11,049 results
1969ref. 162601N.p.: Tonylyn Productions 1969. Three vintage studio still photographs from the 1969 film. Two with provenance stamps on the versos and one with a label obscuring a previous provenance stamp on the verso. Based on the 1966 Norwegian novel "Uten en tråd" by Jens Bjørneboe. A high school girl unable to achieve orgasm visits a doctor who advises her to keep a diary of her sexual encounters. She follows his suggestion and soon finds herself caught up in an increasingly wild series of intimate experiences. IMDB Shot on location in Copenhagen Denmark Hamburg Germany and Paris France. 8 x 10 inches. One photograph with a wax pencil cropping annotation in the lower margins else Near Fine. Tonylyn Productions unknown
1969ref. 162601N.p.: Tonylyn Productions 1969. Three vintage studio still photographs from the 1969 film. Two with provenance stamps on the versos and one with a label obscuring a previous provenance stamp on the verso. Based on the 1966 Norwegian novel "Uten en tråd" by Jens Bjørneboe. A high school girl unable to achieve orgasm visits a doctor who advises her to keep a diary of her sexual encounters. She follows his suggestion and soon finds herself caught up in an increasingly wild series of intimate experiences. IMDB Shot on location in Copenhagen Denmark Hamburg Germany and Paris France. 8 x 10 inches. One photograph with a wax pencil cropping annotation in the lower margins else Near Fine. Tonylyn Productions unknown books
1997ref. 167773N.p.: N.p. 1997. Revised Fourth Draft script for the 1999 film. Copy belonging to an unidentified crew member with their annotations on three pages. Based on Bari Wood's 1993 novel "Doll's Eyes" about a housewife who discovers she has a clairvoyant connection to a serial killer. Shot on location in Amherst Easthampton Florence Huntington Northampton Northfield Southampton Williamsburg and Whately Massachusetts in Fontana Dam North Carolina in New Castle New Hampshire. Self wrappers. Title page present dated 8/19/1997 noted as 4th DRAFT REWRITE with credits for director Neil Jordan and screenwriter Bruce Robinson. 112 leaves with last page of text numbered 111. Xerographic duplication on pink stock rectos only. Pages Near Fine bound with three gold brads. N.p. unknown
1997ref. 167773N.p.: N.p. 1997. Revised Fourth Draft script for the 1999 film. Copy belonging to an unidentified crew member with their annotations on three pages. Based on Bari Wood's 1993 novel "Doll's Eyes" about a housewife who discovers she has a clairvoyant connection to a serial killer. Shot on location in Amherst Easthampton Florence Huntington Northampton Northfield Southampton Williamsburg and Whately Massachusetts in Fontana Dam North Carolina in New Castle New Hampshire. Self wrappers. Title page present dated 8/19/1997 noted as 4th DRAFT REWRITE with credits for director Neil Jordan and screenwriter Bruce Robinson. 112 leaves with last page of text numbered 111. Xerographic duplication on pink stock rectos only. Pages Near Fine bound with three gold brads. N.p. unknown books
1968ref. 167741N.p.: N.p. 1968. Vintage oversize borderless reference photograph from the 1968 sexploitation film showing a topless Annette Johnson. Provenance stamp on the verso. A playboy is framed for the murder of a girl he met at a discotheque and finds himself drawn into the seedy underworld of London. Shot on location in Brighton England. 8 x 10.25 inches. About Fine. BFI B1106. N.p. unknown
1968ref. 167741N.p.: N.p. 1968. Vintage oversize borderless reference photograph from the 1968 sexploitation film showing a topless Annette Johnson. Provenance stamp on the verso. A playboy is framed for the murder of a girl he met at a discotheque and finds himself drawn into the seedy underworld of London. Shot on location in Brighton England. 8 x 10.25 inches. About Fine. BFI B1106. N.p. unknown books
1971ref. 148995Paris: Lira Films 1971. Draft script for the 1972 French film text in French belonging to uncredited sound engineer Gerard Dacquay with name in manuscript marker on bottom right margin of front wrapper and name and address stamped on top right of title page. Copy number "17" in manuscript ink on front wrapper. A few minor manuscript annotations in manuscript ink in script text correction and a single horizontal line. Missing two pages likely as used or issued. Middle-aged forlorn Muriel Annie Girardot is vacationing at a seaside motel when Gabriel Philippe Noiret walks in a bit of a rake who has to stay a few days while his car is repaired and Muriel's table has the only vacant seat. Shot on location in Bouches-du Rhone France. Gray titled wrappers with cloth tape binding. Title page presentwith credits for director and screenwriter Jean-Pierre Blanc. 193 leaves with last page of text numbered 198. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus front wrapper separated and lightly soiled. Lira Films unknown
1971ref. 148995Paris: Lira Films 1971. Draft script for the 1972 French film text in French belonging to uncredited sound engineer Gerard Dacquay with name in manuscript marker on bottom right margin of front wrapper and name and address stamped on top right of title page. Copy number "17" in manuscript ink on front wrapper. A few minor manuscript annotations in manuscript ink in script text correction and a single horizontal line. Missing two pages likely as used or issued. Middle-aged forlorn Muriel Annie Girardot is vacationing at a seaside motel when Gabriel Philippe Noiret walks in a bit of a rake who has to stay a few days while his car is repaired and Muriel's table has the only vacant seat. Shot on location in Bouches-du Rhone France. Gray titled wrappers with cloth tape binding. Title page presentwith credits for director and screenwriter Jean-Pierre Blanc. 193 leaves with last page of text numbered 198. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus front wrapper separated and lightly soiled. Lira Films unknown books
1993ref. 171219N.p.: N.p. 1993. Final Draft script for Season 2 Episode 16 of the 1992-1995 television series. Originally aired January 24 1994 on CBS. With three photocopied production documents bound in the front of the script. Workplace sitcom taking place at a bar whose owner has a difficult relationship with a local columnist. In this episode the owner tries to prove to her columnist that women are discriminated against by salespeople. Winner of two Emmy Awards. Green titled wrappers noted as FINAL DRAFT on the front wrapper production No. 1215 dated December 16 1993 with credits for screenwriters Marc Flanagan and Stephen Nathan. Title page integral with front wrapper. 63 leaves with last page of text numbered 45. Xerographic duplication rectos only with yellow revision pages throughout dated 12/16/93. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1993ref. 171219N.p.: N.p. 1993. Final Draft script for Season 2 Episode 16 of the 1992-1995 television series. Originally aired January 24 1994 on CBS. With three photocopied production documents bound in the front of the script. Workplace sitcom taking place at a bar whose owner has a difficult relationship with a local columnist. In this episode the owner tries to prove to her columnist that women are discriminated against by salespeople. Winner of two Emmy Awards. Green titled wrappers noted as FINAL DRAFT on the front wrapper production No. 1215 dated December 16 1993 with credits for screenwriters Marc Flanagan and Stephen Nathan. Title page integral with front wrapper. 63 leaves with last page of text numbered 45. Xerographic duplication rectos only with yellow revision pages throughout dated 12/16/93. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1986ref. 167874Burbank CA: Warner Brothers 1986. Seven vintage studio still photographs from the US release of the 1986 French film. Years after their affair the titular man and woman meet again in order to reflect on their relationship with the woman hoping to make a film about their experiences. Sequel to director Claude Lelouch's 1966 film "A Man and a Woman" and followed by "The Best Years of a Life" in 2019. 10 x 8 inches. Fine. Warner Brothers unknown
1986ref. 167874Burbank CA: Warner Brothers 1986. Seven vintage studio still photographs from the US release of the 1986 French film. Years after their affair the titular man and woman meet again in order to reflect on their relationship with the woman hoping to make a film about their experiences. Sequel to director Claude Lelouch's 1966 film "A Man and a Woman" and followed by "The Best Years of a Life" in 2019. 10 x 8 inches. Fine. Warner Brothers unknown books
1954ref. 140965London: Romulus 1954. Draft script for the 1954 film. Copy belonging to crew member James H. Ware. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. Based on the play of the same name by Campbell and Dorothy Christie. A court martial process delves into why an officer embezzled funds from his unit. Released in the US as "Court Martial." Pink untitled wrappers. Title page present dated May 10 1954 with credits for screenwriter John Hunter and playwrights Dorothy and Campbell Christie. 117 leaves with last page of text numbered 116. Mechanical duplication. Pages Very Good plus wrapper Very Good plus bound with two silver brads. Romulus unknown
1963ref. 132580London: National Screen Service / MGM 1963. Collection of 6 vintage full-color and 3 black-and-white still photographs from the 1963 UK film. A star-studded drama that takes place in a New York airport at the V. I. P. lounge. Taylor's jewelry in the film came mostly from her own collection and this is Taylor's and Burton's second collaborative film credit. Margaret Rutherford won an Academy Award for her supporting role. 8 x 10 inches some slightly smaller. Faint creases overall else Near Fine. National Screen Service / MGM unknown
1964ref. 150332N.p.: N.p. 1964. Vintage oversize borderless black and white photograph of actor Omar Sharif playfully clicking his heels in the air between takes while filming on location in Austria for the 1964 film. With manuscript pencil and ink annotations on the verso along with a PIX Agency stamp crediting photographer Denis Cameron. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A romantic comedy anthology about the varied owners of an idiosyncratic yellow Rolls-Royce from its first owners a British aristocrat and his unfaithful wife to its last a socialite who accidentally becomes involved in the Nazi invasion of Ljubljana. Set and shot on location in London and Hertfordshire in England Naples Florence and Tuscany in Italy and Austria. 11.25 x 14 inches. Near Fine with brief wear to the corners. N.p. unknown
1962ref. 151100Burbank CA: Warner Brothers 1962. Vintage studio still photograph of Leslie Caron and David Niven in quicksand from the 1962 film. Based on the 1960 novel "Act of Mercy" by Francis Clifford. Pacifist Tom Jordan and his wife Leslie get themselves into trouble trying to help former President Rivera escape a military coup in a South American county. Shot on location in Analucia Spain. 10.25 x 8 inches. Light edgewear else Near Fine. Warner Brothers unknown books
1958ref. 132882London: National Screen Service / MGM 1958. Vintage full-color still photograph from the 1958 UK film. Based on the 1911 play by George Bernard Shaw starring Leslie Caron as the wife of an artist Dirk Bogarde who is dying of tuberculosis. She enlists the help of a very busy doctor who upon learning the artist is really a con-man with greedy tendencies in faced with a dilemma: help the desperate wife by curing the artist or tend to other patients in need 8 x 10 inches. Light rubbing else Near Fine. National Screen Service / MGM unknown books
1963ref. 132580London: National Screen Service / MGM 1963. Collection of 6 vintage full-color and 3 black-and-white still photographs from the 1963 UK film. A star-studded drama that takes place in a New York airport at the V. I. P. lounge. Taylor's jewelry in the film came mostly from her own collection and this is Taylor's and Burton's second collaborative film credit. Margaret Rutherford won an Academy Award for her supporting role. 8 x 10 inches some slightly smaller. Faint creases overall else Near Fine. National Screen Service / MGM unknown books
1963ref. 132582London: National Screen Service / MGM 1963. Two vintage full-color still photographs from the 1963 UK film. A star-studded drama that takes place in a New York airport at the V.I.P. lounge. Taylor's jewelry in the film came mostly from her own collection and this was Taylor's and Burton's second collaborative film credit. Margaret Rutherford won an Academy Award for her supporting role. 8 x 10 inches. Faint creases overall else Near Fine. National Screen Service / MGM unknown books
1954ref. 140965London: Romulus 1954. Draft script for the 1954 film. Copy belonging to crew member James H. Ware. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. Based on the play of the same name by Campbell and Dorothy Christie. A court martial process delves into why an officer embezzled funds from his unit. Released in the US as "Court Martial." Pink untitled wrappers. Title page present dated May 10 1954 with credits for screenwriter John Hunter and playwrights Dorothy and Campbell Christie. 117 leaves with last page of text numbered 116. Mechanical duplication. Pages Very Good plus wrapper Very Good plus bound with two silver brads. Romulus unknown books
1964ref. 150332N.p.: N.p. 1964. Vintage oversize borderless black and white photograph of actor Omar Sharif playfully clicking his heels in the air between takes while filming on location in Austria for the 1964 film. With manuscript pencil and ink annotations on the verso along with a PIX Agency stamp crediting photographer Denis Cameron. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A romantic comedy anthology about the varied owners of an idiosyncratic yellow Rolls-Royce from its first owners a British aristocrat and his unfaithful wife to its last a socialite who accidentally becomes involved in the Nazi invasion of Ljubljana. Set and shot on location in London and Hertfordshire in England Naples Florence and Tuscany in Italy and Austria. 11.25 x 14 inches. Near Fine with brief wear to the corners. N.p. unknown books
1964ref. 132696London: National Screen Service / MGM 1964. Vintage full-color still photograph from the 1964 UK film. A star-studded romantic comedy about the lives and loves of those who own a certain yellow Rolls-Royce. 8 x 10 inches. Light creases at the extremities else Near Fine. National Screen Service / MGM unknown books
1980ref. 129295Rome: Vides Cinematografica 1980. Set of 10 master typescripts for the ambitious 1982 television miniseries all dated June 1980 used as a master for printing the final scripts. Anthony Burgess was one of the series writers credited on the title page of each segment and Ennio Morricone composed the original score. Present are scripts for all 8 segments of the miniseries. Also included is a script for an unproduced segment titled "Ruby of Ceylon" and a separately bound "Series Outline." Screenwriters Burgess and Labella are present on the title page of all 8 produced segments though not on "The Ruby of Ceylon". An international co-production financed by the US Italy Japan and China. Shot on location in Beijing Inner Mongolia Italy and Morocco. Nominated for two Prime Time Emmys. Oversize volume shipping billed at cost. Series Outline: Yellow titled wrappers. Title page present noted as Outline with credits for screenwriters Burgess and Labella. 27 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode I Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 37 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode II: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 35 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode III: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 31 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode IV: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 44 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode V: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 47 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode VI: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 38 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode VII: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 40 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode VIII: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 66 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. The Ruby of Ceylon unfilmed: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 28 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Vides Cinematografica unknown
1980ref. 129295Rome: Vides Cinematografica 1980. Set of 10 master typescripts for the ambitious 1982 television miniseries all dated June 1980 used as a master for printing the final scripts. Anthony Burgess was one of the series writers credited on the title page of each segment and Ennio Morricone composed the original score. Present are scripts for all 8 segments of the miniseries. Also included is a script for an unproduced segment titled "Ruby of Ceylon" and a separately bound "Series Outline." Screenwriters Burgess and Labella are present on the title page of all 8 produced segments though not on "The Ruby of Ceylon". An international co-production financed by the US Italy Japan and China. Shot on location in Beijing Inner Mongolia Italy and Morocco. Nominated for two Prime Time Emmys. Oversize volume shipping billed at cost. Series Outline: Yellow titled wrappers. Title page present noted as Outline with credits for screenwriters Burgess and Labella. 27 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode I Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 37 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode II: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 35 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode III: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 31 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode IV: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 44 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode V: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 47 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode VI: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 38 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode VII: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 40 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode VIII: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 66 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. The Ruby of Ceylon unfilmed: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 28 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Vides Cinematografica unknown books
1980ref. 133617New York: New World Pictures 1980. Draft Agency script for the 1980 film. Adapted for the screen by noted screenwriter Frederic Raphael based on his 1973 novel. A woman begins an affair with her late husband's mistress after his death using each other to cope with the grief of his loss. Black titled wrappers with the William Morris Agency logo on the front wrapper and with credits for screenwriter Frederic Raphael. Title page present with credits for screenwriter Raphael. 122 leaves mechanical duplication. Pages about Fine wrapper Near Fine bound internally with three gold brads. New World Pictures unknown
