10,190 results
ref. 172189N.p.: Interstar 1979. Substantial archive of material belonging to actress Samantha Eggar relating to the 1980 crime-exploitation film. Included are Eggar's annotated working script with blue and pink revisions signed in round-robin fashion on the title page by actor Christopher George director James Glickenhaus producer Mark Buntzman and others. Archive also includes six pages of contact information regarding crew members and 36 black-and-white reference photographs from the film most featuring Eggar with various cast and crew members on the set. A Vietnam veteran turns to vigilante justice after his close friend is beaten and left paralyzed by a street gang and his employer is threatened by the Mafia. Shot on location in New York City and at the Indian Dunes in Valencia California. A cult classic of the highest order bridging aspects of both 1970s and 1980s exploitation. Script: Red titled Studio Duplicating Service wrappers with credit for screenwriter James Glickenhaus on the front wrapper. Title page present dated 8/9/79 noted as copy No. 64 with credit for Glickenhaus. 175 leaves with last page of text numbered 170. Xerographic duplication rectos only with blue and pink revision pages throughout dated variously between 8/24/79 and 9/5/79. Pages Near Fine wrapper Very Good or better bound with two gold brads. Photographs: 10 x 8 inches. Generally Near Fine some with light toning to the margins. Housed in a white cardboard Ilford photograph box. Arrow Films. Interstar unknown
1973ref. 139507Boca Raton FL: Penthouse 1973. Vintage oversize double weight borderless still photograph from the 1973 film based on the 1947 novel by Andrew Lytle. Shot struck and mounted by the film's still photographer Bob Willoughby with a manuscript notation in his hand on the verso. Full provenance available. Culp and Eggar romp in a bed that is the middle of the woods for some reason while the haunted house that will exert a corrupting influence on the couple looms in the background. An image that does not appear in the so-bad-its-nearly-avant garde film but one that nevertheless captures its aura of surreal eroticism quite well. Set in the countryside of Southern California shot on location in British Columbia Indian Arm and Vancouver. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 13.25 x 9 inches. Fine. Thrower Nightmare USA. Penthouse unknown books
2022ref. 164001Santa Monica: Stalwart Productions 2022. Draft script for Season 1 Episode 3 of the 2022 anthology television series. Copy belonging to construction coordinator Chris Scher with her name as a watermark on every page. An anthology follow-up to the successful 2010-2022 horror series "The Walking Dead." In this episode set post-apocalypse a young Alpha then known as Dee tries to protect her daughter and their community steamboat home. Originally aired on August 28 2022 on AMC. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Self wrappers. Title page present dated 3/28/22 noted as Blue Draft with credits for screenwriter Channing Powell and director Michael Satrazemis. 57 leaves with last page of text numbered 45. Xerographic duplication rectos only. Pages Very Good plus bound with three gold brads. Stalwart Productions unknown
2022ref. 164001Santa Monica: Stalwart Productions 2022. Draft script for Season 1 Episode 3 of the 2022 anthology television series. Copy belonging to construction coordinator Chris Scher with her name as a watermark on every page. An anthology follow-up to the successful 2010-2022 horror series "The Walking Dead." In this episode set post-apocalypse a young Alpha then known as Dee tries to protect her daughter and their community steamboat home. Originally aired on August 28 2022 on AMC. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Self wrappers. Title page present dated 3/28/22 noted as Blue Draft with credits for screenwriter Channing Powell and director Michael Satrazemis. 57 leaves with last page of text numbered 45. Xerographic duplication rectos only. Pages Very Good plus bound with three gold brads. Stalwart Productions unknown books
1967ref. 162219N.p.: Screen Gems 1967. Vintage reference photograph of actor Sammy Davis Jr. in the recording studio on the set of the 1966 animated musical film holding a poster with a drawing by John Tenniel and pointing to the character Davis voiced in the movie-the Cheshire cat. A modern adaptation of Lewis Carroll's classic 1865 novel with Alice falling through the "looking glass" of the television screen into Wonderland. Originally broadcast on ABC on March 30 1966 the special featured music by composer Charles Strouse and lyricist Lee Adams best known for the Broadway production "Bye Bye Birdie" 1960. 10 x 8 inches. About Near Fine. Screen Gems unknown
1962ref. 170830N.p.: N.p. 1962. Vintage reference photograph of Sammy Davis Jr. behind bars from the 1962 film. Provenance sticker and stamp on the verso. A fictionalized version of John Resko's 1959 autobiography "Reprieve" about a convict played by Ben Gazzara whose death sentence is commuted to life in prison and with the aid of a humane prison guard is rehabilitated and becomes a successful painter. 8 x 10 inches. Light edgewear else Near Fine. N.p. unknown
1962ref. 170830N.p.: N.p. 1962. Vintage reference photograph of Sammy Davis Jr. behind bars from the 1962 film. Provenance sticker and stamp on the verso. A fictionalized version of John Resko's 1959 autobiography "Reprieve" about a convict played by Ben Gazzara whose death sentence is commuted to life in prison and with the aid of a humane prison guard is rehabilitated and becomes a successful painter. 8 x 10 inches. Light edgewear else Near Fine. N.p. unknown books
1967ref. 162219N.p.: Screen Gems 1967. Vintage reference photograph of actor Sammy Davis Jr. in the recording studio on the set of the 1966 animated musical film holding a poster with a drawing by John Tenniel and pointing to the character Davis voiced in the movie-the Cheshire cat. A modern adaptation of Lewis Carroll's classic 1865 novel with Alice falling through the "looking glass" of the television screen into Wonderland. Originally broadcast on ABC on March 30 1966 the special featured music by composer Charles Strouse and lyricist Lee Adams best known for the Broadway production "Bye Bye Birdie" 1960. 10 x 8 inches. About Near Fine. Screen Gems unknown books
1957ref. 154819Los Angeles: Twentieth Century-Fox 1957. Two vintage studio still photographs from the 1957 film. In 1954 during the Vietnam conflict a smuggler named "Lucky Legs" and a group of French mercenaries infiltrate and destroy an arms depot near the Chinese border. 10 x 8 inches. Near Fine. Olive Films 566. Twentieth Century-Fox unknown
1957ref. 151460N.p.: N.p. 1957. Vintage reference photograph from the 1957 film showing actress Angie Dickinson's legs. In 1954 during the Vietnam conflict a smuggler named "Lucky Legs" and a group of French mercenaries infiltrate and destroy an arms depot near the Chinese border. 10 x 8 inches. Very Good plus lightly and evenly toned. Olive Films 566. N.p. unknown
1953ref. 171052N.p.: N.p. 1953. Twelve vintage studio still photographs from the 1953 film noir. Provenance labels on the versos and seven with blindstamps on the corners. A pickpocket mistakenly lifts a message meant for enemy agents in a Communist spy scheme. Nominated for an Academy Award. Set and shot on location in New York. 10 x 8 inches. Very Good or better. National Film Registry. Criterion Collection 224. Grant US. Selby Masterwork. Silver Classic Noir. Spicer US. N.p. unknown
1963ref. 171051Glendale CA: Allied Artists 1963. Collection of 27 vintage reference photographs from the 1963 film including four photographs showing proposed advertising material for the film. All but the advertising promos photos have provenance labels on the versos. With a pink mimeograph production sheet laid in showing credits and a brief synopsis. Samuel Fuller's hallucinatory tour-de-force about a Daily Globe journalist who in an attempt to win a Pulitzer Prize has himself institutionalized in an asylum recently implicated in a murder case. 10 x 8 inches. Generally Near Fine with some faint toning to the margins and light curling and studio still photographs with manuscript ink and pencil layout annotations and numeric annotations on the rectos. National Film Registry. Criterion Collection 19. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Spicer US. Grant US. Allied Artists unknown
1963ref. 163824Glendale CA: Allied Artists 1963. Vintage insert poster for the 1963 film. Samuel Fuller's hallucinatory tour-de-force wherein Daily Globe journalist Johnny Barrett Peter Breck determined to win a Pulitzer Prize has himself institutionalized in an asylum to solve a case where an inmate had recently been murdered. 14 x 36 inches. Very Good plus with three horizontal creases from being previously folded and light edgewear. National Film Registry. Criterion Collection 19. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Spicer US. Grant US. Allied Artists unknown
1964ref. 170562N.p.: N.p. 1964. Collection of 23 vintage reference photographs from the 1964 film. All but one with mimeo snipes affixed to the verso. Director Samuel Fuller's bizarre outrageous and perverse pulp masterwork. A former call girl tries to make good in a new town nursing handicapped children only to fall in love with a seemingly saintly businessman who has a dark secret of his own. Set in the fictional town of Grantville USA. 10 x 8 inches. Generally Near Fine to Fine one Very Good plus with a light crease and short closed tear. Criterion Collection 18. Scorsese A Personal Journey Through American Movies. Spicer US. Silver and Ward US. Grant US. N.p. unknown
1951ref. 163823N.p.: Lippert Pictures 1951. Vintage insert poster for the 1951 film. Director Samuel Fuller's underrated and influential Korean War film wherein a group of ragtag soldiers battle against overwhelming Communist forces in an abandoned Buddhist Temple. Fuller's first of several war films with probably his most gripping and realistic depictions of life and death on the battlefield. The film was shot in ten days on a budget of $100 000 and dealt with themes of American racism bigotry and war crimes which caused Fuller as well as actor Gene Evans to be a target of an FBI investigation. 14 x 36 inches. Very Good plus. Criterion Collection Eclipse Series 5. Rosenbaum 1000. Selby Master. Spicer US. Lippert Pictures unknown
1957ref. 151460N.p.: N.p. 1957. Vintage reference photograph from the 1957 film showing actress Angie Dickinson's legs. In 1954 during the Vietnam conflict a smuggler named "Lucky Legs" and a group of French mercenaries infiltrate and destroy an arms depot near the Chinese border. 10 x 8 inches. Very Good plus lightly and evenly toned. Olive Films 566. N.p. unknown books
1957ref. 154819Los Angeles: Twentieth Century-Fox 1957. Two vintage studio still photographs from the 1957 film. In 1954 during the Vietnam conflict a smuggler named "Lucky Legs" and a group of French mercenaries infiltrate and destroy an arms depot near the Chinese border. 10 x 8 inches. Near Fine. Olive Films 566. Twentieth Century-Fox unknown books
1952ref. 159784Beverly Hills CA: United Artists 1952. Two vintage publicity photographs taken at a special premiere of the 1952 film held in New York at the Waldorf-Astoria's Starlight Roof. One photograph shows director Samuel Fuller with New York Post columnist Leonard Lyons and the other shows Fuller with Hearst Foundation executive Richard Berlin and King Features Syndicate columnist George Sokolsky. Both photographs with printed snipes affixed to the versos along with "Photofest" labels. Generally considered one of Fuller's greatest early achievements "Park Row" takes place in the red-hot newspaper scene of 1880s New York City where every kind of newspaper-from those being championed by Joseph Pulitzer to the multitude of yellow-rag tabloids-held sway over the public's attention and opinion. The plot concerns an upstart newspaper The Globe that is founded by an employee fired by an established one resulting in a circulation war. Snipes note that the special premiere was held specifically for newspaper publishers and was attended by over 600 publishers and editors. 10 x 8 inches. Very Good plus with light creasing on the center of the top edge and the left edge from paper clips. United Artists unknown books
1980ref. 103795Beverly Hills CA: United Artists 1980. Vintage US one sheet film poster for the classic 1980 war film. A low budget epic based primarily on director and screenwriter Samuel Fuller's own experiences in the 1st Infantry Division. 27 x 41 inches folded as issued. Fine. United Artists unknown books
1963ref. 171051Glendale CA: Allied Artists 1963. Collection of 27 vintage reference photographs from the 1963 film including four photographs showing proposed advertising material for the film. All but the advertising promos photos have provenance labels on the versos. With a pink mimeograph production sheet laid in showing credits and a brief synopsis. Samuel Fuller's hallucinatory tour-de-force about a Daily Globe journalist who in an attempt to win a Pulitzer Prize has himself institutionalized in an asylum recently implicated in a murder case. 10 x 8 inches. Generally Near Fine with some faint toning to the margins and light curling and studio still photographs with manuscript ink and pencil layout annotations and numeric annotations on the rectos. National Film Registry. Criterion Collection 19. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Spicer US. Grant US. Allied Artists unknown books
1963ref. 163824Glendale CA: Allied Artists 1963. Vintage insert poster for the 1963 film. Samuel Fuller's hallucinatory tour-de-force wherein Daily Globe journalist Johnny Barrett Peter Breck determined to win a Pulitzer Prize has himself institutionalized in an asylum to solve a case where an inmate had recently been murdered. 14 x 36 inches. Very Good plus with three horizontal creases from being previously folded and light edgewear. National Film Registry. Criterion Collection 19. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Spicer US. Grant US. Allied Artists unknown books
1953ref. 171052N.p.: N.p. 1953. Twelve vintage studio still photographs from the 1953 film noir. Provenance labels on the versos and seven with blindstamps on the corners. A pickpocket mistakenly lifts a message meant for enemy agents in a Communist spy scheme. Nominated for an Academy Award. Set and shot on location in New York. 10 x 8 inches. Very Good or better. National Film Registry. Criterion Collection 224. Grant US. Selby Masterwork. Silver Classic Noir. Spicer US. N.p. unknown books
1951ref. 163823N.p.: Lippert Pictures 1951. Vintage insert poster for the 1951 film. Director Samuel Fuller's underrated and influential Korean War film wherein a group of ragtag soldiers battle against overwhelming Communist forces in an abandoned Buddhist Temple. Fuller's first of several war films with probably his most gripping and realistic depictions of life and death on the battlefield. The film was shot in ten days on a budget of $100 000 and dealt with themes of American racism bigotry and war crimes which caused Fuller as well as actor Gene Evans to be a target of an FBI investigation. 14 x 36 inches. Very Good plus. Criterion Collection Eclipse Series 5. Rosenbaum 1000. Selby Master. Spicer US. Lippert Pictures unknown books
1969ref. 163825N.p.: Heritage Enterprises Film 1969. Vintage insert poster for the 1969 film. Based on the 1955 novel "His Bones are Coral" by Victor Canning. Gunrunner Caine Burt Reynolds stranded in a small coastal Sudanese town is enlisted by the attractive Anna Silvia Pinal and her alcoholic partner Doc Arthur Kennedy to dive into shark infested waters for a purported scientific expedition but is actually for sunken treasure. Set in the Sudan on the Red Sea shot on location in Manzanillo Mexico. 14 x 36 inches. Near Fine. Nilsen Warped and Faded. Olive Films. Heritage Enterprises Film unknown books
1964ref. 170562N.p.: N.p. 1964. Collection of 23 vintage reference photographs from the 1964 film. All but one with mimeo snipes affixed to the verso. Director Samuel Fuller's bizarre outrageous and perverse pulp masterwork. A former call girl tries to make good in a new town nursing handicapped children only to fall in love with a seemingly saintly businessman who has a dark secret of his own. Set in the fictional town of Grantville USA. 10 x 8 inches. Generally Near Fine to Fine one Very Good plus with a light crease and short closed tear. Criterion Collection 18. Scorsese A Personal Journey Through American Movies. Spicer US. Silver and Ward US. Grant US. N.p. unknown books
