1984ref. 151105N.p.: International Spectrafilm Distribution 1984. Vintage reference photograph of Jean-Luc Godard and Valerie Dreville from the 1984 US release of the 1983 French film. Loosely based on Georges Bizet's 1875 opera. A young woman involved in a terrorist gang is embroiled in a plan to rob a bank but her plans are waylaid when she falls for the security guard. Set and shot on location in Paris. 10.25 x 8 inches. Near Fine. Godard Histoires du Cinema. International Spectrafilm Distribution unknown
1987ref. 144497Paris: Gaumont 1987. Vintage oversize borderless photograph of Jean-Luc Godard from the 1987 film. With manuscript annotations on the verso. An experimental film that irreverently mixes genres twisting together a broad range of references to literature film comedy and the history of cinema. Starring Godard himself as a filmmaker thus blurring the fictional category from the outset. Made the same year as Godard's production of "King Lear." 12 x 9 inches. Near Fine. Olive Films 327. Gaumont unknown
1968ref. 148283N.p.: Athos Films 1968. Two vintage French color lobby cards from the 1968 film one with a stamp reading "P. Valadier" on the verso. Loosely based on the 1871 novel "Demons" by Fyodor Dostoyevsky. Godard's wry improvisational take on politics of the late 1960s follows five disaffected students studying the teachings of Mao Zedong and debating the use of terrorism to achieve revolution. Set in and shot on location in Paris. 11.75 x 9.5 inches. Very Good plus with pinholes at corners and edgewear. Rosenbaum 1000. Athos Films unknown
1969ref. 149696London: Institute of Contemporary Arts 1969. Two vintage double weight reference photographs from the 1969 French film. With printed mimeo snipes for the film's British release affixed to the verso. A man and a woman meet to discuss the Vietnam War student protests the changing relationship between the US and France and other current events of the 1960s interspersed with news clips music and narration by director Jean-Luc Godard. 8.5 x 6.5 inches. Near Fine. Institute of Contemporary Arts unknown
1963ref. 160682N.p.: N.p. 1963. Vintage reference photograph from the 1963 film showing director Jean-Luc Godard and cameraman Raoul Coutard capturing a scene. Date stamp and provenance stamp on the verso. During the Algerian War a French agent is ordered to assassinate a member of the National Liberation Front of Algeria FLN but cannot complete the mission due to his involvement with a pro-FLN woman. Shot in 1960 but not released until 1963 due to a French ban on torture scenes thus Godard's second feature film but fourth to be released. Set in Algeria shot on location in Switzerland. 10.5 x 7 inches. Near Fine. Criterion Collection 1010. Grant France. N.p. unknown
1966ref. 152710Paris: Lux Films 1966. Vintage French pressbook for the 1966 French film. Loosely based on Howard Hawks' 1946 film "The Big Sleep" in turn based on the 1939 novel by Raymond Chandler. A young woman from Paris goes into the countryside to meet her lover but soon realizes he has been killed by gangsters leading her to investigate. Bi-fold 6.5 x 8.5 inches. Very Good plus lightly toned overall. Lux Films unknown
1966ref. 167506London: Gala Film Distributors 1966. Vintage reference photograph from the UK release of the 1966 French film showing actors Catherine-Isabelle Duport and Marlène Jobert together in the bathroom. Mimeo snipe in English on the verso. A new relationship between a traditional young veteran and a beautiful pop star named Madeleine played by real-life ye-ye girl Chantal Goya becomes a menage-a-quatre when Madeleine's two roommates become involved. Set and shot on location in Paris. 10 x 8 inches. Near Fine. Criterion Collection 308. Rosenbaum 1000. Schrader 8. Vogel Film as a Subversive Art. Gala Film Distributors unknown
1968ref. 144349N.p.: N.p. 1968. Two vintage borderless photographs from the set of the 1968 French experimental film mixing documentary with surreal imagery and fictitious characters. With mimeo snipe on one and manuscript annotations on the other. From the last scene of the film featuring "Eve Democracy" a graffiti artist played by Anne Wiazemsky who is followed by a film crew on the beach as she totes a rifle dressed in all white. "One Plus One" alternates documentary segments of The Rolling Stones creating the song "Sympathy for the Devil" in the studio during the band's last days with Brian Jones with surreal commentary about anarchy and revolution making references to Amiri Baraka Eldridge Cleaver and the Black Panthers pornography "Mein Kampf" and the Nazi movement. 10 x 7 inches. Near Fine. N.p. unknown
1965ref. 168104N.p.: N.p. 1965. Vintage borderless oversize reference photograph from the 1965 French film showing a scene with Anna Karina perched in a 1961 Ford Galaxie Sunliner on a lift with director Jean-Luc Godard looking on in the foreground. Stamp of photographer Georges Dudognon on the verso. Based on the 1962 novel "Obsession" by Lionel White about an unhappily married man who goes on a traveling crime spree with an ex-girlfriend who herself is being pursued by right wing paramilitary hit men. Shot on location throughout France. 9.25 x 11.75 inches. Near Fine. Criterion Collection 421. Godard Histoires du cinema. N.p. unknown
1965ref. 143249Neuilly-sur-Seine France: Societe Nouvelle de Cinematographie SNC 1965. Collection of 16 vintage lobby cards for the French release of the 1965 film. The set is housed in its original titled brown paper envelope from the film's distributor Societe Nouvelle de Cinematographie SNC. Based on the 1962 novel "Obsession" by Lionel White about a unhappily married man who goes on a traveling crime spree with an ex-girlfriend who herself is being pursued by right wing paramilitary hit men. 9.5 x 12 inches. Fine. Criterion Collection 421. Godard Histoires de cinema. Societe Nouvelle de Cinematographie [SNC] unknown
1965ref. 135614Neuilly-sur-Seine France: Societe Nouvelle de Cinematographie SNC 1965. Vintage oversize double weight photograph of director Jean-Luc Godard behind the camera on the set of the 1965 film. Shot by photographer Georges Dudognon in the summer of 1965 with his stamp on the verso. In a custom museum-quality frame archivally mounted with UV glass. 9 x 12 inches. Near Fine. Criterion Collection 421. Godard Histoires de cinema. Societe Nouvelle de Cinematographie [SNC] unknown
1960ref. 151698N.p.: N.p. 1960. Two vintage borderless reference photographs taken on the set of the 1960 film one showing director Jean-Luc Godard and a camera crew filming a scene with actor Michel Subor the other showing Godard and cinematographer Raoul Coutard. With manuscript ink and pencil annotations on the verso. During the Algerian War a French agent is ordered to assassinate a member of the National Liberation Front of Algeria FLN but cannot complete the mission due to his involvement with a pro-FLN woman. Shot in 1960 but not released until 1963 due to a French ban on torture scenes thus Godard's second feature film but fourth to be released. Set in Algeria shot on location in Switzerland. 9.5 x 7.25 inches. Near Fine. Criterion Collection 1010. Grant France. N.p. unknown
1964ref. 142630France: Ulysse Productions 1964. Vintage borderless photograph of a playful Jean Seberg pointing her prop camera back at the real one on the set of the 1964 film. With the stamp of production company Ulysse Productions and manuscript annotations on the verso. An anthology film featuring five stories about swindlers around the world with Seberg appearing as a journalist accused of passing fake currency who then tracks down and interviews the counterfeiter in the segment "Le grand escroc" "The Great Swindler" directed by Jean-Luc Godard. Other segments were directed by Claude Chabrol Ugo Gregoretti Hiromichi Horikawa and Roman Polanski. 9.5 x 7 inches. Near Fine. Olive Films 1339. Ulysse Productions unknown
1967ref. 148302N.p.: Anouchka Films 1967. Collection of 17 vintage French color lobby cards from the 1967 film 15 with "CFDC - LYON" stamp on the versos. One of three feature films Godard released in 1967 and like both "Weekend" and "La chinoise" one that showcases Godard's increasing focus on filmic deconstruction as well as vocalization of leftist political ideas. Godard has stated that his overall desire with the film was "to include everything: sports politics even groceries" to make "an attempt at description of a phenomenon known. as a complex." 8 x 10 inches. Very Good plus with pinholes to corners light to moderate wear and a couple of small dampstains. Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. Anouchka Films unknown
1967ref. 155298N.p.: N.p. 1967. Vintage reference photograph from the 1967 French film directed by Jean-Luc Godard showing actors Raoul Lévy and Anny Duperey. From the archive of film historian and author Joel Finler. A day in the life of a seemingly normal suburban housewife who intersperses her daily routine of housework cleaning and shopping with appointments as a call girl. One of director Godard's most highly regarded and stylistically innovative films released the same year as "Weekend" and "La chinoise." Set and shot on location in Paris. 10 x 8 inches. Near Fine. Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1967ref. 138581Paris: Concordia Compagnia Cinematografica 1967. Four vintage borderless reference photographs from the set of the 1967 film. Studio rubber stamp on the verso. One of the photos features Marina Vlady sharing a cigarette with Roger Montsoret. Based on a 1966 article on casual prostitution in France by Catherine Viminet. One of three feature films Godard released in 1967 and like both "Week End" and "La chinoise" one that showcases Godard's increasing focus on deconstructing filmic narrative and structure and vocalization of leftist political ideas. Godard has stated that his overall desire with the film was "to include everything: sports politics even groceries" to make "an attempt at description of a phenomenon known. as a complex." 5 x 7 inches. Fine condition. Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. Concordia Compagnia Cinematografica unknown
1961ref. 138215Paris: N.p. 1961. Vintage black-and-white borderless still photograph of Godard and Macha Meril on the set of the 1961 film. With the Paris stamp of photographer Claude Schwartz on the verso. 9 x 6 inches. Near Fine. Criterion Collection 238. N.p. unknown
1962ref. 163800N.p.: N.p. 1962. Two vintage borderless oversize reference photographs from the 1962 film both showing actress Anna Karina. Annotations in manuscript pencil and ink on the versos. Director Jean-Luc Godard's least "intellectual" film and also one of his finest a drama about a well-educated Parisian woman who drifts into prostitution out of boredom with the working world. The third of seven influential films between 1960 and 1965 directed by Godard and starring his then-wife and muse Anna Karina. Shot on location in Paris. 11.75 x 9.5 inches. Very Good moderately edgeworn. BFI 2055. Criterion Collection 512. Ebert I. N.p. unknown
1962ref. 144425Paris: Les Films de la Pleiade 1962. Four vintage borderless photographs from the 1962 film. With manuscript annotations and rubber stamps on the versos. Based in part on the nonfiction study "Ou en est la prostitution" by Marcel Sacotte who also contributed to the screenplay. Godard's least "intellectual" film is also one of his finest a touching drama about a college-educated woman who drifts into prostitution out of boredom with the working world to tragic consequences. The third of the seven highly influential films directed by Godard between 1960 and 1965 starring his then-wife and muse Anna Karina. Shot on location in Paris. 5 x 7 inches. Near Fine. BFI 2055. Criterion Collection 512. Ebert I. Les Films de la Pleiade unknown
1968ref. 167788New York: Grove Press Film Division 1968. Vintage press kit for US release of the French 1967 film. Pocketed black and white illustrated folder with gold stamp contains an illustrated bi-fold of "Notes and Background" and a Jean-Luc Godard bio and a tri-fold of advertising materials. One of Godard's most misanthropic films about a loveless bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents with the intent of securing an inheritance. Shot on location in Ile de France and Paris. Folder and contents Near Fine. Criterion Collection 635. Godard Histoires du cinema. Rosenbaum 1000. Vogel Film as a Subversive Art. Grove Press [Film Division] unknown
1967ref. 149386N.p.: N.p. 1967. Vintage reference photograph of director Jean-Luc Godard on the set of the 1967 film with actors Jean Yanne Jean-Pierre Leaud and Mireille Darc. Mimeo snipe affixed to the verso with celo tape from the Institute of Contemporary Arts Cinema for a July 5 1968 showing with annotations of actors names in manuscript ink. In one of Godard's most misanthropic films a loveless bourgeois couple Corinne Darc and Roland Yanne fantasize about killing each other when they aren't cheating on the other. They ponder these matters as they take a nearly never-ending nightmarish road trip to visit Corinne's parents intent on securing an inheritance resolved to murder if necessary. Shot on location in Ile de France and Paris. 8 x 10 inches with wide horizontal margins. Light curling else Near Fine. Criterion Collection 635. Rosenbaum 1000. Godard Histoires du cinema. Vogel Film as a Subversive Art. N.p. unknown
1967ref. 152866N.p.: N.p. 1967. Vintage borderless reference photograph of director Jean-Luc Godard pulling actress Mireille Darc's hair on the set of the 1967 film. With the stamp of still photographer and actress Anne Wiazemsky on the verso. One of Godard's most misanthropic films about a loveless bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents with the intent of securing an inheritance. Shot on location in Ile de France and Paris. 9.25 x 6.75 inches. Light creasing to the bottom left corner else Near Fine. Criterion Collection 635. Rosenbaum 1000. Godard Histoires du cinema. Vogel Film as a Subversive Art. N.p. unknown
1967ref. 168470N.p.: N.p. 1967. Two vintage borderless reference photographs showing a car accident sequence from the 1967 film one showing director Jean-Luc Godard looking back at the camera smiling wryly as plumes of smoke rise in the background. Layout annotations in manuscript ink and pencil on the versos. One of Godard's most misanthropic films about a loveless bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents with the intent of securing an inheritance. Shot on location in Ile de France and Paris. 6.75 x 5 inches. Near Fine. Criterion Collection 635. Rosenbaum 1000. Godard Histoires du cinema. Vogel Film as a Subversive Art. N.p. unknown
1964ref. 167663N.p.: N.p. 1964. Five vintage borderless reference photographs from the 1964 French film including two showing director Jean-Luc Godard with a camera on the set. One with a French release stamp on the verso and all with annotations in manuscript ink and pencil on the same. Based on Dolores Hitchens' 1958 novel "Fools' Gold." A young woman convinces two men to help her steal a large stash of money from her aunt. An outrageous and comical crime film and a classic of French New Wave cinema later described by Godard as "'Alice in Wonderland' meets Franz Kafka." Shot on location in Paris. Photographs range in size from 9.5 x 7 inches to 7 x 5 inches. Generally Near Fine. Grant France. Spicer France. BFI 549. Criterion Collection 174. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown books
1964ref. 168094N.p.: N.p. 1964. Vintage borderless double weight oversize reference photograph from the 1964 French film showing actors Samy Frey and Claude Brasseur in the middle of a gunfight in the street. Annotations in manuscript ink and pencil on the verso. Based on Dolores Hitchens' 1958 novel "Fools' Gold." A young woman convinces two men to help her steal a large stash of money from her aunt. An outrageous and comical crime film and a classic of French New Wave cinema later described by director Jean-Luc Godard as "'Alice in Wonderland' meets Franz Kafka." Shot on location in Paris. 11.5 x 7.5 inches. Pinholes at the top corners else about Near Fine. BFI 549. Criterion Collection 174. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Spicer France. N.p. unknown books
