11,064 results
1949ref. 150526N.p.: N.p. 1949. Vintage double weight reference photograph of Elia Kazan and Ethel Barrymore on the set of the 1949 film. Based on the 1946 novel "Quality" by Cid Ricketts Sumner. When Pinky Johnson Jeanne Crain returns home to the South to visit her grandmother she confesses that she's been passing for a white woman while up North studying to be a nurse. She also confesses she is in love with Dr. Thomas Adams William Lundigan a white man unaware she is black. Nominated for three Academy Awards including Best Actress and two Best Supporting Actress nominations. 10 x 8 inches. Very light rippling on right edge else Near Fine. N.p. unknown
1960ref. 150525N.p.: N.p. 1960. Vintage reference photograph of Elia Kazan Warren Beatty and four other female cast members on the set of the 1961 film. Warren Beatty's film debut. Natalie Wood was nominated for Best Actress Academy Award and William Inge won for Best Screenplay his first original screenplay after a career as a playwright. Family and societal pressures on Deanie Wood and Bud's Beatty heated teen romance threaten their romance and their sanity. 10.25 x 8 inches. Near Fine. Godard Histoires du cinema. N.p. unknown
1960ref. 150523N.p.: N.p. 1960. Vintage borderless reference photograph of Elia Kazan by photographer Sam Shaw on the set of the 1961 film. "Sam Shaw" and "Graphic Arts Photo Service" stamps on verso. Warren Beatty's film debut. Natalie Wood was nominated for Best Actress Academy Award and William Inge won for Best Screenplay his first original screenplay after a career as a playwright. Family and societal pressures on Deanie Wood and Bud's Beatty heated teen romance threaten their romance and their sanity. 10 x 8 inches. Very light edgewear else Near Fine. Godard Histoires du cinema. N.p. unknown
1961ref. 146915N.p.: Newtown Productions 1961. Vintage borderless photograph of Elia Kazan rehearsing with Barbara Loden and Gary Lockwood on the set of the 1961 film. Warren Beatty's film debut. Natalie Wood was nominated for Best Actress Academy Award and William Inge won for Best Screenplay his first original screenplay after a career as a playwright. Family and societal pressures on Deanie Wood and Bud's Beatty heated teen romance threaten their romance and their sanity. 8 x 10 inches. Near Fine. Godard Histoires du cinema. Newtown Productions unknown
1969ref. 158639N.p.: N.p. 1969. Vintage reference photograph from the 1969 film showing actors Deborah Kerr and Kirk Douglas. From the archive of film historian and author Joel Finler. Adapted by director Elia Kazan from his own 1967 novel about an advertising executive on the verge of a nervous breakdown balancing the demands of his unhappy wife younger mistress and dying father. Set and shot on location in Los Angeles and New York. 10 x 8 inches. Near Fine. N.p. unknown
1969ref. 145742Burbank CA: Warner Brothers / Seven Arts 1969. Vintage double weight matte photograph of Elia Kazan on the location at 34th Street and Fifth Avenue in New York for shooting of the 1969 film. With manuscript annotations and mimeo snipe on the verso. Adapted by Kazan from his own 1967 novel about a suicidal advertising executive on the verge of a nervous breakdown dealing with his unhappy wife younger mistress and dying father. 10 x 8 inches. Near Fine. Warner Brothers / Seven Arts unknown
1969ref. 143372Burbank CA: Warner Brothers / Seven Arts 1969. Vintage photograph on director Elia Kazan conferring with a lounging Kirk Douglas holding a prop baby doll and Faye Dunaway during an outdoor shoot on the set of the 1969 film. With manuscript annotations regarding layout on the verso. Adapted by Kazan from his own 1967 novel about a suicidal advertising executive on the verge of a nervous breakdown dealing with his unhappy wife younger mistress and dying father. 8 x 10 inches. Near Fine. Warner Brothers / Seven Arts unknown
1976ref. 142770Hollywood: Paramount Pictures 1976. Two vintage promotional photographs from the 1976 film. Rubber stamp to the verso of one photo. Based on the unfinished 1941 novel by F. Scott Fitzgerald. Effectively a tribute to early cinema in which Robert De Niro plays a movie producer who nearly works himself to death. Director Elia Kazan's final directorial effort and notably the only film with De Niro and Jack Nicholson in a joint screen appearance. Nominated for an Academy Award. Set in Hollywood and shot there on location. One photo 7.25 x 9.75 inches and one photo 8 x 9.75 inches. Near Fine. Godard Histoires du cinema. Paramount Pictures unknown
1960ref. 144125N.p.: N.p. 1960. Typescript for an unproduced television series including an introduction short synopsis and full treatments of each episode. The series follows the childhood adventures of Robby Mcdonald a turn of the century mountain boy raised by his pioneer grandmother. Set in the Sierra Nevada Mountains. Yellow untitled Paul Kohner INC. wrappers. Title page present with credits for screenwriter Elaine Ryan. 82 leaves with last page of text numbered 11. Pages Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown books
1960ref. 144125N.p.: N.p. 1960. Typescript for an unproduced television series including an introduction short synopsis and full treatments of each episode. The series follows the childhood adventures of Robby Mcdonald a turn of the century mountain boy raised by his pioneer grandmother. Set in the Sierra Nevada Mountains. Yellow untitled Paul Kohner INC. wrappers. Title page present with credits for screenwriter Elaine Ryan. 82 leaves with last page of text numbered 11. Pages Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown
1978ref. 141418Burbank CA: Marcia Nasatir 1978. Draft script for an unproduced film. With a single annotation in manuscript ink on page five. A Swedish woman living in New York pursues a relationship with a mover after he attempts to steal her television set. Set in New York. Yellow titled wrappers with credit for screenwriter Elaine Mueller. Title page present dated December 1978 with credit for screenwriter Elaine Mueller. 116 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Marcia Nasatir unknown books
1978ref. 141418Burbank CA: Marcia Nasatir 1978. Draft script for an unproduced film. With a single annotation in manuscript ink on page five. A Swedish woman living in New York pursues a relationship with a mover after he attempts to steal her television set. Set in New York. Yellow titled wrappers with credit for screenwriter Elaine Mueller. Title page present dated December 1978 with credit for screenwriter Elaine Mueller. 116 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Marcia Nasatir unknown
1972ref. 163717N.p.: N.p. 1972. Three vintage borderless reference photographs from the 1972 film candid images of actors Charles Grodin and Cybill Shepherd. Loosely based on Theodore Dreiser's 1925 novel "An American Tragedy" and on Bruce Jay Friedman's 1966 short story "A Change of Plan." A self-absorbed sporting goods salesman tires of his new bride on their honeymoon in Miami Beach instead deciding to throw himself at a perilously beautiful college student on vacation with her parents. Groundbreaking director Elaine May's second feature film following "A New Leaf" in 1971 and a classic of twentieth century comedy. Set in New York City and Florida shot on location in Minneapolis and Miami. 7 x 9.5 inches. Near Fine. N.p. unknown books
1972ref. 163717N.p.: N.p. 1972. Three vintage borderless reference photographs from the 1972 film candid images of actors Charles Grodin and Cybill Shepherd. Loosely based on Theodore Dreiser's 1925 novel "An American Tragedy" and on Bruce Jay Friedman's 1966 short story "A Change of Plan." A self-absorbed sporting goods salesman tires of his new bride on their honeymoon in Miami Beach instead deciding to throw himself at a perilously beautiful college student on vacation with her parents. Groundbreaking director Elaine May's second feature film following "A New Leaf" in 1971 and a classic of twentieth century comedy. Set in New York City and Florida shot on location in Minneapolis and Miami. 7 x 9.5 inches. Near Fine. N.p. unknown
1980ref. 152417N.p.: N.p. 1980. Draft script for an unproduced film. After his sister is lured into snorting a fatal dose of heroin by a dastardly biker gang a teenage boy and his group of friends vow to take their revenge and stop the bikers forming their own "moped mob." Black untitled wrappers. Title page present undated with credits for screenwriter E.L. "Tony" Duke. 106 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with a silver clasp. N.p. unknown books
1980ref. 152417N.p.: N.p. 1980. Draft script for an unproduced film. After his sister is lured into snorting a fatal dose of heroin by a dastardly biker gang a teenage boy and his group of friends vow to take their revenge and stop the bikers forming their own "moped mob." Black untitled wrappers. Title page present undated with credits for screenwriter E.L. "Tony" Duke. 106 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with a silver clasp. N.p. unknown
1996ref. 132257Austria: Weiener Filmfinanzierungsfonds WFF 1996. Original A1 poster for the 1996 Austrian film. The film focuses on a handful of specific Viennese emigres one of whom is noted film historian Amos Vogel from whose collection this poster comes. Full provenance available. A documentary in which director Egon Humer visits twelve New Yorkers all former citizens of Austria who were driven by discriminatory decrees laws and open terror from their native land into exile. Among them were 130000 other Austrians mainly Jews who had also been left with no other option than to flee between 1938 and 1941 when the National Socialists rose to power. 23.25 x 32.75 inches rolled. A few short creases and light edge rubbing. Very Good plus overall. Weiener Filmfinanzierungsfonds [WFF] unknown books
1977ref. 138667Universal City CA: Universal Pictures 1977. Final Draft script for the 1978 film. A sequel to The Other Side of the Mountain. Jill returns to her home in California with her mother where she sparks a romance with one of the locals. Set in Bishop California shot on location in Bishop California and Victoria British Columbia. Red titled wrappers noted as Final Draft on the front wrapper production No. 00460 and sticker indicating copy No. II dated May 3 1977. Title page present noted as Final Draft with credits for screenwriter Douglas Day Stewart and skier Jill Kinmont. 126 leaves with last page of text numbered 130. Xerographic duplication rectos only with blue and yellow revision pages throughout dated variously between 5/17/77 and 5/18/77. Pages Near Fine wrapper Near Fine bound with two gold brads. Universal Pictures unknown books
1977ref. 138667Universal City CA: Universal Pictures 1977. Final Draft script for the 1978 film. A sequel to The Other Side of the Mountain. Jill returns to her home in California with her mother where she sparks a romance with one of the locals. Set in Bishop California shot on location in Bishop California and Victoria British Columbia. Red titled wrappers noted as Final Draft on the front wrapper production No. 00460 and sticker indicating copy No. II dated May 3 1977. Title page present noted as Final Draft with credits for screenwriter Douglas Day Stewart and skier Jill Kinmont. 126 leaves with last page of text numbered 130. Xerographic duplication rectos only with blue and yellow revision pages throughout dated variously between 5/17/77 and 5/18/77. Pages Near Fine wrapper Near Fine bound with two gold brads. Universal Pictures unknown
1979ref. 144562Los Angeles: Essex Productions 1979. Final Draft script for the 1984 horror film. Copy belonging to makeup artist John Carl Buechler with his name in manuscript ink on the title page and two Polaroid photographs laid in. Six friends are stalked and murdered while on a camping trip. Shot on location in Idyllwild California. Green titled wrappers. Title page present dated September 28th 1979 noted as Final Draft with credits for screenwriter and director Edwin Scott Brown. 101 leaves with last page of text numbered 98. Xerographic duplication rectos only with blue revision pages dated Oct. 7th and white undated revision pages. Pages Near Fine wrapper Near Fine clip binding. Thrower Nightmare USA. Essex Productions unknown books
1979ref. 144562Los Angeles: Essex Productions 1979. Final Draft script for the 1984 horror film. Copy belonging to makeup artist John Carl Buechler with his name in manuscript ink on the title page and two Polaroid photographs laid in. Six friends are stalked and murdered while on a camping trip. Shot on location in Idyllwild California. Green titled wrappers. Title page present dated September 28th 1979 noted as Final Draft with credits for screenwriter and director Edwin Scott Brown. 101 leaves with last page of text numbered 98. Xerographic duplication rectos only with blue revision pages dated Oct. 7th and white undated revision pages. Pages Near Fine wrapper Near Fine clip binding. Thrower Nightmare USA. Essex Productions unknown
1940ref. 140309Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1940. Vintage studio still photograph from the 1940 film. A 1940 musical comedy directed by Edwin L. Marin and starring Frank Morgan Virginia Grey and Dan Sailey. Morgan plays a faded actor trying to revive his career by starting a hit radio show. The science fiction themed talk show incites hysteria further exasperating the failed star. Eventually he decides to begin again this time with a show starring his children. Shot on location in MGM Studios California. 10 x 8 inches. Very Good plus with a small closed tear to the margin. Hirschhorn. Metro-Goldwyn-Mayer [MGM] unknown books
1970ref. 144010Beverly Hills CA: N.p. 1970. Draft script for an unproduced film. Paper clipped on the front wrapper is a typed note initialed by Edwin Blum in blue manuscript ink. Two women repeatedly arrange to be the beneficiaries on the life insurance policies of numerous dead men. In the course of their activities a romance is struck up with an insurance executive. Beige titled wrappers with credits for screenwriter Edwin Blum. Title page present with credits for screenwriter Edwin Blum. 119 leaves with last page of text numbered 120. Xerographically reproduced. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown books
1970ref. 144010Beverly Hills CA: N.p. 1970. Draft script for an unproduced film. Paper clipped on the front wrapper is a typed note initialed by Edwin Blum in blue manuscript ink. Two women repeatedly arrange to be the beneficiaries on the life insurance policies of numerous dead men. In the course of their activities a romance is struck up with an insurance executive. Beige titled wrappers with credits for screenwriter Edwin Blum. Title page present with credits for screenwriter Edwin Blum. 119 leaves with last page of text numbered 120. Xerographically reproduced. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown
1967ref. 161734N.p.: N.p. 1967. Vintage studio still photograph from the 1967 film. Provenance stamp on the verso. A group of buxom secret agents pose as escorts to bring down powerful men. Screenplay by B-Movie cult maestro Ed Wood Jr. 8 x 10 inches. Near Fine. N.p. unknown books
