11,049 results
1958ref. 161683N.p.: Films Around the World 1958. Vintage studio still photograph from the US release of the 1956 French/Italian film. Hélène a well off and devoted social worker convinces her family to take in Christine a young girl in distress. After Christine is kicked out for something she didn't do Hélène falls under the influence of Monsieur Roger a pimp who intends to force Hélène into prostitution. 8 x 10 inches. Very Good plus with a crease and a tiny chip to the bottom right corner. Films Around the World unknown
1943ref. 148165Los Angeles: Twentieth Century-Fox 1943. Vintage studio still photograph from the 1943 film. A leftist resistance in Nazi-occupied France works against the German army by publishing revolutionary works and participating in demonstrations all while still leading normal lives during the day. Set in Paris. 9.5 x 8 inches very slightly trimmed for press use. Very Good with light creasing and a chip at the bottom left corner. Twentieth Century-Fox unknown books
1958ref. 161683N.p.: Films Around the World 1958. Vintage studio still photograph from the US release of the 1956 French/Italian film. Hélène a well off and devoted social worker convinces her family to take in Christine a young girl in distress. After Christine is kicked out for something she didn't do Hélène falls under the influence of Monsieur Roger a pimp who intends to force Hélène into prostitution. 8 x 10 inches. Very Good plus with a crease and a tiny chip to the bottom right corner. Films Around the World unknown books
1978ref. 162067N.p.: N.p. 1978. Vintage borderless reference photograph from the German release of the 1977 Italian film. Printed mimeo snipe affixed to the verso with text in German. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the 1976 novel by Cesare Lanza about an orphaned 15-year-old white girl's sexual relationship with a local mixed-race boy. Set in postwar Italy. 7 x 9.5 inches. Very Good plus with a single cropping annotation in manuscript pencil on the far right edge of the recto. N.p. unknown
1980ref. 162166Japan: Herald Ace / Nippon Herald Films 1980. Vintage pressbook for the 1980 film. A Japanese-Italian coproduction with text in both Japanese and Italian. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A pickpocket meets and falls in love with a naive wealthy girl at an art museum and the couple go to a deserted beach to live together. Director Yasuzô Masumura's penultimate film and only western production. 8.5 x 11.75 inches. Ten leaves in side-stapled pictorial wrappers. Near Fine. Herald Ace / Nippon Herald Films unknown
1980ref. 162166Japan: Herald Ace / Nippon Herald Films 1980. Vintage pressbook for the 1980 film. A Japanese-Italian coproduction with text in both Japanese and Italian. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A pickpocket meets and falls in love with a naive wealthy girl at an art museum and the couple go to a deserted beach to live together. Director Yasuzô Masumura's penultimate film and only western production. 8.5 x 11.75 inches. Ten leaves in side-stapled pictorial wrappers. Near Fine. Herald Ace / Nippon Herald Films unknown books
1978ref. 162180N.p.: N.p. 1978. Vintage lobby card for the German release of the 1977 Italian film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the 1976 novel by Cesare Lanza about an orphaned 15-year-old white girl's sexual relationship with a local mixed-race boy. Set in postwar Italy. 11.25 x 8.75 inches. Near Fine. N.p. unknown books
1977ref. 162186Rome: Columbia Pictures 1977. Vintage lobby card for the 1977 Italian film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the 1976 novel by Cesare Lanza about an orphaned 15-year-old white girl's sexual relationship with a local mixed-race boy. Set in postwar Italy. 13.75 x 11 inches. Very Good with pinholes at each corner the top right portion of the card and center of the bottom margin. Columbia Pictures unknown books
1978ref. 162067N.p.: N.p. 1978. Vintage borderless reference photograph from the German release of the 1977 Italian film. Printed mimeo snipe affixed to the verso with text in German. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the 1976 novel by Cesare Lanza about an orphaned 15-year-old white girl's sexual relationship with a local mixed-race boy. Set in postwar Italy. 7 x 9.5 inches. Very Good plus with a single cropping annotation in manuscript pencil on the far right edge of the recto. N.p. unknown books
1968ref. 161710N.p.: Cambist Films 1968. Three vintage studio still photographs from the 1968 US English language release of the 1962 Argentinian film. One photograph with a provenance stamp on the verso. Mexican prostitute Cora reminisces on her life and how she got to where she is. Nominated for the Palme d'Or. Shot on location in Argentina. 8 x 10 inches. Near Fine. Cambist Films unknown
1968ref. 161710N.p.: Cambist Films 1968. Three vintage studio still photographs from the 1968 US English language release of the 1962 Argentinian film. One photograph with a provenance stamp on the verso. Mexican prostitute Cora reminisces on her life and how she got to where she is. Nominated for the Palme d'Or. Shot on location in Argentina. 8 x 10 inches. Near Fine. Cambist Films unknown books
1986ref. 130697Burbank CA: Warner Brothers 1986. Revised First Draft script for an unproduced television episode. Barish is screenwriter best known for "Desperately Seeking Susan" 1985 and two episodes of "The Hitchhiker" television series 1985-1986. Gray titled wrappers. Title page present dated November 22 1986 noted as Revised First Draft with credits for writers Barish and Bean. 39 leaves mechanical duplication. Pages Near Fine wrapper Fine bound with two gold brads. Warner Brothers unknown
1986ref. 130697Burbank CA: Warner Brothers 1986. Revised First Draft script for an unproduced television episode. Barish is screenwriter best known for "Desperately Seeking Susan" 1985 and two episodes of "The Hitchhiker" television series 1985-1986. Gray titled wrappers. Title page present dated November 22 1986 noted as Revised First Draft with credits for writers Barish and Bean. 39 leaves mechanical duplication. Pages Near Fine wrapper Fine bound with two gold brads. Warner Brothers unknown books
1980ref. 149599London: Canadian Film Development Corporation CFDC / AVCO Embassy Pictures 1980. Vintage borderless reference photograph from the 1980 Canadian exploitation comedy film. With a printed mimeo snipe for the film's UK distributor Bordeaux International Films affixed to the verso. Freshly expelled from military boarding school a teenage boy returns to his hometown only to discover a rough motorcycle gang terrorizing his old school and that he is falling in love with the girlfriend of the gang's leader. Shot on location in Montreal. 10 x 8 inches. Very Good plus lightly soiled on the verso. Canadian Film Development Corporation [CFDC] / AVCO Embassy Pictures unknown
1980ref. 149599London: Canadian Film Development Corporation CFDC / AVCO Embassy Pictures 1980. Vintage borderless reference photograph from the 1980 Canadian exploitation comedy film. With a printed mimeo snipe for the film's UK distributor Bordeaux International Films affixed to the verso. Freshly expelled from military boarding school a teenage boy returns to his hometown only to discover a rough motorcycle gang terrorizing his old school and that he is falling in love with the girlfriend of the gang's leader. Shot on location in Montreal. 10 x 8 inches. Very Good plus lightly soiled on the verso. Canadian Film Development Corporation [CFDC] / AVCO Embassy Pictures unknown books
1983ref. 153831N.p.: N.p. 1983. Draft script for an unproduced film. Laid in with the script is a typescript letter from screenwriter Les White to talent agent Walter Kohner introducing the script. A comedy following the stunted entry into maturity of several young adults who have decided for various reasons to move back in with their parents indefinitely. Blue titled wrappers. Title page present undated with credits for screenwriter Les White. 137 leaves with last page of text numbered 132. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1983ref. 153831N.p.: N.p. 1983. Draft script for an unproduced film. Laid in with the script is a typescript letter from screenwriter Les White to talent agent Walter Kohner introducing the script. A comedy following the stunted entry into maturity of several young adults who have decided for various reasons to move back in with their parents indefinitely. Blue titled wrappers. Title page present undated with credits for screenwriter Les White. 137 leaves with last page of text numbered 132. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1998ref. 165385London: Gummfluh Films 1998. First Production Draft script for the 1999 film. Copy belonging to an unidentified crew member with his first name in manuscript ink on the title page and his annotations regarding camera work throughout. Bound in at the front and rear of the script are several production documents including shooting schedules a contact sheet a map indicating filming locations and information regarding lodging during production. Not to be confused with the 2008 film of the same name. A motley group of siblings return to their family home after their mother's death ostensibly to grieve but in actuality in order to determine who will inherit the largest portion of her wealth. Self wrappers. Title page present dated 30 September 1998 with credit for screenwriter William Brookfield. 113 leaves with last page of text numbered 105. Xerographic duplication rectos only with pink and blue revision pages throughout dated October 6 and November 2 1998 respectively. Pages Very Good plus bound with a silver prong. Gummfluh Films unknown
1998ref. 165385London: Gummfluh Films 1998. First Production Draft script for the 1999 film. Copy belonging to an unidentified crew member with his first name in manuscript ink on the title page and his annotations regarding camera work throughout. Bound in at the front and rear of the script are several production documents including shooting schedules a contact sheet a map indicating filming locations and information regarding lodging during production. Not to be confused with the 2008 film of the same name. A motley group of siblings return to their family home after their mother's death ostensibly to grieve but in actuality in order to determine who will inherit the largest portion of her wealth. Self wrappers. Title page present dated 30 September 1998 with credit for screenwriter William Brookfield. 113 leaves with last page of text numbered 105. Xerographic duplication rectos only with pink and blue revision pages throughout dated October 6 and November 2 1998 respectively. Pages Very Good plus bound with a silver prong. Gummfluh Films unknown books
1954ref. 146060N.p.: N.p. 1954. Draft script for the 1954 film. With faint manuscript pencil annotations throughout. Set months before the beginning of the Korean War an American Air Force instructor is assigned to a Kungju base where he is set with the formidable task of completely transforming the South Korean pilots into unstoppable fighting machines in 25 days. Originally intended for release as a 3D film and filmed in dual 53mm Polaroid 3-D by the time the film premiered in 1954 public interest in 3D had declined and the film was shown as a flat print. Set in South Korea and shot on location in California. Blue titled wrappers with credits for screenwriter John C. Champion. Title page present with screenwriting and story credits for John C. Champion. 126 leaves with last page of text numbered 119. Typescript on onionskin stock rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown
1954ref. 140241Glendale CA: Allied Artists 1954. Draft script for the 1954 film. Copy belonging to Robert Arthur who played Porter with his character's name on the front wrapper in manuscript pencil and profuse manuscript pencil annotations to his scenes throughout. Chuck MacLish Brand is having a tough time readjusting to civilian life after a life in the Navy until he meets a lonely waitress Sterling who loves him and hopes to change his ways. Set in Korea and America shot on location in San Diego USA and the Pacific Ocean. Orange titled wrappers. Distribution page present with receipt removed. Title page present dated February 23 1954 with credits for screenwriter George Waggner and author Jacland Marmur. 118 leaves with last page of text numbered 111. Mimeograph duplication with blue and pink revision pages throughout dated variously between February 24 1954 and March 15 1954. Pages Very Good plus wrapper Very Good bound with two gold brads. Allied Artists unknown
1965ref. 147879Los Angeles: Paramount Pictures 1965. Two vintage studio still photographs from the 1965 film. Based on the 1957 novel by screenwriter Frank Gruber. Gun-for-hire Tom Rosser Dana Andrews is almost killed by gunslinger Lee Ring Lyle Bettger who inadvertently kills Rosser's wife. A few years later Rosser arrives in a town in need of his services is run by Riley Condor Bruce Cabot the man who paid the killer of Rosser's wife. 8 x 10 inches. One Very Good plus with a small closed tear in bottom margin. One Very Good with several pinholes throughout. Paramount Pictures unknown books
1954ref. 140241Glendale CA: Allied Artists 1954. Draft script for the 1954 film. Copy belonging to Robert Arthur who played Porter with his character's name on the front wrapper in manuscript pencil and profuse manuscript pencil annotations to his scenes throughout. Chuck MacLish Brand is having a tough time readjusting to civilian life after a life in the Navy until he meets a lonely waitress Sterling who loves him and hopes to change his ways. Set in Korea and America shot on location in San Diego USA and the Pacific Ocean. Orange titled wrappers. Distribution page present with receipt removed. Title page present dated February 23 1954 with credits for screenwriter George Waggner and author Jacland Marmur. 118 leaves with last page of text numbered 111. Mimeograph duplication with blue and pink revision pages throughout dated variously between February 24 1954 and March 15 1954. Pages Very Good plus wrapper Very Good bound with two gold brads. Allied Artists unknown books
1954ref. 146605Glendale CA: Allied Artists 1954. Three vintage studio still photographs from the 1954 film all three with Jan Sterling two including Neville Brand and one including John Doucette. Chuck MacLish Brand is having a tough time readjusting to civilian life after a life in the Navy until he meets a lonely waitress Sterling who loves him and hopes to change his ways. Set in Korea and America shot on location in San Diego USA and the Pacific Ocean. 8 x 10 inches. Near Fine some light creasing. Allied Artists unknown books
1954ref. 146060N.p.: N.p. 1954. Draft script for the 1954 film. With faint manuscript pencil annotations throughout. Set months before the beginning of the Korean War an American Air Force instructor is assigned to a Kungju base where he is set with the formidable task of completely transforming the South Korean pilots into unstoppable fighting machines in 25 days. Originally intended for release as a 3D film and filmed in dual 53mm Polaroid 3-D by the time the film premiered in 1954 public interest in 3D had declined and the film was shown as a flat print. Set in South Korea and shot on location in California. Blue titled wrappers with credits for screenwriter John C. Champion. Title page present with screenwriting and story credits for John C. Champion. 126 leaves with last page of text numbered 119. Typescript on onionskin stock rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown books
