11,045 results
2006ref. 164005N.p.: N.p. 2006. Draft script for an unproduced film. From the archive of crew member Chris Scher. After getting fired a lumber yard worker falls in with a violent trapper in the remote snowy countryside. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Self wrappers. Title page present dated July 7 2006 with credits for screenwriter Jerrold E. Brown. 99 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Near Fine bound with three gold brads. N.p. unknown books
2006ref. 164005N.p.: N.p. 2006. Draft script for an unproduced film. From the archive of crew member Chris Scher. After getting fired a lumber yard worker falls in with a violent trapper in the remote snowy countryside. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Self wrappers. Title page present dated July 7 2006 with credits for screenwriter Jerrold E. Brown. 99 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Near Fine bound with three gold brads. N.p. unknown
1965ref. 162542N.p.: Sam-Pam Production 1965. Vintage studio still photograph from the 1965 film. Provenance stamp on the verso. An artist searches for the woman with the most beautiful body to paint. Shot on location in New York City. 8 x 10 inches. Near Fine. Sam-Pam Production unknown books
1965ref. 162542N.p.: Sam-Pam Production 1965. Vintage studio still photograph from the 1965 film. Provenance stamp on the verso. An artist searches for the woman with the most beautiful body to paint. Shot on location in New York City. 8 x 10 inches. Near Fine. Sam-Pam Production unknown
1979ref. 139445Beverly Hills CA: Orion Pictures 1979. Two vintage black-and-white studio still photographs from the 1979 film. Jerome Hellman's directorial debut. A heart-wrenching drama the follows the steady deterioration of a young cancer patient. Actress Susan Clark pictured in the photos plays the ailing patient's mother. Shot on location in Connecticut. 8 x 10 inches. Near Fine. Orion Pictures unknown books
1983ref. 169954New York: Cates Films 1983. Revised script for an unproduced film. A drama about a psychology professor who gets involved with a sexual abuse case against a respected therapist. Playwright Jerome Coopersmith wrote prolifically for television and the stage throughout the mid- to late-twentieth century. He is best remembered today for his writing for "Hawaii Five-O" 1968-1980 and the 1974 Christmas television special "'Twas the Night Before Christmas" but also contributed episodes for "Armstrong Circle Theater" "The Streets of San Francisco" "Combat!" "Spenser for Hire" and others. In 1965 he received a Tony nomination for the Sherlock Holmes Broadway musical "Baker Street" and wrote and co-wrote a number of off-Broadway plays including "Eleanor" 1967 about the early life of Eleanor Roosevelt. Coopersmith and Cates Films would work together in 2004 on the television movie adaptation of the 1980 Mary Higgins Clark novel "The Cradle Will Fall." Untitled William Morris Agency wrappers with clear front wrapper and navy rear wrapper. Title page present noted as Revised dated November 1983 with credit for Coopersmith. 107 leaves with last page of text numbered 105. Xerographic duplication rectos only. Pages Near Fine wrapper about Near Fine bound internally with three silver brads. Cates Films unknown books
1983ref. 169954New York: Cates Films 1983. Revised script for an unproduced film. A drama about a psychology professor who gets involved with a sexual abuse case against a respected therapist. Playwright Jerome Coopersmith wrote prolifically for television and the stage throughout the mid- to late-twentieth century. He is best remembered today for his writing for "Hawaii Five-O" 1968-1980 and the 1974 Christmas television special "'Twas the Night Before Christmas" but also contributed episodes for "Armstrong Circle Theater" "The Streets of San Francisco" "Combat!" "Spenser for Hire" and others. In 1965 he received a Tony nomination for the Sherlock Holmes Broadway musical "Baker Street" and wrote and co-wrote a number of off-Broadway plays including "Eleanor" 1967 about the early life of Eleanor Roosevelt. Coopersmith and Cates Films would work together in 2004 on the television movie adaptation of the 1980 Mary Higgins Clark novel "The Cradle Will Fall." Untitled William Morris Agency wrappers with clear front wrapper and navy rear wrapper. Title page present noted as Revised dated November 1983 with credit for Coopersmith. 107 leaves with last page of text numbered 105. Xerographic duplication rectos only. Pages Near Fine wrapper about Near Fine bound internally with three silver brads. Cates Films unknown
1974ref. 141118N.p.: N.p. 1974. Draft script for an unproduced film. Letter stapled to the front wrapper from a publicity agent addressed to Paul Kohner agent Arnold Stiefel urging him to enlist Jan Troell as director for the film. An unconventional young woman moves west from Boston becoming a successful prostitute on the frontier. Yellow titled wrappers with credit for screenwriter Jerome C. Small. Title page present with credit for screenwriter Jerome C. Small. 125 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1974ref. 141118N.p.: N.p. 1974. Draft script for an unproduced film. Letter stapled to the front wrapper from a publicity agent addressed to Paul Kohner agent Arnold Stiefel urging him to enlist Jan Troell as director for the film. An unconventional young woman moves west from Boston becoming a successful prostitute on the frontier. Yellow titled wrappers with credit for screenwriter Jerome C. Small. Title page present with credit for screenwriter Jerome C. Small. 125 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1960ref. 134754Hollywood: Andrews-Vagemann Productions 1960. Two treatment scripts for an unproduced television series "The Brutes." Written by Jerome B. Thomas occasional writer for shows like "The Outer Limits" and the 1965 "Branded." This listing contains two scripts "HERE COME THE BRUTES" and "THE BRUTES: THE IDOLS I HAVE LOVED SO LONG." "HERE COME THE BRUTES" introduces the principle characters two whimsical womanizing electrical linemen traveling the country during the Great Depression and "THE IDOLS I HAVE LOVED SO LONG" is written about the linemen crew's confrontation with and attraction towards a fiery woman preacher. HERE COME THE BRUTES: Lacking wrappers. Title page present with credits for screenwriter Thomas. 21 leaves with last leaf of text unnumbered. Original typescript. Pages about Fine bound with two gold brads. THE BRUTES: THE IDOLS I HAVE LOVED SO LONG: Lacking wrappers. Title page present with credits for screenwriter Thomas. 45 leaves with last page of text numbered 43. Original typescript. Pages Near Fine unbound sheets. Andrews-Vagemann Productions unknown books
1960ref. 134754Hollywood: Andrews-Vagemann Productions 1960. Two treatment scripts for an unproduced television series "The Brutes." Written by Jerome B. Thomas occasional writer for shows like "The Outer Limits" and the 1965 "Branded." This listing contains two scripts "HERE COME THE BRUTES" and "THE BRUTES: THE IDOLS I HAVE LOVED SO LONG." "HERE COME THE BRUTES" introduces the principle characters two whimsical womanizing electrical linemen traveling the country during the Great Depression and "THE IDOLS I HAVE LOVED SO LONG" is written about the linemen crew's confrontation with and attraction towards a fiery woman preacher. HERE COME THE BRUTES: Lacking wrappers. Title page present with credits for screenwriter Thomas. 21 leaves with last leaf of text unnumbered. Original typescript. Pages about Fine bound with two gold brads. THE BRUTES: THE IDOLS I HAVE LOVED SO LONG: Lacking wrappers. Title page present with credits for screenwriter Thomas. 45 leaves with last page of text numbered 43. Original typescript. Pages Near Fine unbound sheets. Andrews-Vagemann Productions unknown
1978ref. 151102Universal City: Universal Pictures 1978. Vintage press kit for the 1978 film. Full-color illustrated pocketed folder containing 2 black and white photographs and 18 gatherings of promotional reading material. A radical hippie turned private eye is hired to investigate a fake campaign flyer showing the incumbent governor of California with a Berkeley activist who has been missing for years. Folder photographs and promotional material Near Fine. Grant US. Spicer US Neo-Noir. Universal Pictures unknown books
1978ref. 151102Universal City: Universal Pictures 1978. Vintage press kit for the 1978 film. Full-color illustrated pocketed folder containing 2 black and white photographs and 18 gatherings of promotional reading material. A radical hippie turned private eye is hired to investigate a fake campaign flyer showing the incumbent governor of California with a Berkeley activist who has been missing for years. Folder photographs and promotional material Near Fine. Grant US. Spicer US Neo-Noir. Universal Pictures unknown
1964ref. 137635Hollywood: Paul Kohner Inc 1964. Draft agency script for the an uproduced film called "A Thousand Several Tongues" written by Jeremy Fey whose film credits include three episodes of the 1976-1977 television series "ABC Afterschool Specials" his job being Productions Assistant. Agency copy with the address imprint and label present from the Paul Kohner Inc. agency in Hollywood. Copy belonging to agency representative Ilse Lahn with her name in manuscript ink on the front wrapper and on the address label on the title page. Lahn's other film credits include "The Man from Planet X" 1951 "The Neanderthal Man" 1953 "Murder Is My Beat" 1955 and "Daughter of Dr. Jekyll" 1957 all credits as Associate Producer. A story set in Hollywood involving an elderly thief his granddaughter gambling and a jolt of hard-boiled language. Yellow wrappers. Title page present undated with a credit for screenwriter Fey. 158 leaves with last page of text numbered 157. Mimeograph duplication with photocopied punch holes. Pages and wrapper Near Fine bound internally with three gold brads. Paul Kohner Inc unknown books
1964ref. 137635Hollywood: Paul Kohner Inc 1964. Draft agency script for the an uproduced film called "A Thousand Several Tongues" written by Jeremy Fey whose film credits include three episodes of the 1976-1977 television series "ABC Afterschool Specials" his job being Productions Assistant. Agency copy with the address imprint and label present from the Paul Kohner Inc. agency in Hollywood. Copy belonging to agency representative Ilse Lahn with her name in manuscript ink on the front wrapper and on the address label on the title page. Lahn's other film credits include "The Man from Planet X" 1951 "The Neanderthal Man" 1953 "Murder Is My Beat" 1955 and "Daughter of Dr. Jekyll" 1957 all credits as Associate Producer. A story set in Hollywood involving an elderly thief his granddaughter gambling and a jolt of hard-boiled language. Yellow wrappers. Title page present undated with a credit for screenwriter Fey. 158 leaves with last page of text numbered 157. Mimeograph duplication with photocopied punch holes. Pages and wrapper Near Fine bound internally with three gold brads. Paul Kohner Inc unknown
1966ref. 161628New York: William Mishkin Motion Pictures 1966. Three vintage studio still photographs from the 1966 film. Two with provenance stamps on the versos one with two labels on the verso obscuring two previous provenance stamps. Country girl Cherry arrives in New York to start a career and find romance and gets caught up in the seedy side of the city. Shot on location in New York City. 8 x 10 inches. Very Good plus with light edgewear overall and faint creasing at the extremities one with a wax pencil annotation on the recto and one with pinholes in the lower right margin. William Mishkin Motion Pictures unknown books
1965ref. 149469New York: Wiliam Mishkin Motion Pictures 1965. Vintage studio still photograph from the 1965 film. With a provenance stamp on the verso. Three theatre bigwigs discuss their most recent project prominently featuring aspiring actress Liz Adams who has slept her way to the top of the Broadway money chain. Set and shot on location in New York. 10 x 8 inches. Very Good plus lightly edgeworn to the bottom right corner. Wiliam Mishkin Motion Pictures unknown books
1966ref. 161628New York: William Mishkin Motion Pictures 1966. Three vintage studio still photographs from the 1966 film. Two with provenance stamps on the versos one with two labels on the verso obscuring two previous provenance stamps. Country girl Cherry arrives in New York to start a career and find romance and gets caught up in the seedy side of the city. Shot on location in New York City. 8 x 10 inches. Very Good plus with light edgewear overall and faint creasing at the extremities one with a wax pencil annotation on the recto and one with pinholes in the lower right margin. William Mishkin Motion Pictures unknown
1965ref. 149469New York: Wiliam Mishkin Motion Pictures 1965. Vintage studio still photograph from the 1965 film. With a provenance stamp on the verso. Three theatre bigwigs discuss their most recent project prominently featuring aspiring actress Liz Adams who has slept her way to the top of the Broadway money chain. Set and shot on location in New York. 10 x 8 inches. Very Good plus lightly edgeworn to the bottom right corner. Wiliam Mishkin Motion Pictures unknown
1970ref. 157622N.p.: N.p. 1970. Five vintage reference photographs from the 1970 Danish film. Based on the 1956 novel by Henry Miller about two womanizing men-one American one European-who share an apartment in Paris. Filmed in Paris at the same time as another Henry Miller adaptation "Tropic of Cancer" directed by Joseph Strick and starring Rip Torn and Ellen Burstyn. Set and shot on location in Paris and Luxembourg. 10 x 8 inches. Near Fine. Blue Underground. N.p. unknown books
1970ref. 171759N.p.: N.p. 1970. Vintage reference photograph from the 1970 Danish film showing Lisbet Lundquist Wayne Rodda and Paul Valjean. Based on the 1956 novel by Henry Miller about two womanizing men-one American one European-who share an apartment in Paris. Filmed in Paris at the same time as another Henry Miller adaptation "Tropic of Cancer" directed by Joseph Strick and starring Rip Torn and Ellen Burstyn. Set and shot on location in Paris and Luxembourg. 8 x 10 inches. Near Fine. Blue Underground. N.p. unknown books
1970ref. 171759N.p.: N.p. 1970. Vintage reference photograph from the 1970 Danish film showing Lisbet Lundquist Wayne Rodda and Paul Valjean. Based on the 1956 novel by Henry Miller about two womanizing men-one American one European-who share an apartment in Paris. Filmed in Paris at the same time as another Henry Miller adaptation "Tropic of Cancer" directed by Joseph Strick and starring Rip Torn and Ellen Burstyn. Set and shot on location in Paris and Luxembourg. 8 x 10 inches. Near Fine. Blue Underground. N.p. unknown
1970ref. 157622N.p.: N.p. 1970. Five vintage reference photographs from the 1970 Danish film. Based on the 1956 novel by Henry Miller about two womanizing men-one American one European-who share an apartment in Paris. Filmed in Paris at the same time as another Henry Miller adaptation "Tropic of Cancer" directed by Joseph Strick and starring Rip Torn and Ellen Burstyn. Set and shot on location in Paris and Luxembourg. 10 x 8 inches. Near Fine. Blue Underground. N.p. unknown
1951ref. 149617N.p.: N.p. 1951. Vintage reference photograph of Maxwell Reed from the 1951 British film noir. Provenance stamp on the verso. Molly Natasha Parry a young actress is witness to a double murder by "The Dark Man" Reed and is stalked by the killer. Inspector Viner Edward Underdown assigned to the murders develops romantic feelings for Molly. Shot on location in Sussex and East Sussex England. 8 x 10 inches. Near Fine. Grant UK. Selby UK. Spicer UK. N.p. unknown books
1951ref. 149617N.p.: N.p. 1951. Vintage reference photograph of Maxwell Reed from the 1951 British film noir. Provenance stamp on the verso. Molly Natasha Parry a young actress is witness to a double murder by "The Dark Man" Reed and is stalked by the killer. Inspector Viner Edward Underdown assigned to the murders develops romantic feelings for Molly. Shot on location in Sussex and East Sussex England. 8 x 10 inches. Near Fine. Grant UK. Selby UK. Spicer UK. N.p. unknown
