11,058 results
1962ref. 149573Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1962. Vintage reference photograph of actors Paul Newman and Shirley Knight examining film negatives with cinematographer Milton R. Krasner looking on. With a mimeo snipe on the verso. Based on Tennessee Williams' 1959 play wherein a failed Hollywood actor and gigolo returns to his small hometown accompanied by an older faded movie star hoping to win back his former girlfriend. Nominated for three Academy Awards winning one for Best Supporting Actor for Ed Begley. Set in St. Cloud Mississippi. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1962ref. 151424N.p.: N.p. 1962. Vintage reference photograph of director Richard Brooks cinematographer Milton Krasner and a camera crew capturing a boat scene with actress Shirley Knight on the set of the 1962 film. With a mimeo snipe and manuscript pencil and ink annotations on the verso. From the archive of film historian and author Joel Finler. Based on Tennessee Williams' 1959 play wherein a failed Hollywood actor and gigolo returns to his small hometown accompanied by an older faded movie star hoping to win back his former girlfriend. Nominated for three Academy Awards winning one for Best Supporting Actor for Ed Begley. Set in St. Cloud Mississippi. N.p. unknown
1966ref. 148170Culver City CA: Columbia Pictures 1966. Collection of 16 vintage oversize French color photographs from the 1966 film. Based on the 1964 novel "A Mule for the Marquesa" by Frank O'Rourke about four men hired to by a wealthy Texan to rescue his wife from a Mexican revolutionary only to discover the job in not exactly what it seems. A sometimes overlooked and underrated entry into the Western canon despite being nominated for three Academy Awards including Best Director and Best Adapted Screenplay. Set in Mexico and Texas shot on location in Mexico Arizona Nevada and California. 9.5 x 11.5 inches. Near Fine. Columbia Pictures unknown
1965ref. 144688Culver City CA: Columbia Pictures 1965. Vintage borderless photograph of director Richard Brooks and actor Peter O'Toole on the set of the 1965 film. With manuscript annotations on the verso. After being labeled a coward Lord Jim seeks redemption through an exceptionally dangerous mission. In its wake he finds himself faced again with the choice of self preservation or honor. The Technicolor film was based on Joseph Conrad's novel of the same name. Shot on location in Cambodia China Malaysia and England. 10 x 8 inches. Near Fine. Columbia Pictures unknown books
1975ref. 162359N.p.: N.p. 1975. Vintage borderless reference photograph of director Richard Brooks talking with actress Candice Bergen on the set of the 1975 film. Annotations in manuscript ink on the verso. In 1906 fifteen contestants compete in a 700-mile cross-country horse race with a cash prize of $2000. Nominated for two Academy Awards. Shot on location in New Mexico and Nevada. 10 x 8 inches. About Fine. Pitts 348. N.p. unknown books
1955ref. 146567Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1955. Vintage studio photograph of Glenn Ford from the 1955 film. Based on the 1954 novel "The Blackboard Jungle" by Ed McBain and starring Glenn Ford as Richard Dadier a new teacher at a violent inner city school determined to do right and make a difference challenging both the staff and the students. A brilliant performance by a young Sidney Poitier as student Gregory Miller in an early breakout role. Nominated for 4 Academy Awards including Best Writing. 8 x 10 inches. Very Good 2 small closed tears in margins and a large chip at the top right corner see image. Vogel Film as a Subversive Art. Scorsese A Personal Journey Through American Movies. National Film Registry. Metro-Goldwyn-Mayer [MGM] unknown books
1966ref. 148170Culver City CA: Columbia Pictures 1966. Collection of 16 vintage oversize French color photographs from the 1966 film. Based on the 1964 novel "A Mule for the Marquesa" by Frank O'Rourke about four men hired to by a wealthy Texan to rescue his wife from a Mexican revolutionary only to discover the job in not exactly what it seems. A sometimes overlooked and underrated entry into the Western canon despite being nominated for three Academy Awards including Best Director and Best Adapted Screenplay. Set in Mexico and Texas shot on location in Mexico Arizona Nevada and California. 9.5 x 11.5 inches. Near Fine. Columbia Pictures unknown books
1967ref. 150244N.p.: N.p. 1967. Five vintage borderless black and white photographs from the set of the 1967 film. With two printed mimeo snipes on the verso along with the stamp of still photographer James Johnson. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Truman Capote's most famous book and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 10 x 8 inches. Most Very Good plus with light creasing and edgewear one Very Good with a tear to the top right corner repaired with cello tape on the verso. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US. N.p. unknown books
1957ref. 145088Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1957. Vintage photograph of actors Rock Hudson and Sidney Poitier getting their clothes fitted while in Nairobi for the production of the 1957 film. Mimeo snipe manuscript annotations and a rubber stamp on the verso. Based on the 1955 novel of the same name by Robert C. Ruark. Set amidst Kenya's Mau Mau uprising. Two childhood friends Peter Rock Hudson the son of a British colonist and Kimani Sidney Poitier a native to Kenyan grow up to be on opposing sides of the conflict each wishing for a more peaceful world while surrounded by extreme violence. Shot on location in Kenya. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1960ref. 142077Beverly Hills CA: Elmer Gantry Productions / United Artists 1960. Vintage double weight photograph from the set of the 1960 film. Director Richard Brooks gets up close to direct Burt Lancaster as Lancaster holds Jean Simmons. Based on the 1927 novel by Sinclair Lewis. Nominated for five Academy Awards including Best Picture winning for Best Actor Best Supporting Actress and Best Adapted Screenplay. 8 x 10 inches. Near Fine. Rosenbaum 1000. Elmer Gantry Productions / United Artists unknown books
1958ref. 144474Beverly Hills CA: MGM 1958. Vintage photograph of director Richard Brooks and actor Paul Newman on the set of the 1958 film. Typed description and manuscript annotations on the verso. Based on the 1955 Pulitzer Prize-winning play of the same name by Tennessee Williams though without much of the homosexual themes and cultural critique of the original. Brick Pollitt Paul Newman is a troubled man beat up from a drunken accident on his way to visit his dying father Big Daddy Burl Ives and the rest of his family with his wife Maggie Elizabeth Taylor. The gathering brings out the family's deeply buried tension repression and anxiety. Nominated for six Academy Awards. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. MGM unknown books
1958ref. 150861N.p.: N.p. 1958. Vintage reference photograph of Paul Newman and director Richard Brooks on the set of the 1958 film. Based on the 1955 Pulitzer Prize-winning play of the same name by Tennessee Williams though without much of the homosexual themes and cultural critique of the original. Brick Pollitt Paul Newman is a troubled man beat up from a drunken accident on his way to visit his dying father Big Daddy Burl Ives and the rest of his family with his wife Maggie Elizabeth Taylor. The gathering brings out the family's deeply buried tension repression and anxiety. Nominated for six Academy Awards. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. N.p. unknown books
1962ref. 149573Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1962. Vintage reference photograph of actors Paul Newman and Shirley Knight examining film negatives with cinematographer Milton R. Krasner looking on. With a mimeo snipe on the verso. Based on Tennessee Williams' 1959 play wherein a failed Hollywood actor and gigolo returns to his small hometown accompanied by an older faded movie star hoping to win back his former girlfriend. Nominated for three Academy Awards winning one for Best Supporting Actor for Ed Begley. Set in St. Cloud Mississippi. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1962ref. 151424N.p.: N.p. 1962. Vintage reference photograph of director Richard Brooks cinematographer Milton Krasner and a camera crew capturing a boat scene with actress Shirley Knight on the set of the 1962 film. With a mimeo snipe and manuscript pencil and ink annotations on the verso. From the archive of film historian and author Joel Finler. Based on Tennessee Williams' 1959 play wherein a failed Hollywood actor and gigolo returns to his small hometown accompanied by an older faded movie star hoping to win back his former girlfriend. Nominated for three Academy Awards winning one for Best Supporting Actor for Ed Begley. Set in St. Cloud Mississippi. N.p. unknown books
1967ref. 146012Culver City CA: Columbia Pictures 1967. Vintage borderless photograph of Robert Blake and Scott Wilson from the 1967 film. Crop annotations in manuscript pencil and the stamp of photographer Michel Ciment stamp on the verso. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 10 x 8 inches. Very Good plus some light creasing and edgewear. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US. Columbia Pictures unknown books
1967ref. 144377Culver City CA: Columbia Pictures 1967. Vintage photograph of Mary Linda Rapelye on the set of the 1967 film. Manuscript annotations in pencil and press agency stamps on the verso. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book and remains one of the great meditations on violence in America. 10 x 8 inches. Near Fine. National Film Registry. Criterion Collection 781. Ebert II. Penzler 101. Columbia Pictures unknown books
1971ref. 150685Culver City CA: Columbia Pictures 1971. Seven vintage studio still photographs from the 1971 film. A security consultant teams up with a call girl to steal a fortune in dirty money from criminals' safe deposit boxes which are stored in a high-tech bank vault. Set and shot on location in Hamburg West Germany. 10 x 8 inches. Near Fine. Lee The Heist Film. Columbia Pictures unknown books
1971ref. 150684Culver City CA: Columbia Pictures 1971. Seven vintage studio still photographs from the 1971 film. A security consultant teams up with a call girl to steal a fortune in dirty money from criminals' safe deposit boxes which are stored in a high-tech bank vault. Set and shot on location in Hamburg West Germany. 10 x 8 inches. Near Fine. Lee The Heist Film. Columbia Pictures unknown books
1960ref. 172856Beverly Hills CA: United Artists 1960. Eight vintage studio still photographs from the 1960 re-release of the 1956 film. A fictionalized account of the life of Alexander the Great who conquered the entire known world in his relatively short life. Shot on location in Andalucía and Madrid Spain. 8 x 10 inches. Very Good plus. Twilight Time. United Artists unknown
1967ref. 141626Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1967. Vintage studio still photograph of Alec Guinness from the 1967 film. Snipe printed in blue ink on the verso. The film follows a sardonic hotel owner who witnesses the chaos in Haiti under the Papa Doc Duvalier regime. Starring Elizabeth Taylor in a role originally meant for Sophia Loren. Shot on location in Benin and France. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1960ref. 172856Beverly Hills CA: United Artists 1960. Eight vintage studio still photographs from the 1960 re-release of the 1956 film. A fictionalized account of the life of Alexander the Great who conquered the entire known world in his relatively short life. Shot on location in Andalucía and Madrid Spain. 8 x 10 inches. Very Good plus. Twilight Time. United Artists unknown books
1955ref. 172860Beverly Hills CA: United Artists 1955. Vintage studio still photograph from the 1956 film. A fictionalized account of the life of Alexander the Great who conquered the entire known world in his relatively short life. Shot on location in Andalucía and Madrid Spain. 8 x 10 inches. Very Good plus. Twilight Time. United Artists unknown books
1967ref. 141626Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1967. Vintage studio still photograph of Alec Guinness from the 1967 film. Snipe printed in blue ink on the verso. The film follows a sardonic hotel owner who witnesses the chaos in Haiti under the Papa Doc Duvalier regime. Starring Elizabeth Taylor in a role originally meant for Sophia Loren. Shot on location in Benin and France. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1980ref. 167451Universal City: Universal Television 1980. Draft script for the fourth episode of the 1981 NBC mini-series here under the working title "The Gangster Chronicles: An American Story: Chapter IV" which aired on February 21 1981. Copy with a manuscript marker annotations of "role:- Aiello" on the title page and the underlining of "Narrative" on the first and last page of the script. The thirteen part critically-acclaimed Emmy Award-winning mini-series was an attempt at presenting an historically accurate crime drama about the lives of Bugsy Siegel Joe Penny Lucky Luciano Michael Nouri and Meyer Lansky Brian Benben beginning in 1907 and spanning seven decades. The series premiered on February 12 1981 and was aired over nine nights ending on May 8 1981. Later released in an edited 121-minute version on videocassette entitled "Gangster Wars." Shot on location in Capitola and Santa Cruz California. Front wrapper integral with title page dated October 21 1980 with credits for screenwriter Richard Alan Simmons. 53 leaves with last page of text numbered 237 with the script beginning on page 194. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. Universal Television unknown
1972ref. 140225Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Draft script for the 1973 film. Copy belonging to uncredited cast member Merritt Blake with his name in manuscript ink on the front wrapper. Notably with a credit for screenwriter Eleanor Perry wife and frequent co-writer with her husband director Frank Perry. Jay Grobart Reynolds kills a man who raped and murdered his wife Cat Dancing. He is arrested but soon after is released and goes on a crime spree. He then meets Catherine Miles who is escaping her abusive husband and finds an unlikely mate. Shot on location in Arizona and Utah USA. Blue wrappers with a die-cut title window. Title page present dated October 31 1972 with credits for screenwriter Eleanor Perry and novelist Marilyn Durham. 159 leaves with last page of text numbered 158. Xerographic duplication with blue revision pages throughout dated variously between November 6 1972 and November 7 1972. Pages Near Fine wrapper Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
