11,160 results
1969ref. 161699N.p.: N.p. 1969. Vintage studio still photograph from the 1969 film with a provenance stamp on the verso and a label obscuring a previous provenance stamp. Hippie exploitation horror film wherein a speed freak and two girl companions head out to the countryside to visit the speed freak's sister and her incestuous son where a rash of killings soon begin. 8 x 10 inches. Near Fine. N.p. unknown books
1968ref. 161541N.p.: Sam Lake 1968. Three vintage studio still photographs from the 1968 film two with provenance stamps on the versos. A dominatrix picks up a young male hitchhiker and takes him to a farmhouse where she and two other dominatrixes take turns abusing and humiliating him and each other. 8 x 10 inches. Near Fine. Sam Lake unknown
1969ref. 161699N.p.: N.p. 1969. Vintage studio still photograph from the 1969 film with a provenance stamp on the verso and a label obscuring a previous provenance stamp. Hippie exploitation horror film wherein a speed freak and two girl companions head out to the countryside to visit the speed freak's sister and her incestuous son where a rash of killings soon begin. 8 x 10 inches. Near Fine. N.p. unknown
1976ref. 141696N.p.: N.p. 1976. Draft script for an unproduced film. Eight leaves laid in including a request to actor Rod Steiger to have him star in the film a document stating the intentions of screenwriter Henri Glaeser to have Faye Dunaway also star and a letter to agent Paul Kohner. Based on the 1948 novel of the same title by Ramón Sender. A Spanish duchess enjoys teasing and sexually frustrating her gardener. She finds herself at his mercy when the country comes under siege by the Republicans and must come to terms with the realization that they are now equal under the new national order. Set in Madrid. Orange titled wrappers. Title page present with credits for screenwriter Henri Glaeser and author Ramon Sender. 126 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two binder clips. N.p. unknown books
1976ref. 141696N.p.: N.p. 1976. Draft script for an unproduced film. Eight leaves laid in including a request to actor Rod Steiger to have him star in the film a document stating the intentions of screenwriter Henri Glaeser to have Faye Dunaway also star and a letter to agent Paul Kohner. Based on the 1948 novel of the same title by Ramón Sender. A Spanish duchess enjoys teasing and sexually frustrating her gardener. She finds herself at his mercy when the country comes under siege by the Republicans and must come to terms with the realization that they are now equal under the new national order. Set in Madrid. Orange titled wrappers. Title page present with credits for screenwriter Henri Glaeser and author Ramon Sender. 126 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two binder clips. N.p. unknown
ref. 85381 L.A.S. (135 x 210), 2 pp., à l'entête du 12, quai de Passy, adressée à Lucien Descaves. Très bon état.
ref. 85391 L.A.S. (157 x 120), 1 page, à l'entête du 20, rue de l'assomption. Mauvais état, un coin gras et trace d'adhésif avec déchirure.
ref. 021729Henri Duvernois (1875-1937), écrivain, scénariste. L.A.S., sd, 1p in-4. A un ami Charles, à propos d'un travail, mentionnant l'éditeur Juven, parlant de la couverture d'un livre, etc. [526]
ref. 017646Henri Duvernois (1875-1937), écrivain, scénariste. L.A.S. + enveloppe, 7 novembre 1920, 1p in-8. A l'écrivain Charles Clerc, de Lectures pour Tous. Il accuse réception d'un chèque. [211]
ref. 016375Henri Duvernois (1875-1937), écrivain, scénariste. L.A.S., 29 juin 1931, 1p in-4. A la poétesse Julia Daudet (1844-1940), veuve d'Alphonse, pour la remercier de l'envoi d'une nouvelle d'Alphonse Daudet. « Vous savez la profonde et tendre admiration que j'ai vouée à Alphonse Daudet. C'est vous dire que je vous écris aux larmes de la lecture de ce beau livre : La Doulon, un des plus beaux poèmes que la souffrance ait inspiré ». [91]
ref. 000815L.A.S., sd, 1p In-4 (10 lignes). Il écrit après ne pas avoir donné signe de vie, étant « mort de fatigue » à cause de la répétition générale. Il est mention de Il était un petit homme, et qu'avec des changements, « on pourrait tirer de l'idée un film amusant pour Max Linder. Vous pigerez ». S'agit-il du film qui s'est intitulé « Le petit jeune homme » ? [168]
1939ref. 154915London: Studio One Cinema 1939. Vintage program for a UK showing of the 1938 French film advertising its premiere in July 1939 at the Studio One Cinema in London. A young station master's wife dreams of a wilder life in Budapest and believes she's gained an opportunity to experience the pleasures of the big city when she is called into the capital to attend her aunt's funeral and receive a share of the inheritance. Set and shot on location in Budapest. 3 x 5 inches. Bi-fold. Near Fine. Studio One Cinema unknown books
1970ref. 150194N.p.: N.p. 1970. Reference still photograph of Jean Marais and Francoise Arnould from the 1953 film struck circa 1970s. "Gala Film Distributors" stamp on verso. Based on the 1952 French novel "18 Fantomes" by Stanislas-Andre Steeman. Detective Marco Marais investigates the murder of girl found bound in her bed at a respectable boarding school. 8 x 10.25 inches. Very Good plus with light edgewear and small crease in top right corner margin. N.p. unknown books
1959ref. 144588Paris: Ulysse Production / Cinedis 1959. Collection of 370 original black-and-white keybook still photographs from the 1959 French film consisting of two unique and complimentary pieces one being a studio film still keybook with 97 contact prints of small format transparencies most with 12 images per print amounting to over 1000 images captured nearly all images with series number etched in the original film negative before development and credits at the top for photo laboratory Tele-Photo film studio Ulysse film title and photographer Apoteker housed in an oblong 2-ring paper binder with printed French titles on the front. Laid in is a small piece of graph paper addressed "Cher Christian" presumably filmmaker Christian-Jaque with brief slightly illegible note in French in manuscript ink. The remaining 273 photographs are single photos with similar etched series numbers mounted with cello tape on thick stock in two quarto "Lavis aquarelle" brand spiral bound notebooks with maroon faux leather front wrapper printed French titles affixed to the front wrapper of one. Small "x" annotations in manuscript ink on several pages. All three keybooks capture the film and photographer Apoteker's sense of desperation in composed and candid moments. Michele Morgan and Gil Vidal dominate the imagery hamming for the camera and in action scenes with Vidal emerging from a car crash and rarely without a glass in-hand and stunning images of Morgan hula-hooping off-set and in several placid studio portraits. Catherine Morgan is an alcoholic lawyer who enlists the help of reporter Walter Vidal to spy on a nefarious wine supplier who may have contributed to the killing of a young man's father. Morgan dominated French cinema for decades and even won the Best Actress Award at the first Cannes festival 1946. Photographer Apoteker's debut film followed by successful crime noirs notably "Classe Tous Risques" 1960 and later worked on "Love and Death" 1975 and the futuristic "cinema du look" film "Le prix du danger" 1983. Fourth film of noted costume designer Autré whose other credits include "Love on a Pillow" 1962 "Contempt" 1963 "Lost Command" 1966 and "The Game is Over" 1966. Notebook photos 3.75 x 5 inches most pages with four mounted photos keybook photos to 8.25 x 10.5 inches. Very Good plus overall with light foxing and curling and rubbing to the studio keybook a few photos with small edge tears. Ulysse Production / Cinedis unknown books
1959ref. 142889Paris: Cinedis 1959. Collection of 11 original black-and-white photographs from the 1959 French film. Most feature starring actress Morgan and a few show other actors including Vidal. Three on-the-set photographs of Morgan being fitted by a female crew member possibly costume designer Tanine Autré and eleven still photographs with Morgan and Blanche at a bar even an image of kids gathered in a junkyard. On the versos of the three on-the-set are French film title and "M. Morgan" in manuscript ink and rubber stamps for photographer Paul Apoteker numerical annotations in manuscript pencil on the versos of the still photographs. Housed in a French Kodak photo box with French film title label on the lid. Catherine Morgan is an alcoholic lawyer who enlists the help of reporter Walter Vidal to spy on a nefarious wine supplier who may have contributed to the killing of a young man's father. Morgan dominated French cinema for decades and even won the Best Actress Award at the first Cannes festival 1946. Photographer Apoteker's debut film followed by successful crime noirs notably "Classe Tous Risques" 1960 and later worked on "Love and Death" 1975 and the futuristic "cinema du look" film "Le prix du danger" 1983. Fourth film of noted costume designer Autré whose other credits include "Love on a Pillow" 1962 "Contempt" 1963 "Lost Command" 1966 and "The Game is Over" 1966. Photos range from 3.75 x 5.25 inches to 7 x 9.25 inches most stills with a 2-inch border at the bottom. Slight curling else Near Fine. Box Very Good overall. Complete collation upon request. Cinedis unknown books
1958ref. 132717London: Miracle Films Limited 1958. Vintage black-and-white still photograph from the 1958 UK release of the 1958 French film. Mimeograph snipe affixed to the verso. Set during the French resistance of WWII a Parisian widow assists in the cause but ultimately falls in love with a German soldier. 8 x 10 inches. A tiny closed tear and brief creases else Near Fine. Miracle Films Limited unknown books
1939ref. 154915London: Studio One Cinema 1939. Vintage program for a UK showing of the 1938 French film advertising its premiere in July 1939 at the Studio One Cinema in London. A young station master's wife dreams of a wilder life in Budapest and believes she's gained an opportunity to experience the pleasures of the big city when she is called into the capital to attend her aunt's funeral and receive a share of the inheritance. Set and shot on location in Budapest. 3 x 5 inches. Bi-fold. Near Fine. Studio One Cinema unknown
1959ref. 144588Paris: Ulysse Production / Cinedis 1959. Collection of 370 original black-and-white keybook still photographs from the 1959 French film consisting of two unique and complimentary pieces one being a studio film still keybook with 97 contact prints of small format transparencies most with 12 images per print amounting to over 1000 images captured nearly all images with series number etched in the original film negative before development and credits at the top for photo laboratory Tele-Photo film studio Ulysse film title and photographer Apoteker housed in an oblong 2-ring paper binder with printed French titles on the front. Laid in is a small piece of graph paper addressed "Cher Christian" presumably filmmaker Christian-Jaque with brief slightly illegible note in French in manuscript ink. The remaining 273 photographs are single photos with similar etched series numbers mounted with cello tape on thick stock in two quarto "Lavis aquarelle" brand spiral bound notebooks with maroon faux leather front wrapper printed French titles affixed to the front wrapper of one. Small "x" annotations in manuscript ink on several pages. All three keybooks capture the film and photographer Apoteker's sense of desperation in composed and candid moments. Michele Morgan and Gil Vidal dominate the imagery hamming for the camera and in action scenes with Vidal emerging from a car crash and rarely without a glass in-hand and stunning images of Morgan hula-hooping off-set and in several placid studio portraits. Catherine Morgan is an alcoholic lawyer who enlists the help of reporter Walter Vidal to spy on a nefarious wine supplier who may have contributed to the killing of a young man's father. Morgan dominated French cinema for decades and even won the Best Actress Award at the first Cannes festival 1946. Photographer Apoteker's debut film followed by successful crime noirs notably "Classe Tous Risques" 1960 and later worked on "Love and Death" 1975 and the futuristic "cinema du look" film "Le prix du danger" 1983. Fourth film of noted costume designer Autré whose other credits include "Love on a Pillow" 1962 "Contempt" 1963 "Lost Command" 1966 and "The Game is Over" 1966. Notebook photos 3.75 x 5 inches most pages with four mounted photos keybook photos to 8.25 x 10.5 inches. Very Good plus overall with light foxing and curling and rubbing to the studio keybook a few photos with small edge tears. Ulysse Production / Cinedis unknown
1959ref. 142889Paris: Cinedis 1959. Collection of 11 original black-and-white photographs from the 1959 French film. Most feature starring actress Morgan and a few show other actors including Vidal. Three on-the-set photographs of Morgan being fitted by a female crew member possibly costume designer Tanine Autré and eleven still photographs with Morgan and Blanche at a bar even an image of kids gathered in a junkyard. On the versos of the three on-the-set are French film title and "M. Morgan" in manuscript ink and rubber stamps for photographer Paul Apoteker numerical annotations in manuscript pencil on the versos of the still photographs. Housed in a French Kodak photo box with French film title label on the lid. Catherine Morgan is an alcoholic lawyer who enlists the help of reporter Walter Vidal to spy on a nefarious wine supplier who may have contributed to the killing of a young man's father. Morgan dominated French cinema for decades and even won the Best Actress Award at the first Cannes festival 1946. Photographer Apoteker's debut film followed by successful crime noirs notably "Classe Tous Risques" 1960 and later worked on "Love and Death" 1975 and the futuristic "cinema du look" film "Le prix du danger" 1983. Fourth film of noted costume designer Autré whose other credits include "Love on a Pillow" 1962 "Contempt" 1963 "Lost Command" 1966 and "The Game is Over" 1966. Photos range from 3.75 x 5.25 inches to 7 x 9.25 inches most stills with a 2-inch border at the bottom. Slight curling else Near Fine. Box Very Good overall. Complete collation upon request. Cinedis unknown
ref. GF288502 pages in8 - bon état -
1969ref. 161591N.p.: National Showmanship Films 1969. Three vintage studio still photographs from the US release of the 1965 Swedish film. One photograph with a provenance stamp on the verso. A group of women work together at a laundry when one begins to spread a rumor that the manager is a lesbian and tried to seduce her which creates a dangerously explosive situation. Shot on location in Santa Fe New Mexico and Nacka Sweden. 8 x 10 inches. Light edgewear else Near Fine. National Showmanship Films unknown books
1969ref. 161591N.p.: National Showmanship Films 1969. Three vintage studio still photographs from the US release of the 1965 Swedish film. One photograph with a provenance stamp on the verso. A group of women work together at a laundry when one begins to spread a rumor that the manager is a lesbian and tried to seduce her which creates a dangerously explosive situation. Shot on location in Santa Fe New Mexico and Nacka Sweden. 8 x 10 inches. Light edgewear else Near Fine. National Showmanship Films unknown
1969ref. 126627Crown International Pictures 1969. Very Good. Original b/w film still photograph featuring blonde Patricia Wymer in her best-known role as Candy Wilson. Recalls the lecherous themes of "Lolita" and adds a motorcycle gang. Released the year of the gay rights movement Woodstock and Nixon. Soundtrack by and great dance party scene with The Food. 8 x 10 inches small white border. Very Good Plus faint spots and creasing. Crown International Pictures unknown
1957ref. 268762The Selnick Company Inc 1957. First Edition. Trade Paperback. iii 173 pages Mimeographed sheets printed on recto only. Dated January 26 1957. Shooting script. Title page forward page 'Cast of Principal Characters' on 3rd introductory page followed by script. 1.5 inch blue wrapper around script. Script pages are not 3-hole punched. Accompanied with bright yellow Selnick Studio folder. The 24 pages of corrections are printed on recto only and detail changes to dialogue or scene arrangements identified by page number in the January 26 1957 screenplay. First edition thus. A fine copy inbright yellow Selnick Studio wrappers paperback. The Selnick Company, Inc paperback
1957ref. 268766The Selnick Company Inc 1957. Trade Paperback. Mimeographed typed sheets printed on recto only: 2 8 1 5 2 3 6 2 2 2 9. 2 2. Includes information on The Cast The Story The Producer The Director The Production Vittorio De Sica's comments on the film About the Film About the Book The Makers Biography of David O. Selnick Biography of Jennifer Jones Biography of Rock Hudson Biography of Vittorio De Sica Biographies of others. 'Official Advertising Billing Revised October 23 1957.' Revised edition October 23 1957. A fine copy brad bound. The Selnick Company, Inc paperback
