9,121 results
1970ref. 138039Beverly Hills CA: Levy-Gardner-Laven Productions 1970. Draft script for an unproduced film called "The Time and the Place" written by William Norton. A story set in Morocco during WWII about a Russian who smuggles guns and plans to sell them to a licensed arms dealer. Tan titled wrappers. Title page present undated with a credit for screenwriter Norton. Last leaf of text numbered 134. Xerographic duplication with photocopied hole punches. Pages and wrapper Near Fine bound internally with three silver brads. Levy-Gardner-Laven Productions unknown books
1970ref. 138039Beverly Hills CA: Levy-Gardner-Laven Productions 1970. Draft script for an unproduced film. With manuscript ink annotation on front wrapper indicating the title. A story set in Morocco during WWII about a Russian who smuggles guns and plans to sell them to a licensed arms dealer. Tan untitled studio wrappers. Title page present with credits for screenwriter William Norton. 130 leaves with last page of text numbered 134. Xerographic duplication rectos only with undated revision pages throughout. Pages Near Fine wrapper Near Fine internally bound with three silver brads. Levy-Gardner-Laven Productions unknown
ref. 146946N.p.: N.p. Unknown. Draft script for an unproduced film. Saloon owner and brothel madam "Ladyfingers" Lindsey strikes out on a hunt for hidden Japanese gold in the Philippines with help from her one-time beau and a posse of gunslingers. Screenwriter Robert Vincent O'Neil was best known for "The Baltimore Bullet" 1980 as well as a string of erotic thrillers during the 1980s including "Vice Squad" 1982 "Deadly Force" 1983 and "Angel" 1984. Set in Manila and Corregidor Island. Brown titled wrappers. Title page present with credits for screenwriters William Mercer and Robert V. O'Neil. 121 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good lightly dampstained bound internally with three gold brads. N.p. unknown
1937ref. 165558Universal City: Universal Pictures 1937. Vintage photograph of actor William Lundigan enjoying a cup of coffee between takes on the set of the 1937 film. Printed mimeo snipe provenance stamp and the stamp of photographer Ed Jones on the verso. A small town reporter ends up in jail after attempting to pressure a notorious gangster's girlfriend into an interview. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Neat pinholes at each corner else about Near Fine. Universal Pictures unknown
1964ref. 161853N.p.: S.F. Film Distributors 1964. Vintage studio still photograph of Margaret Nolan from the US release of the 1964 British film. With provenance stamps on the verso. Vicki and Vera take their friend Carol on a tour around Windsor before introducing her to their nudist club. Shot on location in Windsor England. 8 x 10 inches. Near Fine. S.F. Film Distributors unknown
1970ref. 141278N.p.: N.p. 1970. Treatment script for an unproduced film. Laid in is a page from the "Independent Trade Reviews." While on their honeymoon a sailor and his Japanese wife get into an altercation with a drunk. Police intervene resulting in the wife being shot and the man sent to prison. Set in San Francisco. Gray titled wrappers. Title page present with credit for screenwriter William Kozlenko. 54 leaves with last leaf of text numbered 53. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. N.p. unknown
1966ref. 149378N.p.: Delpire 1966. Collection of three vintage borderless reference photographs from the 1966 film. Both with the stamp of Tele-Magazine on the verso. An anarchic satire of the fashion industry directed by a true insider Vogue magazine's longtime fashion photographer William Klein. Dorothy McGowan in her first and only film appearance stars as young model Polly Maggoo who becomes the subject of a television documentary news episode over the course of Paris Fashion Week. Set and shot on location in Paris. One photograph 10 x 8 inches two photographs 10 x 7.5 inches. Near Fine. Delpire unknown books
1967ref. 149499London: Contemporary Films 1967. Collection of eight vintage reference photographs from the UK release of the 1967 French anthology film. With printed mimeo snipes in English affixed to the verso. Also included with the set is a two-page mimeographically duplicated press pamphlet in English. An anti-war anthology documentary film by seven prominent French directors expressing support for the North Vietnamese army during the Vietnam War. Shot in New York City. 10 x 8 inches. Very Good or better. Contemporary Films unknown books
1967ref. 149499London: Contemporary Films 1967. Eight vintage reference photographs from the UK release of the 1967 French anthology film. With printed mimeo snipes in English affixed to the verso. Also included with the set is a two-page mimeographally duplicated press pamphlet in English. An anti-war anthology documentary film by seven prominent French directors expressing support for the North Vietnamese army during the Vietnam War. Shot in New York City. 10 x 8 inches. Very Good or better. Contemporary Films unknown
1968ref. 156346N.p.: N.p. 1968. Four vintage studio still photographs from the 1968 French film showing director William Klein with actors Delphine Seyrig Philippe Noiret and other cast members between takes. Provenance stamps on the versos. A satire of superhero films and American imperialism following the adventures of the eponymous Mr. Freedom a beer-swilling white nationalist cop who moonlights as an anticommunist vigilante superhero. William Klein's second film following "Who Are You Polly Maggoo" 1966. 10 x 8 inches. Near Fine. Criterion Collection. Rosenbaum 1000. N.p. unknown
1968ref. 153886N.p.: N.p. 1968. Vintage borderless reference photograph taken on the set of the 1968 French film showing director William Klein with actors Delphine Seyrig Philippe Noiret and other cast members between takes. Manuscript ink annotations to the verso noting the film's title along with stamps noting "PM 1020" and "1968". A satire of superhero films and American imperialism following the adventures of the eponymous Mr. Freedom a beer-swilling white nationalist cop who moonlights as an anticommunist vigilante superhero. Klein's second film following "Who Are You Polly Maggoo" 1966. 3.5 x 5 inches. Near Fine. Criterion Collection. Rosenbaum 1000. N.p. unknown
1968ref. 168093N.p.: N.p. 1968. Vintage oversize borderless reference photograph taken on the set of the 1968 film showing director William Klein talking with Serge Gainsbourg who appears in a cameo in the film. Annotations in manuscript ink and pencil on the verso. A satire of superhero films and American imperialism following the adventures of the eponymous Mr. Freedom a beer-swilling white nationalist cop who moonlights as an anticommunist vigilante superhero. Klein's second film following "Who Are You Polly Maggoo" 1966. 7.75 x 10.5 inches. Near Fine. Criterion Collection. Rosenbaum 1000. N.p. unknown
1966ref. 149378N.p.: Delpire 1966. Three vintage borderless reference photographs from the 1966 film. With the stamp of Tele-Magazine on the verso. An anarchic satire of the fashion industry directed by a true insider "Vogue" magazine's longtime photographer William Klein. Dorothy McGowan in her first and only film appearance stars as young model Polly Maggoo who becomes the subject of a television documentary news episode over the course of Paris Fashion Week. Set and shot on location in Paris. One photograph 10 x 8 inches two photographs 10 x 7.5 inches. Near Fine. Delpire unknown
1981ref. 149805N.p.: N.p. 1981. Draft script for an unproduced film. Based on the 1939 play by William Joyce Cowen and Leonore Coffee which debuted at the Morosco Theatre directed by Margaret Webster and starring Judith Anderson. The plot follows the story of Jesus' crucifixion as told through the eyes of his family. Set in Jerusalem. White untitled wrappers. Title page present dated August 17 1981 with credits for screenwriter John Gay and playwrights Leonore Coffee and William Joyce Cowen. 106 leaves with last page of text numbered 104. Xerographic duplication rectos only with white revision pages throughout dated 9/9. Pages Near Fine wrapper Very Good plus lightly soiled overall bound internally with three gold brads. N.p. unknown
ref. 146397Los Angeles: Pomegranate Productions Unknown. Draft script for an unproduced film. With a Pomegranate Productions business card belonging to president Robert French stapled to the title page. When her abusive mother dies in a freak accident young Sylvia believes she's lucked out and will be able to finally live as a family with her caring stepfather. Nobody else will accept the mother's death as an accident however and even Sylvia begins to believe her stepfather is guilty fomenting discord between the two. Set in Los Angeles. Black titled wrappers. Title page present with credits for screenwriter William J. Cassidy. 163 leaves with last page of text numbered 113. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Pomegranate Productions unknown
1980ref. 163765Burbank CA: The Ladd Company 1980. Collection of 32 vintage color slides from the 1981 film as well as one vintage studio still photograph showing actress Kathleen Turner. Three slides with annotations in manuscript ink on their cardboard sleeves. A young woman manipulates her lover a small-town lawyer into killing her wealthy husband. A watershed neo-noir update to the classic femme fatale of the 1940s and 1950s. Set and shot on location in Florida. Photograph 10 x 8 inches. Near Fine. Slides 2 x 2 inches. Near Fine. Ebert I. Grant US. Penzler 101. Silver and Ward Neo-Noir. Spicer US Neo-Noir. The Ladd Company unknown
1985ref. 161049N.p.: N.p. 1985. Four vintage borderless reference photographs from the 1985 film including one showing director Héctor Babenco talking with actor William Hurt on the set. Based on the 1976 novel by Manuel Puig about two cellmates who form an unusual bond during their imprisonment in a Brazilian prison. Nominated for the Palme d'Or. Puig's novel also served as the basis for a Broadway musical produced in 1993 with a book by Terrence McNally. Set and shot on location in São Paolo Brazil. 9.5 x 7 inches. Near Fine. N.p. unknown
1950ref. 154518Los Angeles: Paramount Pictures 1950. Vintage studio still photograph from the 1950 film noir showing actors William Holden and Barry Fitzgerald. A woman suspects several fellow train passengers of being the culprits in a highly publicized kidnapping case. 8 x 10 inches. Very Good plus with light wear to the corners. Grant US. Olive Films 256. Selby US Canon. Silver and Ward Classic Noir. Spicer US. Paramount Pictures unknown
1977ref. 140265Los Angeles: Columbia Broadcasting System CBS 1977. Final Revised Draft script for the 1977 television movie. Based on the 1977 book by Harold King. Included is a vintage production photo of William Devane from the film with a snipe on the verso with the CBS television logo. A computer at a nuclear power plant malfunctions and seals off the reactor room believing that a dangerous explosion has occurred and trapping the crew inside. One of a string of speculative films to feature either nuclear power plant disasters or dangerous fictional computers from the dawning era of computer technology. Set near Minneapolis shot on location in Houston Texas at NASA's Manned Space Center. White titled wrappers. Title page present dated January 17 1977 noted as FINAL REVISED DRAFT with credits for screenwriter Sandor Stern novelist Harold King executive producers Gerald I. Isenberg and Gerald W. Abrams and producer Barry Goldberg. 103 leaves with last page of text numbered 100. Mimeograph on blue stock. Pages Fine wrapper Very Good plus bound internally with two gold brads. Newman 104. Columbia Broadcasting System [CBS] unknown books
1977ref. 140265Los Angeles: Columbia Broadcasting System CBS 1977. Final Revised Draft script for the 1977 television movie. Based on the 1977 book by Harold King. Included is a vintage production photo of William Devane from the film with a snipe on the verso with the CBS television logo. A computer at a nuclear power plant malfunctions and seals off the reactor room believing that a dangerous explosion has occurred and trapping the crew inside. One of a string of speculative films to feature either nuclear power plant disasters or dangerous fictional computers from the dawning era of computer technology. Set near Minneapolis shot on location in Houston Texas at NASA's Manned Space Center. White titled wrappers. Title page present dated January 17 1977 noted as FINAL REVISED DRAFT with credits for screenwriter Sandor Stern novelist Harold King executive producers Gerald I. Isenberg and Gerald W. Abrams and producer Barry Goldberg. 103 leaves with last page of text numbered 100. Mimeograph on blue stock. Pages Fine wrapper Very Good plus bound internally with two gold brads. Newman 104. Columbia Broadcasting System [CBS] unknown
1967ref. 150123N.p.: N.p. 1967. Collection of four vintage borderless photographs from the 1967 film. All with "Les Films Armon BON" stamps two with "L.F. Films" stamps stuck with holograph marker two with "5 / 20" one with "4 / 20" and one with "15 / 20" stamps all on verso. Stock car driver Rod Tillman Steve Alaimo goes undercover as a getaway driver for the California biker gang Satan's Angels. Shot on location in Florida. 8.5 x 6.75 inches 8.5 x 6.5 inches 8.75 x 6.25 inches and 8.25 x 7 inches. Very Good with light creasing and a few tiny pinholes. N.p. unknown books
1972ref. 171708N.p.: N.p. 1972. A small archive of production and personal documents from the 1972 film belonging to Executive Producer John H. Burrows. Burrows was a noted film and television producer who began his career as a film distributor in the 1950s after his father George Burrows then President of Allied Artists got him in to the industry. Beginning as an associate producer for the film "Torpedo Alley" 1952 Burrows has since garnered over 50 credits in over 50 years in film and television and is best known as a production manager and producer for "A Nightmare on Elm Street" 1984 "Pump Up the Volume" 1990 and "The Watcher" 2000 among many others. The archive includes: A handwritten four page opening credit list noting credit order and proportional text size dated "1/14/72." Five copies of press releases for the film from Crown International Pictures publicist Donald J. Haley announcing commencement of pre-production and shooting to begin on January 3 1971 two noting shooting on location in Florida and one noting Burrows as executive producer and his arrival in Miami. Four with manuscript marker annotations of press release dates two dated "11/12/71" one "11/26" and one "11/29." Three pages of crew members' skill set and credits on "Film Equipment Rentals Inc." of Miami Florida letterhead for: Jack Johnson "Props--Special Effects" credited in the film as "Property Master" Walter Morris Jr. "Lighting Director" credited in the film as "Gaffer" and Roberta Rose "Production Assistant--Auditor--Secretary uncredited. One autograph letter signed to Burrows from his wife "Nan" Naomi Burroughs one note signed from "Nan" and three pages of drawings from their young son noted in the letter housed in the original envelope post-marked "Dec 15 1971." And a small gathering of documents from Burrows' travel in Florida including: a Miami / Fort Lauderdale Area AAA map a National Airlines Quick Reference Schedule for Miami / Miami Beach dated October 31 1971 a Diners Club receipt for a meal at "Gallaghers" in Miami a hand-written note of various names numbers and addresses a business card for certified public account Nazar H. Ashjian Jr. and a printed listing of locations for the Miami adult bookseller "The Atheneum Inc." The archive also includes two later outliers: a "Zeus God of Gods Productions" envelope post-marked "8 Oct 1982" addressed to Burroughs at Pan Pacific Productions containing a typed memo signed from from a Judy Powell and a note on "Zeus God of Gods Productions" letterhead from film producer "D. Constantine Conte" and a circa early 1980s copy of director Michael Lindsay-Hogg's directorial credits on William Morris Agency letterhead. Shell-shocked Native American Tim Ochopee a Vietnam veteran discovers his father has been murdered and seeks retribution with the help of his best friend a snake named Stanley and Stanley's brood. Set in the Florida Everglades shot on location in Everglades National Park and Homosassa Springs Wildlife State Park Florida. Credit List Press Releases and "Film Equipment Rentals Inc." crew list 8.5 x11 inches. Very Good plus to Near Fine overall with the "Film Equipment Rentals Inc." list and the Opening Credit List saddle stapled with a single staple to the top left corner. Other ephemera Very Good plus to Near Fine overall. Thrower Nightmare USA. N.p. unknown
1970ref. 162000N.p.: R and S Film Enterprises 1970. Two vintage studio still photographs from the 1970 film. Both photographs with provenance stamps on the versos. A rare pair of photographs from Rita Hayworth's low-budget wanderings between 1967-1970 during which she worked with French and Italian genre filmmakers as well as the likes of William Grefè in the US. Note however that Ms. Hayworth is not present in either of these images. A psychedelic exploitation film in which Hayworth stars as a wealthy matron married to a wheelchair-bound husband. She has an affair with a young author triggering disastrous results. Shot on location in Florida. 8 x 10 inches. Near Fine. R and S Film Enterprises unknown
1967ref. 150123N.p.: N.p. 1967. Four vintage borderless photographs from the 1967 film. All with "Les Films Armon BON" stamps two with "L.F. Films" stamps stuck with manuscript marker two with "5 / 20" one with "4 / 20" and one with "15 / 20" stamps all on verso. Stock car driver Rod Tillman Steve Alaimo goes undercover as a getaway driver for the California biker gang Satan's Angels. Shot on location in Florida. 8.5 x 6.75 inches 8.5 x 6.5 inches 8.75 x 6.25 inches and 8.25 x 7 inches. Very Good with light creasing and a few tiny pinholes. N.p. unknown
1974ref. 140876N.p.: N.p. 1974. Draft script for an unproduced film. Synopsis laid in. The School of Acrobatics and Acrobatic Training is ab American private school demanding precise execution and extreme attention to detail. The story follows "aeronautical acrobatics" a branch of acrobatics that represent the outer fringe of the school's studies. Set in Arizona. White untitled wrappers. Title page present dated 1974 with credit for screenwriter William Goodhart. 131 leaves with last page of text numbered 130. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
