11,049 results
ref. 146978Barcelona: Tibidabo Films Unknown. Draft script for an unproduced film. Heavily annotated throughout in manuscript ink and pencil mostly noting grammatical revisions and deletions with a few additions. Text in English. A woman trapped in a loveless marriage finds pleasure in an affair with a young orchestra conductor. Spanish screenwriter Jaime Camino was best known for his wartime family dramas including the 1976 film "Long Vacations of 36" and the 1992 film "The Long Winter." Clear mylar front wrapper with a burgundy rear wrapper. Title page present with credits for screenwriters JAIME CAMINO and ROSA REGAS. 132 leaves with last page of text numbered 128. Mix of mimeograph and carbon typescript rectos only. Pages Very Good plus wrapper Very Good plus bound with a gold prong. Tibidabo Films unknown books
ref. 146978Barcelona: Tibidabo Films Unknown. Draft script for an unproduced film. Heavily annotated throughout in manuscript ink and pencil mostly noting grammatical revisions and deletions with a few additions. Text in English. A woman trapped in a loveless marriage finds pleasure in an affair with a young orchestra conductor. Spanish screenwriter Jaime Camino was best known for his wartime family dramas including the 1976 film "Long Vacations of 36" and the 1992 film "The Long Winter." Clear mylar front wrapper with a burgundy rear wrapper. Title page present with credits for screenwriters JAIME CAMINO and ROSA REGAS. 132 leaves with last page of text numbered 128. Mix of mimeograph and carbon typescript rectos only. Pages Very Good plus wrapper Very Good plus bound with a gold prong. Tibidabo Films unknown
1964ref. 161870N.p.: Juniper Productions 1964. Two vintage studio still photographs from the 1964 film. Both photographs with provenance stamps on the versos. An obscure 1960s sexploitation film from director and screenwriter Jai Hais. 8 x 10 inches. Near Fine. Juniper Productions unknown books
1964ref. 161870N.p.: Juniper Productions 1964. Two vintage studio still photographs from the 1964 film. Both photographs with provenance stamps on the versos. An obscure 1960s sexploitation film from director and screenwriter Jai Hais. 8 x 10 inches. Near Fine. Juniper Productions unknown
1983ref. 166412Los Angeles: Avon Productions 1983. Draft script for the 1983 pornographic film. With annotations in manuscript pencil on the first leaf presumably made by screenwriter-director Phil Prince indicating the name of the actor to be associated with each character. A cult leader called "The Confessor" hears confessions from rape victims "cleanses" the female ones with sex and then arranges for all victims and sometimes himself to then recursively rape their own male or female rapists. IMDB. Title page integral with cast of characters no wrapper as issued undated. 31 leaves with last page of text numbered 29. Xerographic duplication rectos only. Pages Near Fine unbound. Avon Productions unknown books
1983ref. 166412Los Angeles: Avon Productions 1983. Draft script for the 1983 pornographic film. With annotations in manuscript pencil on the first leaf presumably made by screenwriter-director Phil Prince indicating the name of the actor to be associated with each character. A cult leader called "The Confessor" hears confessions from rape victims "cleanses" the female ones with sex and then arranges for all victims and sometimes himself to then recursively rape their own male or female rapists. IMDB. Title page integral with cast of characters no wrapper as issued undated. 31 leaves with last page of text numbered 29. Xerographic duplication rectos only. Pages Near Fine unbound. Avon Productions unknown
1943ref. 135506Culver City CA: RKO Radio Pictures 1943. Vintage black-and-white studio photograph from the 1943 film noir. Based on the 1942 novel "Black Alibi" by Cornell Woolrich. 8 x 10 inches. Very Good condition with edge creasing and a few closed tears and with two cello tape repairs to the verso. Grant US. Selby US. Spicer US. Rosenbaum 1000. RKO Radio Pictures unknown books
1943ref. 135506Culver City CA: RKO Radio Pictures 1943. Vintage black-and-white studio photograph from the 1943 film noir. Based on the 1942 novel "Black Alibi" by Cornell Woolrich. 8 x 10 inches. Very Good condition with edge creasing and a few closed tears and with two cello tape repairs to the verso. Grant US. Selby US. Spicer US. Rosenbaum 1000. RKO Radio Pictures unknown
1954ref. 166109N.p.: N.p. 1954. Vintage oversize borderless reference photograph from the classic 1954 film showing Jacques Tati on the tennis court. Dutch blindstamp on the top right corner and Dutch provenance label on the verso. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 12 x 9.5 inches. Very Good plus. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown books
1954ref. 162412N.p.: N.p. 1954. Vintage oversize borderless reference photograph from the classic 1954 film showing Jacques Tati on the beach. Number stamp and annotations in manuscript ink on the verso. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 9.25 x 11.25 inches. Very Good plus with light wear at the corners and a couple of tiny bruises at the bottom right corner. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown books
1954ref. 160512N.p.: N.p. 1954. Vintage borderless reference photograph of Jacques Tati as Monsieur Hulot from the classic 1954 film. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 6.75 x 9 inches. Very Good plus with pinholes at the corners and light creasing on the bottom edge. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown books
1954ref. 149741N.p.: N.p. 1954. Four vintage borderless reference photographs from the 1954 film. With agency labels on the verso along with manuscript ink and pencil annotations regarding layout. Good-natured bumbling Mr. Hulot decides to take a summer trip to the French coast where he wreaks benevolent chaos on the residents of a small seaside resort. The film which introduced Jacques Tati's beloved character to the world followed by "Mon Oncle" 1958 "Play Time" 1967 and "Trafic" 1971. Shot on location on the coast of France. 7 x 5 inches. Very Good plus. Criterion Collection 110. Ebert I. Rosenbaum 1000. N.p. unknown books
1954ref. 144577France: DisCina 1954. Vintage borderless photograph of director Jacques Tati during on a promotional tour for his 1953 film. Mimeo snipe on the verso. The film that introduced Jacques Tati's bumbling and hilarious Monsieur Hulot to the world. Nominated for an Academy Award. Shot on location on the coast of France. 5 x 7 inches. Near Fine. Criterion Collection 110. Ebert I. Rosenbaum 1000. DisCina unknown books
1958ref. 139689Paris: Gaumont 1958. Vintage photograph of Jacques Tati as Monsieur Hulot from the 1958 film. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. 7.25 x 5 inches. Near Fine with a shallow diagonal crease to one corner. Criterion Collection 111. Ebert II. Rosenbaum 1000. Gaumont unknown books
1958ref. 150440N.p.: N.p. 1958. Vintage borderless black and white photograph of director Jacques Tati at the premiere of his 1958 film preparing to pour a celebratory toast of champagne into an empty paper sleeve for the vinyl single from the film's soundtrack held by actress Mylene Demongeot. Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. 8 x 10 inches. Near Fine. N.p. unknown books
1958ref. 157095N.p.: N.p. 1958. Vintage reference photograph from the 1958 film showing director Jacques Tati and a camera operator filming an outdoors scene. National Film Archive stamp on the verso along with annotations in manuscript ink and pencil regarding cropping. From the archive of film historian and author Joel Finler. Tati's second of four films featuring the inimitable Monsieur Hulôt. In this chapter Hulôt strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. Set in the Parisian suburbs. 10 x 8 inches. Near Fine. N.p. unknown books
1958ref. 155857N.p.: N.p. 1958. Vintage borderless reference photograph from the 1958 film showing director Jacques Tati filming an outdoors scene. National Film Archive stamp on the verso along with annotations in manuscript ink and pencil regarding cropping. From the archive of film historian and author Joel Finler. Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. Set in the Parisian suburbs. 7.75 x 10 inches. Near Fine. N.p. unknown books
1958ref. 151249N.p.: N.p. 1958. Vintage borderless reference photograph from the set of the 1958 film showing director Jacques Tati smoking a cigarette and watching as cameraman Paul Rodier films a scene. With two Cine-Revue stamps on the verso along with manuscript ink and pencil layout annotations. Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. Set in the Parisian suburbs. 9.5 x 7 inches. Near Fine. N.p. unknown books
1958ref. 143634Neuilly-sur-Seine France: Gaumont 1958. Three vintage borderless photographs showing director Jacques Tati at work on the set of the 1958 film. With the stamps of the French Film Office's New York address as well as film information on the verso. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. 7.25 x 9.5 inches. Near Fine. Criterion Collection 111. Ebert II. Rosenbaum 1000. Gaumont unknown books
1967ref. 159622N.p.: N.p. 1967. Four vintage borderless color reference photographs from the 1967 film. A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. Set in Paris. Approximately 10.5 x 8.5 inches. Light wear at the corners else Near Fine. N.p. unknown books
1967ref. 159120N.p.: N.p. 1967. Vintage oversize borderless color reference photograph from the 1967 film. A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. Set in Paris. Approximately 9.5 x 12 inches. Light wear at the corners else Near Fine. N.p. unknown books
1967ref. 149330Paris: Jolly Film 1967. Three vintage reference photographs one borderless from the 1967 film. With manuscript annotations regarding layout to the verso and one with the stamp of Specta Films. A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. Set in Paris. 7 x 5 inches. Very Good plus with light edgewear. Jolly Film unknown books
1971ref. 149665N.p.: N.p. 1971. Vintage oversize borderless color reference photograph from the 1971 French film. The final film to feature Jacques Tati as the iconic lovable Monsieur Hulot following "Les Vacances de Monsieur Hulot" 1953 "Mon Oncle" 1958 and "Playtime" 1967. This feature finds Hulot as a naive but intrepid Parisian automobile designer whose plan to show off his newly created camper car at an auto show in Amsterdam is waylaid by a plethora of roadway obstacles including Dutch customs a car accident and a slow-moving mechanic. Set and shot on location in Paris and the Netherlands. 11.75 x 9.5 inches. Near Fine. N.p. unknown books
1949ref. 170417France: Cady Films 1949. Vintage borderless reference photograph from the 1949 film showing director Jacques Tati talking with a live goat and an unidentified cast member. Annotations in manuscript ink and pencil on the verso. In his charming and beautifully plotless pre-Hulot first feature Tati is Francois a contented and happy postman in a small unhurried French village. Francois is at ease with his job and leisurely performs his duties peddling away on his rounds upon his beloved bicycle. A carnival comes to town and one of the attractions is a film depicting the United States Postal Service's fast and efficient postal delivery system. The narrator in the film exhorts "Rapidite rapidite." Francois takes up the call and attempts to Americanize his work style. 7 x 9.5 inches. Near Fine. BFI 603. Criterion Collection 730. Godard Histoires du cinema. Rosenbaum 1000. Cady Films unknown books
1974ref. 145146France: Gray-Film 1974. Vintage oversize borderless color photograph of director and star Jacques Tati on the set of the 1974 French film. Tati's final film in which the beloved director plays a circus clown. Shown out of competition at Cannes and then released in France as a television movie. 11.75 x 9.5 inches. Near Fine. BFI. Criterion Collection 731. Rosenbaum 1000. Gray-Film unknown books
