Luchino Visconti (director, screenwriter); Burt Lancaster, Claudia Cardinale, Ida Galli (starring)Biblio.com
11,058 results
1963ref. 127345Rome: Titanus 1963. Vintage photograph from the set of the 1963 film. A shot of Visconti working with actress Ida Galli on the set the former with a bellows and the latter with a parasol. With provenance as to photograph's vintage on the verso: a rubber-stamped coat of arms made for the film the Pathe-Titanus productions stamp the film was an Italy-France co-production and a stamp for Parimage a French press agency. A lovely candid moment from Visconti's classic homage to the Sicilian aristocracy of the mid-nineteenth century. 9 x 7 inches. Fine. BFI 1087. Criterion Collection 235. Ebert II. Godard Histoires de cinema. Rosenbaum 1000. Schrader 22. Titanus unknown
1960ref. 144529Rome: Titanus 1960. Two vintage borderless double weight photographs from the 1960 film. With manuscript annotations and an agency stamp on the verso of each. Rosaria Katina Paxinou recently widowed moves to Milan from the countryside with four of her sons to join her eldest. Each take different paths as they struggle to adjust to life in the city. Shot on location in Milan and Rome Italy. 12 x 8 inches. Near Fine. Ebert III. Eureka Masters of Cinema 133. Titanus unknown
1969ref. 167512N.p.: N.p. 1969. Vintage borderless reference photograph from the 1969 film showing director Luchino Visconti as his cigarette ash dangles dangerously adjusting the bedding during a scene with actors Ingrid Thulin and Dirk Bogarde. A powerful corrupt industrialist family illustrates the transition of the German upper class from resentment to acceptance of the Nazi party. The first film in Visconti's German Trilogy followed by "Death in Venice" 1971 and "Ludwig" 1973. Shot on location in Germany Austria and Italy. 10 x 8 inches. About Fine. N.p. unknown
1969ref. 150609Burbank CA: Warner Brothers / Seven Arts 1969. Five vintage black and white studio still photographs from the US release of the 1969 Italian-German film. A powerful corrupt industrialist family illustrates the transition of the German upper class from resentment to acceptance of the Nazi party. The first film in Visconti's German Trilogy followed by "Death in Venice" 1971 and "Ludwig" 1973. Shot on location in Germany Austria and Italy. 10 x 8 inches. Very Good plus one with a small closed tear to the right edge. Warner Brothers / Seven Arts unknown
1976ref. 166668N.p.: N.p. 1976. Nine vintage borderless reference photographs from the 1976 Italian film including one photograph of director Luchino Visconti on the set. Stamp of photographer Mario Tursi on the versos. Based on Gabriele d'Annunzio's 1892 novel "The Intruder" about an unfaithful aristocrat who falls back into love with his wife when he suspects her of cheating on him. Luchino Visconti's final directorial effort considered by many among his finest films released three months after his death. Set and shot on location in Rome and Lucca. 9.5 x 7.25 inches. Near Fine. Rosenbaum 1000. N.p. unknown
1963ref. 150213Rome: Titanus 1963. Vintage oversize borderless double weight photograph of director Luchino Visconti with actors Burt Lancaster and Serge Regiani on the set of the 1963 film. Layout annotations in manuscript pencil and the stamp of photographer G. B. Poletto on the verso. Based on the 1958 novel by Giuseppe Tomasi di Lampedusa. Visconti's classic spacious homage to the quiet death of the Sicilian aristocracy of the mid-nineteenth century one of the great films of Italian cinema. Winner of the Palme d'Or. Shot on location in Rome Lazio and Sicily Italy. 9.5 x 11.75 inches. Very Good plus with some creasing and tiny bruise on right side. BFI 1087. Criterion Collection 235. Ebert II. Godard Histoires de cinema. Rosenbaum 1000. Schrader 22. Titanus unknown
1963ref. 150212N.p.: N.p. 1963. Vintage borderless photograph of Luchino Visconti Burt Lancaster and crew on the set of the 1963 film. Coat of Arms with Leopard and "Le Guepard" stamps on the verso. Based on the 1958 novel by Giuseppe Tomasi di Lampedusa. Visconti's classic spacious homage to the quiet death of the Sicilian aristocracy of the mid-nineteenth century one of the great films of Italian cinema. Perhaps the apex of Ms. Cardinale's career and one of a handful of examples of Burt Lancaster's willingness to take on literate complex roles. Nominated for an Academy Award. Winner of the Palme d'Or. Shot on location in Rome Lazio and Sicily Italy. 7 x 9.25 inches. Near Fine. BFI 1087. Criterion Collection 235. Ebert II. Godard Histoires de cinema. Rosenbaum 1000. Schrader 22. N.p. unknown
1963ref. 150521Rome: Titanus 1963. Vintage oversize borderless double weight photograph of Burt Lancaster. Photographer "G. B. Poletto" stamp on verso. Based on the 1958 novel by Giuseppe Tomasi di Lampedusa. Visconti's classic spacious homage to the quiet death of the Sicilian aristocracy of the mid-nineteenth century one of the great films of Italian cinema. Perhaps the apex of Ms. Cardinale's career and one of a handful of examples of Burt Lancaster's willingness to take on literate complex roles. Nominated for an Academy Award. Winner of the Palme d'Or. Shot on location in Rome Lazio and Sicily Italy. 11.75 x 9.5 inches. Very Good plus with some light creasing and edgewear. BFI 1087. Criterion Collection 235. Ebert II. Godard Histoires de cinema. Rosenbaum 1000. Schrader Canon Fodder 22. Titanus unknown
1957ref. 150862N.p.: N.p. 1957. Vintage borderless reference photograph of director Luchino Visconti cinematogrpher Giuseppe Rotunno and Maria Schell on the set of the 1957 film. Loosely based on the 1848 short story by Fyodor Dostoevsky. Remade in 2008 as "Two Lovers" directed by James Gray and starring Joaquin Phoenix and Gwyneth Paltrow. A young man Marcello Mastroianni new to the city meets a girl Schell crying on bridge for a lover who may not return striking up a tentative romance. 6.75 x 9.25 inches. Near Fine with light wear and creasing at extremities. Criterion Collection 296. N.p. unknown
1963ref. 127345Rome: Titanus 1963. Vintage photograph from the set of the 1963 film. A shot of Visconti working with actress Ida Galli on the set the former with a bellows and the latter with a parasol. With provenance as to photograph's vintage on the verso: a rubber-stamped coat of arms made for the film the Pathe-Titanus productions stamp the film was an Italy-France co-production and a stamp for Parimage a French press agency. A lovely candid moment from Visconti's classic homage to the Sicilian aristocracy of the mid-nineteenth century. 9 x 7 inches. Fine. BFI 1087. Criterion Collection 235. Ebert II. Godard Histoires de cinema. Rosenbaum 1000. Schrader 22. Titanus unknown books
1969ref. 167512N.p.: N.p. 1969. Vintage borderless reference photograph from the 1969 film showing director Luchino Visconti as his cigarette ash dangles dangerously adjusting the bedding during a scene with actors Ingrid Thulin and Dirk Bogarde. A powerful corrupt industrialist family illustrates the transition of the German upper class from resentment to acceptance of the Nazi party. The first film in Visconti's German Trilogy followed by "Death in Venice" 1971 and "Ludwig" 1973. Shot on location in Germany Austria and Italy. 10 x 8 inches. About Fine. N.p. unknown books
1957ref. 150862N.p.: N.p. 1957. Vintage borderless reference photograph of director Luchino Visconti cinematogrpher Giuseppe Rotunno and Maria Schell on the set of the 1957 film. Loosely based on the 1848 short story by Fyodor Dostoevsky. Remade in 2008 as "Two Lovers" directed by James Gray and starring Joaquin Phoenix and Gwyneth Paltrow. A young man Marcello Mastroianni new to the city meets a girl Schell crying on bridge for a lover who may not return striking up a tentative romance. 6.75 x 9.25 inches. Near Fine with light wear and creasing at extremities. Criterion Collection 296. N.p. unknown books
1976ref. 166668N.p.: N.p. 1976. Nine vintage borderless reference photographs from the 1976 Italian film including one photograph of director Luchino Visconti on the set. Stamp of photographer Mario Tursi on the versos. Based on Gabriele d'Annunzio's 1892 novel "The Intruder" about an unfaithful aristocrat who falls back into love with his wife when he suspects her of cheating on him. Luchino Visconti's final directorial effort considered by many among his finest films released three months after his death. Set and shot on location in Rome and Lucca. 9.5 x 7.25 inches. Near Fine. Rosenbaum 1000. N.p. unknown books
1960ref. 144529Rome: Titanus 1960. Two vintage borderless double weight photographs from the 1960 film. With manuscript annotations and an agency stamp on the verso of each. Rosaria Katina Paxinou recently widowed moves to Milan from the countryside with four of her sons to join her eldest. Each take different paths as they struggle to adjust to life in the city. Shot on location in Milan and Rome Italy. 12 x 8 inches. Near Fine. Ebert III. Eureka Masters of Cinema 133. Titanus unknown books
1963ref. 150213Rome: Titanus 1963. Vintage oversize borderless double weight photograph of director Luchino Visconti with actors Burt Lancaster and Serge Regiani on the set of the 1963 film. Layout annotations in manuscript pencil and the stamp of photographer G. B. Poletto on the verso. Based on the 1958 novel by Giuseppe Tomasi di Lampedusa. Visconti's classic spacious homage to the quiet death of the Sicilian aristocracy of the mid-nineteenth century one of the great films of Italian cinema. Winner of the Palme d'Or. Shot on location in Rome Lazio and Sicily Italy. 9.5 x 11.75 inches. Very Good plus with some creasing and tiny bruise on right side. BFI 1087. Criterion Collection 235. Ebert II. Godard Histoires de cinema. Rosenbaum 1000. Schrader 22. Titanus unknown books
1963ref. 150521Rome: Titanus 1963. Vintage oversize borderless double weight photograph of Burt Lancaster. Photographer "G. B. Poletto" stamp on verso. Based on the 1958 novel by Giuseppe Tomasi di Lampedusa. Visconti's classic spacious homage to the quiet death of the Sicilian aristocracy of the mid-nineteenth century one of the great films of Italian cinema. Perhaps the apex of Ms. Cardinale's career and one of a handful of examples of Burt Lancaster's willingness to take on literate complex roles. Nominated for an Academy Award. Winner of the Palme d'Or. Shot on location in Rome Lazio and Sicily Italy. 11.75 x 9.5 inches. Very Good plus with some light creasing and edgewear. BFI 1087. Criterion Collection 235. Ebert II. Godard Histoires de cinema. Rosenbaum 1000. Schrader Canon Fodder 22. Titanus unknown books
1963ref. 150212N.p.: N.p. 1963. Vintage borderless photograph of Luchino Visconti Burt Lancaster and crew on the set of the 1963 film. Coat of Arms with Leopard and "Le Guepard" stamps on the verso. Based on the 1958 novel by Giuseppe Tomasi di Lampedusa. Visconti's classic spacious homage to the quiet death of the Sicilian aristocracy of the mid-nineteenth century one of the great films of Italian cinema. Perhaps the apex of Ms. Cardinale's career and one of a handful of examples of Burt Lancaster's willingness to take on literate complex roles. Nominated for an Academy Award. Winner of the Palme d'Or. Shot on location in Rome Lazio and Sicily Italy. 7 x 9.25 inches. Near Fine. BFI 1087. Criterion Collection 235. Ebert II. Godard Histoires de cinema. Rosenbaum 1000. Schrader 22. N.p. unknown books
1969ref. 150609Burbank CA: Warner Brothers / Seven Arts 1969. Five vintage black and white studio still photographs from the US release of the 1969 Italian-German film. A powerful corrupt industrialist family illustrates the transition of the German upper class from resentment to acceptance of the Nazi party. The first film in Visconti's German Trilogy followed by "Death in Venice" 1971 and "Ludwig" 1973. Shot on location in Germany Austria and Italy. 10 x 8 inches. Very Good plus one with a small closed tear to the right edge. Warner Brothers / Seven Arts unknown books
1969ref. 145401Burbank CA: Warner Brothers 1969. Two vintage studio still photographs from the set of the 1969 film. One photo shown. Please inquire to see the other. A powerful industrialist family illustrates the German upper classes transition from resentment to acceptance of the Nazi party. Nominated for an Academy Award for best screenplay. Shot on location in Germany Austria and Italy. 9.5 x 8 inches. Near Fine. Warner Brothers unknown books
1971ref. 151550N.p.: Alfa Cinematografica 1971. Vintage oversize borderless reference photograph of Luchino Visconti and Silvana Mangano on the set of the 1971 film. Mimeo snipe "Parimage" stamp and "Camera Press" stamp on verso. Based on Thomas Mann's 1912 novella. Mann's lonely and obsessed novelist was transformed by Visconti into a composer based on Mahler who travels to Venice for his health and becomes increasingly obsessed with an adolescent Polish boy. The middle film of Visconit's "German Trilogy" an impressionistic conceptual cycle that begins with "The Damned" 1969 and ends with "Ludwig" 1972. Nominated for an Academy Award and for the Palm d'Or. Shot on location in Venice Italy. 12 x 9 inches. Very Good plus with some creasing and two small closed tears to left edge. Criterion Collection 962. Vogel Film as a Subversive Art. Alfa Cinematografica unknown books
ref. 146370N.p.: N.p. Unknown. Treatment script for an unproduced film. A passenger plane headed to Paris has a psychotic killer on board. Screenwriters Mauro Severino and Lucia Drudi Denby were known for co-writing the 1971 Italian television miniseries "Il carcerato." Beige titled wrappers. Title page present noted as Original screen story with credits for screenwriters Mauro Severino and Lucia Drudi Demby. 33 leaves with last page of text numbered 32. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus with gold prong binding. N.p. unknown
ref. 146370N.p.: N.p. Unknown. Treatment script for an unproduced film. A passenger plane headed to Paris has a psychotic killer on board. Screenwriters Mauro Severino and Lucia Drudi Denby were known for co-writing the 1971 Italian television miniseries "Il carcerato." Beige titled wrappers. Title page present noted as Original screen story with credits for screenwriters Mauro Severino and Lucia Drudi Demby. 33 leaves with last page of text numbered 32. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus with gold prong binding. N.p. unknown books
1968ref. 158148London: N.p. 1968. Three borderless oversize reference photographs from the 1968 film showing actors Jeanette Wild and Terry Skelton in an intimate moment. Stamp of photographer Marc Sharratt on the versos. From the archive of film historian and author Joel Finler. A young Italian would-be model is pushed into posing nude for a risqué magazine shortly after arriving in Swinging London. Director Norman J. Warren's directorial debut and the first of two films Warren made for producers Bachoo Sen and Richard Schulman followed by "Loving Feeling" 1968. Considered by many to be the first narrative British sex film. Approximately 12 x 9.25 inches. Very Good plus with moderate wear at the corners. BFI 15. N.p. unknown
1968ref. 158148London: N.p. 1968. Three borderless oversize reference photographs from the 1968 film showing actors Jeanette Wild and Terry Skelton in an intimate moment. Stamp of photographer Marc Sharratt on the versos. From the archive of film historian and author Joel Finler. A young Italian would-be model is pushed into posing nude for a risqué magazine shortly after arriving in Swinging London. Director Norman J. Warren's directorial debut and the first of two films Warren made for producers Bachoo Sen and Richard Schulman followed by "Loving Feeling" 1968. Considered by many to be the first narrative British sex film. Approximately 12 x 9.25 inches. Very Good plus with moderate wear at the corners. BFI 15. N.p. unknown books
1950ref. 171376Culver City CA: Columbia Pictures 1950. Vintage studio still photograph from the 1950 comedy film showing Lucille Ball and Eddie Albert. Date stamp on the verso. Hoping to afford to marry her longtime boyfriend a woman begins working as a door-to-door cosmetics saleswoman although she is woefully unsuited for the job. The second film effort involving Ball director Lloyd Bacon and screenwriter Frank Tashlin following "Miss Grant Takes Richmond" 1949. 10 x 8 inches. Short closed tear at one edge else Near Fine. Columbia Pictures unknown books
