11,045 results
ref. 172342Burbank CA: Walt Disney Productions 1975. Shooting script for the 1976 film. Not to be confused with the 2003 remake starring Jamie Lee Curtis and Lindsay Lohan. Based on the 1972 novel by Mary Rodgers who also wrote the screenplay about a feuding mother and daughter who magically switch bodies for a day allowing each to gain sympathy for the other. A star vehicle for Jodie Foster and one of the last films before Foster began transitioning to more adult roles. Yellow titled wrappers dated July 15 1975 noted as Shooting Script and production No. 0151 on the front wrapper with credit for Rodgers. Title page integral with the first page of text noted as production No. 0151 and dated 7/15/75. 129 leaves with last page of text numbered 129. Xerographic duplication rectos only. Pages Near Fine wrappers Very Good plus moderately faded to the edges bound internally with three gold brads. Walt Disney Productions unknown
1983ref. 155349Los Angeles: Woodfall America 1983. Draft script for the 1984 film. Based on John Irving's 1981 novel a dark comedy following the eccentric and disaster-prone Berry family who weather hardships and incest with humor and grace. Set in Vienna and New Hampshire and shot on location in Montreal Canada. Maroon untitled wrappers. Title page present dated 3/10/83 with credits for novelist John Irving and director Tony Richardson. 126 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Very Good plus with rust marks from a paper clip affecting pages 19-21 wrapper Very Good plus bound internally with a silver prong. Woodfall America unknown
2002ref. 172068Culver City CA: Columbia Pictures 2002. Five vintage color slides from the 2002 film. Each with a credit for photographer Merrick Morton on the sleeves. A mother and daughter lock themselves in their New York brownstone's safe room to hide from three burglars who seek a large sum in bearer bonds stowed in the house by its previous owner. Director David Fincher's fifth feature film following "Fight Club" 1999. Slides 1.5 x 1 inches in cardboard sleeves measuring 2 x 2 inches. Fine. Grant US. Columbia Pictures unknown books
2000ref. 171937N.p.: N.p. 2000. Draft script for the 2002 film. A mother and daughter lock themselves in their New York brownstone's safe room to hide from three burglars who seek a large sum in bearer bonds stowed in the house by its previous owner. Director David Fincher's fifth feature film following "Fight Club" 1999. Self wrappers. Title page present dated February 23 2000 with credit for screenwriter David Koepp. 106 leaves with last page of text numbered 105. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. Grant US. N.p. unknown books
2000ref. 171937N.p.: N.p. 2000. Draft script for the 2002 film. A mother and daughter lock themselves in their New York brownstone's safe room to hide from three burglars who seek a large sum in bearer bonds stowed in the house by its previous owner. Director David Fincher's fifth feature film following "Fight Club" 1999. Self wrappers. Title page present dated February 23 2000 with credit for screenwriter David Koepp. 106 leaves with last page of text numbered 105. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. Grant US. N.p. unknown
2002ref. 172068Culver City CA: Columbia Pictures 2002. Five vintage color slides from the 2002 film. Each with a credit for photographer Merrick Morton on the sleeves. A mother and daughter lock themselves in their New York brownstone's safe room to hide from three burglars who seek a large sum in bearer bonds stowed in the house by its previous owner. Director David Fincher's fifth feature film following "Fight Club" 1999. Slides 1.5 x 1 inches in cardboard sleeves measuring 2 x 2 inches. Fine. Grant US. Columbia Pictures unknown
1972ref. 132510Culver City CA: Columbia Pictures 1972. Draft script for the 1973 film. Copy belonging to actress Tresa Hughes with her annotations and yellow revision leaves throughout. Rita a middle aged New York City homemaker finds herself in an emotional crisis which forces her to re-examine her life as well as her relationships with her mother her eye doctor husband her alienated daughter and estranged son. Hughes was nominated for a Tony award for Best Actress for her role in the 1961 production of "The Devil's Advocate." Black titled wrappers with credits for screenwriter Stern. Title page present with credits for screenwriter Stern. 112 leaves mimeograph duplication with yellow revision pages throughout all dated 10/6/72. Pages Near Fine wrapper Very Good bound with two gold screw brads. Columbia Pictures unknown books
1957ref. 164297N.p.: N.p. 1957. Two vintage reference photographs of actress Joanne Woodward on the set of the 1957 film-one showing Woodward with Lee J. Cobb the other showing Woodward with David Wayne. Annotations in manuscript ink and pencil on the verso. Based on the case of Chris Costner Sizemore a woman believed to have dissociative identity disorder then called multiple personality disorder. Woodward received the Academy Award for Best Actress for her performance. 10 x 8 inches. About Near Fine. N.p. unknown books
1972ref. 132510Culver City CA: Columbia Pictures 1972. Draft script for the 1973 film. Copy belonging to actress Tresa Hughes with her annotations and yellow revision leaves throughout. Rita a middle aged New York City homemaker finds herself in an emotional crisis which forces her to re-examine her life as well as her relationships with her mother her eye doctor husband her alienated daughter and estranged son. Hughes was nominated for a Tony award for Best Actress for her role in the 1961 production of "The Devil's Advocate." Black titled wrappers with credits for screenwriter Stern. Title page present with credits for screenwriter Stern. 112 leaves mimeograph duplication with yellow revision pages throughout all dated 10/6/72. Pages Near Fine wrapper Very Good bound with two gold screw brads. Columbia Pictures unknown
1957ref. 164297N.p.: N.p. 1957. Two vintage reference photographs of actress Joanne Woodward on the set of the 1957 film-one showing Woodward with Lee J. Cobb the other showing Woodward with David Wayne. Annotations in manuscript ink and pencil on the verso. Based on the case of Chris Costner Sizemore a woman believed to have dissociative identity disorder then called multiple personality disorder. Woodward received the Academy Award for Best Actress for her performance. 10 x 8 inches. About Near Fine. N.p. unknown
1971ref. 162505N.p.: N.p. 1971. Vintage borderless reference photograph from the 1971 film showing a nude JoAnna Cameron. Annotations in manuscript ink and pencil on the verso. A young television producer has an affair with his man-eating boss and her teenage daughter. 7 x 9.5 inches. Very Good plus. N.p. unknown books
1971ref. 162505N.p.: N.p. 1971. Vintage borderless reference photograph from the 1971 film showing a nude JoAnna Cameron. Annotations in manuscript ink and pencil on the verso. A young television producer has an affair with his man-eating boss and her teenage daughter. 7 x 9.5 inches. Very Good plus. N.p. unknown
1993ref. 167930Burbank CA: Warner Brothers 1993. Four vintage studio still publicity photographs from the 1993 film. Based on Hank Ketcham's long-running comic strip about a young boy's mischievous misadventures with his friends and beloved dog. 8 x 10 inches. Fine. Warner Brothers unknown books
1979ref. 138427Beverly Hills CA: United Artists 1979. Seven vintage studio still photographs from the 1979 film. Based on the 1976 novel by Ann Beattie. Photographs have been hand-retouched affixed to a backing board and prepared for use in advertising. A stark portrait depicting the difficulty of life in the aftermath of the turbulent 1960s. The protagonist Charlie played by John Heard falls in love with the newly-separated Laura played by Mary Beth Hurt who then returns to her husband while Charlie simultaneously attempts to deal with the various members of his family. Charlie cannot seem to let go of his obsession and begins to stalk Laura in an attempt to win her back. Shot on location in Salt Lake City Utah. Released in 1979 as "Head Over Heels" as seen here it was re-released in 1982 and given a markedly more downbeat ending to a better audience reception. Photos 8 x 10 inches on 10 x 15 inch mat board with now-toned tissue overlay save one mat board with two 7 x 5 inch images. Very Good plus to Near Fine. United Artists unknown books
1979ref. 138427Beverly Hills CA: United Artists 1979. Seven vintage studio still photographs from the 1979 film. Based on the 1976 novel by Ann Beattie. Photographs have been hand-retouched affixed to a backing board and prepared for use in advertising. A stark portrait depicting the difficulty of life in the aftermath of the turbulent 1960s. The protagonist Charlie played by John Heard falls in love with the newly-separated Laura played by Mary Beth Hurt who then returns to her husband while Charlie simultaneously attempts to deal with the various members of his family. Charlie cannot seem to let go of his obsession and begins to stalk Laura in an attempt to win her back. Shot on location in Salt Lake City Utah. Released in 1979 as "Head Over Heels" as seen here it was re-released in 1982 and given a markedly more downbeat ending to a better audience reception. Photos 8 x 10 inches on 10 x 15 inch mat board with now-toned tissue overlay save one mat board with two 7 x 5 inch images. Very Good plus to Near Fine. United Artists unknown
1963ref. 132730London: Warner-Pathe Distributors / Elstree Distributors Limited 1963. Vintage black-and-white still photograph from the 1963 UK film. Noted director Joan Littlewood's first film credit after more than 15 years working at the Theatre Workshop an avant garde theatre she co-founded. This film centers around Charlie who returns home to find it demolished and his wife shacked up with a local bus driver. A scathing but poignant look at the real life in the East End. A story shot on location in and around London. 8 x 10 inches. A few light creases at the extremities else Near Fine. Warner-Pathe Distributors / Elstree Distributors Limited unknown books
1963ref. 132730London: Warner-Pathe Distributors / Elstree Distributors Limited 1963. Vintage black-and-white still photograph from the 1963 UK film. Noted director Joan Littlewood's first film credit after more than 15 years working at the Theatre Workshop an avant garde theatre she co-founded. This film centers around Charlie who returns home to find it demolished and his wife shacked up with a local bus driver. A scathing but poignant look at the real life in the East End. A story shot on location in and around London. 8 x 10 inches. A few light creases at the extremities else Near Fine. Warner-Pathe Distributors / Elstree Distributors Limited unknown
2001ref. 149058Los Angeles: Gracie Films 2001. Shooting Draft script for the 2001 television episode originally aired on October 2 on ABC. Copy belonging to costume designer Molly Maginnis warmly INSCRIBED on the title page by actress Joan Cusack: "Molly -- / my god you are so wonderful / Thank you for your ideas-and your great smarts / Joan Cusack / P.S. you were the highlight of sophistication in this show." Missing 13 pages likely as used or issued. From the collection of costume designer Molly Maginnis. A Chicago schoolteacher juggles a new relationship and fields day-to-day interactions in the workplace. The show aired for two seasons. Set in Ravenswood Chicago. Blue titled self-wrappers dated 8/3/01 noted as Shooting Draft with credits for director Terry Hughes and screenwriter Katherine Green. 30 leaves with last page of text numbered 40. Xerographic duplication on blue stock rectos only. Pages Very Good plus bound with two gold brads. Gracie Films unknown books
2001ref. 149058Los Angeles: Gracie Films 2001. Shooting Draft script for the 2001 television episode originally aired on October 2 on ABC. Copy belonging to costume designer Molly Maginnis warmly INSCRIBED on the title page by actress Joan Cusack: "Molly -- / my god you are so wonderful / Thank you for your ideas-and your great smarts / Joan Cusack / P.S. you were the highlight of sophistication in this show." Missing 13 pages likely as used or issued. From the collection of costume designer Molly Maginnis. A Chicago schoolteacher juggles a new relationship and fields day-to-day interactions in the workplace. The show aired for two seasons. Set in Ravenswood Chicago. Blue titled self-wrappers dated 8/3/01 noted as Shooting Draft with credits for director Terry Hughes and screenwriter Katherine Green. 30 leaves with last page of text numbered 40. Xerographic duplication on blue stock rectos only. Pages Very Good plus bound with two gold brads. Gracie Films unknown
1955ref. 172358Culver City CA: Columbia Pictures 1955. Vintage studio still photograph from the 1955 film noir. Based on the 1949 novel by Edna L. Lee. A manipulative woman and her husband betray and scheme against each other and the other family members and associates living in their home. Set in Georgia shot on location in Memphis. 8 x 10 inches. Near Fine. Selby US. Spicer US. Columbia Pictures unknown books
1976ref. 159745London: British Broadcasting Corporation BBC 1976. Vintage reference photograph from the 1976 television mini series. With manuscript ink annotation on the verso. Based on the 1869 novel by R.D. Blackmore. A man watched his father be killed by a family when he was young and swears to avenge his father. Years later as an adult he meets the daughter of the family and realizes he is love with her despite her last name. He tries to rescue her from her family. 8 x 10 inches. Very Good plus. British Broadcasting Corporation [BBC] unknown books
1955ref. 170764Burbank CA: Warner Brothers 1955. Vintage publicity photograph from the 1955 film showing Joan Collins in a glittering two-piece ensemble and matching jewelry. French release stamp on the verso. An epic drama set in Ancient Egypt about the construction of the Great Pyramid co-written by William Faulkner. Although poorly received upon release-and notable as Howard Hawks' first commercial failure-the film has since been reevaluated by a host of critics including Jonathan Rosenbaum who praised the film for its continued relevance in relation to contemporary politics. Shot on location in Egypt. 8 x 10 inches. Very Good plus. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Warner Brothers unknown books
1982ref. 168044Los Angeles: Showtime 1982. Three vintage reference photographs and one studio still photograph from a Showtime re-release of the 1982 film. During the Cold War a Soviet ballerina attempts to leave Russia hoping to defect and permanently settle in London. 8 x 10 inches. Very Good plus with the film title and layout annotations in manuscript ink on the margins of two of the reference photographs. Showtime unknown books
1955ref. 170764Burbank CA: Warner Brothers 1955. Vintage publicity photograph from the 1955 film showing Joan Collins in a glittering two-piece ensemble and matching jewelry. French release stamp on the verso. An epic drama set in Ancient Egypt about the construction of the Great Pyramid co-written by William Faulkner. Although poorly received upon release-and notable as Howard Hawks' first commercial failure-the film has since been reevaluated by a host of critics including Jonathan Rosenbaum who praised the film for its continued relevance in relation to contemporary politics. Shot on location in Egypt. 8 x 10 inches. Very Good plus. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Warner Brothers unknown
1973ref. 161689Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Final Corrected script for Episode 7 Season 5 of the 1969-1976 television series. Originally aired on October 29 1973 on CBS. Noted as copy No. 19 in manuscript ink on the front wrapper. The long-running medical drama series followed two surgeons at a university hospital in Los Angeles with a changing roster of patients showcased in each episode. In this episode a young woman diver struggles with the pressure of competitive diving. Bright orange titled wrappers dated September 17 1973 stamped FILE COPY noted as FINAL CORRECTED SCRIPT and production No. 7890 on the front wrapper with credit for screenwriter Stephen Kandel. Title page integral with the front wrapper. 59 leaves with last page of text numbered 58. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
