Werner Herzog (director, screenwriter); Klaus Kinski, Isabelle Adjani, Bruno Ganz (starring)Biblio.com
10,264 results
1979ref. 139657Vienna: Werner Herzog Filmproduktion 1979. Vintage borderless reference still from the 1979 German film showing director Werner Herzog and actor Bruno Ganz along with some extras on the set between takes. Herzog's highly interpretive remake of F.W. Murnau's 1922 silent classic "Nosferatu" and the second of five films Herzog made with actor Klaus Kinski. 9.25 x 7 inches. Fine. Werner Herzog Filmproduktion unknown
1979ref. 163316N.p.: N.p. 1979. Vintage borderless reference photograph of Werner Herzog directing actress Isabelle Adjani on the set of the 1979 film. Stamp of photographer Michael Ciment on the verso. Based on F.W. Murnau's 1922 film. The third collaboration between Herzog and the infamously ill-tempered Klaus Kinski who starred as Count Dracula. Herzog lauded Murnau's classic horror tale as the greatest picture Germany every produced and fittingly many shots from Herzog's adaptation directly replicate shots from the 1922 film. Shot on location in Mexico the Czech Republic the Netherlands and Germany. 9.5 x 7 inches. Near Fine. BFI 2030. Ebert IV. N.p. unknown books
1979ref. 151554Los Angeles: Twentieth Century-Fox 1979. Vintage press kit for the 1979 film. Full-color illustrated pocketed outer folder containing 13 black and white photographs housed in a brown paper envelope and 13 gatherings of promotional reading material. Based on F.W. Murnau's 1922 film. The third collaboration between director Werner Herzog and the infamously ill-tempered Klaus Kinski who starred as Count Dracula. Herzog lauded Murnau's classic horror tale as the greatest picture Germany every produced and fittingly many shots from Herzog's adaptation directly replicate shots from the 1922 film. Shot on location in Mexico the Czech Republic the Netherlands and Germany. Folder photographs and promotional material Near Fine. BFI 2030. Ebert IV. Twentieth Century-Fox unknown books
1979ref. 132250New York: New Yorker Films 1979. Original US promotional window poster for the 1979 German film issued in small numbers by New Yorker Films who distributed Herzog's film in the US. From the collection of noted film historian Amos Vogel. Full provenance available. 11 x 17 inches folded as issued. Near Fine. New Yorker Films unknown books
1982ref. 159844N.p.: N.p. 1982. Four vintage reference photographs from the set of the 1982 film including three borderless and one bordered. One with a snipe on the verso crediting photographer Maureen Gosling and three with the printed labels of Photofest. Early twentieth century rubber baron Brian Sweeney Fitzgerald funds his dream to build an opera house in the Peruvian Amazon by hauling a huge river boat laden with rubber across a mountain. Werner Herzog's astonishing outrageous and downright insane masterpiece the subject of Les Blank's remarkable documentary "Burden of Dreams" 1982. Set and shot on location in Peru and Brazil. Three photographs 9.5 x 7 inches one photograph 10 x 8 inches. One with a tiny splash at the top right corner else Fine. BFI 2032. Ebert III. N.p. unknown books
1982ref. 152423N.p.: N.p. 1982. Vintage borderless reference photograph of director Werner Herzog with actors Klaus Kinski Grande Otelo and Miguel Angel Fuentes on the set of the 1982 film. With manuscript ink and pencil annotations on the verso. Early twentieth century rubber baron Brian Sweeney Fitzgerald funds his dream to build an opera house in the Peruvian Amazon by hauling a huge river boat laden with rubber across a mountain. Werner Herzog's astonishing outrageous and downright insane masterpiece the subject of Les Blank's remarkable documentary "Burden of Dreams" 1982. Set and shot on location in Peru and Brazil. 9.5 x 7 inches. Near Fine. BFI 2032. Ebert III. N.p. unknown books
1982ref. 146134Vienna: Werner Herzog Filmproduktion 1982. Vintage borderless studio photograph of Werner Herzog Klaus Kinski and Claudia Cardinale on the set of the 1982 film. Francois Frederic stamp on the verso. Herzog's brilliant bold and audacious "Fitzcarraldo" the story of the early 20th century rubber baron Brian Sweeney Fitzgerald the ever manic Kinski intent on building an opera house in the Peruvian Amazon and on transporting a 320 ton steamer over a mountain to access a rich rubber territory. Herzog's production being every bit as unrestrained and preposterous as the story he was filming. An astonishing and insane masterpiece whose outrageous production was documented by director Les Blank in his remarkable documentary "Burden of Dreams" 1982. Winner of Best Director and nominated for the Palme d'Or at the 1982 Cannes Film Festival. Set in Peru shot on location in Peru and Brazil. 9.5 x 7 inches. Near Fine. Ebert III. BFI 2032. Werner Herzog Filmproduktion unknown books
1979ref. 139657Vienna: Werner Herzog Filmproduktion 1979. Vintage borderless reference still from the 1979 German film showing director Werner Herzog and actor Bruno Ganz along with some extras on the set between takes. Herzog's highly interpretive remake of F.W. Murnau's 1922 silent classic "Nosferatu" and the second of five films Herzog made with actor Klaus Kinski. 9.25 x 7 inches. Fine. Werner Herzog Filmproduktion unknown books
1953ref. 156166N.p.: Neue Filmverleih 1953. Vintage program for the 1953 West German film. Text and titles in German. While suffering from voice problems a famous singer hires a street singer to record songs in his place. 7.25 x 10.5 inches. Bi-fold. About Near Fine. Neue Filmverleih unknown books
ref. 163863Los Angeles: Gracie Films 1994. Revised Shooting Draft script for the 1996 film. Single annotation in manuscript pencil on the rear wrapper verso. Wes Anderson's feature film directorial debut cowritten with actor Owen Wilson about three friends who plan a heist in the southwestern suburbs. Based on Anderson's 1992 short film of the same title whose success at the 1994 Sundance Film Festival persuaded filmmaker James L. Brooks to finance a full-length version of the film. Shot on location in Dallas Fort Worth and Hillsboro Texas and at the Camarillo State Mental Hospital in Camarillo California. White generic Gracie Films wrappers. Title page present dated September 20 1994 noted as Shooting Draft and credits for Anderson and Wilson. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages about Fine wrapper Near Fine bound with two gold brads. Gracie Films unknown
1996ref. 162508Culver City CA: Columbia Pictures 1996. Vintage studio still photograph of director Wes Anderson on the set of the 1996 film. Anderson's feature film directorial debut cowritten with actor Owen Wilson about three friends who plan a heist in the southwestern suburbs. Based on Anderson's 1992 short film of the same title whose success at the 1994 Sundance Film Festival persuaded filmmaker James L. Brooks to finance a full-length version of the film. Shot on location in Dallas Fort Worth and Hillsboro Texas and at the Camarillo State Mental Hospital in Camarillo California. 8 x 10 inches. Lightly toned else Near Fine. Columbia Pictures unknown
1996ref. 162508Culver City CA: Columbia Pictures 1996. Vintage studio still photograph of director Wes Anderson on the set of the 1996 film. Anderson's feature film directorial debut cowritten with actor Owen Wilson about three friends who plan a heist in the southwestern suburbs. Based on Anderson's 1992 short film of the same title whose success at the 1994 Sundance Film Festival persuaded filmmaker James L. Brooks to finance a full-length version of the film. Shot on location in Dallas Fort Worth and Hillsboro Texas and at the Camarillo State Mental Hospital in Camarillo California. 8 x 10 inches. Lightly toned else Near Fine. Columbia Pictures unknown books
ref. 163863Los Angeles: Gracie Films 1994. Revised Shooting Draft script for the 1996 film. Single annotation in manuscript pencil on the rear wrapper verso. Wes Anderson's feature film directorial debut cowritten with actor Owen Wilson about three friends who plan a heist in the southwestern suburbs. Based on Anderson's 1992 short film of the same title whose success at the 1994 Sundance Film Festival persuaded filmmaker James L. Brooks to finance a full-length version of the film. Shot on location in Dallas Fort Worth and Hillsboro Texas and at the Camarillo State Mental Hospital in Camarillo California. White generic Gracie Films wrappers. Title page present dated September 20 1994 noted as Shooting Draft and credits for Anderson and Wilson. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages about Fine wrapper Near Fine bound with two gold brads. Gracie Films unknown books
1970ref. 139895N.p.: American International Pictures AIP 1970. Vintage studio still photograph from the 1970 film. With an American International Pictures stamp to the verso alongside a cello-taped mimeograph snipe. Featuring a "black militant" being forcibly removed from the room by actor Larry Hagman while Harlene Jones and Judy Pace look on. A lighthearted comedy and a movie that probably could not be made today in which Wes Stern fails out of college attempts suicide only to be saved against his will by university president Larry Hagman who flunked him. In grumpy retaliation Stern decides to bed the three women most important to the president: his mistress his wife and his daughter. Set against the backdrop of Civil Rights campus upheaval. Shot on location in New Mexico. 8 x 10 inches. Near Fine. American International Pictures [AIP] unknown books
1954ref. 147878Los Angeles: Twentieth Century-Fox 1954. Three vintage proof photographs from the 1954 film. A woman finds herself implicated in a stagecoach robbery due to her father's notoriety as a famed outlaw. Shot on location in Utah and Arizona. 10 x 8 inches with two images 4.5 x 3.5 inches and one image 2.25 x 2 inches. Very Good plus. Pitts 2963. Twentieth Century-Fox unknown
1954ref. 147878Los Angeles: Twentieth Century-Fox 1954. Three vintage proof photographs from the 1954 film. A woman finds herself implicated in a stagecoach robbery due to her father's notoriety as a famed outlaw. Shot on location in Utah and Arizona. 10 x 8 inches with two images 4.5 x 3.5 inches and one image 2.25 x 2 inches. Very Good plus. Pitts 2963. Twentieth Century-Fox unknown books
1939ref. 167664Hollywood: Paramount Pictures 1939. Vintage reference photograph taken on the set of the 1939 film showing actors Marion Martin Fred MacMurray and Irene Dunne listening while director Wesley Ruggles describes a scene with a script supervisor intently taking notes on the right. Mimeo snipe on the verso. A boxer from the lower class successfully romances a wealthy patron's daughter though their courtship is plagued by his devotion to the sport. 8 x 10 inches. Near Fine. Paramount Pictures unknown
1940ref. 150548N.p.: N.p. 1940. Vintage reference photographs of director Wesley Ruggles on the set of the 1940 film by photographer Irving Lippman. Mimeo snipe and photographer "Irving Lippman" stamp on verso. Based on the 1919 play by W. Somerset Maugham which was based on the 1864 poem "Enoch Arden" by Alfred Tennyson. Soon after presumed window Vicky Jean Arthur marries her late husband's friend and business partner Henry Melvyn Douglas her first presumed dead husband Bill Fred MacMurray shows back up and now she's got one too many. Nominated for an Academy Award. 10 x 8 inches. Near Fine. Byrge and Miller The Screwball Comedy Films A History and Filmography 1934-1942. N.p. unknown
1939ref. 167664Hollywood: Paramount Pictures 1939. Vintage reference photograph taken on the set of the 1939 film showing actors Marion Martin Fred MacMurray and Irene Dunne listening while director Wesley Ruggles describes a scene with a script supervisor intently taking notes on the right. Mimeo snipe on the verso. A boxer from the lower class successfully romances a wealthy patron's daughter though their courtship is plagued by his devotion to the sport. 8 x 10 inches. Near Fine. Paramount Pictures unknown books
1940ref. 150548N.p.: N.p. 1940. Vintage reference photographs of director Wesley Ruggles on the set of the 1940 film by photographer Irving Lippman. Mimeo snipe and photographer "Irving Lippman" stamp on verso. Based on the 1919 play by W. Somerset Maugham which was based on the 1864 poem "Enoch Arden" by Alfred Tennyson. Soon after presumed window Vicky Jean Arthur marries her late husband's friend and business partner Henry Melvyn Douglas her first presumed dead husband Bill Fred MacMurray shows back up and now she's got one too many. Nominated for an Academy Award. 10 x 8 inches. Near Fine. Byrge and Miller The Screwball Comedy Films A History and Filmography 1934-1942. N.p. unknown books
1996ref. 155767Burbank CA: New Line Cinema 1996. Revised Draft script for the 1998 film copy belonging to Master Lead Painter Charlie Palazzo with the annotations in manuscript ink of "Charli P. / Print Dept." and copy number "301" on the front wrapper. "Blue Rev.1" script on blue paper dated 12/11/96 with copy number "707" in manuscript ink on the top right corner of the title page. Based on the Marvel Comics character created by Marv Wolfman and Gene Colan. Followed by two sequels "Blade II" 2002 directed by Guillermo del Toro and "Blade: Trinity" 2004 directed by screenwriter David S. Goyer all starring Wesley Snipes. Snipes stars as the Dhampir Blade a half-man half-vampire protecting the human race from evil vampires. The beginning of Marvel Comic's success in film adaptations which still continues unabatedly two and a half decades later. Set in and shot on location in Long Beach Death Valley and Los Angeles California and London Moscow and Vancouver. White titled self wrappers noted as Production Draft on the front wrapper dated 9/19/96 with credits for screenwriter David S. Goyer. Title page present dated 12/11/96 noted as "Blue Rev. 1" with credits for screenwriter David S. Goyer. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. New Line Cinema unknown
1996ref. 155767Burbank CA: New Line Cinema 1996. Revised Draft script for the 1998 film copy belonging to Master Lead Painter Charlie Palazzo with the annotations in manuscript ink of "Charli P. / Print Dept." and copy number "301" on the front wrapper. "Blue Rev.1" script on blue paper dated 12/11/96 with copy number "707" in manuscript ink on the top right corner of the title page. Based on the Marvel Comics character created by Marv Wolfman and Gene Colan. Followed by two sequels "Blade II" 2002 directed by Guillermo del Toro and "Blade: Trinity" 2004 directed by screenwriter David S. Goyer all starring Wesley Snipes. Snipes stars as the Dhampir Blade a half-man half-vampire protecting the human race from evil vampires. The beginning of Marvel Comic's success in film adaptations which still continues unabatedly two and a half decades later. Set in and shot on location in Long Beach Death Valley and Los Angeles California and London Moscow and Vancouver. White titled self wrappers noted as Production Draft on the front wrapper dated 9/19/96 with credits for screenwriter David S. Goyer. Title page present dated 12/11/96 noted as "Blue Rev. 1" with credits for screenwriter David S. Goyer. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. New Line Cinema unknown books
1967ref. 162241N.p.: Crescent International 1967. Vintage studio still photograph from the 1967 film. Provenance stamp on the verso. A policeman's wife becomes hooked on heroin and begins secretly working at the dreaded "Club Lesbo" a sex club patronized and run by gangsters. Shot on location in Dallas Texas. 8 x 10 inches. Very Good with slight waviness pinholes and light soiling. Crescent International unknown books
1996ref. 160285Burbank CA: Buena Vista 1996. Shooting Draft script for the 1996 film with rainbow revisions. Copy belonging to Production Coordinator Shelley Houis with her name in manuscript ink on the title page. Script housed in a blue three-ring binder with approximately 100 pages of production documents including in addition to the script cast and crew contact lists filming permits location lists and shooting schedules. Loosely based on the 1979 French film directed by René Gainville in turn based on Jenaro Prieto's 1928 novel. After years of struggling to succeed as a Black woman on Wall Street an ambitious businesswoman decides to start her own investment firm in the name of a fictitious white man Robert Cutty. The ruse begins to break down however when associates and clients begin to demand to meet with Cutty in person. Set and shot on location in New York. Title page present dated 02/15/96 with credit for screenwriter Nick Thiel. 157 leaves with last page of text numbered 131. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 11/20/95 and 02/15/96. Pages about Fine binder Very Good plus lightly foxed. Buena Vista unknown books
1958ref. 153191Universal City: Universal 1958. Vintage photograph from the 1958 horror film. When an ancient box is unburied and opened the head of a man executed for sorcery 400 years earlier comes to life and begins telepathically controlling people in an attempt to reunite with his body and regain his full power. 10 x 8 inches. Light diagonal creasing to the corners else Near Fine. Universal unknown
