11,045 results
1965ref. 135614Neuilly-sur-Seine France: Societe Nouvelle de Cinematographie SNC 1965. Vintage oversize double weight photograph of director Jean-Luc Godard behind the camera on the set of the 1965 film. Shot by photographer Georges Dudognon in the summer of 1965 with his stamp on the verso. In a custom museum-quality frame archivally mounted with UV glass. 9 x 12 inches. Near Fine. Criterion Collection 421. Godard Histoires de cinema. Societe Nouvelle de Cinematographie [SNC] unknown
1960ref. 151698N.p.: N.p. 1960. Two vintage borderless reference photographs taken on the set of the 1960 film one showing director Jean-Luc Godard and a camera crew filming a scene with actor Michel Subor the other showing Godard and cinematographer Raoul Coutard. With manuscript ink and pencil annotations on the verso. During the Algerian War a French agent is ordered to assassinate a member of the National Liberation Front of Algeria FLN but cannot complete the mission due to his involvement with a pro-FLN woman. Shot in 1960 but not released until 1963 due to a French ban on torture scenes thus Godard's second feature film but fourth to be released. Set in Algeria shot on location in Switzerland. 9.5 x 7.25 inches. Near Fine. Criterion Collection 1010. Grant France. N.p. unknown
1964ref. 142630France: Ulysse Productions 1964. Vintage borderless photograph of a playful Jean Seberg pointing her prop camera back at the real one on the set of the 1964 film. With the stamp of production company Ulysse Productions and manuscript annotations on the verso. An anthology film featuring five stories about swindlers around the world with Seberg appearing as a journalist accused of passing fake currency who then tracks down and interviews the counterfeiter in the segment "Le grand escroc" "The Great Swindler" directed by Jean-Luc Godard. Other segments were directed by Claude Chabrol Ugo Gregoretti Hiromichi Horikawa and Roman Polanski. 9.5 x 7 inches. Near Fine. Olive Films 1339. Ulysse Productions unknown
1967ref. 148302N.p.: Anouchka Films 1967. Collection of 17 vintage French color lobby cards from the 1967 film 15 with "CFDC - LYON" stamp on the versos. One of three feature films Godard released in 1967 and like both "Weekend" and "La chinoise" one that showcases Godard's increasing focus on filmic deconstruction as well as vocalization of leftist political ideas. Godard has stated that his overall desire with the film was "to include everything: sports politics even groceries" to make "an attempt at description of a phenomenon known. as a complex." 8 x 10 inches. Very Good plus with pinholes to corners light to moderate wear and a couple of small dampstains. Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. Anouchka Films unknown
1967ref. 155298N.p.: N.p. 1967. Vintage reference photograph from the 1967 French film directed by Jean-Luc Godard showing actors Raoul Lévy and Anny Duperey. From the archive of film historian and author Joel Finler. A day in the life of a seemingly normal suburban housewife who intersperses her daily routine of housework cleaning and shopping with appointments as a call girl. One of director Godard's most highly regarded and stylistically innovative films released the same year as "Weekend" and "La chinoise." Set and shot on location in Paris. 10 x 8 inches. Near Fine. Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1967ref. 138581Paris: Concordia Compagnia Cinematografica 1967. Four vintage borderless reference photographs from the set of the 1967 film. Studio rubber stamp on the verso. One of the photos features Marina Vlady sharing a cigarette with Roger Montsoret. Based on a 1966 article on casual prostitution in France by Catherine Viminet. One of three feature films Godard released in 1967 and like both "Week End" and "La chinoise" one that showcases Godard's increasing focus on deconstructing filmic narrative and structure and vocalization of leftist political ideas. Godard has stated that his overall desire with the film was "to include everything: sports politics even groceries" to make "an attempt at description of a phenomenon known. as a complex." 5 x 7 inches. Fine condition. Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. Concordia Compagnia Cinematografica unknown
1961ref. 138215Paris: N.p. 1961. Vintage black-and-white borderless still photograph of Godard and Macha Meril on the set of the 1961 film. With the Paris stamp of photographer Claude Schwartz on the verso. 9 x 6 inches. Near Fine. Criterion Collection 238. N.p. unknown
1962ref. 163800N.p.: N.p. 1962. Two vintage borderless oversize reference photographs from the 1962 film both showing actress Anna Karina. Annotations in manuscript pencil and ink on the versos. Director Jean-Luc Godard's least "intellectual" film and also one of his finest a drama about a well-educated Parisian woman who drifts into prostitution out of boredom with the working world. The third of seven influential films between 1960 and 1965 directed by Godard and starring his then-wife and muse Anna Karina. Shot on location in Paris. 11.75 x 9.5 inches. Very Good moderately edgeworn. BFI 2055. Criterion Collection 512. Ebert I. N.p. unknown
1962ref. 144425Paris: Les Films de la Pleiade 1962. Four vintage borderless photographs from the 1962 film. With manuscript annotations and rubber stamps on the versos. Based in part on the nonfiction study "Ou en est la prostitution" by Marcel Sacotte who also contributed to the screenplay. Godard's least "intellectual" film is also one of his finest a touching drama about a college-educated woman who drifts into prostitution out of boredom with the working world to tragic consequences. The third of the seven highly influential films directed by Godard between 1960 and 1965 starring his then-wife and muse Anna Karina. Shot on location in Paris. 5 x 7 inches. Near Fine. BFI 2055. Criterion Collection 512. Ebert I. Les Films de la Pleiade unknown
1968ref. 167788New York: Grove Press Film Division 1968. Vintage press kit for US release of the French 1967 film. Pocketed black and white illustrated folder with gold stamp contains an illustrated bi-fold of "Notes and Background" and a Jean-Luc Godard bio and a tri-fold of advertising materials. One of Godard's most misanthropic films about a loveless bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents with the intent of securing an inheritance. Shot on location in Ile de France and Paris. Folder and contents Near Fine. Criterion Collection 635. Godard Histoires du cinema. Rosenbaum 1000. Vogel Film as a Subversive Art. Grove Press [Film Division] unknown
1967ref. 149386N.p.: N.p. 1967. Vintage reference photograph of director Jean-Luc Godard on the set of the 1967 film with actors Jean Yanne Jean-Pierre Leaud and Mireille Darc. Mimeo snipe affixed to the verso with celo tape from the Institute of Contemporary Arts Cinema for a July 5 1968 showing with annotations of actors names in manuscript ink. In one of Godard's most misanthropic films a loveless bourgeois couple Corinne Darc and Roland Yanne fantasize about killing each other when they aren't cheating on the other. They ponder these matters as they take a nearly never-ending nightmarish road trip to visit Corinne's parents intent on securing an inheritance resolved to murder if necessary. Shot on location in Ile de France and Paris. 8 x 10 inches with wide horizontal margins. Light curling else Near Fine. Criterion Collection 635. Rosenbaum 1000. Godard Histoires du cinema. Vogel Film as a Subversive Art. N.p. unknown
1967ref. 152866N.p.: N.p. 1967. Vintage borderless reference photograph of director Jean-Luc Godard pulling actress Mireille Darc's hair on the set of the 1967 film. With the stamp of still photographer and actress Anne Wiazemsky on the verso. One of Godard's most misanthropic films about a loveless bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents with the intent of securing an inheritance. Shot on location in Ile de France and Paris. 9.25 x 6.75 inches. Light creasing to the bottom left corner else Near Fine. Criterion Collection 635. Rosenbaum 1000. Godard Histoires du cinema. Vogel Film as a Subversive Art. N.p. unknown
1967ref. 168470N.p.: N.p. 1967. Two vintage borderless reference photographs showing a car accident sequence from the 1967 film one showing director Jean-Luc Godard looking back at the camera smiling wryly as plumes of smoke rise in the background. Layout annotations in manuscript ink and pencil on the versos. One of Godard's most misanthropic films about a loveless bourgeois couple who fantasize about killing each other while on a long road trip to visit the woman's parents with the intent of securing an inheritance. Shot on location in Ile de France and Paris. 6.75 x 5 inches. Near Fine. Criterion Collection 635. Rosenbaum 1000. Godard Histoires du cinema. Vogel Film as a Subversive Art. N.p. unknown
1964ref. 150307N.p.: N.p. 1964. Vintage oversize borderless reference photograph from the 1964 film showing actors Jean-Louis Trintignant and Jeanne Moreau between takes. With a printed mimeo snipe affixed to the verso along with the stamp of PRPresse. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. Loosely based on the adventures of Dutch dancer-turned-spy Mata Hari who worked as a secret agent for the Germans during World War I. Shot on location in Paris. 8 x 11.5 inches. Near Fine. N.p. unknown books
1964ref. 150307N.p.: N.p. 1964. Vintage oversize borderless reference photograph from the 1964 film showing actors Jean-Louis Trintignant and Jeanne Moreau between takes. With a printed mimeo snipe affixed to the verso along with the stamp of PRPresse. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. Loosely based on the adventures of Dutch dancer-turned-spy Mata Hari who worked as a secret agent for the Germans during World War I. Shot on location in Paris. 8 x 11.5 inches. Near Fine. N.p. unknown
1982ref. 156076Beverly Hills CA: United Artists 1982. Five vintage studio still photographs from the US release of the 1981 French film. Based on the 1979 novel by Daniel Odier writing under the pseudonym Delacora. A stylish and influential French thriller wherein a young postman and opera enthusiast inadvertently becomes entangled with the mob and the police after a woman slips a cassette that fingers a corrupt police chief into his bag. Set and shot on location in Paris France. 8 x 10 inches. One with a small chip and tape shadow at the bottom right corner else Near Fine. United Artists unknown books
ref. 149250Glendale CA: Allied Artists Pictures. Vintage one sheet poster for US release of the 1977 French film. Jean-Jacques Annaud's directorial debut. A scathing black comedy in which the residents of a French outpost in Africa learn of France's 1915 declaration of war on Germany conscript the local population and plan an attack on a nearby German garrison. Winner of the Academy Award for Best Foreign Film. Set in and shot on location in Ivory Coast. 27 x 41 inches. Near Fine. Allied Artists Pictures unknown books
1990ref. 167901Los Angeles: Columbia Pictures / Cinemax 1990. Two vintage reference photographs from the US release of the 1988 French film including one showing a camera crew on the set capturing a scene with Bart a trained Kodiak bear. One photo with a Cinemax label affixed to the verso. Based on James Oliver Curwood's 1916 novella "The Grizzly King" about an orphaned bear cub who befriends an adult Kodiak bear in the wild. Shot on location in the Italian and Austrian regions of the Dolomites using both live animals and animatronics created by Jim Henson's Creature Shop. 10 x 8 inches. About Fine. Columbia Pictures / Cinemax unknown books
ref. 149250Glendale CA: Allied Artists Pictures. Vintage one sheet poster for US release of the 1977 French film. Jean-Jacques Annaud's directorial debut. A scathing black comedy in which the residents of a French outpost in Africa learn of France's 1915 declaration of war on Germany conscript the local population and plan an attack on a nearby German garrison. Winner of the Academy Award for Best Foreign Film. Set in and shot on location in Ivory Coast. 27 x 41 inches. Near Fine. Allied Artists Pictures unknown
1982ref. 156076Beverly Hills CA: United Artists 1982. Five vintage studio still photographs from the US release of the 1981 French film. Based on the 1979 novel by Daniel Odier writing under the pseudonym Delacora. A stylish and influential French thriller wherein a young postman and opera enthusiast inadvertently becomes entangled with the mob and the police after a woman slips a cassette that fingers a corrupt police chief into his bag. Set and shot on location in Paris France. 8 x 10 inches. One with a small chip and tape shadow at the bottom right corner else Near Fine. United Artists unknown
1973ref. 161724N.p.: Lurco Films 1973. Three vintage studio still photographs from the US release of the 1973 French/German film. One photograph with a provenance stamp on the verso. A quintet of beautiful young girls travel for the summer to one of the girls' father's remote villa and spend their days shoplifting hitchhiking and having orgies. 8 x 10 inches. Near Fine. Lurco Films unknown books
1973ref. 149662N.p.: N.p. 1973. Vintage borderless reference photograph from the 1973 French film showing actress Brigitte Fossey in silhouette. A man recently released from the hospital falls in love with a woman who is identical in appearance to his wife. Shot on location in Morbihan France. 9.25 x 7 inches. Near Fine. N.p. unknown books
1973ref. 161724N.p.: Lurco Films 1973. Three vintage studio still photographs from the US release of the 1973 French/German film. One photograph with a provenance stamp on the verso. A quintet of beautiful young girls travel for the summer to one of the girls' father's remote villa and spend their days shoplifting hitchhiking and having orgies. 8 x 10 inches. Near Fine. Lurco Films unknown
1973ref. 149662N.p.: N.p. 1973. Vintage borderless reference photograph from the 1973 French film showing actress Brigitte Fossey in silhouette. A man recently released from the hospital falls in love with a woman who is identical in appearance to his wife. Shot on location in Morbihan France. 9.25 x 7 inches. Near Fine. N.p. unknown
1993ref. 158004Universal City: Universal Pictures 1993. Vintage studio still photograph of director John Woo and actor Jean-Claude Van Damme on the set of the 1993 film. A woman arrives in New Orleans in search of her father where she meets a drifter who helps her uncover the terrifying story behind her father's disappearance. Shot on location in Alabama and Louisiana. 10 x 8.25 inches. Light edgewear else Near Fine. Grant US. Universal Pictures unknown books
