10,264 results
1971ref. 150344N.p.: N.p. 1971. Vintage borderless reference photograph of director Pier Paolo Pasolini and unidentified crew member with author Alberto Moravia in the background during the filming of the 1971 short documentary film. On the final day of shooting his 1971 film "The Decameron" in Sana'a Yemen Pasolini began shooting the 16-minute documentary of the historic 2500-year-old city center in an effort to have it recognized as a World Heritage Site by UNESCO. The city center was in threat from modernization following the end of the North Yemen Civil War. The Old City of Sana'a was decalred a World Heritage Site by UNESCO in 1986. 9.5 x 7 inches. Near Fine. N.p. unknown
1967ref. 138750Rome: Arco Films 1967. Vintage borderless photograph from the set of the 1967 Italian film. Director Pier Paolo Pasolini is seen behind the camera shooting Silvia Mangana and Franco Citti. Short typescript description in Italian and Roma Press rubber stamp on the verso. A sparse intensely personal modern adaptation of the Oedipus Rex tale in which a man and woman have a child and the man becomes jealous of his wife's attentions to his son. The film's setting then changes back to antiquity where the legend largely follows its original course suggesting we may not be as emotionally removed from ancient times as we may believe. Set in modern and ancient Italy shot on location in Italy. 8 x 12 inches. Near Fine. Masters of Cinema 39. Rosenbaum 1000. Arco Films unknown
1963ref. 149379N.p.: N.p. 1963. Vintage borderless reference photograph of Orson Welles from the 1963 film. Italian "ROGOPAG / LA RIOTTA" stamp on verso. An anthology film of four short films titled after the names of the four directors: "Illibatezza" directed by Roberto Rossellini "Il Nuovo Mondo" directed by Jean-Luc Godard "La Ricotta" directed by Pier Paolo Pasolini and "Il Pollo Ruspante" directed by Ugo Gregoretti Pasolini's scathing comic rebuke on social inequality and religious hypocrisy wherein a lavish film production of the crucifixion of Christ in a poor region outside Rome finds the extra playing the "good thief" Stracci Mario Cipriani quite literally starving during the production trying everything to get some food all while being berated by the bombastic insufferable director Orson Welles. The film resulted in Pasolini being convicted of blasphemy and the film being banned in Italy. Pasolini was sentenced to a four month prison term which he avoided by paying a fine. 9.5 x 7 inches. Near Fine. Rosenbaum 1000. Criterion Collection 236. N.p. unknown
1969ref. 167091N.p.: Aetos 1969. Vintage borderless reference photograph from the 1969 Italian film showing actors Silvana Mangano and Terence Stamp in an intimate moment. Stamp of photographer Angelo Frontoni on the verso. Over the course of several days a mysterious visitor seduces each member of a bourgeois Milanese family. The second film in director Pier Paolo Pasolini's Mythical Cycle quartet preceded by "Oedipus Rex" 1967 and followed by "Porcile" and "Medea" both 1969. Set and shot on location in Rome and Milan. 9.25 x 6.75 inches. Near Fine. Rosenbaum 1000. Godard Histoires du cinema. BFI 1166. Aetos unknown
1969ref. 160975N.p.: Aetos 1969. Vintage borderless reference photograph from the 1969 Italian film showing actress Silvana Mangano. With the stamps of photographer Angelo Frontoni and ABC on the verso along with annotations in manuscript pencil regarding layout. Over the course of several days a mysterious visitor seduces each member of a bourgeois Milanese family. The second film in director Pier Paolo Pasolini's Mythical Cycle preceded by "Oedipus Rex" 1967 and followed by "Porcile" and "Medea" both 1969. Set and shot on location in Rome and Milan. 9 x 7 inches. Very Good plus with light toning on the verso and faint tide marks on the top edge. Rosenbaum 1000. Godard Histoires du cinema. BFI 1166. Aetos unknown
1969ref. 149363N.p.: Aetos 1969. Four vintage borderless reference photographs taken on the set of the 1969 Italian film. With the stamps of photographer Angelo Frontoni and Cinemondial on the verso along with manuscript ink and pencil annotations regarding layout. Over the course of several days a mysterious visitor seduces each member of a bourgeois Milanese family. The second film in director Pier Paolo Pasolini's Mythical Cycle preceded by "Oedipus Rex" 1967 and followed by "Porcile" and "Medea" both 1969. Set and shot on location in Rome and Milan. 9 x 7 inches. Very Good plus with light dampstaining to the versos. Rosenbaum 1000. Godard Histoires du cinema. BFI 1166. Aetos unknown
1971ref. 128176Beverly Hills CA: United Artists 1971. Vintage insert poster for the 1971 film. The first film in Pasolini's Trilogy of life followed by "Canterbury Tales" 1972 and "Arabian Nights" 1974 a light and sumptuous adaptation of Boccaccio's work "The Decameron" replete with nudity sex and both slapstick and scatological humor. Featuring a score by Ennio Morricone. 36 x 14 inches. Near Fine. BFI 1115. Criterion Collection 631. United Artists unknown
1966ref. 151544Rome: Arco Films 1966. Vintage borderless reference photograph of Pier Paolo Pasolini along with his script supervisor on the set of the 1966 film. Italian "Uccellacci e Uccellini" stamp photographer "Divo Cavicchioli" stamp and provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso. An old man played by the famous Italian performer Toto and his son Ninetto Davoli are walking along the road and are joined by a talking philosopher crow whom we are told in an intertitle is a left-wing intellectual and may be a Marxist. Nominated for the Palm d'Or. Set in and shot on location in Assisi Fiumicino Rome Tuscania and Viterbo Italy. 7.25 x 9.5 inches. Near Fine. Godard Histoires du Cinema. Rosenbaum 1000. Arco Films unknown
1967ref. 138750Rome: Arco Films 1967. Vintage borderless photograph from the set of the 1967 Italian film. Director Pier Paolo Pasolini is seen behind the camera shooting Silvia Mangana and Franco Citti. Short typescript description in Italian and Roma Press rubber stamp on the verso. A sparse intensely personal modern adaptation of the Oedipus Rex tale in which a man and woman have a child and the man becomes jealous of his wife's attentions to his son. The film's setting then changes back to antiquity where the legend largely follows its original course suggesting we may not be as emotionally removed from ancient times as we may believe. Set in modern and ancient Italy shot on location in Italy. 8 x 12 inches. Near Fine. Masters of Cinema 39. Rosenbaum 1000. Arco Films unknown books
1969ref. 149363N.p.: Aetos 1969. Four vintage borderless reference photographs taken on the set of the 1969 Italian film. With the stamps of photographer Angelo Frontoni and Cinemondial on the verso along with manuscript ink and pencil annotations regarding layout. Over the course of several days a mysterious visitor seduces each member of a bourgeois Milanese family. The second film in director Pier Paolo Pasolini's Mythical Cycle preceded by "Oedipus Rex" 1967 and followed by "Porcile" and "Medea" both 1969. Set and shot on location in Rome and Milan. 9 x 7 inches. Very Good plus with light dampstaining to the versos. Rosenbaum 1000. Godard Histoires du cinema. BFI 1166. Aetos unknown books
1966ref. 159788Rome: Arco Films 1966. Vintage borderless reference photograph of Pier Paolo Pasolini talking with actors Toto and Ninetto Davoli on the set of the 1966 film. Stamp of photographer Divo Cavicchioli on the verso along with a printed Photofest label. A neorealist film dealing with Marxism and class conflict wherein an old man and his son are joined by a talking philosopher crow on their walk down the road. Nominated for the Palme d'Or. Set and shot on location in Assisi Fiumicino Rome Tuscania and Viterbo Italy. 7.25 x 9.5 inches. Very Good plus with light wear on the left edge. Godard Histoires du Cinema. Rosenbaum 1000. Arco Films unknown books
1966ref. 151544Rome: Arco Films 1966. Vintage borderless reference photograph of Pier Paolo Pasolini along with his script supervisor on the set of the 1966 film. Italian "Uccellacci e Uccellini" stamp photographer "Divo Cavicchioli" stamp and provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso. An old man played by the famous Italian performer Toto and his son Ninetto Davoli are walking along the road and are joined by a talking philosopher crow whom we are told in an intertitle is a left-wing intellectual and may be a Marxist. Nominated for the Palm d'Or. Set in and shot on location in Assisi Fiumicino Rome Tuscania and Viterbo Italy. 7.25 x 9.5 inches. Near Fine. Godard Histoires du Cinema. Rosenbaum 1000. Arco Films unknown books
1972ref. 156320Beverly Hills CA: United Artists 1972. Vintage borderless reference photograph from the US release of the 1972 Italian film showing actress Heather Johnson on the set. Printed mimeo snipe affixed to the verso. Based on the medieval narrative poem by Geoffrey Chaucer and the second film in Pier Paolo Pasolini's Trilogy of Life series following "The Decameron" 1971 and followed by "A Thousand and One Nights" 1974. Johnson appeared in the segment "The Steward's Tale." Set and shot on location throughout England. 10 x 8 inches. Very Good with moderate edgewear curling and a short closed tear on the bottom edge. BFI 1116. Criterion Collection 633. United Artists unknown books
1971ref. 128176Beverly Hills CA: United Artists 1971. Vintage insert poster for the 1971 film. The first film in Pasolini's Trilogy of life followed by "Canterbury Tales" 1972 and "Arabian Nights" 1974 a light and sumptuous adaptation of Boccaccio's work "The Decameron" replete with nudity sex and both slapstick and scatological humor. Featuring a score by Ennio Morricone. 36 x 14 inches. Near Fine. BFI 1115. Criterion Collection 631. United Artists unknown books
1963ref. 149379N.p.: N.p. 1963. Vintage borderless reference photograph of Orson Welles from the 1963 film. Italian "ROGOPAG / LA RIOTTA" stamp on verso. An anthology film of four short films titled after the names of the four directors: "Illibatezza" directed by Roberto Rossellini "Il Nuovo Mondo" directed by Jean-Luc Godard "La Ricotta" directed by Pier Paolo Pasolini and "Il Pollo Ruspante" directed by Ugo Gregoretti Pasolini's scathing comic rebuke on social inequality and religious hypocrisy wherein a lavish film production of the crucifixion of Christ in a poor region outside Rome finds the extra playing the "good thief" Stracci Mario Cipriani quite literally starving during the production trying everything to get some food all while being berated by the bombastic insufferable director Orson Welles. The film resulted in Pasolini being convicted of blasphemy and the film being banned in Italy. Pasolini was sentenced to a four month prison term which he avoided by paying a fine. 9.5 x 7 inches. Near Fine. Rosenbaum 1000. Criterion Collection 236. N.p. unknown books
1963ref. 159789N.p.: N.p. 1963. Two vintage borderless reference photographs from the 1963 film showing director Pier Paolo Pasolini on the set with actor Orson Welles. Both with provenance labels on the verso and one with a printed mimeo snipe. An anthology film with four segments titled after the names of the four directors: "Illibatezza" directed by Roberto Rossellini "Il Nuovo Mondo" directed by Jean-Luc Godard "La Ricotta" directed by Pier Paolo Pasolini and "Il Pollo Ruspante" directed by Ugo Gregoretti. Pasolini's segment a scathing comic rebuke on social inequality and religious hypocrisy follows a lavish film production depicting the crucifixion of Christ in a poor region outside Rome led by Orson Welles' bombastic insufferable director. The film resulted in Pasolini being convicted of blasphemy and the film being banned in Italy. Pasolini was sentenced to a four month prison term which he avoided by paying a fine. 9.5 x 7 inches. Near Fine. Criterion Collection 236. Rosenbaum 1000. N.p. unknown books
1969ref. 167091N.p.: Aetos 1969. Vintage borderless reference photograph from the 1969 Italian film showing actors Silvana Mangano and Terence Stamp in an intimate moment. Stamp of photographer Angelo Frontoni on the verso. Over the course of several days a mysterious visitor seduces each member of a bourgeois Milanese family. The second film in director Pier Paolo Pasolini's Mythical Cycle quartet preceded by "Oedipus Rex" 1967 and followed by "Porcile" and "Medea" both 1969. Set and shot on location in Rome and Milan. 9.25 x 6.75 inches. Near Fine. Rosenbaum 1000. Godard Histoires du cinema. BFI 1166. Aetos unknown books
1969ref. 160975N.p.: Aetos 1969. Vintage borderless reference photograph from the 1969 Italian film showing actress Silvana Mangano. With the stamps of photographer Angelo Frontoni and ABC on the verso along with annotations in manuscript pencil regarding layout. Over the course of several days a mysterious visitor seduces each member of a bourgeois Milanese family. The second film in director Pier Paolo Pasolini's Mythical Cycle preceded by "Oedipus Rex" 1967 and followed by "Porcile" and "Medea" both 1969. Set and shot on location in Rome and Milan. 9 x 7 inches. Very Good plus with light toning on the verso and faint tide marks on the top edge. Rosenbaum 1000. Godard Histoires du cinema. BFI 1166. Aetos unknown books
1971ref. 150344N.p.: N.p. 1971. Vintage borderless reference photograph of director Pier Paolo Pasolini and unidentified crew member with author Alberto Moravia in the background during the filming of the 1971 short documentary film. On the final day of shooting his 1971 film "The Decameron" in Sana'a Yemen Pasolini began shooting the 16-minute documentary of the historic 2500-year-old city center in an effort to have it recognized as a World Heritage Site by UNESCO. The city center was in threat from modernization following the end of the North Yemen Civil War. The Old City of Sana'a was decalred a World Heritage Site by UNESCO in 1986. 9.5 x 7 inches. Near Fine. N.p. unknown books
1960ref. 162189Munich: Universum Film UFA 1960. Vintage borderless lobby card for the 1960 Italian film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on several short stories by Alberto Moravia. Spurred on by his girlfriend a young man in the Roman suburbs sets out to look for a day job but instead finds his mission waylaid by sensual delights. 9.25 x 11.75 inches. Very Good plus lightly edgeworn with pinholes at the corners. Universum Film [UFA] unknown books
1965ref. 162188Los Angeles: Medallion Pictures 1965. Five vintage lobby cards for the American release of the 1959 Italian film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. An exploration of the Roman criminal underworld following three thugs as they spend their days committing petty crimes and their nights with prostitutes. 14 x 11 inches. Very Good plus lightly toned with faint discoloration along the bottom margins. Medallion Pictures unknown books
1966ref. 135639Paris: C.A.P.A.C. 1966. Collection of 3 vintage borderless black-and-white reference photographs from the French release of the 1966 film. With reference information in manual type on the verso of each photograph. 5 x 7 inches. Near Fine. Criterion Collection 655. C.A.P.A.C. unknown
1962ref. 144544Paris: C.A.P.A.C. 1962. Four vintage photographs from the 1962 French comedy film. With manuscript annotations on the verso of each. Pierre Pierre Etaix follows his parents wishes to get married but rather than romancing Laurence Laurence Lignieres the upbeat woman next door who has taken a liking to him he yearns for Stella France Arnel a famous singer he knows only through television. Shot on location in Paris. 7 x 5 inches. Near fine. C.A.P.A.C. unknown
1962ref. 135647Paris: C.A.P.A.C. / Cocinor 1962. Collection of 6 vintage borderless black-and-white studio still photographs from the French release of the 1962 film. Each photo with the stamp of French distributor Cocinor on the verso. 5 x 7 inches. Very Good plus with pinholes at the corners of each photograph. Criterion Collection 655. C.A.P.A.C. / Cocinor unknown
1962ref. 135645Paris: C.A.P.A.C. 1962. Vintage borderless black-and-white reference photograph from the French release of the 1962 film. With stamp on the verso noting reference number 582. 5 x 7 inches. Near Fine. Criterion Collection 655. C.A.P.A.C. unknown
