11,065 results
1966ref. 132301Poland: N.p. 1966. Original Polish A1 poster circa 1966 for the 1959 US film. Kirk Douglas and Earl Holliman reunite in this film after Gunfight at the OK Corral 1957 again under the direction of John Sturges. The story brings together elements of "High Noon" "3:10 to Yuma" and Sturges' "Bad Day at Black Rock." Remade in 1985 as the Indian film "Bhawani Junction." Shot by Charles Lang on location in Old Tucson Arizona and set in the fictitious neighboring towns of Pauley and Gun Hill. Artwork by Jerzy Flisak. 22.5 x 32 inches rolled. A few minor professional repairs on archival linen. Fine. Pitts 2240. N.p. unknown
1950ref. 160946Los Angeles: RKO Radio Pictures 1950. Vintage mini-banner poster for the 1950 film noir. Lew Ayres stars as Lin Vanner a manager of an oil company who after learning the payroll was stolen in a hold-up pursues and kills an innocent robbery suspect. He goes to the man's widow for solace inadvertently beginning a journey down a road in which he slowly finds himself in the same position as his victim. Critically lauded on release the film remains highly underrated due to its failure at the box office. Shot on location in Pioneertown California. 4.75 x 28 inches. Very Good plus with light creasing at the extremities. Grant US. Selby US. Spicer US. RKO Radio Pictures unknown
1973ref. 147085N.p.: N.p. 1973. Revised scenes for second unit post-production re-shooting and editing for the 1973 film seen here under the working title "Valdez Horses." With annotations in manuscript ink and pencil throughout. Based on the 1967 novel "The Valdez Horses" by Lee Hoffman about a mixed-race horse breeder who lives on the outskirts of New Mexican society a solitary life that is disrupted for better when he takes in a young runaway boy who asks to be his protégé. Set in southwest New Mexico shot on location in Andalucia Spain. Blue untitled wrappers. Lacking title page. 40 leaves with last page of text numbered 38. Carbon typescript rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown books
1951ref. 148080Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1951. Vintage studio still photograph of John Hodiak and Frank Korvac from the 1951 film. "7 AUG 27 51" stamp over blind stamp on the verso. John Sturges' deft adaptation of Eleazar Lipsky's 1950 novel is one of the best and most underrated courtroom-based noirs anchored by a performance by Spencer Tracy at the peak of his powers. Set in New York City shot on location in New York and California. 8 x 10 inches. Very Good plus with light creasing and edgewear. Selby US. Spicer US. Silver and Ward US. Grant US. Metro-Goldwyn-Mayer [MGM] unknown books
1966ref. 132301Poland: N.p. 1966. Original Polish A1 poster circa 1966 for the 1959 US film. Kirk Douglas and Earl Holliman reunite in this film after Gunfight at the OK Corral 1957 again under the direction of John Sturges. The story brings together elements of "High Noon" "3:10 to Yuma" and Sturges' "Bad Day at Black Rock." Remade in 1985 as the Indian film "Bhawani Junction." Shot by Charles Lang on location in Old Tucson Arizona and set in the fictitious neighboring towns of Pauley and Gun Hill. Artwork by Jerzy Flisak. 22.5 x 32 inches rolled. A few minor professional repairs on archival linen. Fine. Pitts 2240. N.p. unknown books
1969ref. 145420Culver City CA: Columbia Pictures 1969. Vintage photograph of actor Gregory Peck and producer Mike Frankovich on the set of the 1969 film. Mimeo snipe affixed to the verso. Based on Martin Caidin's 1964 novel. After a crew of three astronauts are working in an orbiting space lab Jim Pruett Richard Crenna Clayton Stone James Franciscus and Buzz Lloyd Gene Hackman are ordered to return to Earth by the head of the program Charles Keith Gregory Peck. They soon find however that their rockets will not fire and they are unable to return. With only 42 hours of oxygen remaining and few options available Ted Dougherty David Janssen proposes a rescue mission using an experimental spacecraft that has yet to be tested. To make matters worse a hurricane is approaching the launch site. Winner of an Academy Award Best Effects and nominated for two more. Shot on location at Cape Canaveral in Florida. 7.5 x 9 inches. Near Fine. Columbia Pictures unknown books
1950ref. 160946Los Angeles: RKO Radio Pictures 1950. Vintage mini-banner poster for the 1950 film noir. Lew Ayres stars as Lin Vanner a manager of an oil company who after learning the payroll was stolen in a hold-up pursues and kills an innocent robbery suspect. He goes to the man's widow for solace inadvertently beginning a journey down a road in which he slowly finds himself in the same position as his victim. Critically lauded on release the film remains highly underrated due to its failure at the box office. Shot on location in Pioneertown California. 4.75 x 28 inches. Very Good plus with light creasing at the extremities. Grant US. Selby US. Spicer US. RKO Radio Pictures unknown books
1970ref. 141189N.p.: N.p. 1970. Draft script for an unproduced film. A young woman dreams of being a painter but is forced by her controlling mother into being a concert pianist. She begins to break down when her mother decides to be a matchmaker bringing home prospective suitors for her daughter. Brown untitled wrappers. Title page present with credits for screenwriter John Tarangelo. 127 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a silver prong binding. N.p. unknown
1970ref. 141189N.p.: N.p. 1970. Draft script for an unproduced film. A young woman dreams of being a painter but is forced by her controlling mother into being a concert pianist. She begins to break down when her mother decides to be a matchmaker bringing home prospective suitors for her daughter. Brown untitled wrappers. Title page present with credits for screenwriter John Tarangelo. 127 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a silver prong binding. N.p. unknown books
1985ref. 168112Culver City CA: Columbia Pictures 1985. Vintage publicity photograph from the 1985 film showing actor John Travolta. Loosely based on a series of articles that appeared in "Rolling Stone" in the late 1970s discussing the success of health clubs in Los Angeles as cruising spots for single young people. Shot on location in Jersey City and Santa Monica. 8 x 10 inches. About Fine. Columbia Pictures unknown books
1970ref. 162084N.p.: Wodwo Productions 1970. Vintage studio still photograph from the 1970 film. Provenance stamp on the verso. An obscure little-known sexploitation film from 1970 the only known film credited to director John Vittoli and screenwriter Chase Frank. 8 x 10 inches. Near Fine. Wodwo Productions unknown
1970ref. 162084N.p.: Wodwo Productions 1970. Vintage studio still photograph from the 1970 film. Provenance stamp on the verso. An obscure little-known sexploitation film from 1970 the only known film credited to director John Vittoli and screenwriter Chase Frank. 8 x 10 inches. Near Fine. Wodwo Productions unknown books
1962ref. 149464N.p.: Desert 1962. Two vintage borderless reference photographs from the 1962 sexploitation film. With manuscript ink annotations on the verso identifying the film's title. A gold prospector lost in the desert encounters an oasis with several women wandering around in the nude. One photograph 9.5 x 7 inches one photograph 7 x 9.5 inches. Near Fine. Desert unknown books
1990ref. 170773N.p.: N.p. 1990. Five vintage color transparencies from the 1990 film showing cast members during filming on location. A characteristically oddball romantic comedy set in Baltimore in the 1950s about the romance between rockabilly outcast Wade "Cry-Baby" Walker and an upper-class girl named Allison. Shot on location throughout Maryland in Ellicott City Hampden Baltimore Reisterstown Jessup Milford Mill and Sykesville and in Santa Clarita California and Hershey Pennsylvania. 5 x 4 inches. Near Fine. N.p. unknown
1974ref. 172057N.p.: Saliva Films / Dreamland Productions 1974. Vintage publicity photograph from the 1974 film showing the film's poster. John Waters' fourth feature after his wildly successful 1972 film "Pink Flamingos" about a rebellious high-school student who embarks on a murder spree after her parents deny her request for cha-cha heels at Christmastime. Dedicated to Manson Family member Charles "Tex" Watson who inspired the theme of the film: "crime is beauty." Shot on location in Baltimore Maryland. 10 x 8 inches with wide top and bottom margins. Near Fine. Criterion Collection 929. Saliva Films / Dreamland Productions unknown
1988ref. 158257N.p.: N.p. 1988. Vintage test photograph from the 1988 film showing actors Ricki Lake Divine and Jerry Stiller. Globe Photos stamp on the verso along with manuscript annotations in pencil and ink. Perhaps John Waters' most enduring film serving as the basis for the long running 2002 Broadway musical adaptation which itself became the basis for both the 2007 film starring John Travolta Michelle Pfeiffer and Queen Latifah and the 2016 broadcast "Hairspray Live!" on NBC. 8 x 10 inches. Very Good plus with light wear on the bottom right corner. Rosenbaum 1000. N.p. unknown
1988ref. 149687N.p.: N.p. 1988. Vintage reference photograph of actors Divine and Jerry Stiller from the 1988 film. Cult independent director John Waters' most enduring film following a kindhearted overweight teenager who becomes an overnight sensation on a Baltimore television dance show and subsequently uses her newfound fame to speak out in support of integration. Basis for the Tony Award winning 2002 musical and subsequent 2007 film adaptation directed by Adam Shankman and starring Nikki Blonsky Michelle Pfeiffer and John Travolta. Set and shot on location in Baltimore Maryland. 10 x 8 inches. Near Fine. N.p. unknown
1994ref. 153192N.p.: N.p. 1994. Vintage borderless reference photograph of director John Waters on the set of the 1994 film. Brief manuscript ink annotations to the verso noting the film title and Waters' name. A seemingly normal middle-class housewife in suburban Baltimore moonlights as a maniacal unstoppable serial killer. Waters' ninth feature film. Shot on location in Baltimore. 5 x 7 inches. Fine. Carlson and Connolly Destroy All Movies. N.p. unknown
1974ref. 172057N.p.: Saliva Films / Dreamland Productions 1974. Vintage publicity photograph from the 1974 film showing the film's poster. John Waters' fourth feature after his wildly successful 1972 film "Pink Flamingos" about a rebellious high-school student who embarks on a murder spree after her parents deny her request for cha-cha heels at Christmastime. Dedicated to Manson Family member Charles "Tex" Watson who inspired the theme of the film: "crime is beauty." Shot on location in Baltimore Maryland. 10 x 8 inches with wide top and bottom margins. Near Fine. Criterion Collection 929. Saliva Films / Dreamland Productions unknown books
1988ref. 158257N.p.: N.p. 1988. Vintage test photograph from the 1988 film showing actors Ricki Lake Divine and Jerry Stiller. Globe Photos stamp on the verso along with manuscript annotations in pencil and ink. Perhaps John Waters' most enduring film serving as the basis for the long running 2002 Broadway musical adaptation which itself became the basis for both the 2007 film starring John Travolta Michelle Pfeiffer and Queen Latifah and the 2016 broadcast "Hairspray Live!" on NBC. 8 x 10 inches. Very Good plus with light wear on the bottom right corner. Rosenbaum 1000. N.p. unknown books
1990ref. 170773N.p.: N.p. 1990. Five vintage color transparencies from the 1990 film showing cast members during filming on location. A characteristically oddball romantic comedy set in Baltimore in the 1950s about the romance between rockabilly outcast Wade "Cry-Baby" Walker and an upper-class girl named Allison. Shot on location throughout Maryland in Ellicott City Hampden Baltimore Reisterstown Jessup Milford Mill and Sykesville and in Santa Clarita California and Hershey Pennsylvania. 5 x 4 inches. Near Fine. N.p. unknown books
1994ref. 153192N.p.: N.p. 1994. Vintage borderless reference photograph of director John Waters on the set of the 1994 film. Brief manuscript ink annotations to the verso noting the film title and Waters' name. A seemingly normal middle-class housewife in suburban Baltimore moonlights as a maniacal unstoppable serial killer. Waters' ninth feature film. Shot on location in Baltimore. 5 x 7 inches. Fine. Carlson and Connolly Destroy All Movies. N.p. unknown books
1988ref. 149687N.p.: N.p. 1988. Vintage reference photograph of actors Divine and Jerry Stiller from the 1988 film. Cult independent director John Waters' most enduring film following a kindhearted overweight teenager who becomes an overnight sensation on a Baltimore television dance show and subsequently uses her newfound fame to speak out in support of integration. Basis for the Tony Award winning 2002 musical and subsequent 2007 film adaptation directed by Adam Shankman and starring Nikki Blonsky Michelle Pfeiffer and John Travolta. Set and shot on location in Baltimore Maryland. 10 x 8 inches. Near Fine. N.p. unknown books
1968ref. 161506Burbank CA: Warner Brothers / Seven Arts 1968. Vintage studio still photograph of actor and director John Wayne playing chess on the set of the 1968 film. Released at the height of American involvement in the Vietnam War and based on the 1965 novel by Robin Moore. A highly pro-war film following two teams of highly skilled Green Berets sent on a mission in South Vietnam. Shot on location at Fort McClellen Alabama at Hurlburt Field Florida and at Fort Benning Georgia. 10 x 8 inches. Near Fine. Warner Brothers / Seven Arts unknown
1968ref. 156781Los Angeles: Twentieth Century-Fox 1968. Second Revised Final script for the 1969 film. Copy belonging to an unknown crew member with their annotations in manuscript ink on the front wrapper and title page. After the Civil War a Union officer and a Confederate officer are forced to band together in order to defend their respective traveling parties against bandits and revolutionaries. Shot on location in Sonora and Zacatecas Mexico and in Baton Rouge Louisiana. Cream titled Twentieth Century-Fox wrappers noted as SECOND REVISED FINAL on the front wrapper and production No. 175 dated December 3 1968. Title page present dated December 3 1968 noted as SECOND REVISED FINAL with a credit for screenwriter James Lee Barrett and story credits for Stanley Hough. 168 leaves with last page of text numbered 165. Mimeograph duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Very Good plus slightly yapped at the fore-edges bound internally with three gold brads. Housed in a custom brown quarter-leather clamshell box. Pitts 4638. Twentieth Century-Fox unknown
