11,046 results
1948ref. 151699N.p.: N.p. 1948. Vintage borderless reference photograph of director Jean Cocteau in conversation with actress Silvia Monfort while cinematographer Christian Matras looks on to the left. With the stamp of Le Parisien archive on the verso. Based on Cocteau's 1946 play. In nineteenth-century Europe a suicidal anarchist poet falls in love with the long-secluded queen who has been absent from the public eye for ten years due to her grief over her husband's death. Set in the fictional country of Krantz. 7 x 5.25 inches. Near Fine. N.p. unknown
1965ref. 159827Paris: UniFrance Film 1965. Vintage borderless reference photograph of director Georges Franju on the set of the 1965 French film arranging the coat of actress Emmanuele Riva. Stamp specific to the film's French release on the verso along with the stamp of UniFrance Film. Based on the 1923 novel by Jean Cocteau about a teenager who is mistaken for the nephew of the popular General de Fontenoy during World War I. Shot on location in Paris and Oise. 9.5 x 7.25 inches. Near Fine. UniFrance Film unknown
ref. 022448Jean Chabrier dit Jean Reibrach (1853-1927), écrivain, scénariste. Manuscrit A.S., sd, 2p in-4. Amusante vision de la France dans cent ans, pour une enquête de Jean Bernard, dans laquelle il prédit que le 4e état dirigera la France, diminuée à 10 millions d'habitants, prédisant des maladies, des greffes animales, le retour de l'esclavage. [548]
1956ref. 143289Paris: Cite Films 1956. Collection of 24 vintage reference photographs from the 1956 French film here under the French title "Le couturier de ces dames." 13 photographs with numeric annotations on the versos in pencil and one with "Le couturier de ces dames" in mimeograph duplication to same. A tailor needs to create a lasting fashion line to save his business. He does but he also cavorts a little with the models only for his wife to discover his infidelity. A send-up of the new haute couture popular at the time with notable designers Yves Saint Laurent Pierre Cardin who worked on the film and Japanese native Hanae Mori representing the "new look." Shot on location in Val-de-Marne France. One photo 3.25 x 4.25 inches the balance 5 x 7 inches. Generally Near Fine. Cite Films unknown books
1956ref. 143289Paris: Cite Films 1956. Collection of 24 vintage reference photographs from the 1956 French film here under the French title "Le couturier de ces dames." 13 photographs with numeric annotations on the versos in pencil and one with "Le couturier de ces dames" in mimeograph duplication to same. A tailor needs to create a lasting fashion line to save his business. He does but he also cavorts a little with the models only for his wife to discover his infidelity. A send-up of the new haute couture popular at the time with notable designers Yves Saint Laurent Pierre Cardin who worked on the film and Japanese native Hanae Mori representing the "new look." Shot on location in Val-de-Marne France. One photo 3.25 x 4.25 inches the balance 5 x 7 inches. Generally Near Fine. Cite Films unknown
1957ref. 144607Paris: Chronos Films 1957. Collection of 6 original black-and-white photographs for the 1959 French film all featuring starring actor Richard in uniforms on bicycles and drinking Perrier bottled water. Film title in manuscript ink on the versos 1 photo with a "Le Parisien libere" press rubberstamp. A little seen comedy about a two French towns who compete at football soccer the goalie of what town who is traded to the other for a cow becomes infatuated by a local young woman Tanguy. Director Bastia was an assistant director in the 1940s and 1950s when he worked almost exclusively with director Jean Boyer until his debut with this film the first in this series involving gendarmes and Champignol followed by "The Gendarm of Champignol" 1959 and "The Boss of Champignol" 1966. Photographs range 3 x 4.25 inches to 9.25 x 11.75 inches. Very Good overall light curling a few brief creases slight discoloration to one a few with pinholes. Chronos Films unknown books
1959ref. 144110Paris: Cinedis 1959. Collection of 269 vintage black-and-white photographs for the 1959 French film. The collection consists of two unique and complimentary pieces one being a film still keybook with 68 contact prints of small format negatives most with 12 images per print amounting to over 800 images captured. Nearly all images with series number bordering the image and credits at the top for photo laboratory Tele-Photo film studio Cinedis film title and photographer Rosselle housed in a 2-ring paper binder with original French titles. The other piece is nearly 170 smaller photographs elegantly presented mounted with cello tape on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper. Series numbers and small "x" annotations in manuscript ink on the pages several with small white borders and several with series number on the verso in manuscript pencil. Photos without borders also have series number at the edges etched in the original film negative before photo development as on the keybook prints. Nearly all photographs have numerical annotations in manuscript pencil on the versos a few smaller photographs have rubber-stamps on the versos crediting Richard Pierre film titles director Bastia and costars Alfred Adam and Noel Roquevart. Also included are 27 loose photographs a few with rubber-stamps on the verso crediting starring actors and French film titles and a small press packet from Cinedis detailing film credits synopsis and star biographies. Starring actors Richard and Pierre are amply represented in the collection and seen in nearly every image mostly in their official uniforms. Actress Zuber is equally present in striking high-contrast images cuddling bunnies fishing at a river and wielding a rifle. The notebook depicts images seen in the film while the keybook depicts on-the-set sequences test shots candid moments and images of the crew; the loose photos show both candid and action shots. An expansive perspective of a little seen comedy about a gendarme who travels to a small town looking for a disappeared woman a town known for its distrust of police officers. Director Bastia was an assistant director in the 1940s and 1950s when he worked almost exclusively with director Jean Boyer until his debut with "Nous autres à Champignol" 1957 the first in this series involving gendarmes and Champignol followed by this film and finally "The Boss of Champignol" 1966. Photographs in large quarto notebook 3.5 x 4.75 inches keybook contact prints 8.25 x 10.5 inches 2-hole punched several trimmed and loose photos range from 4.75 x 6.75 inches to 7 x 9.25 inches. Photographs about Near Fine with light curling a handful with short creases press packet Near Fine notebook Near Fine and binder Very Good. Cinedis unknown books
1957ref. 144607Paris: Chronos Films 1957. Collection of 6 original black-and-white photographs for the 1959 French film all featuring starring actor Richard in uniforms on bicycles and drinking Perrier bottled water. Film title in manuscript ink on the versos 1 photo with a "Le Parisien libere" press rubberstamp. A little seen comedy about a two French towns who compete at football soccer the goalie of what town who is traded to the other for a cow becomes infatuated by a local young woman Tanguy. Director Bastia was an assistant director in the 1940s and 1950s when he worked almost exclusively with director Jean Boyer until his debut with this film the first in this series involving gendarmes and Champignol followed by "The Gendarm of Champignol" 1959 and "The Boss of Champignol" 1966. Photographs range 3 x 4.25 inches to 9.25 x 11.75 inches. Very Good overall light curling a few brief creases slight discoloration to one a few with pinholes. Chronos Films unknown
1959ref. 144110Paris: Cinedis 1959. Collection of 269 vintage black-and-white photographs for the 1959 French film. The collection consists of two unique and complimentary pieces one being a film still keybook with 68 contact prints of small format negatives most with 12 images per print amounting to over 800 images captured. Nearly all images with series number bordering the image and credits at the top for photo laboratory Tele-Photo film studio Cinedis film title and photographer Rosselle housed in a 2-ring paper binder with original French titles. The other piece is nearly 170 smaller photographs elegantly presented mounted with cello tape on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper. Series numbers and small "x" annotations in manuscript ink on the pages several with small white borders and several with series number on the verso in manuscript pencil. Photos without borders also have series number at the edges etched in the original film negative before photo development as on the keybook prints. Nearly all photographs have numerical annotations in manuscript pencil on the versos a few smaller photographs have rubber-stamps on the versos crediting Richard Pierre film titles director Bastia and costars Alfred Adam and Noel Roquevart. Also included are 27 loose photographs a few with rubber-stamps on the verso crediting starring actors and French film titles and a small press packet from Cinedis detailing film credits synopsis and star biographies. Starring actors Richard and Pierre are amply represented in the collection and seen in nearly every image mostly in their official uniforms. Actress Zuber is equally present in striking high-contrast images cuddling bunnies fishing at a river and wielding a rifle. The notebook depicts images seen in the film while the keybook depicts on-the-set sequences test shots candid moments and images of the crew; the loose photos show both candid and action shots. An expansive perspective of a little seen comedy about a gendarme who travels to a small town looking for a disappeared woman a town known for its distrust of police officers. Director Bastia was an assistant director in the 1940s and 1950s when he worked almost exclusively with director Jean Boyer until his debut with "Nous autres à Champignol" 1957 the first in this series involving gendarmes and Champignol followed by this film and finally "The Boss of Champignol" 1966. Photographs in large quarto notebook 3.5 x 4.75 inches keybook contact prints 8.25 x 10.5 inches 2-hole punched several trimmed and loose photos range from 4.75 x 6.75 inches to 7 x 9.25 inches. Photographs about Near Fine with light curling a handful with short creases press packet Near Fine notebook Near Fine and binder Very Good. Cinedis unknown
1966ref. 161875N.p.: Times Films 1966. Vintage studio still photograph from the US release of the 1964 Brazilian film. Provenance stamp on a label on the verso obscuring a previous provenance stamp. Based on the 1960 novel "Asfalto Selvagem" by Nelson Rodrigues. Since childhood Lollipop has been in love with her orphaned cousin Silvio who was raised as a member of her family. When Silvio announces his engagement to Lollipop's cousin Leticia Lollipop decides to seduce Silvio at his engagement party. 8 x 10 inches. Very Good plus with several pinholes to the margins and a faint crease to the bottom right corner. Times Films unknown books
1966ref. 161875N.p.: Times Films 1966. Vintage studio still photograph from the US release of the 1964 Brazilian film. Provenance stamp on a label on the verso obscuring a previous provenance stamp. Based on the 1960 novel "Asfalto Selvagem" by Nelson Rodrigues. Since childhood Lollipop has been in love with her orphaned cousin Silvio who was raised as a member of her family. When Silvio announces his engagement to Lollipop's cousin Leticia Lollipop decides to seduce Silvio at his engagement party. 8 x 10 inches. Very Good plus with several pinholes to the margins and a faint crease to the bottom right corner. Times Films unknown
1961ref. 160674New York: Globe Photos 1961. Vintage borderless reference photograph from the 1961 film showing actress Jayne Mansfield having her makeup touched up on the set. Mimeo snipe in German on the verso along with several copyright stamps. A fictionalized portrayal of the prolific Hollywood star and nightclub dancer George Raft known for his many roles portraying gangsters and known for having real-life underworld connections made while Raft was still living. Shot on location in Los Angeles. 8.5 x 10 inches. Very Good plus. Globe Photos unknown books
1961ref. 160674New York: Globe Photos 1961. Vintage borderless reference photograph from the 1961 film showing actress Jayne Mansfield having her makeup touched up on the set. Mimeo snipe in German on the verso along with several copyright stamps. A fictionalized portrayal of the prolific Hollywood star and nightclub dancer George Raft known for his many roles portraying gangsters and known for having real-life underworld connections made while Raft was still living. Shot on location in Los Angeles. 8.5 x 10 inches. Very Good plus. Globe Photos unknown
1961ref. 162511N.p.: Phaeton Productions 1961. Vintage studio still photograph of Doris Gohlke from the 1961 film. A Prohibition-era bookkeeper attempts to hide from gangsters at a health farm teeming with beautiful scantily-clad women. 8 x 10 inches. Near Fine. Phaeton Productions unknown books
1961ref. 162511N.p.: Phaeton Productions 1961. Vintage studio still photograph of Doris Gohlke from the 1961 film. A Prohibition-era bookkeeper attempts to hide from gangsters at a health farm teeming with beautiful scantily-clad women. 8 x 10 inches. Near Fine. Phaeton Productions unknown
1994ref. 166475N.p.: Reno & Osborn Productions 1994. Revised Final Draft for Season 2 Episode 7 for the 1994-1997 television series. Originally aired April 24 1995 on USA Network. This adult animated series based on the 1990 comic by Everett Peck follows a duck who works as a private investigator. In this episode someone arrives claiming to be the illegitimate son of Duckman's business partner conceived when he was fighting in Vietnam. White titled self wrappers lacking rear wrapper noted as REVISED FINAL DRAFT on the front wrapper dated August 31 1994 with credits for uncredited screenwriters Jeffrey S. Astrof and Mike Sikowitz. Title page integral with front wrapper. 34 leaves with last page of text numbered 32. Xerographic duplication rectos only with undated revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. Reno & Osborn Productions unknown books
1994ref. 166475N.p.: Reno & Osborn Productions 1994. Revised Final Draft for Season 2 Episode 7 for the 1994-1997 television series. Originally aired April 24 1995 on USA Network. This adult animated series based on the 1990 comic by Everett Peck follows a duck who works as a private investigator. In this episode someone arrives claiming to be the illegitimate son of Duckman's business partner conceived when he was fighting in Vietnam. White titled self wrappers lacking rear wrapper noted as REVISED FINAL DRAFT on the front wrapper dated August 31 1994 with credits for uncredited screenwriters Jeffrey S. Astrof and Mike Sikowitz. Title page integral with front wrapper. 34 leaves with last page of text numbered 32. Xerographic duplication rectos only with undated revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. Reno & Osborn Productions unknown
ref. 351291 page in12 - (carte) - trés bon état -
1970ref. 141382N.p.: N.p. 1970. Draft script for an unproduced film. Text and titles in German. White untitled wrappers. Title page present with credit for screenwriter Janusz Henryk Kryst. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a Very Good black Velo binding. N.p. unknown books
1970ref. 141382N.p.: N.p. 1970. Draft script for an unproduced film. Text and titles in German. White untitled wrappers. Title page present with credit for screenwriter Janusz Henryk Kryst. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a Very Good black Velo binding. N.p. unknown
1986ref. 144120Budapest: MAFILM Objektiv Filmstudio 1986. Draft script for the 1987 film with the directors filmography and brief biography set in on the front wrapper. Text in English. A busy middle-class family at the end of Hungary's Kadar era use their kitchen chalk board as their primary mode of communication. The young son stays home from school and watches the family through periscopes. Shot on location in Budapest Hungary. Clear mylar front wrapper and black plastic rear wrapper. Title page present dated 1/20/86 with credits for screenwriter Miklos Vamos director Janos Rozsa dramaturge Istvan Kardos and translator Jack Jorgens. 109 leaves with last page of text numbered 108. Xerographically reproduced. Pages Fine wrapper Near Fine Comb binding. MAFILM Objektiv Filmstudio unknown books
1986ref. 144120Budapest: MAFILM Objektiv Filmstudio 1986. Draft script for the 1987 film with the directors filmography and brief biography set in on the front wrapper. Text in English. A busy middle-class family at the end of Hungary's Kadar era use their kitchen chalk board as their primary mode of communication. The young son stays home from school and watches the family through periscopes. Shot on location in Budapest Hungary. Clear mylar front wrapper and black plastic rear wrapper. Title page present dated 1/20/86 with credits for screenwriter Miklos Vamos director Janos Rozsa dramaturge Istvan Kardos and translator Jack Jorgens. 109 leaves with last page of text numbered 108. Xerographically reproduced. Pages Fine wrapper Near Fine Comb binding. MAFILM Objektiv Filmstudio unknown
1971ref. 171973N.p.: N.p. 1971. Second Draft script for the 1972 film here under the working title "A Perfect Day for Raspberry Ripple." Single annotation in manuscript ink to page 53 circling the page number. Based on Rebecca Morris' 1967 short story "The Good Humor Man" about a young woman who must put her life back together after her husband a college professor leaves her for one of his students. A feminist-minded drama in the vein of "Alice Doesn't Live Here Anymore" and "An Unmarried Woman." Shot on location in San Francisco. Red titled wrappers. Title page present dated August 27 1971 noted as Second Draft with credits for Morris and screenwriter David Seltzer. 133 leaves with last page of text numbered 132. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown books
1963ref. 154839N.p.: N.p. 1963. Vintage reference photograph of actress Janet Leigh in a brunette wig relaxing on the set of the 1963 film. Stamps of The Associated Press and Le Parisien on the verso. Based on the 1960 Tony Award winning stage musical of the same name with a book by Michael Stewart lyrics by Lee Adams and music by Charles Strouse. An unsuccessful pop songwriter is convinced he can make his fortune if he can get recently drafted rock and roll star Conrad Birdie on the Ed Sullivan show to kiss his high school girlfriend goodbye. Nominated for 2 Academy Awards. 7 x 9 inches. Near Fine. Godard Histoires du cinema. N.p. unknown books
1948ref. 159365Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1948. Vintage studio still photograph from the 1948 film. A Scottish doctor adopts Lassie. He has to start thinking about what his town will do once he the only doctor in the area passes away. Set in Scottland shot on location in Sonora Pass California. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
