11,066 results
1964ref. 157694N.p.: N.p. 1964. Vintage reference photograph from the 1964 film showing director Joseph Losey on the set. One photograph with the stamp of Israel Film Archive and a printed mimeo label on the verso. Based on the 1964 play "Hamp" by John Wilson in turn based on the 1955 novel "Return to the Wood" by James Lansdale Hodson. During World War I a British soldier is accused of desertion after being the sole survivor of his a bloody attack. 8 x 10 inches. Near Fine. N.p. unknown books
1966ref. 150448Los Angeles: Twentieth Century-Fox 1966. Vintage studio still photograph from the 1966 film showing actress Monica Vitti's leg emblazoned with a tattooed scorpion a trademark of the titular character. With the stamp of Pedro Lima archive on the verso along with manuscript ink annotations identifying Vitti director Joseph Losey and the film title. Based on the British comic strip which originally appeared in 1963. Modesty Blaise a former criminal mastermind occasionally employed by the Secret Service must protect a shipment of diamonds en route to a small Middle Eastern kingdom from a crime syndicate. Monica Vitti's first English-speaking role. Shot on location throughout Italy the Netherlands and England. 8 x 10 inches. Very Good plus overall. Twentieth Century-Fox unknown books
1968ref. 157722N.p.: N.p. 1968. Vintage reference photograph of director Joseph Losey on the set of the 1968 film. An impoverished woman meets a young girl who claims to be her long-lost daughter believed to have died in a drowning accident years before. Set and shot on location in London. 8 x 10 inches. About Near Fine. N.p. unknown books
1968ref. 158000N.p.: N.p. 1968. Vintage reference photograph of director Joseph Losey watching a scene with Elizabeth Taylor and Mia Farrow on the set of the 1968 film. Provenance stamp on the verso. From the archive of film historian and author Joel Finler. An impoverished woman meets a young girl who claims to be her long-lost daughter believed to have died in a drowning accident years before. Set and shot on location in London. 10 x 8 inches. Very Good plus with brief wear at the corners. N.p. unknown books
1968ref. 151323Universal City: Universal Studios 1968. Vintage borderless reference photograph of Joseph Losey directing actress Mia Farrow during a bathtub scene on the set of the 1968 film. With a mimeo snipe on the verso along with a provenance stamp. From the archive of film historian and author Joel Finler. An impoverished woman meets a young girl who claims to be her long-lost daughter believed to have died in a drowning accident years before. Set and shot on location in London. 9.5 x 7.5 inches. Very Good plus overall with a couple of small bruises near the bottom right corner. Universal Studios unknown books
1963ref. 149757N.p.: N.p. 1963. Vintage reference photograph from the set of the 1963 British film showing director Joseph Losey watching a scene between actors James Fox and Wendy Craig. The first of Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter a dark squeamish parable that tells a familiar servant-becomes-master tale but surpasses mediocrity through a journey into the psyche of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema. Set and shot on location in London. 10 x 8 inches. Very Good plus with light wear to the corners. Spicer UK. N.p. unknown books
1973ref. 161147N.p.: N.p. 1973. Vintage French mini-poster for the 1973 French film. Based on the groundbreaking 1879 play by Henrik Ibsen. Nora leads a quiet existence with her authoritarian husband Torvald but is forced to reconsider her marriage when a blackmailer threatens to reveal secrets from her past. Shot on location in Reros Norway. 8.5 x 11 inches. Very Good plus with light edgewear and creasing. N.p. unknown books
1973ref. 154836N.p.: N.p. 1973. Four vintage borderless reference photographs taken on the set of the 1973 film including several shots of director Joseph Losey actors Jane Fonda and Edward Fox and other cast and crew members. Cinemagence stamp on the verso. Based on the 1879 play by Henrik Ibsen about a woman named Nora who leads a quiet existence with her authoritarian husband Torvald but is forced to reconsider her marriage when a blackmailer threatens to reveal secrets from her past. Shot on location in Reros Norway. 7 x 5 inches. About Fine. N.p. unknown books
1978ref. 145852Paris: Societe Francaise de Production SFP 1978. Vintage borderless photograph of Joseph Losey and Yves Montand from the set of the 1978 film. Mimeo snipe Agencia EFE stamp and Agence Le Lynx stamp on verso. A sequel to Alain Resnais' 1966 film "The War is Over." It is 1975 and fascist dictator Francisco Franco is dying. Montand plays Jean an exiled Spanish communist comfortably living as a screenwriter with his wife Julia Miou-Miou in France while still supporting the resistance in Spain. A complicated relationship to his son and a tragedy in Spain test Jean's beliefs and commitment to the cause. Set in and shot on location in France. 9.5 x 7 inches. Very Good Plus minor edgewear and some light staining primarily on left and bottom. Societe Francaise de Production [SFP] unknown books
1971ref. 170553Culver City CA: Columbia Pictures 1971. Vintage studio still photograph from the 1971 film showing Julie Christie in costume. Provenance stamp on the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. Columbia Pictures unknown books
1971ref. 159155London: EMI Films 1971. Vintage borderless reference photograph of director Joseph Losey actor Dominic Guard and crew members on the set of the 1971 film. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 10 x 8 inches with a wide bottom margin. About Near Fine slightly wavy on the bottom edge. Vogel Film as a Subversive Art. EMI Films unknown books
1971ref. 152387London: EMI Films 1971. Vintage borderless double weight photograph of director Joseph Losey actor Michael Redgrave and a camera crew on the set of the 1971 film. With a printed mimeo snipe affixed to the verso along with a provenance stamp. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 10 x 8 inches with a wide bottom margin. Near Fine. Vogel Film as a Subversive Art. EMI Films unknown books
1971ref. 149438London: EMI Films 1971. Vintage borderless double weight photograph of director Joseph Losey filming a scene on location in Norwich with actor Dominic Guard with cast and crew members looking on. With two printed mimeo snipes affixed to the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 10 x 7 inches. Near Fine. Vogel Film as a Subversive Art. EMI Films unknown books
1971ref. 170548Culver City CA: Columbia Pictures 1971. Vintage reference photograph from the 1971 film showing actress Julie Christie sporting a fringed shawl and riding a bicycle on the set. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey following "The Servant" 1963 and "Accident" 1967. Set and shot on location in Norfolk England. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. Columbia Pictures unknown books
1967ref. 151771N.p.: N.p. 1967. Vintage reference photograph of director Joseph Losey in conversation with actors Dirk Bogarde and Stanley Baker on the set of the 1967 film. With a printed mimeo snipe in Spanish affixed to the verso. Based on the 1965 novel by Nicholas Mosley. A professor at Oxford University finds himself enamored with his beautiful young student Anna the fiancee of his other student Michael. Their three lives become horribly entwined by a brutal car crash. The second of three legendary collaborations between director Joseph Losey and screenwriter Harold Pinter the others being "The Servant" 1963 and The Go-Between" 1970. Shot on location in Oxford London and Middlesex UK. 9.5 x 7.25 inches. Very Good plus. N.p. unknown books
1972ref. 133568London: Dino De Laurentiis Cinematografica 1972. Vintage color British front-of-house card featuring Richard Burton from the UK release of the 1972 UK film. 8 x 10 inches. Near Fine. Dino De Laurentiis Cinematografica unknown books
1966ref. 144371Los Angeles: Twentieth Century-Fox 1966. Vintage photograph of a modest Monica Vitti from the 1966 film. With manuscript annotations in pencil on the verso. Based on an original comic strip by Peter O'Donnell and Jim Holdaway. O'Donnell wrote an original screenplay for the film although much of it was never used and he novelized the film the same year it was released. One of the key "mod London" films of the 1960s directed in blazing saturated color by Joseph Losey the closest he would come to popular entertainment starring Monica Vitti in the sexy title role her first English-speaking role joined by Dirk Bogarde and Terence Stamp. Shot on location in Italy Netherlands and England. 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
1966ref. 135049Los Angeles: Twentieth Century-Fox 1966. Vintage black-and-white studio still photograph from the 1966 film. A split still showing Vitti in two different guises as a brunette spy and as a seductive blonde who is actually a brunette spy. 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
1966ref. 151220N.p.: N.p. 1966. Eight vintage borderless reference photographs from the 1966 film. Based on the British comic strip which originally appeared in 1963. Modesty Blaise a former criminal mastermind occasionally employed by the Secret Service must protect a shipment of diamonds en route to a small Middle Eastern kingdom from a crime syndicate. Monica Vitti's first English-speaking role. Nominated for the Palme d'Or. Shot on location throughout Italy the Netherlands and England. Approximately 10 x 8 inches. Very Good plus several lightly toned to the edges. N.p. unknown books
1966ref. 152873N.p.: N.p. 1966. Vintage oversize color reference photograph from the 1966 film showing actress Monica Vitti sipping a pastis next to the notable headdress wears in the film Based on the British comic strip which originally appeared in 1963. Modesty Blaise a former criminal mastermind occasionally employed by the Secret Service must protect a shipment of diamonds en route to a small Middle Eastern kingdom from a crime syndicate. Monica Vitti's first English-speaking role. Nominated for the Palme d'Or. Shot on location in Italy the Netherlands and England. 9.25 x 12 inches. Near Fine. N.p. unknown books
1966ref. 148313Los Angeles: Twentieth Century-Fox 1966. Vintage reference photograph of Terence Stamp being bathed by nuns from the set of the 1966 film. Based on the comic strip begun by Peter O'Donnell and Jim Holdaway in 1963. O'Donnell wrote an original screenplay for the film although much of it was never used and he novelized the film the same year it was released. One of the key "mod London" films of the 1960s directed in blazing saturated color by Joseph Losey the closest he would come to popular entertainment starring Monica Vitti in the sexy title role her first English-speaking role joined by Dirk Bogarde and Terence Stamp. Nominated for the Palme d'Or. Shot on location in Italy Netherlands and England. 9.5 x 7.75 inches. Near Fine. Twentieth Century-Fox unknown books
1966ref. 151995Los Angeles: Twentieth Century-Fox 1966. Vintage reference photograph of Terence Stamp and Monica Vitti from the 1966 film. "20th Century Fox Film Corp." stamp on verso. Based on the British comic strip which originally appeared in 1963. Modesty Blaise a former criminal mastermind occasionally employed by the Secret Service must protect a shipment of diamonds en route to a small Middle Eastern kingdom from a crime syndicate. Monica Vitti's first English-speaking role. Nominated for the Palme d'Or. Shot on location in Italy Netherlands and England. 10 x 8 inches. Very Good plus with light edgewear and creasing in far corners. Twentieth Century-Fox unknown books
1966ref. 151646Los Angeles: Twentieth Century-Fox 1966. Seven vintage studio still photographs from the 1966 film. Based on the British comic strip which originally appeared in 1963. Modesty Blaise a former criminal mastermind occasionally employed by the Secret Service must protect a shipment of diamonds en route to a small Middle Eastern kingdom from a crime syndicate. Monica Vitti's first English-speaking role. Nominated for the Palme d'Or. Shot on location throughout Italy the Netherlands and England. 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
1966ref. 151104N.p.: N.p. 1966. Two vintage reference photographs of Monica Vitti from the 1966 film. One with layout annotations in manuscript red and graphite pencil and "Modesty Blasie" stamp on verso. Based on the British comic strip which originally appeared in 1963. Modesty Blaise a former criminal mastermind occasionally employed by the Secret Service must protect a shipment of diamonds en route to a small Middle Eastern kingdom from a crime syndicate. Monica Vitti's first English-speaking role. Nominated for the Palme d'Or. Shot on location in Italy Netherlands and England. 8 x 10 inches. Light edgewear and some creasing to far corners else Near Fine. N.p. unknown books
1963ref. 146913N.p.: Estree Distributors 1963. Vintage borderless photograph of Sarah Miles and Joseph Losey on the set of the 1963 film. Crop annotations in manuscript marker on recto crop annotations in manuscript pencil and "Theo Cowan LTD" and "Paris-Presse" stamps and 1 1/4" mimeo snipe on the verso. The first of Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter a dark squeamish parable that tells a servant-becomes-master tale but goes beyond what could have been a mediocre finish and journeys into the psyche and personal problems of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema. Set in and shot on location in London. 7.5 x 9.75 inches. Very Good plus some faint creasing. Estree Distributors unknown books
