11,049 results
1989ref. 153132N.p.: N.p. 1989. Fifth Draft script for the 1990 film. With a single manuscript ink annotation to the title page noting No. 59. Two dopey small-time crooks disguise themselves as nuns and hide out in a convent in an attempt to avoid their murderous former boss. Shot on location in London. Red untitled wrappers. Title page present dated 22 February 1989 noted as Fifth Draft with credits for director and screenwriter Jonathan Lynn. 109 leaves with last page of text numbered 106. Xerographic duplication rectos only with pink revision pages throughout dated variously between 2/3/89 and 3/3/89. Pages Near Fine wrapper Very Good plus bound with two silver brads. N.p. unknown books
1989ref. 153132N.p.: N.p. 1989. Fifth Draft script for the 1990 film. With a single manuscript ink annotation to the title page noting No. 59. Two dopey small-time crooks disguise themselves as nuns and hide out in a convent in an attempt to avoid their murderous former boss. Shot on location in London. Red untitled wrappers. Title page present dated 22 February 1989 noted as Fifth Draft with credits for director and screenwriter Jonathan Lynn. 109 leaves with last page of text numbered 106. Xerographic duplication rectos only with pink revision pages throughout dated variously between 2/3/89 and 3/3/89. Pages Near Fine wrapper Very Good plus bound with two silver brads. N.p. unknown
1999ref. 171957N.p.: Rutland Weekend Television 1999. Second Draft script for an unproduced film. Based on the 1999 science fiction comedy novel by former "Monty Python" member Eric Idle published by Boxtree in the UK and Pantheon in the US about two comedians on the interplanetary comedy circuit and their robotic secretary. Self wrappers. Title page present undated noted as 2nd Draft with credit for Idle. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Very Good with silverfish damage to the first and last five leaves bound with two gold brads. Rutland Weekend Television unknown books
1999ref. 171957N.p.: Rutland Weekend Television 1999. Second Draft script for an unproduced film. Based on the 1999 science fiction comedy novel by former "Monty Python" member Eric Idle published by Boxtree in the UK and Pantheon in the US about two comedians on the interplanetary comedy circuit and their robotic secretary. Self wrappers. Title page present undated noted as 2nd Draft with credit for Idle. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Very Good with silverfish damage to the first and last five leaves bound with two gold brads. Rutland Weekend Television unknown
1970ref. 141943N.p.: N.p. 1970. Draft script for an unproduced film. Text in French. Green untitled wrappers. Title page present with credit for screenwriter Eric Ferro. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two silver binder clips. Pagination available upon request. N.p. unknown books
1970ref. 141943N.p.: N.p. 1970. Draft script for an unproduced film. Text in French. Green untitled wrappers. Title page present with credit for screenwriter Eric Ferro. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two silver binder clips. Pagination available upon request. N.p. unknown
1958ref. 125081London: The Rank Organization 1958. Vintage French theatrical release poster for the seminal 1958 British docudrama "A Night to Remember" here under its French title "Atlantique Latitude 41 Degrees." Probably the most distinctive poster produced for the film. Novelist Ambler and director Baker set out to make a film that depicted the sinking of the Titanic as accurately as possible with no added fictional subplots. In addition to being massively entertaining the film is today held in high regard by "Titanic" historians compared to the more melodramatic and big-budget take by James Cameron in 1997. Director Baker noted in a 1991 interview "The whole purpose of making the film was to show a society that had persuaded itself that you could make a ship which could never to be sunk." 34 x 52 inches on archival linen Fine condition. Criterion Collection 7. McFarlane p. 51. The Rank Organization unknown books
1958ref. 125081London: The Rank Organization 1958. Vintage French theatrical release poster for the seminal 1958 British docudrama "A Night to Remember" here under its French title "Atlantique Latitude 41 Degrees." Probably the most distinctive poster produced for the film. Novelist Ambler and director Baker set out to make a film that depicted the sinking of the Titanic as accurately as possible with no added fictional subplots. In addition to being massively entertaining the film is today held in high regard by "Titanic" historians compared to the more melodramatic and big-budget take by James Cameron in 1997. Director Baker noted in a 1991 interview "The whole purpose of making the film was to show a society that had persuaded itself that you could make a ship which could never to be sunk." 34 x 52 inches on archival linen Fine condition. Criterion Collection 7. McFarlane p. 51. The Rank Organization unknown
1979ref. 147660Beverly Hills CA: United Artists 1979. Collection of 10 vintage studio still photographs from the 1979 re-release of the 1977 film here identified under the title "Crimebusters" housed in original paper envelope labeled "CRIME BUSTERS 10 stills." Not to be confused with the 1977 Italian Crime film "Crimebusters" by Michele Massimo Tarantini. Italian buddy comedy featuring Terence Hill and Bud Spencer as Matt Kirby and Wilbur Walsh two bumbling out of luck con men who inadvertently find themselves working for the Miami Police Department. Set in and shot on location in Miami Florida. 8 x 10 inches. Near Fine. United Artists unknown books
1995ref. 166110N.p.: N.p. 1995. Vintage borderless reference photograph from the 1995 Serbian film showing director Emir Kusturica adjusting an inverted statue of Jesus. A history of Yugoslavia spanning World War II the Cold War and the Yugoslav Wars told through the friendship between two black marketeers selling weapons to the Communist resistance in wartime Belgrade. Winner of the Palme d'Or. Shot on location in Belgrade Serbia in Plovdiv and Sofia Bulgaria in Prague and in Berlin. 7 x 5 inches. Fine. N.p. unknown books
1995ref. 166110N.p.: N.p. 1995. Vintage borderless reference photograph from the 1995 Serbian film showing director Emir Kusturica adjusting an inverted statue of Jesus. A history of Yugoslavia spanning World War II the Cold War and the Yugoslav Wars told through the friendship between two black marketeers selling weapons to the Communist resistance in wartime Belgrade. Winner of the Palme d'Or. Shot on location in Belgrade Serbia in Plovdiv and Sofia Bulgaria in Prague and in Berlin. 7 x 5 inches. Fine. N.p. unknown
1987ref. 162290London: Atlantic Releasing 1987. Six vintage studio still photographs from the 1987 British film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A feisty young girl grows up in a small English coastal town in the years after WWII eventually becoming pregnant by an acquaintance of her widowed father. Shot on location in West Sussex. 10 x 8 inches. Near Fine one with an annotation in manuscript ink amending a caption on the recto. Atlantic Releasing unknown books
1987ref. 162290London: Atlantic Releasing 1987. Six vintage studio still photographs from the 1987 British film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A feisty young girl grows up in a small English coastal town in the years after WWII eventually becoming pregnant by an acquaintance of her widowed father. Shot on location in West Sussex. 10 x 8 inches. Near Fine one with an annotation in manuscript ink amending a caption on the recto. Atlantic Releasing unknown
1969ref. 161645N.p.: Forbes Unistar 1969. Three vintage studio still photographs from the 1969 film. Two photographs with provenance stamps on the versos and each with a label obscuring a previous provenance stamp. Outrageous Argentinian sexploitation film wherein a mad doctor based on instructions from a talking brain kidnaps couples having sex and injects them with a drug to enhance their sexual abilities-all so he can then extract from them a resulting fluid which prevents him from transforming into a monster. Set in and shot on location in Buenos Aires. 8 x 10 inches. Light edgewear else Near Fine. Forbes Unistar unknown books
1969ref. 161645N.p.: Forbes Unistar 1969. Three vintage studio still photographs from the 1969 film. Two photographs with provenance stamps on the versos and each with a label obscuring a previous provenance stamp. Outrageous Argentinian sexploitation film wherein a mad doctor based on instructions from a talking brain kidnaps couples having sex and injects them with a drug to enhance their sexual abilities-all so he can then extract from them a resulting fluid which prevents him from transforming into a monster. Set in and shot on location in Buenos Aires. 8 x 10 inches. Light edgewear else Near Fine. Forbes Unistar unknown
1970ref. 162068N.p.: N.p. 1970. Vintage studio still photograph from the 1970 film. Provenance stamp on the verso. Little known 1970 sexplotation film from Italian director Emilio Portici. 8 x 10 inches. About Near Fine. N.p. unknown books
1971ref. 161697N.p.: N.p. 1971. Two vintage studio still photographs from the 1971 film. Both photographs with provenance stamps on the versos one on a label obscuring a previous provenance stamp. A girl from the country escapes her abusive step father to Florida and is introduced into the world of prostitution by two seasoned working girls. 8 x 10 inches. Near Fine. N.p. unknown books
1970ref. 162068N.p.: N.p. 1970. Vintage studio still photograph from the 1970 film. Provenance stamp on the verso. Little known 1970 sexplotation film from Italian director Emilio Portici. 8 x 10 inches. About Near Fine. N.p. unknown
1971ref. 161697N.p.: N.p. 1971. Two vintage studio still photographs from the 1971 film. Both photographs with provenance stamps on the versos one on a label obscuring a previous provenance stamp. A girl from the country escapes her abusive step father to Florida and is introduced into the world of prostitution by two seasoned working girls. 8 x 10 inches. Near Fine. N.p. unknown
1986ref. 168210Los Angeles: Twentieth Century-Fox 1986. Vintage compilation publicity photograph from the 1986 film showing Emilio Estevez and Demi Moore. Estevez' directorial debut about a young graduate who decides to embark on a cross-country bank robbing spree accompanied by his girlfriend in order to erase loan and mortgage records for the farmers and working class citizens of the country. Shot on location throughout Southern California and in Albuquerque New Mexico. 10 x 8 inches. Fine. Twentieth Century-Fox unknown books
ref. 141676Pretoria South Africa: Emil Nofal Films N.D. Treatment script for an unproduced television series. A half-hour television series focusing on the unique cultures of Africa and how different groups interact with each other especially in the modern age. Written for South African television by Nofal an acclaimed South African director producer and screenwriter. Set in South Africa. White titled wrappers with credits for screenwriter Emil Nofal. 5 leaves with last leaf of text numbered 5. Mechanical duplication. Pages Very Good plus wrapper Very Good plus perfect-bound. Emil Nofal Films unknown books
ref. 141676Pretoria South Africa: Emil Nofal Films N.D. Treatment script for an unproduced television series. A half-hour television series focusing on the unique cultures of Africa and how different groups interact with each other especially in the modern age. Written for South African television by Nofal an acclaimed South African director producer and screenwriter. Set in South Africa. White titled wrappers with credits for screenwriter Emil Nofal. 5 leaves with last leaf of text numbered 5. Mechanical duplication. Pages Very Good plus wrapper Very Good plus perfect-bound. Emil Nofal Films unknown
1957ref. 152372N.p.: N.p. 1957. Vintage reference photograph from the 1957 film showing Elvis Presley getting the lash from prison guard Bill Hickman. A handsome young man named Vince Everett is sent to prison for manslaughter and begins a musical career with the help of his cellmate a washed-up country singer. Presley's third film appearance and first film with MGM. 8 x 10 inches. Very Good plus with light toning along the top edge. National Film Registry. N.p. unknown books
1957ref. 152372N.p.: N.p. 1957. Vintage reference photograph from the 1957 film showing Elvis Presley getting the lash from prison guard Bill Hickman. A handsome young man named Vince Everett is sent to prison for manslaughter and begins a musical career with the help of his cellmate a washed-up country singer. Presley's third film appearance and first film with MGM. 8 x 10 inches. Very Good plus with light toning along the top edge. National Film Registry. N.p. unknown
1962ref. 132760Hollywood: Paramount Pictures 1962. Vintage black-and-white British front-of-house card featuring Elsa Martinelli from the UK release of the 1962 US film. Charlton Heston stars as an American soldier behind Italian lines in WWII attempting to communicate German movements to the Allies by way of carrier pigeons fitted with messages. Unfortunately he becomes distracted by the beautiful daughter of the family he is living with and allows her father to mistakenly cook the birds for Easter dinner A story set and shot on location in Italy 8 x 10 inches. Brief creases at the extremities else Near Fine. Paramount Pictures unknown books