David Hare / 15.5.85" with the manuscript ink annotation of copy number "63" on the top of the title page and manuscript ink annotations striking scene 71B on page 51. Laid in is an eight page transcript of a PublicTheater interview with Hare dated May 15 1985 with manuscript pencil and marker annotations throughout in what appears to be Hare's hand a sixteen page program for the film with two modest ink annotations on two pages a thirteen page "Preliminary Production Notes" and a one page clipping of "Stanley Kauffmann On Films: Against the Darkness" a review of the film from the August 12 1985 issue of The New Republic. A middle-age spinster schoolteacher played by Vanessa Redgrave is forced to reevaluate her life after witnessing the suicide of a recently arrived enigmatic stranger. Set in Wetherby England shot on location in West Yorkshire North Yorkshire Middlesex and London. Black untitled wrappers with a die-cut window in the British style. Title page present dated May 4 1984 noted as "This Draft" with credits for screenwriter David Hare. 89 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Interview transcript 8.5 x 11 inches. Very Good plus with light toning overall bound with two staples to the top left corner. Program 8.25 x 11.75 inches. Very Good plus with light edgewear and creasing. Preliminary Production Notes 8.5 x 11 inches. Light toning at the extremities else Near Fine. Article Clipping 8.25 x 11. Very Good with light dampstaining creasing and edgewear. Greenpoint Films unknown
1984ref. 160850London: Greenpoint Films 1984. Draft script for the 1985 British film INSCRIBED by director/screenwriter David Hare on the title page "For Steve with thanks - / David Hare / 15.5.85" with the manuscript ink annotation of copy number "63" on the top of the title page and manuscript ink annotations striking scene 71B on page 51. Laid in is an eight page transcript of a PublicTheater interview with Hare dated May 15 1985 with manuscript pencil and marker annotations throughout in what appears to be Hare's hand a sixteen page program for the film with two modest ink annotations on two pages a thirteen page "Preliminary Production Notes" and a one page clipping of "Stanley Kauffmann On Films: Against the Darkness" a review of the film from the August 12 1985 issue of The New Republic. A middle-age spinster schoolteacher played by Vanessa Redgrave is forced to reevaluate her life after witnessing the suicide of a recently arrived enigmatic stranger. Set in Wetherby England shot on location in West Yorkshire North Yorkshire Middlesex and London. Black untitled wrappers with a die-cut window in the British style. Title page present dated May 4 1984 noted as "This Draft" with credits for screenwriter David Hare. 89 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Interview transcript 8.5 x 11 inches. Very Good plus with light toning overall bound with two staples to the top left corner. Program 8.25 x 11.75 inches. Very Good plus with light edgewear and creasing. Preliminary Production Notes 8.5 x 11 inches. Light toning at the extremities else Near Fine. Article Clipping 8.25 x 11. Very Good with light dampstaining creasing and edgewear. Greenpoint Films unknown books
1984ref. 167521Burbank CA: Pressman Productions 1984. First Draft script for the 1985 UK/US film circa 1984 with manuscript pencil annotations on the cast of characters page noting the actor's names adjacent to their characters. Based on the 1978 play by screenwriter David Hare. Spanning nearly 20 years in the life of Englishwoman Susan Traherne played by Meryl Streep the film follows her from her life-changing experiences as a French Resistance fighter during World War II to her life in post-war England which she finds inadequate and trivial her alienation often leading her to act with disregard for those around her. Nominated for two BAFTA Awards. Of note screenwriter Hare divided the script found here into eight segments of which there is a note on the first leaf that this was not for the viewing audience but for clarity in reading for the cast and crew. The eight segments are: "The War" "Europe On The Move" "Austerity" "Plenty" "Suez" "Iran" "The Crisis" and "Liberation." Set in and shot on location in London Brusels Belgium France and Tunisia. Front wrapper integral with first introductory note leaf. Title page present noted as FIRST DRAFT with credits for screenwriter David Hare. 112 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Pressman Productions unknown books
1962ref. 141261Los Angeles: H. N. Swanson 1962. Third Draft script for an unproduced film. Police receive a suicide call and head to the scene only to find the caller shooting wildly at anyone who tries to approach him. To make matters worse police discover one of the building's other inhabitants has declared that he plans to use his homemade bomb to destroy the building and everyone in it. Set in New York City. Tan titled wrappers. Title page present dated September 14 1962 noted as Third Draft with credit for screenwriter David P. Harmon. 147 leaves with last page of text numbered 146. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. H. N. Swanson unknown
