10,190 results
1976ref. 161103N.p.: N.p. 1976. Four vintage oversize borderless double weight color reference photographs from the 1976 film. Gold labels specific to the film's French release affixed to the rectos as issued. A tomboyish waitress at a truck stop develops a crush on a gay garbage truck driver and in spite of all odds they begin a relationship. Serge Gainsbourg's directorial debut. 11.25 x 9 inches. Pinholes at the corners else about Near Fine. N.p. unknown books
1976ref. 152868N.p.: N.p. 1976. Vintage borderless reference photograph from the 1976 film showing actress Jane Birkin nude on a bathroom floor. A tomboyish waitress at a truck stop develops a crush on a gay garbage truck driver and in spite of all odds they begin a relationship. Serge Gainsbourg's directorial debut. 9 x 6.5 inches. Near Fine. N.p. unknown books
1976ref. 162553Paris: Sygma 1976. Vintage oversize borderless reference photograph from the 1976 film showing Jane Birkin raising her skirt to reveal that she is not wearing underwear. Mimeo snipe and Sygma stamp on the verso. A tomboyish waitress at a truck stop develops a crush on a gay garbage truck driver and in spite of all odds they begin a relationship. Serge Gainsbourg's directorial debut. 8 x 11.75 inches. Very Good plus lightly worn at the corners. Sygma unknown books
1976ref. 160556N.p.: N.p. 1976. Vintage oversize borderless double weight color reference photograph from the 1976 film showing a nude wet Jane Birkin. A tomboyish waitress at a truck stop develops a crush on a gay garbage truck driver and in spite of all odds they begin a relationship. Serge Gainsbourg's directorial debut. 11.25 x 9 inches. With sets of pinholes at the edges else Near Fine. N.p. unknown books
1976ref. 151965Paris: President Films 1976. Vintage borderless reference photograph of Jane Birkin from the 1976 film. "Societe Nationale" stamp on verso. Waitress Johnny works and lives in a truck stop lonely and longing for love. She develops a crush on the garbage truck driver Krassky although her sleazy boss Boris warns her that Krassky is gay. Krassky likes Johnny too perhaps because of her boyish physique. But both of them fail to notice the growing jealousy of Krassky's boyfriend Padovan and trouble sets in. Billy Stevenson of notes in the "A Film Canon" blog: "Serge Gainsbourg directed this film based on his iconic song and it plays as an extended gloss on that song an attempt to visualize what was happening during those infamous sighs and pants . It is a testament to Gainsbourg's commitment to the song and his own status as sexual outlaw that he presents us with a film that's just as confronting and titillating some 30 years later. "Set against a drifting rambling desert backdrop part New Wave part New Hollywood. Johnny and Krassky's attraction is sexually charged and yet it doesn't seem to conform to their sexual proclivities.with an audioverite that makes you wonder whether these scenes might actually involve real sex. In its yearning to experience sex in every conceivable way-as a gay man as a lesbian as a man as a woman as pleasure as pain-the film ends up virtualizing it or at least generalizing it into an undifferentiated sexual access that feels quite incorporeal a clear forerunner to both the Cinema du Look and art porn movements." 6.5 x 9 inches. Near Fine. President Films unknown books
1975ref. 155637N.p.: N.p. 1975. Six vintage borderless reference photographs from the 1975 French sexploitation film including two photographs taken on location. A sexually frustrated executive assistant goes to see a psychologist and recovers his prowess proceeding to embark on a number of erotic adventures with the secretaries at his office. Shot on location in Calvados France. 7 x 9.5 inches. Very Good with light fading to two of the photographs. Bier 807. N.p. unknown
1975ref. 155637N.p.: N.p. 1975. Six vintage borderless reference photographs from the 1975 French sexploitation film including two photographs taken on location. A sexually frustrated executive assistant goes to see a psychologist and recovers his prowess proceeding to embark on a number of erotic adventures with the secretaries at his office. Shot on location in Calvados France. 7 x 9.5 inches. Very Good with light fading to two of the photographs. Bier 807. N.p. unknown books
1976ref. 159153N.p.: N.p. 1976. Seven vintage borderless reference photographs from the 1976 adult film. After being kidnapped a doctor and his lover plan to shoot the pornographic film of their dreams at a remote French chateau. Four photographs 9.5 x 7 inches three photographs 7 x 5 inches. Very Good plus lightly age toned. Bier 849. N.p. unknown books
1998ref. 173117Culver City CA: Columbia Pictures 1998. Two vintage satin-finished studio still photographs from the 1999 film here under alternate title "Hoofbeats." A foal is separated from its mother when it arrives in a German Southwest Africa mining town but is taken in by a orphan boy. Set in German Southwest Africa shot on location in Namibia and Germany. 8 x 10 inches. Fine. Columbia Pictures unknown books
1966ref. 138830Moscow: Mosfilm 1966. Three vintage borderless black-and-white reference photographs from the 1966 French release of the 1964 film. With the archival stamp of the noted cinema historian Maurice Bessy on the verso of each photo. A stunning set of battle scene photos including one three-part panoramic shot demonstrating the massive scale of the film shot on location in Dorogobuzh a region in the Smolensk province of Russia. An epic film over seven hours long and slavishly faithful to Tolstoy's novel that was for many years the most expensive European movie every made. The lengthy graphic battle scenes which killed a number of horses led to the film being boycotted in many American cities. Winner of the Academy Award for Best Foreign Language film. 8 x 10 inches. Near Fine. Mosfilm unknown
1966ref. 138830Moscow: Mosfilm 1966. Three vintage borderless black-and-white reference photographs from the 1966 French release of the 1964 film. With the archival stamp of the noted cinema historian Maurice Bessy on the verso of each photo. A stunning set of battle scene photos including one three-part panoramic shot demonstrating the massive scale of the film shot on location in Dorogobuzh a region in the Smolensk province of Russia. An epic film over seven hours long and slavishly faithful to Tolstoy's novel that was for many years the most expensive European movie every made. The lengthy graphic battle scenes which killed a number of horses led to the film being boycotted in many American cities. Winner of the Academy Award for Best Foreign Language film. 8 x 10 inches. Near Fine. Mosfilm unknown books
1925ref. 168469N.p.: N.p. 1925. Nine reference photographs from the 1925 Soviet silent film seven borderless and two bordered struck and issued by Cinémathèque Française circa 1936. All seven borderless photographs with the stamp of Archives Cinémathèque Française on the verso. A dramatization of a real-life mutiny which occurred on the Russian battleship Potemkin in 1905. The film's violence led to it being banned in West Germany and the UK until 1954 and even after that given an X rating until 1978. It was shown in a much-edited form in East Germany though the US premiere in December 1926 was shown unedited. A written introduction by Leon Trotsky at the beginning of the film was cut from later Soviet prints due to Trotsky running afoul of Stalin. The film's famous sequence showing a massacre by Tsarist soldiers of civilians on the Odessa Steps is considered the first example of a montage sequence in cinema. All photogaphs 5 x 3.5 inches. Generally Near Fine. BFI 1494. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown
1925ref. 168469N.p.: N.p. 1925. Nine reference photographs from the 1925 Soviet silent film seven borderless and two bordered struck and issued by Cinémathèque Française circa 1936. All seven borderless photographs with the stamp of Archives Cinémathèque Française on the verso. A dramatization of a real-life mutiny which occurred on the Russian battleship Potemkin in 1905. The film's violence led to it being banned in West Germany and the UK until 1954 and even after that given an X rating until 1978. It was shown in a much-edited form in East Germany though the US premiere in December 1926 was shown unedited. A written introduction by Leon Trotsky at the beginning of the film was cut from later Soviet prints due to Trotsky running afoul of Stalin. The film's famous sequence showing a massacre by Tsarist soldiers of civilians on the Odessa Steps is considered the first example of a montage sequence in cinema. All photogaphs 5 x 3.5 inches. Generally Near Fine. BFI 1494. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown books
1960ref. 172987London: Contemporary Films 1960. Two vintage reference photographs from the circa 1960s British release of the 1966 film. Both photographs with a Contemporary Films stamp on the versos. One photograph with a mimeo snipe attached to the verso. Based on real historical events Vladamir Lenin is arrested by Austro-Hungarian officials in Poronin at the start of World War I on suspicion of espionage. Nominated for the Palme d'Or. Set in and shot on location in Poland. 8 x 10 inches. Very Good plus. Contemporary Films unknown
1960ref. 172987London: Contemporary Films 1960. Two vintage reference photographs from the circa 1960s British release of the 1966 film. Both photographs with a Contemporary Films stamp on the versos. One photograph with a mimeo snipe attached to the verso. Based on real historical events Vladamir Lenin is arrested by Austro-Hungarian officials in Poronin at the start of World War I on suspicion of espionage. Nominated for the Palme d'Or. Set in and shot on location in Poland. 8 x 10 inches. Very Good plus. Contemporary Films unknown books
1969ref. 152344N.p.: N.p. 1969. Two vintage borderless reference photographs taken on the set of the 1969 Western film one showing director Sergio Corbucci actors Johnny Hallyday and Gastone Moschin and various crew members between shots the other showing Corbucci and Hallyday inspecting a gun. A lone stranger named Hud arrives in a small western town in hopes of avenging his brother who was hanged after being wrongly accused of robbing a bank. The third and final film in Corbucci's "Mud and Blood" trilogy preceded by "Django" and "The Great Silence" in 1968. Shot on location in Italy in the Venetian Prealps the Dolomites and the outskirts of Rome. 9.5 x 7.25 inches. Near Fine. N.p. unknown books
1972ref. 147273Paris: Paris-Cannes Productions 1972. Draft script for the 1972 French-Italian film. With handwritten pagination throughout. A French cosmetologist is robbed and sexually assaulted by a race car driver leading her to seek revenge. Set and shot on location in Seine-Maritime and Essonne France. Black untitled wrappers. Title page present with credits for director SERGIO GOBBI and English translator Patrick LITTLE-LEADER. 135 leaves with last page of text numbered 134. Carbon typescript with a typescript title page rectos only. Pages Very Good with light creasing to the first two leaves wrapper Very Good plus bound with a silver clasp. Paris-Cannes Productions unknown
1972ref. 147273Paris: Paris-Cannes Productions 1972. Draft script for the 1972 French-Italian film. With handwritten pagination throughout. A French cosmetologist is robbed and sexually assaulted by a race car driver leading her to seek revenge. Set and shot on location in Seine-Maritime and Essonne France. Black untitled wrappers. Title page present with credits for director SERGIO GOBBI and English translator Patrick LITTLE-LEADER. 135 leaves with last page of text numbered 134. Carbon typescript with a typescript title page rectos only. Pages Very Good with light creasing to the first two leaves wrapper Very Good plus bound with a silver clasp. Paris-Cannes Productions unknown books
1967ref. 148300N.p.: Produzioni Europee Associate PEA 1967. Collection of eleven vintage black-and-white lobby cards from the French release of the 1967 film. The second in Leone's iconic trilogy "For a Few Dollars More" is another tale of gunslingers revenge double-crossing and robbery. Starring Clint Eastwood as Manco the "man with no name" and Gian Maria Volonte as the ruthless psychopath El Indio. Set in Texas shot on location in Spain and Italy. 10.75 x 8.25 inches. Very Good with pinholes to corners. Alex Cox10000 Ways to Die. Grant Any Gun Can Play p. XXX. Pitts 572. Produzioni Europee Associate [PEA] unknown
1968ref. 168099N.p.: N.p. 1968. Two vintage oversize double weight satin-finish photographs of director Sergio Leone on the set of the 1968 Western film. Stamp of photographer Angelo Novi on the versos. The first installment in Leone's "Once Upon a Time" trilogy and a classic of the Western genre. Shot on location in Mexico Spain Italy and in Arizona and Utah. 8.25 x 10.75 inches one with a wide left margin. Very Good plus slightly wavy. National Film Registry. Pitts 2898. Schrader 49. N.p. unknown
1984ref. 137587Hollywood: The Ladd Company 1984. Original press kit for the 1984 Italian-American film. Included in the press kit are 24 black-and-white still photographs including one photograph of director Sergio Leone biographies of select cast and crew final credits production information and insight into Leone's process. Based on Harry Grey's 1952 novel "The Hoods." David Aaronson De Niro is a former Prohibition-era Jewish gangster who after thirty years of absence returns to Manhattan where he confronts the foibles of his past and the painful truth of his life to date. Actress Jennifer Connelly's film debut and director Leone's final film a film that like his similarly titled 1968 classic "One Upon a Time in the West" remains one of his few American productions. Film stills various sizes. Biographies credits and production information printed on 8 x 10 leaves corner-stapled rectos only. Stills and printed leaves Near Fine house in a Very Good plus full-color 9 x 12 studio single-pocket folder. The Ladd Company unknown
1968ref. 168099N.p.: N.p. 1968. Two vintage oversize double weight satin-finish photographs of director Sergio Leone on the set of the 1968 Western film. Stamp of photographer Angelo Novi on the versos. The first installment in Leone's "Once Upon a Time" trilogy and a classic of the Western genre. Shot on location in Mexico Spain Italy and in Arizona and Utah. 8.25 x 10.75 inches one with a wide left margin. Very Good plus slightly wavy. National Film Registry. Pitts 2898. Schrader 49. N.p. unknown books
1984ref. 137587Hollywood: The Ladd Company 1984. Original press kit for the 1984 Italian-American film. Included in the press kit are 24 black-and-white still photographs including one photograph of director Sergio Leone biographies of select cast and crew final credits production information and insight into Leone's process. Based on Harry Grey's 1952 novel "The Hoods." David Aaronson De Niro is a former Prohibition-era Jewish gangster who after thirty years of absence returns to Manhattan where he confronts the foibles of his past and the painful truth of his life to date. Actress Jennifer Connelly's film debut and director Leone's final film a film that like his similarly titled 1968 classic "One Upon a Time in the West" remains one of his few American productions. Film stills various sizes. Biographies credits and production information printed on 8 x 10 leaves corner-stapled rectos only. Stills and printed leaves Near Fine house in a Very Good plus full-color 9 x 12 studio single-pocket folder. The Ladd Company unknown books
1967ref. 148300N.p.: Produzioni Europee Associate PEA 1967. Collection of eleven vintage black-and-white lobby cards from the French release of the 1967 film. The second in Leone's iconic trilogy "For a Few Dollars More" is another tale of gunslingers revenge double-crossing and robbery. Starring Clint Eastwood as Manco the "man with no name" and Gian Maria Volonte as the ruthless psychopath El Indio. Set in Texas shot on location in Spain and Italy. 10.75 x 8.25 inches. Very Good with pinholes to corners. Alex Cox10000 Ways to Die. Grant Any Gun Can Play p. XXX. Pitts 572. Produzioni Europee Associate [PEA] unknown books
ref. 161096Los Angeles: Tse Tse Fly Productions 2001. Two Final Draft scripts for the 2002 film. Scripts belonging to costume designer Judith Brewer Curtis with her annotations in manuscript ink throughout and housed in her production binder with wardrobe test photographs and ephemera relating to costuming for the film. Binder includes an eight page shooting schedule an eight page continuity breakdown four pages of Curtis' xerographically duplicated costume design sketches and 29 Polaroid wardrobe test shots. An amnesiac wakes up in an asylum for the criminally insane discovering that he has been found guilty of murdering his girlfriend-a crime he does not recall. As his fellow inmates begin showing up dead he begins to wonder if the murder is somehow linked to the asylum's sinister director. Shot on location in Los Angeles. Final Draft no revisions: Title page present undated noted as Final Draft with credits for screenwriters Jeremy Kasten and Rogan Russell Marshall. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Near Fine. Final Draft with revisions: Title page present undated noted as Final Draft with credits for screenwriters Jeremy Kasten and Rogan Russell Marshall. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only with undated blue revision pages throughout. Pages Near Fine. Black three-ring binder Very Good plus with light soil on the extremities. Tse Tse Fly Productions unknown
