11,066 results
1978ref. 146439N.p.: N.p. 1978. Revised First Draft script for an unproduced film. Based on screenwriter Josef Shaftel's experiences working as a newspaper correspondent in 1948 in the Middle East during the Arab-Israeli conflict during which time he falls in love with a Jewish refugee and gradually becomes sympathetic to the Zionist cause. Shaftel's story was also the basis for a 1962 novel by Robert Nathan. Set in Rome Israel and Palestine. Blue titled wrappers. Title page present dated JUNE 5 1978 noted as REVISED FIRST DRAFT with credits for screenwriter JOSEF SHAFTEL. 125 leaves with last page of text numbered 133. Xerographic duplication rectos only with undated yellow revision pages throughout. Pages Very Good plus wrapper Very Good plus with a small dampstain affecting the front wrapper and lower page edge bound with two gold brads. N.p. unknown
1978ref. 146513N.p.: N.p. 1978. Treatment script for an unproduced film. Criminals plan a massive theft from a military air base in order to secure the materials to build a nuclear warhead. Screenwriter Josef Shaftel was better known for "The Biggest Bundle of them All" 1968. Set in Boston Chicago Las Vegas and New York. Black untitled wrappers. Title page present dated June 15 1978 noted as Film Treatment with credits for screenwriters JOSEF SHAFTEL and PAUL WHEELER. 32 leaves with last page of text numbered 31. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with silver prong binding. N.p. unknown
1935ref. 135077Los Angeles: B.P. Schulberg Productions 1935. Vintage black-and-white photograph of Peter Lorre on the set seated with his script from the 1935 film. Photographed by A.L. Schaefer with his credit stamp on the verso as well as a stamp reading "PETER LORRE / COLUMBIA CONTRACT PLAYER." 8 x 10 inches. Fine. B.P. Schulberg Productions unknown books
1935ref. 135077Los Angeles: B.P. Schulberg Productions 1935. Vintage black-and-white photograph of Peter Lorre on the set seated with his script from the 1935 film. Photographed by A.L. Schaefer with his credit stamp on the verso as well as a stamp reading "PETER LORRE / COLUMBIA CONTRACT PLAYER." 8 x 10 inches. Fine. B.P. Schulberg Productions unknown
1974ref. 149688N.p.: N.p. 1974. Five vintage reference photographs from the 1974 British film. A young writer accepts a weekend invitation to visit her reclusive friend's country mansion unaware that her friend and the house itself hold a variety of dark secrets. Set and shot on location in England. 10 x 7.5 inches. Very Good lightly and evenly toned. N.p. unknown books
1974ref. 149688N.p.: N.p. 1974. Five vintage reference photographs from the 1974 British film. A young writer accepts a weekend invitation to visit her reclusive friend's country mansion unaware that her friend and the house itself hold a variety of dark secrets. Set and shot on location in England. 10 x 7.5 inches. Very Good lightly and evenly toned. N.p. unknown
1974ref. 161802N.p.: International Artists 1974. Vintage studio still photograph from the US release of the 1973 Spanish/Italian film. Provenance stamp on the verso. Shot on location in Milano Madrid and The Pyrénées. 8 x 10 inches. Near Fine. International Artists unknown books
1979ref. 158872N.p.: El Imán Cine y Televisión S.A. 1979. Vintage reference photograph from the 1979 film. With a production release stamp in Spanish and a stamp crediting photographer Federico Grau on the verso. A Spanish film. An English scholar investigating the death of an ancient scholar in the Adalusian mountains learns of the legend of a dragon woman associated with the mountains. Set in Andalucia shot on location in Andalucia Madrid and Toledo Castilla-La Mancha Spain. 7 x 4.75 inches. Near Fine. El Imán Cine y Televisión S.A. unknown books
ref. 146518N.p.: N.p. Unknown. Treatment script for an unproduced film. With a manuscript ink annotation to the title page stating "ROUGH TRANSLATION / VERY ROUGH" and a few small proofreader's annotations. Text in English. Incomplete apparentlhy as issued. An assassin becomes involved with a solitary young woman and gives her a handgun to protect herself while he's out of the country on an assignment-a gift which invariably only lands her in deeper trouble. Screenwriters Eugenio Martin and Jose G. Maesso were best known for their work on "The Ugly Ones" 1968 a violent heavily influential Euro Western film. Set in the US and Uruguay. Tan untitled side stapled wrappers. Title page present with credits for screenwriters Jose G. Maesso and Eugenio Martin. 52 leaves with last page of text numbered 51. Carbon typescript rectos only. Pages Very Good wrapper Very Good plus with the final few leaves loose from the binding. Pitts 4631. N.p. unknown books
ref. 146518N.p.: N.p. Unknown. Treatment script for an unproduced film. With a manuscript ink annotation to the title page stating "ROUGH TRANSLATION / VERY ROUGH" and a few small proofreader's annotations. Text in English. Incomplete apparentlhy as issued. An assassin becomes involved with a solitary young woman and gives her a handgun to protect herself while he's out of the country on an assignment-a gift which invariably only lands her in deeper trouble. Screenwriters Eugenio Martin and Jose G. Maesso were best known for their work on "The Ugly Ones" 1968 a violent heavily influential Euro Western film. Set in the US and Uruguay. Tan untitled side stapled wrappers. Title page present with credits for screenwriters Jose G. Maesso and Eugenio Martin. 52 leaves with last page of text numbered 51. Carbon typescript rectos only. Pages Very Good wrapper Very Good plus with the final few leaves loose from the binding. Pitts 4631. N.p. unknown
1955ref. 168147Universal City: Universal-International 1955. Vintage studio still photograph from the 1955 film. Based on the 1952 Pulitzer Prize-winning play by Joseph Kramm about a successful stage director who is driven to a mental breakdown by his domineering vengeful wife. José Ferrer reprised his role from the stage production. Shot on location in New York City around Times Square and in Bellevue Hospital. 10 x 8 inches. Good with a horizontal crease along the bottom margin and a short closed tear on the top right corner. Universal-International unknown books
1955ref. 164729Universal City: Universal Pictures 1955. Vintage publicity photograph from the 1955 film showing actors June Allyson and José Ferrer. Printed mimeo snipe affixed to the verso. Based on the 1952 Pulitzer Prize-winning play by Joseph Kramm about a successful stage director who is driven to a mental breakdown by his domineering vengeful wife. Ferrer reprised his role from the stage production. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Shot on location in New York City around Times Square and in Bellevue Hospital. 10 x 8 inches. Very Good plus. Universal Pictures unknown books
1955ref. 164729Universal City: Universal Pictures 1955. Vintage publicity photograph from the 1955 film showing actors June Allyson and José Ferrer. Printed mimeo snipe affixed to the verso. Based on the 1952 Pulitzer Prize-winning play by Joseph Kramm about a successful stage director who is driven to a mental breakdown by his domineering vengeful wife. Ferrer reprised his role from the stage production. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Shot on location in New York City around Times Square and in Bellevue Hospital. 10 x 8 inches. Very Good plus. Universal Pictures unknown
1968ref. 159123N.p.: N.p. 1968. Two vintage borderless reference photographs from the 1968 film one black-and-white and one color. A diamond thief takes his former accomplice's wife as a lover after the accomplice disappears. The wife however has her sights set on a coral fisherman. Black-and-white photograph 9 x 9 inches color photograph 8.5 x 8 inches. Near Fine to Very Good plus one with moderate wear at the bottom right corner. N.p. unknown books
1972ref. 167514N.p.: N.p. 1972. Vintage color reference photograph from the 1972 French softcore film. A married American journalist is seduced by two stewardesses kicking off a series of unusual and occasionally political occurrences. 5 x 3.5 inches. Very Good plus. Bier 734. N.p. unknown books
1972ref. 146899N.p.: Europrodis 1972. Six vintage borderless studio still photographs from the 1972 film with one of Jose Benazeraf being double weight with matte finish. "Hubert Toyot" stamp on the verso. Catherine Franck and Patricial Hermenier play sexually liberated air hostesses who seduce American journalist played by Rod Cameron and move on to their next conquest but he refuses to accept it and pursues them. 5 x 7 inches. Near Fine some curling one with small crease in upper right corner. Europrodis unknown books
1963ref. 162235N.p.: American Film Distributing 1963. Vintage studio still photograph from the US release of the 1963 French film. Photographs with provenance stamps and labels on the verso. The directorial debut of French director José Bénazéraf released in France as "L'éternité pour nous." Composer Jean Michel Lemoine and his wife Brigitte Sylvia Sorrente are staying at a beach resort where Jean plays piano and Brigitte dances. Maria Monique Just whose husband owns the resort and is on his death bed becomes attracted to Jean which soon reveals unseen betrayals and jealousies. 8 x 10 inches. Very Good plus with faint creasing and light edgewear. American Film Distributing unknown books
1963ref. 162060N.p.: American Film Distributors 1963. Vintage studio still photograph from the 1963 film. Provenance stamp on the verso. Dick Randall stars as an American businessman in Paris for 24 hours who decides to explore burlesque shows and French showgirls. 8 x 10 inches. Very Good plus with light edgewear and faint creasing. American Film Distributors unknown books
1965ref. 162021Hollywood: Olympic International Films 1965. Two vintage studio still photographs from the US release of the 1963 French film. One photograph with a provenance stamp and two labels on the verso. Based on the 1959 novel "Le concerto de la peur" by Anne-Marie Devillers. Rival Parisian drug gangs clash over control of the city's narcotics trade. Featuring a tremendous free-jazz score by Chet Baker. 8 x 10 inches. Very Good plus one photograph with several pinholes two resulting in a small closed tear and a half inch closed tear in the bottom margin. Grant France. Olympic International Films unknown books
1968ref. 159123N.p.: N.p. 1968. Two vintage borderless reference photographs from the 1968 film one black-and-white and one color. A diamond thief takes his former accomplice's wife as a lover after the accomplice disappears. The wife however has her sights set on a coral fisherman. Black-and-white photograph 9 x 9 inches color photograph 8.5 x 8 inches. Near Fine to Very Good plus one with moderate wear at the bottom right corner. N.p. unknown
1965ref. 162021Hollywood: Olympic International Films 1965. Two vintage studio still photographs from the US release of the 1963 French film. One photograph with a provenance stamp and two labels on the verso. Based on the 1959 novel "Le concerto de la peur" by Anne-Marie Devillers. Rival Parisian drug gangs clash over control of the city's narcotics trade. Featuring a tremendous free-jazz score by Chet Baker. 8 x 10 inches. Very Good plus one photograph with several pinholes two resulting in a small closed tear and a half inch closed tear in the bottom margin. Grant France. Olympic International Films unknown
1963ref. 162235N.p.: American Film Distributing 1963. Vintage studio still photograph from the US release of the 1963 French film. Photographs with provenance stamps and labels on the verso. The directorial debut of French director José Bénazéraf released in France as "L'éternité pour nous." Composer Jean Michel Lemoine and his wife Brigitte Sylvia Sorrente are staying at a beach resort where Jean plays piano and Brigitte dances. Maria Monique Just whose husband owns the resort and is on his death bed becomes attracted to Jean which soon reveals unseen betrayals and jealousies. 8 x 10 inches. Very Good plus with faint creasing and light edgewear. American Film Distributing unknown
1972ref. 167514N.p.: N.p. 1972. Vintage color reference photograph from the 1972 French softcore film. A married American journalist is seduced by two stewardesses kicking off a series of unusual and occasionally political occurrences. 5 x 3.5 inches. Very Good plus. Bier 734. N.p. unknown
1972ref. 146899N.p.: Europrodis 1972. Six vintage borderless studio still photographs from the 1972 film with one of Jose Benazeraf being double weight with matte finish. "Hubert Toyot" stamp on the verso. Catherine Franck and Patricial Hermenier play sexually liberated air hostesses who seduce American journalist played by Rod Cameron and move on to their next conquest but he refuses to accept it and pursues them. 5 x 7 inches. Near Fine some curling one with small crease in upper right corner. Europrodis unknown
1988ref. 140598N.p.: Golden Sun / Artisan Entertainment 1988. Draft script for the 1988 film here under the working title "Death Squad." A special forces combat unit is dispatched to protect the leader of a Middle Eastern country from a neighboring dictator. Black titled wrappers. Title page present dated 8/8/84 with credits for screenwriters Sandra K. Bailey Douglas Borton. 106 leaves mechanical duplication with last page of text numbered 103. Pages near Fine wrapper Near Fine with light rubbing on the front wrapper internally bound with three gold brads. Golden Sun / Artisan Entertainment unknown books
