11,046 results
1987ref. 163719Burbank CA: Touchstone Pictures 1987. Vintage reference photograph from the 1987 film showing director Barry Levinson talking with actor Robin Williams on the set. A wildly successful war comedy loosely based on the experiences of real-life serviceman Adrian Cronauer about an irreverent Armed Forces Radio Service disc jockey in Saigon. Nominated for an Academy Award for Best Actor for Williams. Shot on location in Bangkok and Phuket Thailand. 10 x 8 inches. Near Fine. Touchstone Pictures unknown books
1987ref. 170992Universal City: Mirage Productions 1987. An early "Rewrite" Draft script for the 1988 film dated fourteen months prior to the beginning of production. An internally duplicated copy in production company wrappers with copied hole punches as issued and copied annotations on 37 pages. A selfish yuppie learns that the inheritance he expected to gain after his father's passing has instead gone to his estranged brother an autistic savant. Nominated for eight Academy Awards and winning four including Best Director Best Screenplay and Best Director. Set in Los Angeles Las Vegas and Cincinnati shot on location in various locations throughout Ohio Nevada Kentucky Indiana Oklahoma and California. Blue untitled Mirage Production wrappers. Title page present dated February 24 1987 noted as Rewrite with credits for screenwriter Ronald Bass. 151 leaves with last page of text numbered 134. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Mirage Productions unknown books
1981ref. 152195Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1981. Final Draft script for the 1982 film. Copy belonging to an unknown crew member with their name in manuscript pencil to the top right corner of the front wrapper. A coming-of-age tale set in 1959 following a group of four friends in their early twenties struggling to adapt to life as adults. Set and shot on location in Baltimore. Goldenrod titled wrappers noted as FINAL DRAFT on the front wrapper rubber-stamped copy No. 156 dated January 12 1981 with credits for director and screenwriter Barry Levinson. Title page present with credits for director and screenwriter Barry Levinson. 124 leaves with last page of text numbered 116. Xerographic duplication rectos only with blue revision pages throughout dated 2/23/81. Pages Near Fine wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
1964ref. 162031N.p.: N.p. 1964. Four vintage studio still photographs from the 1964 film. Three photographs with provenance stamps on the versos. A woman travels to Manhattan seeking to become a nude model. Shot on location in New York City. 8 x 10 inches. Very Good plus. N.p. unknown
1967ref. 162187N.p.: Barry Mahon Production 1967. Three vintage studio still photographs from the 1967 film. Two of the photographs with provenance stamps on the versos one with a label on the verso obscuring a previous provenance stamp. After being raped Laura runs away from home to Los Angeles to live with her drug dealing aunt and joins a call-girl racket where she discovers a dangerous secret about her boss. 8 x 10 inches. Very Good two with pinholes one with a crease to the lower right and one with a small bruise to the center. Barry Mahon Production unknown
1960ref. 167563New Orleans: Mardi Gras Films 1960. Vintage studio still photograph from the 1961 film. The mistress of a Louisiana plantation raises her brother from the dead in a voodoo rite planning to use him to maintain control over the property. A Z-budget regional horror film shot on location in New Orleans and produced by Mardi Gras Films an independent studio that only financed one other movie-"Face of Fire" in 1959. Considered lost for many years the film was rediscovered and released on Blu-ray by Severin in 2023. 10 x 8 inches. Near Fine. Mardi Gras Films unknown
1970ref. 161892N.p.: Cinetron 1970. Vintage studio still photograph from the 1970 film. Provenance stamp on the verso. A white slavery ship travels through Asian waters searching for clients and captors. Shot on location in Miami Florida. 8 x 10 inches. Light edgewear and a red wax pencil annotation to the bottom right margin else Near Fine. Cinetron unknown
1963ref. 162466N.p.: Cinema Syndicate 1963. Vintage studio still photograph from the 1963 film. Provenance stamp on the verso. A "nudie cutie" from exploitation director Barry Mahon. An art dealer is attempting to create a scandalous art exhibition on the subject of the female form and asks local artists for paintings of nude women. Shot on location in New York City. 8 x 10 inches. Very Good with an opaque residue from a remove label over the actress' breast on the recto. Cinema Syndicate unknown books
1970ref. 161892N.p.: Cinetron 1970. Vintage studio still photograph from the 1970 film. Provenance stamp on the verso. A white slavery ship travels through Asian waters searching for clients and captors. Shot on location in Miami Florida. 8 x 10 inches. Light edgewear and a red wax pencil annotation to the bottom right margin else Near Fine. Cinetron unknown books
1964ref. 162031N.p.: N.p. 1964. Four vintage studio still photographs from the 1964 film. Three photographs with provenance stamps on the versos. A woman travels to Manhattan seeking to become a nude model. Shot on location in New York City. 8 x 10 inches. Very Good plus. N.p. unknown books
1967ref. 162187N.p.: Barry Mahon Production 1967. Three vintage studio still photographs from the 1967 film. Two of the photographs with provenance stamps on the versos one with a label on the verso obscuring a previous provenance stamp. After being raped Laura runs away from home to Los Angeles to live with her drug dealing aunt and joins a call-girl racket where she discovers a dangerous secret about her boss. 8 x 10 inches. Very Good two with pinholes one with a crease to the lower right and one with a small bruise to the center. Barry Mahon Production unknown books
1960ref. 167563New Orleans: Mardi Gras Films 1960. Vintage studio still photograph from the 1961 film. The mistress of a Louisiana plantation raises her brother from the dead in a voodoo rite planning to use him to maintain control over the property. A Z-budget regional horror film shot on location in New Orleans and produced by Mardi Gras Films an independent studio that only financed one other movie-"Face of Fire" in 1959. Considered lost for many years the film was rediscovered and released on Blu-ray by Severin in 2023. 10 x 8 inches. Near Fine. Mardi Gras Films unknown books
ref. 141931N.p.: N.p. Draft script for an unproduced film. After her father loses his grip on reality and murders his wife Annie is picked up and taken in by her aunt and soon falls for a pony rider in the local fair. Set in the American Southeast. Brown titled wrappers. Title page present with credits for screenwriter Barry Schneider. 119 leaves with last page of text numbered 116. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
ref. 141931N.p.: N.p. Draft script for an unproduced film. After her father loses his grip on reality and murders his wife Annie is picked up and taken in by her aunt and soon falls for a pony rider in the local fair. Set in the American Southeast. Brown titled wrappers. Title page present with credits for screenwriter Barry Schneider. 119 leaves with last page of text numbered 116. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown books
1972ref. 150797Beverly Hills CA: United Artists 1972. Seven vintage color studio still photographs from the 1972 film including five mounted as issued by the distributor on a presentation card. Based on the 1970 novel by Wally Ferris about two New York City cops who become involved in a bloody struggle between the Italian mob the Harlem mob and a pair of small-time crooks who have stolen thousands of dollars from both groups. Due to its setting in Harlem this underrated crime drama is often lumped with other Blaxploitation pictures of the era when in truth it belongs to the great pantheon of gritty violent police procedurals of the early 1970s-something of a New York City companion to Don Siegel's "Dirty Harry" released the year before. Set in Harlem shot on location in New York City. Cards 10 x 8 inches. Presentation card 14 x 11 inches. Color studio still photographs and presentation cards Very Good plus. Grant US. Parish and Hill 3. Spicer US Neo-Noir. Howard Blaxploitation Cinema p. 68 83-84. United Artists unknown
1972ref. 150797Beverly Hills CA: United Artists 1972. Seven vintage color studio still photographs from the 1972 film including five mounted as issued by the distributor on a presentation card. Based on the 1970 novel by Wally Ferris about two New York City cops who become involved in a bloody struggle between the Italian mob the Harlem mob and a pair of small-time crooks who have stolen thousands of dollars from both groups. Due to its setting in Harlem this underrated crime drama is often lumped with other Blaxploitation pictures of the era when in truth it belongs to the great pantheon of gritty violent police procedurals of the early 1970s-something of a New York City companion to Don Siegel's "Dirty Harry" released the year before. Set in Harlem shot on location in New York City. Cards 10 x 8 inches. Presentation card 14 x 11 inches. Color studio still photographs and presentation cards Very Good plus. Grant US. Parish and Hill 3. Spicer US Neo-Noir. Howard Blaxploitation Cinema p. 68 83-84. United Artists unknown books
1975ref. 164090Beverly Hills CA: Bryanston Pictures 1975. Vintage 45 RPM vinyl record of two radio spot announcements for the 1975 film. A satirical crime film written and directed by legendary controversial animator Ralph Bakshi blending live action and animation about three anthropomorphic "Uncle Remus" characters-Br'er Rabbit Br'er Fox and Br'er Bear-who rise to the top of a crime syndicate in Harlem. Originally subjected to widespread protest due to its provocative racial content and subsequently given a limited release by Bryanston the film has since been reevaluated and is today considered Bakshi's masterpiece. 7 inches. Near Mint in a Mint white paper sleeve. Parish and Hill Black Crime Films. Howard Blaxploitation: The Essential Reference Guide. Bryanston Pictures unknown
1975ref. 164090Beverly Hills CA: Bryanston Pictures 1975. Vintage 45 RPM vinyl record of two radio spot announcements for the 1975 film. A satirical crime film written and directed by legendary controversial animator Ralph Bakshi blending live action and animation about three anthropomorphic "Uncle Remus" characters-Br'er Rabbit Br'er Fox and Br'er Bear-who rise to the top of a crime syndicate in Harlem. Originally subjected to widespread protest due to its provocative racial content and subsequently given a limited release by Bryanston the film has since been reevaluated and is today considered Bakshi's masterpiece. 7 inches. Near Mint in a Mint white paper sleeve. Parish and Hill Black Crime Films. Howard Blaxploitation: The Essential Reference Guide. Bryanston Pictures unknown books
1962ref. 145348United Kingdom: Pinewood Studios / American International Pictures AIP 1962. Shooting script for the 1963 film. Copy from the StudioCanal archives with a letter of provenance laid in. Based on the simultaneously-published novel "The Mindbenders" by screenwriter James Kennaway about a professor brainwashes himself to stop loving his wife in an attempt to clear the name of a colleague suspected to be a Russian double agent who killed himself after undergoing similar experiments. Released in the US as a double feature with "Operation Bikini." Shot on location in England. Tall blue titled wrappers noted as SHOOTING SCRIPT dated March 1962. Title page present dated 26.3.62 noted as SHOOTING SCRIPT with credits for screenwriter James Kennaway. 108 leaves with last page of text numbered 107. Mimeograph duplication rectos only. Pages Fine wrapper Fine internal prong binding. Pinewood Studios / American International Pictures [AIP] unknown
1953ref. 146324London: Ealing Studios 1953. Second Draft script for the 1953 film here under the working title "Newmarket Heath." A former champion jockey who was discovered accepting bribes and subsequently banned from jockeying decides to train a young man to become his racing successor. Set and shot on location in England. Tall tan titled wrappers noted as Second Draft Script on the front wrapper dated 1st May 1953. Title page present dated 1st May 1953 noted as SECOND DRAFT SCRIPT. 131 leaves with last page of text numbered 130. Mimeograph duplication on lavender stock rectos only. Pages Near Fine wrapper Very Good plus bound with two silver brads. Ealing Studios unknown
1962ref. 145348United Kingdom: Pinewood Studios / American International Pictures AIP 1962. Shooting script for the 1963 film. Copy from the StudioCanal archives with a letter of provenance laid in. Based on the simultaneously-published novel "The Mindbenders" by screenwriter James Kennaway about a professor brainwashes himself to stop loving his wife in an attempt to clear the name of a colleague suspected to be a Russian double agent who killed himself after undergoing similar experiments. Released in the US as a double feature with "Operation Bikini." Shot on location in England. Tall blue titled wrappers noted as SHOOTING SCRIPT dated March 1962. Title page present dated 26.3.62 noted as SHOOTING SCRIPT with credits for screenwriter James Kennaway. 108 leaves with last page of text numbered 107. Mimeograph duplication rectos only. Pages Fine wrapper Fine internal prong binding. Pinewood Studios / American International Pictures [AIP] unknown books
1953ref. 146324London: Ealing Studios 1953. Second Draft script for the 1953 film here under the working title "Newmarket Heath." A former champion jockey who was discovered accepting bribes and subsequently banned from jockeying decides to train a young man to become his racing successor. Set and shot on location in England. Tall tan titled wrappers noted as Second Draft Script on the front wrapper dated 1st May 1953. Title page present dated 1st May 1953 noted as SECOND DRAFT SCRIPT. 131 leaves with last page of text numbered 130. Mimeograph duplication on lavender stock rectos only. Pages Near Fine wrapper Very Good plus bound with two silver brads. Ealing Studios unknown books
1987ref. 147105Arzo Switzerland: Al Castello 1987. Draft script for the 1987 film. Text in German. A romance develops between a German actor and a Japanese student. Director Beat Kuert was best known for "Eine Frau fur Alfie" 1989 and for a documentary series focusing on contemporary architects including Herzog and de Meuron Jean Nouvel and Luigi Snozzi. Set and shot on location in Zurich and Cantone Ticino Switzerland and Kyoto and Osaka Japan. Clear mylar front wrapper black rear wrapper. Title page present with credits for screenwriter ADOLF MUSCHG. 74 leaves with last page of text numbered 73. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with perfect binding. Al Castello unknown
1987ref. 147105Arzo Switzerland: Al Castello 1987. Draft script for the 1987 film. Text in German. A romance develops between a German actor and a Japanese student. Director Beat Kuert was best known for "Eine Frau fur Alfie" 1989 and for a documentary series focusing on contemporary architects including Herzog and de Meuron Jean Nouvel and Luigi Snozzi. Set and shot on location in Zurich and Cantone Ticino Switzerland and Kyoto and Osaka Japan. Clear mylar front wrapper black rear wrapper. Title page present with credits for screenwriter ADOLF MUSCHG. 74 leaves with last page of text numbered 73. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with perfect binding. Al Castello unknown books
1972ref. 161480New York: Norman Rosemont Productions 1972. Draft script for the 1973 television movie originally aired on April 24 1973 on ABC. Production memo and seven-page shooting schedule laid in. An American officer is sentenced to permanent exile from his homeland after being court-martialed for conspiring to attack and annex Mexico with Aaron Burr. Shot on location in Newport Rhode Island in Niagara New York and in Mystic Connecticut. Mustard titled Studio Duplicating Service wrappers. Title page present dated August 14 1972 with credit for screenwriter Sidney Carroll. 92 leaves with last page of text numbered 88. Xerographic duplication rectos only with undated blue revision pages throughout. Pages Very Good plus wrapper Very Good plus moderately edgeworn with splashes affecting the final ten leaves and rear wrapper bound with two gold brads. Norman Rosemont Productions unknown
