11,049 results
2000ref. 143686West Hollywood: N.p. 2000. First Draft script for an unproduced film. Dedication on the front wrapper to "Eric Olsen and all the firefighter's who died in 9/11" White titled wrappers lacking rear wrapper noted as First Draft on the front wrapper. Title page integral to front wrapper with credits for screen writer James Kevin Fenwick. 60 leaves with last page of text numbered 60. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown books
2000ref. 143686West Hollywood: N.p. 2000. First Draft script for an unproduced film. Dedication on the front wrapper to "Eric Olsen and all the firefighter's who died in 9/11" White titled wrappers lacking rear wrapper noted as First Draft on the front wrapper. Title page integral to front wrapper with credits for screen writer James Kevin Fenwick. 60 leaves with last page of text numbered 60. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
1976ref. 163741N.p.: N.p. 1976. Seven vintage reference photographs from the 1976 British horror film. Annotations in manuscript ink on the versos. Struggling to finish his second book while experiencing vivid nightmares and increasing paranoia an author rents a cottage in the British countryside and hires an attractive mysterious secretary to help type the manuscript. Shot on location in Essex. 9.5 x 7 inches. Very Good plus with pinholes at the corners. N.p. unknown books
1976ref. 157080Laren NH: Actueel Film NV 1976. Six vintage reference photographs from the 1976 UK film. Included with the photographs is a press sheet specific to the film's release in The Netherlands with text in Dutch. Struggling to finish his second book while experiencing vivid nightmares and increasing paranoia an author rents a cottage in the British countryside and hires an attractive mysterious secretary to help type the manuscript. Shot on location in Essex. 10 x 8 inches. Very Good plus lightly edgeworn with pinholes at the corners. Actueel Film NV unknown books
1977ref. 156705Amsterdam: Universal Film Agency 1977. Three vintage reference photographs including two bordered black-and-white and one borderless color photographs and one vintage press photograph from the 1977 film. Printed label of Universal Film Agency in Amsterdam affixed to the versos. A heavily fictionalized autobiography of British adult film actress Fiona Richmond starring Richmond herself. Set in California and Michigan shot on location in both states. Approximately 8 x 10 inches. Very Good plus with pinholes at the corners. Universal Film Agency unknown books
1977ref. 156705Amsterdam: Universal Film Agency 1977. Three vintage reference photographs including two bordered black-and-white and one borderless color photographs and one vintage press photograph from the 1977 film. Printed label of Universal Film Agency in Amsterdam affixed to the versos. A heavily fictionalized autobiography of British adult film actress Fiona Richmond starring Richmond herself. Set in California and Michigan shot on location in both states. Approximately 8 x 10 inches. Very Good plus with pinholes at the corners. Universal Film Agency unknown
1976ref. 163741N.p.: N.p. 1976. Seven vintage reference photographs from the 1976 British horror film. Annotations in manuscript ink on the versos. Struggling to finish his second book while experiencing vivid nightmares and increasing paranoia an author rents a cottage in the British countryside and hires an attractive mysterious secretary to help type the manuscript. Shot on location in Essex. 9.5 x 7 inches. Very Good plus with pinholes at the corners. N.p. unknown
1976ref. 157080Laren NH: Actueel Film NV 1976. Six vintage reference photographs from the 1976 UK film. Included with the photographs is a press sheet specific to the film's release in The Netherlands with text in Dutch. Struggling to finish his second book while experiencing vivid nightmares and increasing paranoia an author rents a cottage in the British countryside and hires an attractive mysterious secretary to help type the manuscript. Shot on location in Essex. 10 x 8 inches. Very Good plus lightly edgeworn with pinholes at the corners. Actueel Film NV unknown
1967ref. 173112N.p.: Continental 1967. Vintage studio still photograph from the 1967 film. Based on the 1922 novel by James Joyce. Two men spend a day together in Dublin somewhat mirroring the story of Odysseus. Nominated for the Palme d'Or. Set in and shot on location in Dublin. 8 x 10 inches. Very Good plus with some creasing and a small tear to the margin on the right edge. Continental unknown books
1967ref. 173112N.p.: Continental 1967. Vintage studio still photograph from the 1967 film. Based on the 1922 novel by James Joyce. Two men spend a day together in Dublin somewhat mirroring the story of Odysseus. Nominated for the Palme d'Or. Set in and shot on location in Dublin. 8 x 10 inches. Very Good plus with some creasing and a small tear to the margin on the right edge. Continental unknown
1969ref. 156675London: Merchant Ivory Productions 1969. Vintage reference photograph from the 1969 film showing a camera crew capturing a scene with actress Rita Tushingham. Mimeo snipe on the verso. Culture clash ensues when a successful self-absorbed pop musician travels to India to learn to play the sitar from an older renowned sitar musician. Set and shot on location in India. 8 x 10 inches. Near Fine. Merchant Ivory Productions unknown books
1975ref. 139699N.p.: American International Pictures AIP 1975. Three vintage black-and-white studio still photographs from the 1975 film. An aging movie star pining for his lost days of fame throws a lavish Hollywood party in an attempt to pique the interest of some big shot producers. However the party flops resulting in an orgiastic and murderous free-for-all. Set in Hollywood shot on location in California. 10 x 8 inches. Fine with a stamp to the verso of each. American International Pictures [AIP] unknown books
1969ref. 156675London: Merchant Ivory Productions 1969. Vintage reference photograph from the 1969 film showing a camera crew capturing a scene with actress Rita Tushingham. Mimeo snipe on the verso. Culture clash ensues when a successful self-absorbed pop musician travels to India to learn to play the sitar from an older renowned sitar musician. Set and shot on location in India. 8 x 10 inches. Near Fine. Merchant Ivory Productions unknown
1938ref. 163880N.p.: N.p. 1938. James Hilton's typescript draft screenplay for the 1939 film an adaptation of his own 1937 novel the only such adaptation he ever completed. With the author's profuse manuscript ink annotations as well as many pages executed entirely in manuscript ink throughout. Included is a privately commissioned essay by Hilton scholar Kurt Kausler detailing both the history of Hilton's work on the film an analysis and a breakdown of the manuscript. Almost certainly Hilton's first corrected manuscript screenplay for the film. After Jack Warner raised concerns about the script being too long screenwriter Milton Krims was employed to clean up and shorten it-though in the end Hilton received sole credit as screenwriter. A man hires an Austrian governess and both are suspected of murder when his wife is discovered to be dead. 123 leaves a gathering demonstrating the author's method his attention to detail and his extreme frugality with the use of paper the last most likely due to wartime shortages. The script consists of a ribbon copy typescript leaves on both onionskin and paper stock with manuscript emendations on virtually every page in many cases both recto and verso with some leaves executed on the versos of unrelated previous work by Hilton b leaves consisting entirely of text executed in manuscript ink c hand-cut partial leaves and d a handful of later Xerographically duplicated facsimiles of Hilton's original annotated typescript leaves. Included is a very detailed analysis of the manuscript as well as the events surrounding its creation along with a detailed breakdown of the manuscript elements. Hilton's manuscript leaves Very Good to Fine quite supple and well preserved. Housed in a modern white three-ring binder. Leaves individually held in modern mylar page protectors. N.p. unknown books
1938ref. 163880N.p.: N.p. 1938. James Hilton's typescript draft screenplay for the 1939 film an adaptation of his own 1937 novel the only such adaptation he ever completed. With the author's profuse manuscript ink annotations as well as many pages executed entirely in manuscript ink throughout. Included is a privately commissioned essay by Hilton scholar Kurt Kausler detailing both the history of Hilton's work on the film an analysis and a breakdown of the manuscript. Almost certainly Hilton's first corrected manuscript screenplay for the film. After Jack Warner raised concerns about the script being too long screenwriter Milton Krims was employed to clean up and shorten it-though in the end Hilton received sole credit as screenwriter. A man hires an Austrian governess and both are suspected of murder when his wife is discovered to be dead. 123 leaves a gathering demonstrating the author's method his attention to detail and his extreme frugality with the use of paper the last most likely due to wartime shortages. The script consists of a ribbon copy typescript leaves on both onionskin and paper stock with manuscript emendations on virtually every page in many cases both recto and verso with some leaves executed on the versos of unrelated previous work by Hilton b leaves consisting entirely of text executed in manuscript ink c hand-cut partial leaves and d a handful of later Xerographically duplicated facsimiles of Hilton's original annotated typescript leaves. Included is a very detailed analysis of the manuscript as well as the events surrounding its creation along with a detailed breakdown of the manuscript elements. Hilton's manuscript leaves Very Good to Fine quite supple and well preserved. Housed in a modern white three-ring binder. Leaves individually held in modern mylar page protectors. N.p. unknown
1969ref. 147832N.p.: Cinemation Industries 1969. Vintage studio still photograph of Robert Walker Jr. and Phyllis Diller from the 1970 film here under the working title "The Man from O.R.G.Y. in 'The Real Gone Girls'." Based on Ted Mark's "The Man from O.R.G.Y." series 1965-1981 written under the pseudonym Theodore "Ted" Mark Gottfried. Steve Victor Walker head of the Organization for the Rational Guidance of Youth O.R.G.Y. searches for three prostitutes each bearing a tattoo of a gopher on their buttocks who have inherited a uranium mine from their former madam. Set in and shot on location in New York City and Puerto Rico. 8 x 10 inches. Very Good plus with light creasing and edgewear. Cinemation Industries unknown books
1957ref. 144615Nice: Studios de la Victorine 1957. Original black-and-white still photograph from the 1957 French film here under the original title "Une manche et la belle." Vidal and Demongeot are seen sunbathing worriedly on marble. Numerical annotations in manuscript pencil French film title and Demongeot's and Vidal's names in manuscript ink on the versos. Noirish murder drama loosely based on Chase's novel "The Sucker Punch" 1954. Betty Farnwell Miranda is a rich widow living in Nice with a bewitching daughter Eva Demongeot. Betty marries Philippe Vidal a good-looking but self-interested man. Cue Eva. Philippe falls for the calculating femme fatale who has plans to marry someone else. Betty's life is in danger as Philippe struggles with his transgressions. 7 x 9.25 inches small white border at the foot. Very Good plus with brief ink on the recto and faint creases. Selby France. Studios de la Victorine unknown books
1957ref. 144615Nice: Studios de la Victorine 1957. Original black-and-white still photograph from the 1957 French film here under the original title "Une manche et la belle." Vidal and Demongeot are seen sunbathing worriedly on marble. Numerical annotations in manuscript pencil French film title and Demongeot's and Vidal's names in manuscript ink on the versos. Noirish murder drama loosely based on Chase's novel "The Sucker Punch" 1954. Betty Farnwell Miranda is a rich widow living in Nice with a bewitching daughter Eva Demongeot. Betty marries Philippe Vidal a good-looking but self-interested man. Cue Eva. Philippe falls for the calculating femme fatale who has plans to marry someone else. Betty's life is in danger as Philippe struggles with his transgressions. 7 x 9.25 inches small white border at the foot. Very Good plus with brief ink on the recto and faint creases. Selby France. Studios de la Victorine unknown
1965ref. 147218Los Angeles: Twentieth Century-Fox Television 1965. First Draft script for the 14th and final episode of the first and only season of "Blue Light" originally aired on ABC on May 18 1966. With manuscript ink annotations to the cast list noting the names of prospective actors for each role. An American spy living in Germany during World War II receives orders to kill a scientist who appears to be completing an atomic bomb for the SS but soon realizes the man may be working against the Nazis after all. Set in Germany. Red titled wrappers noted as FIRST DRAFT on the front wrapper dated DECEMBER 22 1965. Title page present dated December 22 1965 noted as FIRST DRAFT with credits for screenwriter Harold Livingstone. 36 leaves with last page of text numbered 33. Mimeograph duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Twentieth Century-Fox Television unknown books
1965ref. 147218Los Angeles: Twentieth Century-Fox Television 1965. First Draft script for the 14th and final episode of the first and only season of "Blue Light" originally aired on ABC on May 18 1966. With manuscript ink annotations to the cast list noting the names of prospective actors for each role. An American spy living in Germany during World War II receives orders to kill a scientist who appears to be completing an atomic bomb for the SS but soon realizes the man may be working against the Nazis after all. Set in Germany. Red titled wrappers noted as FIRST DRAFT on the front wrapper dated DECEMBER 22 1965. Title page present dated December 22 1965 noted as FIRST DRAFT with credits for screenwriter Harold Livingstone. 36 leaves with last page of text numbered 33. Mimeograph duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Twentieth Century-Fox Television unknown
1982ref. 141766Australia: Embassy Pictures 1982. Shooting script for the 1982 film. Copy belonging to an unknown crew member with manuscript annotations highlighting camera shots throughout. Rogue KGB agents posing as Islamic terrorists steal a nuclear weapon and threaten to blow up Saudi oil fields unless their demands are met. Enter The Soldier a CIA operative whose actions have been disavowed by the US government who must find and stop the terrorists before the nuke is launched. Self wrappers with credits for Glickenhaus. Title page present dated 6/29/81 noted as First Draft Shooting Script. 83 leaves with last page of text numbered 80. Xerographic duplication first generation with no copied holes. Pages Near Fine wrapper Near Fine housed in a generic ring binder. Embassy Pictures unknown books
1978ref. 137031New York: Interstar 1978. Revised Shooting script for the 1980 film. Vigilante crime drama focuses on a Vietnam vet who wreaks revenge on the streets of New York for his wartime friend who was mugged and subsequently crippled. In the vein of "Death Wish" 1974 but with more exterminating. A cult classic. Shot on location in New York and Ventura County California. Red Studio Duplicating wrappers with a credit for screenwriter Glickenhaus on the front wrapper. Title page present dated 8/9/79 noted as SHOOTING SCRIPT with a credit for screenwriter Glickenhaus. 173 leaves with last page of text numbered 170. Mechanical duplication with blue revision pages throughout dated variously between 8/24/79 and 8/27/79. Pages Near Fine wrapper Very Good plus bound with two gold brads. Arrow 554. Hardy The Gangster Film. Interstar unknown books
1978ref. 137031New York: Interstar 1978. Revised Shooting script for the 1980 film. Vigilante crime drama focuses on a Vietnam vet who wreaks revenge on the streets of New York for his wartime friend who was mugged and subsequently crippled. In the vein of "Death Wish" 1974 but with more exterminating. A cult classic. Shot on location in New York and Ventura County California. Red Studio Duplicating wrappers with a credit for screenwriter Glickenhaus on the front wrapper. Title page present dated 8/9/79 noted as SHOOTING SCRIPT with a credit for screenwriter Glickenhaus. 173 leaves with last page of text numbered 170. Mechanical duplication with blue revision pages throughout dated variously between 8/24/79 and 8/27/79. Pages Near Fine wrapper Very Good plus bound with two gold brads. Arrow 554. Hardy The Gangster Film. Interstar unknown
1982ref. 141766Australia: Embassy Pictures 1982. Shooting script for the 1982 film. Copy belonging to an unknown crew member with manuscript annotations highlighting camera shots throughout. Rogue KGB agents posing as Islamic terrorists steal a nuclear weapon and threaten to blow up Saudi oil fields unless their demands are met. Enter The Soldier a CIA operative whose actions have been disavowed by the US government who must find and stop the terrorists before the nuke is launched. Self wrappers with credits for Glickenhaus. Title page present dated 6/29/81 noted as First Draft Shooting Script. 83 leaves with last page of text numbered 80. Xerographic duplication first generation with no copied holes. Pages Near Fine wrapper Near Fine housed in a generic ring binder. Embassy Pictures unknown
1964ref. 160155Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Collection of eleven vintage studio still photographs from the 1964 film. Based on William Bradford Huie's 1959 novel. A biting antiwar satire which follows a laconic US Navy officer who falls in love with a British woman shortly before being sent off on a dangerous D-Day mission. Shot on location in London and Oxnard California. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
