11,071 results
1971ref. 153167N.p.: N.p. 1971. Treatment script for an unproduced film. Based on the 1957 novel by Robert Bright. In postwar France an art collector discovers clues to the whereabouts of a major masterpiece long considered lost to time and sets off in pursuit of the treasure. Set in Paris. Yellow titled wrappers. Title page present with credits for screenwriter Tim Michael and novelist Robert Bright. 39 leaves with last page of text numbered 37. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
1959ref. 160494Paris: Agence D E B. 1959. Vintage borderless reference photograph from the 1959 film showing actors Henri Kassagi and Pierre Etaix. Printed mimeo snipe affixed to the verso along with a provenance stamp and label. Director Robert Bresson's first wholly original screenplay perhaps the finest of his many films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be." Set and shot on location in Paris. 7 x 5 inches. Near Fine. Criterion Collection 314. Ebert I. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Schrader Canon Fodder 4. Selby Classic Noir. Agence D E B. unknown books
1959ref. 140945France: Compagnie Cinematographie de France 1959. Vintage borderless press photograph from the 1959 film showing director Robert Bresson on a Paris metro set going over a script while actor Martin LaSalle and crew look on. With the stamp of French photo agency Dalmas and manuscript pencil annotations regarding layout and identifying the image on the verso. Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many fine films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be." 5 x 7.25 inches. Near Fine. Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Schrader 4. Compagnie Cinematographie de France unknown books
1959ref. 148847N.p.: Agence D E B. 1959. Two vintage French borderless studio still photographs from the 1959 film one of Martin LaSalle and one of Jean Pelegri. Mimeo snipe on verso one with annotations on verso. Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be." 7.25 x 5.25 inches. Near Fine. Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Paul Schrader's Canon Fodder 4. Grant France Classic Noir. Selby France Classic Noir. Agence D E B. unknown books
1974ref. 150503N.p.: N.p. 1974. Vintage borderless reference photograph of director Robert Bresson and still photographer Jacques Henri Lartigue on the set of the 1974 film with cinematographer Pasqualino de Santis just visible at the top left corner. With a provenance stamp on the verso along with manuscript ink annotations. Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. Shot on location in Noirmoutier-en-L'Ile France. 9.25 x 7 inches. Near Fine. Rosenbaum 1000. N.p. unknown books
1974ref. 150217N.p.: N.p. 1974. Vintage oversize borderless reference photograph of Robert Bresson on the set of the 1974 film one of the film's jousting sequences. Jacques Henri Lartigue credit printed on verso. Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. Shot on location in Noirmoutier-en-L'Ile France. 11.75 x 8 inches. Very Good plus with some creasing and wear to extremities. Rosenbaum 1000. N.p. unknown books
1974ref. 150864N.p.: N.p. 1974. Vintage borderless reference photograph of Robert Bresson and crew on the set of the 1974 film with two provenance stamps of film scholar and author "J. P. Berthome" on verso. Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. Shot on location in Noirmoutier-en-L'Ile France. 9.5 x 7 inches. Near Fine. Rosenbaum 1000. N.p. unknown books
1967ref. 152709Paris: Compagnie Francaise de Distribution Cinematographique CFDC 1967. Vintage French pressbook for the 1967 French film. In a rural French village a young girl named Mouchette or "Little Fly" lives a lonely difficult life supporting her alcoholic father sickly mother and infant brother and finds nothing but unkindness and despair in her daily interactions. One of Robert Bresson's greatest achievements at turns grim and graceful purportedly a favorite of Andrei Tarkovsky and Kelly Reichardt. Shot on location in Vaucluse France. Bi-fold 6.5 x 8.5 inches. Near Fine with a small crease to the bottom left corner. Criterion Collection 363. Grant France. Rosenbaum 1000. Compagnie Francaise de Distribution Cinematographique [CFDC] unknown books
1962ref. 151672N.p.: Agnes Delahaie Productions 1962. Three vintage photographs from the 1962 French film including two studio still photographs from the US release of the film and one borderless reference photograph. A dramatization of the imprisonment and killing of Jeanne a French peasant girl claiming to receive visions from God. Bresson's sixth release filmed in his typically spare style using non-professional performers and a screenplay drawn from transcriptions of Jeanne's trial at Rouen. Two photographs 10 x 8 inches one photograph 9.25 x 7 inches. Near Fine. Agnes Delahaie Productions unknown books
1990ref. 162072N.p.: Images et Loisirs 1990. Vintage flyer for a re-release of the 1969 French film. Text and titles in French. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the 1876 short story by Fyodor Dostoevsky about a man reflecting on his wife's recent unexplained suicide. 5 x 8 inches. Single leaf recto and verso. Fine. Radiance Films 151. Images et Loisirs unknown books
1977ref. 167751N.p.: N.p. 1977. Three vintage reference photographs from the 1977 French film. Provenance labels and layout annotations in manuscript ink and pencil on the versos. A young alienated student grapples with his diminished faith in relationships religion and politics ultimately deciding that ending his life is the only option. Restricted to ages 18 and older in France as a result of its suicidal themes and described by Richard Hell as "by far the most punk movie ever." 9.5 x 7 inches. Two Near Fine one Very Good plus with ink residue on the recto. Godard Histoires du cinema. Olive Films 322. Rosenbaum 1000. N.p. unknown books
1966ref. 148322N.p.: N.p. 1966. Vintage French lobby card from the 1966 film. Revered as one of the masterpieces of cinema Robert Bresson follows a donkey Balthazar through his life as he is passed from owner to owner most treating him cruelly. Set in and shot on location in Yvelines France. 11.75 x 9.25 inches. Very Good plus with pinholes and creasing to corners. Criterion Collection 297. Godard Histoires du cinema. Rosenbaum 1000. Ebert II. N.p. unknown books
1966ref. 148322N.p.: N.p. 1966. Vintage French lobby card from the 1966 film. Revered as one of the masterpieces of cinema Robert Bresson follows a donkey Balthazar through his life as he is passed from owner to owner most treating him cruelly. Set in and shot on location in Yvelines France. 11.75 x 9.25 inches. Very Good plus with pinholes and creasing to corners. Criterion Collection 297. Godard Histoires du cinema. Rosenbaum 1000. Ebert II. N.p. unknown
1974ref. 150503N.p.: N.p. 1974. Vintage borderless reference photograph of director Robert Bresson and still photographer Jacques Henri Lartigue on the set of the 1974 film with cinematographer Pasqualino de Santis just visible at the top left corner. With a provenance stamp on the verso along with manuscript ink annotations. Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. Shot on location in Noirmoutier-en-L'Ile France. 9.25 x 7 inches. Near Fine. Rosenbaum 1000. N.p. unknown
1974ref. 150217N.p.: N.p. 1974. Vintage oversize borderless reference photograph of Robert Bresson on the set of the 1974 film one of the film's jousting sequences. Jacques Henri Lartigue credit printed on verso. Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. Shot on location in Noirmoutier-en-L'Ile France. 11.75 x 8 inches. Very Good plus with some creasing and wear to extremities. Rosenbaum 1000. N.p. unknown
1974ref. 150864N.p.: N.p. 1974. Vintage borderless reference photograph of Robert Bresson and crew on the set of the 1974 film with two provenance stamps of film scholar and author "J. P. Berthome" on verso. Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. Shot on location in Noirmoutier-en-L'Ile France. 9.5 x 7 inches. Near Fine. Rosenbaum 1000. N.p. unknown
1967ref. 152709Paris: Compagnie Francaise de Distribution Cinematographique CFDC 1967. Vintage French pressbook for the 1967 French film. In a rural French village a young girl named Mouchette or "Little Fly" lives a lonely difficult life supporting her alcoholic father sickly mother and infant brother and finds nothing but unkindness and despair in her daily interactions. One of Robert Bresson's greatest achievements at turns grim and graceful purportedly a favorite of Andrei Tarkovsky and Kelly Reichardt. Shot on location in Vaucluse France. Bi-fold 6.5 x 8.5 inches. Near Fine with a small crease to the bottom left corner. Criterion Collection 363. Grant France. Rosenbaum 1000. Compagnie Francaise de Distribution Cinematographique [CFDC] unknown
1959ref. 160494Paris: Agence D E B. 1959. Vintage borderless reference photograph from the 1959 film showing actors Henri Kassagi and Pierre Etaix. Printed mimeo snipe affixed to the verso along with a provenance stamp and label. Director Robert Bresson's first wholly original screenplay perhaps the finest of his many films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be." Set and shot on location in Paris. 7 x 5 inches. Near Fine. Criterion Collection 314. Ebert I. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Schrader Canon Fodder 4. Selby Classic Noir. Agence D E B. unknown
1959ref. 148847N.p.: Agence D E B. 1959. Two vintage French borderless studio still photographs from the 1959 film one of Martin LaSalle and one of Jean Pelegri. Mimeo snipe on verso one with annotations on verso. Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be." 7.25 x 5.25 inches. Near Fine. Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Paul Schrader's Canon Fodder 4. Grant France Classic Noir. Selby France Classic Noir. Agence D E B. unknown
1959ref. 140945France: Compagnie Cinematographie de France 1959. Vintage borderless press photograph from the 1959 film showing director Robert Bresson on a Paris metro set going over a script while actor Martin LaSalle and crew look on. With the stamp of French photo agency Dalmas and manuscript pencil annotations regarding layout and identifying the image on the verso. Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many fine films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be." 5 x 7.25 inches. Near Fine. Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Schrader 4. Compagnie Cinematographie de France unknown
1977ref. 167751N.p.: N.p. 1977. Three vintage reference photographs from the 1977 French film. Provenance labels and layout annotations in manuscript ink and pencil on the versos. A young alienated student grapples with his diminished faith in relationships religion and politics ultimately deciding that ending his life is the only option. Restricted to ages 18 and older in France as a result of its suicidal themes and described by Richard Hell as "by far the most punk movie ever." 9.5 x 7 inches. Two Near Fine one Very Good plus with ink residue on the recto. Godard Histoires du cinema. Olive Films 322. Rosenbaum 1000. N.p. unknown
1962ref. 151672N.p.: Agnes Delahaie Productions 1962. Three vintage photographs from the 1962 French film including two studio still photographs from the US release of the film and one borderless reference photograph. A dramatization of the imprisonment and killing of Jeanne a French peasant girl claiming to receive visions from God. Bresson's sixth release filmed in his typically spare style using non-professional performers and a screenplay drawn from transcriptions of Jeanne's trial at Rouen. Two photographs 10 x 8 inches one photograph 9.25 x 7 inches. Near Fine. Agnes Delahaie Productions unknown
1990ref. 162072N.p.: Images et Loisirs 1990. Vintage flyer for a re-release of the 1969 French film. Text and titles in French. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the 1876 short story by Fyodor Dostoevsky about a man reflecting on his wife's recent unexplained suicide. 5 x 8 inches. Single leaf recto and verso. Fine. Radiance Films 151. Images et Loisirs unknown
1959ref. 163884Hollywood: United Artists / Ziv 1959. Draft script for Season 1 Episode 28 of the 1959-1961 television series. Originally aired on April 2 1960 in syndication. "Lock Up" was a short-lived legal drama series focusing on the cases of renowned Philadelphia corporate attorney Herbert L. Maris. In this episode an oil millionaire suspects his business partner of murdering a woman. Screenwriter Robert Bloch is best known for penning Alfred Hitchcock's "Psycho" 1959 although his six-decade writing career encompassed novels short stories radio cinema and television. A protégé of H.P. Lovecraft Bloch received the Hugo Award the Bram Stoker Award and the World Fantasy Award and served as the president of the Mystery Writers of America in 1970. Orange titled wrappers dated 14 December 1959 on the front wrapper with credit for Bloch. Title integral with the front wrapper. 43 leaves with last page of text numbered 42. Mimeograph duplication rectos only. Pages about Fine wrapper Near Fine bound with two gold brads. United Artists / Ziv unknown books
1962ref. 167556Burbank CA: Warner Brothers 1962. Vintage studio still photograph of Grant Williams from the 1962 film. A violent ex-con embarks on a murder spree using his court-ordered weekly therapy sessions as his alibi. Actor Onslow Stevens' final film appearance. Screenplay by noted horror and mystery writer Robert Bloch. 8 x 10 inches. Near Fine. Warner Brothers unknown books
