11,031 results
1940ref. 145329Los Angeles: Twentieth Century-Fox 1940. Vintage photograph of director Irving Cummings cinematographer Leon Shamroy and actresses Alice Faye and Helen Westley on the set of the 1940 film. Mimeo snipe on the verso. The life story of the 19th century American musical star. 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
1942ref. 116171N.p.: N.p. 1942. Revised Final Script for the 1942 film. Two blue revision pages dated 8/8/42 paper clipped to the rear wrapper of the script. One the greatest Technicolor musicals produced by Fox in the 1940s employing Harry James and his orchestra at their peak and pulling out all the stops on the musical numbers. Featuring Carmen Miranda's version of "Chattanooga Choo-Choo" and the debut of the classic song "I Had the Craziest Dream." Red titled wrappers noted as Revised Final on the front wrapper rubber-stamped copy No. 47 and production No. 763 dated June 11 1942. Distribution page present with receipt intact. Title page present dated June 11 1942 noted as Revised Final. 131 leaves with last page of text numbered 129. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 6/13/42 and 7/20/42. Pages Near Fine wrapper Very Good bound internally with two gold brads. N.p. unknown books
1924ref. 151017N.p.: N.p. 1924. Vintage publicity photograph of actress Virginia Valli from the 1924 film. With a mimeo snipe on the verso along with the stamp of King Features Syndicate. Based on the 1920 novel "Belonging" by Olive Wadsley. Considered a lost film. 8 x 10 inches. Very Good plus overall. N.p. unknown books
1943ref. 139821Los Angeles: Twentieth Century-Fox 1943. Vintage studio still photograph from the 1943 film musical. A loose remake of the 1937 film "Love is News" with Tyrone Power and Loretta Young "Sweet Rosie O'Grady" finds Betty Grable in London seeking to better herself as an artist which in 1943 means landing a wealthy duke for a husband. But newspaperman Robert Young has other plans for her love life. Remade once more as a comedy in 1948 as "That Wonderful Urge" with Tyrone Power and Gene Tierney. Shot on location in California. 10 x 8 inches. Good with profuse manuscript annotations to the verso and three to the recto although not obscuring the image. Stamped to the verso. Twentieth Century-Fox unknown books
1924ref. 151017N.p.: N.p. 1924. Vintage publicity photograph of actress Virginia Valli from the 1924 film. With a mimeo snipe on the verso along with the stamp of King Features Syndicate. Based on the 1920 novel "Belonging" by Olive Wadsley. Considered a lost film. 8 x 10 inches. Very Good plus overall. N.p. unknown
1942ref. 116171N.p.: N.p. 1942. Revised Final Script for the 1942 film. Two blue revision pages dated 8/8/42 paper clipped to the rear wrapper of the script. One the greatest Technicolor musicals produced by Fox in the 1940s employing Harry James and his orchestra at their peak and pulling out all the stops on the musical numbers. Featuring Carmen Miranda's version of "Chattanooga Choo-Choo" and the debut of the classic song "I Had the Craziest Dream." Red titled wrappers noted as Revised Final on the front wrapper rubber-stamped copy No. 47 and production No. 763 dated June 11 1942. Distribution page present with receipt intact. Title page present dated June 11 1942 noted as Revised Final. 131 leaves with last page of text numbered 129. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 6/13/42 and 7/20/42. Pages Near Fine wrapper Very Good bound internally with two gold brads. N.p. unknown
1948ref. 152133N.p.: Brecher Productions 1948. Final Shooting script for the 1949 film. Copy belonging to uncredited editor Walter Thompson with his name in manuscript pencil on the front wrapper and his manuscript pencil annotations throughout. The daughter of a factory worker causes an uproar in her family when she announces her engagement to her father's boss' son. Notable for having been written by but not starring Groucho Marx. Set in California. Red titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper dated August 24 1948. Title page present undated with credits for director-screenwriter Irving Brecher. 140 leaves with last page of text numbered 137. Mimeograph duplication rectos only with pink and blue revision pages throughout dated variously between 9/3/48 and 10/7/48. Pages Near Fine wrapper Very Good plus bound with two gold brads. Brecher Productions unknown books
1960ref. 132166Culver City CA: Columbia Pictures 1960. First Estimating script for the 1961 film. Based on the novel of the same name by Nathaniel Benchley. A screw-up comedy in which a ship intended to be scrapped is instead commandeered by crooks as a getaway vessel in a bank heist their two hostages left to attract the attention of the Coast Guard. Kovacs' last film before he was killed in a car crash. Gray titled wrappers noted as FIRST ESTIMATING DRAFT on the front wrapper dated Sept. 28 1960 with credits for producer Barry. Title page present noted as production No. 8602 dated September 27 1960 noted as FIRST ESTIMATING DRAFT with credits for producer Barry and screenwriter Bower. 182 leaves mimeograph duplication with white yellow and blue revision pages throughout dated variously between October 26 1960 and October 28 1960. Pages Near Fine wrapper Very Good plus bound with two gold brads. Columbia Pictures unknown books
1960ref. 132166Culver City CA: Columbia Pictures 1960. First Estimating script for the 1961 film. Based on the novel of the same name by Nathaniel Benchley. A screw-up comedy in which a ship intended to be scrapped is instead commandeered by crooks as a getaway vessel in a bank heist their two hostages left to attract the attention of the Coast Guard. Kovacs' last film before he was killed in a car crash. Gray titled wrappers noted as FIRST ESTIMATING DRAFT on the front wrapper dated Sept. 28 1960 with credits for producer Barry. Title page present noted as production No. 8602 dated September 27 1960 noted as FIRST ESTIMATING DRAFT with credits for producer Barry and screenwriter Bower. 182 leaves mimeograph duplication with white yellow and blue revision pages throughout dated variously between October 26 1960 and October 28 1960. Pages Near Fine wrapper Very Good plus bound with two gold brads. Columbia Pictures unknown
1948ref. 152133N.p.: Brecher Productions 1948. Final Shooting script for the 1949 film. Copy belonging to uncredited editor Walter Thompson with his name in manuscript pencil on the front wrapper and his manuscript pencil annotations throughout. The daughter of a factory worker causes an uproar in her family when she announces her engagement to her father's boss' son. Notable for having been written by but not starring Groucho Marx. Set in California. Red titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper dated August 24 1948. Title page present undated with credits for director-screenwriter Irving Brecher. 140 leaves with last page of text numbered 137. Mimeograph duplication rectos only with pink and blue revision pages throughout dated variously between 9/3/48 and 10/7/48. Pages Near Fine wrapper Very Good plus bound with two gold brads. Brecher Productions unknown
1970ref. 141267N.p.: Kings Road Productions 1970. Draft script for an unproduced film. Based on the 1975 novel by Irving A. Greenfield about early man and his struggles. Named for the one of the many gods worshipped by the people living in the Mesopotamian Valley. Set in the Mesopotamian Valley. Brown untitled wrappers. Title page present with credits for screenwriter Paul Young and author Irving A. Greenfield. 123 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Kings Road Productions unknown books
1970ref. 141267N.p.: Kings Road Productions 1970. Draft script for an unproduced film. Based on the 1975 novel by Irving A. Greenfield about early man and his struggles. Named for the one of the many gods worshipped by the people living in the Mesopotamian Valley. Set in the Mesopotamian Valley. Brown untitled wrappers. Title page present with credits for screenwriter Paul Young and author Irving A. Greenfield. 123 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Kings Road Productions unknown
1976ref. 139461Burbank CA: Warner Brothers 1976. Vintage studio still photograph of Gale Sondergaard from the 1976 film. Sequel to the 1970 film "A Man Called Horse." John Morgan returns to the Americas to help his now threatened Sioux tribe. Once a prisoner of the tribe he was accepted as one of their own after proving himself as a warrior. The film received mixed reviews mostly reacting to the white male savior plot line as well as the gruesome "initiation rite" scene which was repeated in both films. Set in the United States shot on location in the United States and Mexico. 10 x 8 inches. Near Fine with a blue manuscript notation to the verso. Olive Films 1227. Warner Brothers unknown books
1976ref. 139893Beverly Hills CA: United Artists 1976. Eight vintage full-color lobby cards from the 1976 film. Based on characters developed by Dorothy M. Johnson. Sequel to the cult Western "A Man Called Horse" 1970 John Morgan Harris returns to save his Native tribe from being wiped out. More self-imposed rituals and torture ensue to invigorate the tribe to save their land. 11 x 14 inches. Light bumps to a few corners else Near Fine. Pitts 3369. United Artists unknown books
1976ref. 139893Beverly Hills CA: United Artists 1976. Eight vintage full-color lobby cards from the 1976 film. Based on characters developed by Dorothy M. Johnson. Sequel to the cult Western "A Man Called Horse" 1970 John Morgan Harris returns to save his Native tribe from being wiped out. More self-imposed rituals and torture ensue to invigorate the tribe to save their land. 11 x 14 inches. Light bumps to a few corners else Near Fine. Pitts 3369. United Artists unknown
1966ref. 162261N.p.: Emerson Film Enterprises 1966. Vintage studio still photograph from the 1966 film. Provenance stamp on the verso. A newlywed learns her husband is a pimp and ultimately agrees to work for him as a call girl. Shot on location in Texas. 8 x 10 inches. Near Fine. Emerson Film Enterprises unknown books
1966ref. 164231Paris: Télérama 1966. Vintage borderless reference photograph from the 1966 film showing actress Irma Raush. Provenance stamps and annotations in manuscript ink on the verso. Andrei Tarkovsky's sprawling 15th century drama capturing seven episodes in the life of revered Russian iconographer Andrei Rublev from his humble origins as a traveling monk to his later years returning to painting after a long and meditative sabbatical. Set in medieval Russia shot on location in Moscow. 7 x 5 inches. Very Good plus. Criterion Collection 34. Rosenbaum 1000. Vogel Film as a Subversive Art. Télérama unknown books
1966ref. 164231Paris: Télérama 1966. Vintage borderless reference photograph from the 1966 film showing actress Irma Raush. Provenance stamps and annotations in manuscript ink on the verso. Andrei Tarkovsky's sprawling 15th century drama capturing seven episodes in the life of revered Russian iconographer Andrei Rublev from his humble origins as a traveling monk to his later years returning to painting after a long and meditative sabbatical. Set in medieval Russia shot on location in Moscow. 7 x 5 inches. Very Good plus. Criterion Collection 34. Rosenbaum 1000. Vogel Film as a Subversive Art. Télérama unknown
1974ref. 162149N.p.: Sociéte Nouvelle de Cinematographie SNC 1974. Collection of eleven vintage borderless lobby cards for the French release of the 1974 Italian film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A lawyer agrees to marry a teenage girl with an intellectual disability in order to access her wealthy mother's properties planning to have the girl kidnapped after the marriage only to find himself falling in love with her. 11.5 x 9.75 inches. Near Fine. Sociéte Nouvelle de Cinematographie [SNC] unknown books
1974ref. 162149N.p.: Sociéte Nouvelle de Cinematographie SNC 1974. Collection of eleven vintage borderless lobby cards for the French release of the 1974 Italian film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A lawyer agrees to marry a teenage girl with an intellectual disability in order to access her wealthy mother's properties planning to have the girl kidnapped after the marriage only to find himself falling in love with her. 11.5 x 9.75 inches. Near Fine. Sociéte Nouvelle de Cinematographie [SNC] unknown
1941ref. 164506Universal City: Universal Studios 1941. Vintage publicity photograph from the 1941 film showing actress Irene Dunne in a lace-embellished dress and net fascinator. Printed mimeo snipe and provenance stamp on the verso. A small-town singer falls in love with a city playboy on a train to New York only for him to ignore her as soon as the train pulls into the station. Days later after gaining a job as a nightclub singer she is propositioned by the playboy's brother. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Near Fine. Universal Studios unknown books
1939ref. 164504Universal City: Universal Pictures 1939. Vintage publicity photograph from the 1939 film showing actors Charles Boyer and Irene Dunne. Printed mimeo snipe provenance stamps and date stamp on the verso. A waitress falls in love with a man she meets at the restaurant where she works unaware that he is a famous and wealthy concert pianist. Boyer and Dunne previously costarred in the 1939 film "Love Affair." From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Very Good. Universal Pictures unknown books
1941ref. 164506Universal City: Universal Studios 1941. Vintage publicity photograph from the 1941 film showing actress Irene Dunne in a lace-embellished dress and net fascinator. Printed mimeo snipe and provenance stamp on the verso. A small-town singer falls in love with a city playboy on a train to New York only for him to ignore her as soon as the train pulls into the station. Days later after gaining a job as a nightclub singer she is propositioned by the playboy's brother. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Near Fine. Universal Studios unknown
1976ref. 163599N.p.: N.p. 1976. Draft script for the 1976 film musical. Approximately 23 revision pages bound in at the rear of the script. Loosely based on the story of all-Black girl group the Supremes a rags-to-riches story about a trio of singing sisters from Harlem. The breakthrough performance of actress Irene Cara who would go on to appear in a number of films most prominently "Fame" 1980. Self wrappers. Missing title page presumably as issued. 101 leaves with last page of text numbered 101. Xerographic duplication rectos only with goldenrod yellow pink and blue revision pages bound in at the rear of the script dated variously between 5/7/75 and 6/19/75. Pages Near Fine bound with two gold brads. N.p. unknown books
1976ref. 163599N.p.: N.p. 1976. Draft script for the 1976 film musical. Approximately 23 revision pages bound in at the rear of the script. Loosely based on the story of all-Black girl group the Supremes a rags-to-riches story about a trio of singing sisters from Harlem. The breakthrough performance of actress Irene Cara who would go on to appear in a number of films most prominently "Fame" 1980. Self wrappers. Missing title page presumably as issued. 101 leaves with last page of text numbered 101. Xerographic duplication rectos only with goldenrod yellow pink and blue revision pages bound in at the rear of the script dated variously between 5/7/75 and 6/19/75. Pages Near Fine bound with two gold brads. N.p. unknown
