11,160 results
1969ref. 150573Universal City: Universal Pictures 1969. Seven vintage color studio still photographs from the 1969 film. A young man and his girlfriend make plans to kill the man's aunt in the hopes of receiving her large fortune but their nefarious plans are waylaid by the aunt's dozens of psychic murderous cats. Shot in San Francisco. 10 x 8 inches. Very Good plus overall one with a few pinholes to the corners. Universal Pictures unknown books
1966ref. 139824Universal City CA: Universal Pictures 1966. Two vintage studio still photographs from the 1966 film noir. Snipe printed on the verso of one image. Based on the stage play by Alexandre Bisson popularized in novel form by J.W. McConaughy and the seventh film version. Holly Parker Turner is married to respected diplomat Clay Anderson Forsythe but they rarely get to see each other leading Holly to pursue other men notably carefree playboy Phil Benton Montalban. Phil soon dies in an accident and Holly panicked flees to Mexico leaving behind her young son. Addicted to drugs and making a living as a prostitute in a cheap hotel in Mexico she meets Dan Sullivan Meredith a criminal who tries to involve Holly in a blackmail scheme. When she discovers her husband Clay is the target she kills Sullivan. Unable to afford a lawyer she is assigned a dedicated young public defender whom she soon recognizes as her son. Keeping her identity secret so as not to tarnish her son's image of her Holly is tried as "Madame X." Shot on location in California. 8 x 10 inches. Very Good plus light toning and light edgewear. Grant US. Universal Pictures unknown books
1977ref. 142870Hollywood: Paramount Television / National Broadcasting Company NBC 1977. Draft script for the 1978 television film originally aired on April 9 1978 on NBC. Specially bound copy belonging to producer Ross Hunter bound in navy full calf with gilt titles on cover and spine with Hunter's name on the front board. An elderly married couple find themselves increasingly dependent on their grown children as their physical and mental health deteriorates. Fred Astaire won an Emmy Award as Best Actor and Helen Hayes received a nomination as Best Actress for her performance. Additional Emmy nominations included Outstanding Performance by a Supporting Actress Patty Duke Supporting Actor Efrem Zimbalist Jr. and Outstanding Cinematography in Entertainment Programming for a Special Joseph Biroc. Green full calf binding with titled paper wrappers as issued with credits for screenwriter Gerald Di Pego. Title page present with credits for screenwriter Gerald Di Pego. 128 leaves with last page of text numbered 104. Xerographically reproduced. Pages Near Fine wrapper Very Good plus presentation binding Near Fine. Paramount Television / National Broadcasting Company [NBC] unknown books
1966ref. 155023Universal City: Universal Television 1966. Draft script for the 1967 television movie originally aired on February 25 1967 on NBC. Copy belonging to an unknown crew member with their manuscript pencil annotations on three leaves. A suburban couple discover they have been used as money laundering pawns for a powerful crime syndicate and decide to try to break away from the cartel. Shot on location in Sleepy Hollow and New York City New York. Green titled Studio Duplicating Service wrappers. Title page present dated June 13 1966 with credits for director David Lowell Rich and screenwriter A.J. Russell. 111 leaves with last page of text numbered 107. Mimeograph duplication on yellow stock rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Universal Television unknown books
1977ref. 142870Hollywood: Paramount Television / National Broadcasting Company NBC 1977. Draft script for the 1978 television film originally aired on April 9 1978 on NBC. Specially bound copy belonging to producer Ross Hunter bound in navy full calf with gilt titles on cover and spine with Hunter's name on the front board. An elderly married couple find themselves increasingly dependent on their grown children as their physical and mental health deteriorates. Fred Astaire won an Emmy Award as Best Actor and Helen Hayes received a nomination as Best Actress for her performance. Additional Emmy nominations included Outstanding Performance by a Supporting Actress Patty Duke Supporting Actor Efrem Zimbalist Jr. and Outstanding Cinematography in Entertainment Programming for a Special Joseph Biroc. Green full calf binding with titled paper wrappers as issued with credits for screenwriter Gerald Di Pego. Title page present with credits for screenwriter Gerald Di Pego. 128 leaves with last page of text numbered 104. Xerographically reproduced. Pages Near Fine wrapper Very Good plus presentation binding Near Fine. Paramount Television / National Broadcasting Company [NBC] unknown
1969ref. 150573Universal City: Universal Pictures 1969. Seven vintage color studio still photographs from the 1969 film. A young man and his girlfriend make plans to kill the man's aunt in the hopes of receiving her large fortune but their nefarious plans are waylaid by the aunt's dozens of psychic murderous cats. Shot in San Francisco. 10 x 8 inches. Very Good plus overall one with a few pinholes to the corners. Universal Pictures unknown
1966ref. 155023Universal City: Universal Television 1966. Draft script for the 1967 television movie originally aired on February 25 1967 on NBC. Copy belonging to an unknown crew member with their manuscript pencil annotations on three leaves. A suburban couple discover they have been used as money laundering pawns for a powerful crime syndicate and decide to try to break away from the cartel. Shot on location in Sleepy Hollow and New York City New York. Green titled Studio Duplicating Service wrappers. Title page present dated June 13 1966 with credits for director David Lowell Rich and screenwriter A.J. Russell. 111 leaves with last page of text numbered 107. Mimeograph duplication on yellow stock rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Universal Television unknown
1962ref. 150547N.p.: N.p. 1962. Vintage reference photograph of Peter O'Toole Gamil Ratib and David Lean on the set of the 1962 film. Based on the 1926 autobiography "Seven Pillars of Wisdom" by T.E. Lawrence. An incomparable film. Opening in 1935 with the death of Lawrence Peter O'Toole in a motorcycle accident at the age of 46 we then follow in flashback Lawrence as a young intelligence officer in 1916 Cairo assigned to investigate the progress of the Arab revolt against the Turks. Winner of seven Academy Awards including Best Picture. Shot on location in England Saudi Arabia Spain and Morocco. 10.25 x 8 inches. Some edge and corner wear else Near Fine. National Film Registry. Ebert I. N.p. unknown books
1962ref. 150467Culver City CA: Columbia Pictures 1962. Vintage keybook reference photograph of Alec Guinness Sam Spiegel Jack Hawkins and David Lean on the set of the 1962 film. Based on the 1926 autobiography "Seven Pillars of Wisdom" by T.E. Lawrence. An incomparable film. Opening in 1935 with the death of Lawrence Peter O'Toole in a motorcycle accident at the age of 46 we then follow in flashback Lawrence as a young intelligence officer in 1916 Cairo assigned to investigate the progress of the Arab revolt against the Turks. Winner of seven Academy Awards including Best Picture. Shot on location in England Saudi Arabia Spain and Morocco. 11 x 8 inches. Near Fine. National Film Registry. Ebert I. Columbia Pictures unknown books
1954ref. 150786N.p.: N.p. 1954. Vintage narrow margin double weight reference photograph of David Lean on the set of the 1954 film. Based on the 1916 play by Harold Brighouse. Previously made as a silent film in 1920 directed by Percy Nash and starring Arthur Pitt and Joan Ritz and in 1931 directed by Thomas Bentley and starring James Harcourt and Joan Maude. Victorian bootmaker stingy widow and a man of great thirst Henry Hobson an exceptionally brilliant Charles Laughton insists there will be no marriages of his three daughters to avoid the costly settlements but the independent-minded eldest Brenda de Banzie has her sights set on Hobson's prize bootmaker Will Mossop John Mills. Set in and shot on location in Manchester England. 9.75 x 8 inches. Near Fine with black paper affixed to verso. Criterion Collection 461. N.p. unknown books
1946ref. 149877N.p.: N.p. 1946. Vintage reference photograph of director David Lean and producer J. Arthur Rank on the set of the 1946 British film. Based on the 1861 novel. A happy-go-lucky orphan discovers that an unknown benefactor is offering to finance his education and introduction into high society. Lean's first Dickens adaptation followed by "Oliver Twist" 1948 and the film which many consider to be the finest in his oeuvre. Nominated for five Academy Awards and winning two. Set and shot on location in London and Kent UK. 10 x 8 inches. Very Good plus overall with some faint soil to the recto. N.p. unknown books
1946ref. 151468N.p.: N.p. 1946. Vintage reference photograph of director David Lean and producer Ronald Neame in conversation with actor Anthony Wager between takes on the set of the 1946 film. With a printed mimeo snipe affixed to the verso. Based on Charles Dickens' 1861 novel. A critical and commercial success considered by many to be one of Lean's best feature films and one of the finest adaptations of a Dickens novel to date. 9.5 x 7.5 inches. Near Fine. Criterion Collection 31. Ebert II. Godard Histoires du cinema. N.p. unknown books
1970ref. 137367Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage deluxe press kit for the epic 1970 film including two oversize photos and six reference photographs. The third collaboration between director Lean and screenwriter Bolt following "Lawrence of Arabia" 1962 and "Doctor Zhivago" 1965. Winner of two Academy Awards for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more as well as ten BAFTA awards. The press kit contains: Ten loose sheets of heavy weight paper each folded to 11 x 14 inches printing on rectos only. The first sheet with a press release regarding the film the other nine with a description from Bolt's screenplay in English French Spanish German Italian and Japanese on the outside and the corresponding full-color printed image from the film inside. Two 11 x 14 sheets of photographic paper each containing two images one of David Lean on the set the second of the same scene from the film. With descriptions of the scenes printed on the verso of each photograph. Six 10 x 8 reference photographs one showing Lean and crew filming on the coast of Ireland the rest depicting scenes from the film. Each with captions printed on the verso. One biography of David Lean three pages printed on rectos only. 8.5 x 11 inches bound with a single staple. All items housed in a studio clamshell box as issued. Clamshell box: About Near Fine with light fading and a few small bruises. Press materials Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1970ref. 160694N.p.: N.p. 1970. Vintage borderless reference photograph of David Lean and a camera crew filming on location for the 1970 film. Mimeo snipe on the verso. The year after the suppressed 1916 Easter Rising a young Irish woman is torn between a British officer she loves and the nationalists from her own home town. The third collaboration between director Lean and screenwriter Robert Bolt following "Lawrence of Arabia" 1962 and "Doctor Zhivago" 1965. Winner of two Academy Awards including Best Cinematography and nominated for two more. Set in an isolated village on the Dingle Peninsula in County Kerry Ireland and shot on location in County Kerry and County Clare Ireland and in Cape Town South Africa. 10 x 8 inches. Near Fine. N.p. unknown books
1970ref. 150783N.p.: N.p. 1970. Vintage borderless double weight reference photograph of David Lean Sarah Miles Trevor Howard and John Mills on the set of the 1970 film. Two mimeo snipes and photographer "Ken Danvers" stamp on verso. The third collaboration between director Lean and screenwriter Bolt following "Lawrence of Arabia" 1962 and "Doctor Zhivago" 1965. The year after the suppressed 1916 Easter Rising a young Irish woman is caught between a British officer she loves and the nationalists from her own home town. Winner of two Academy Awards for Best Cinematogray and Best Supporting Actor for John Mills nominated for two more. Set in an isolated village on the Dingle Peninsula in County Kerry Ireland shot on location in County Kerry and County Clare Ireland and Cape Town South Africa. 10 x 8 inches. Near Fine. N.p. unknown books
1965ref. 151829N.p.: N.p. 1965. Archive of 14 original reference photographs taken on the set of the 1965 film and two original contact sheets with 24 images of cast and crew members at what appears to be a wrap party. Several photographs with manuscript ink annotations to the verso identifying figures in the images. One photograph date-stamped APR 27 1964 inscribed on the recto by uncredited location manager Howard "Dutch" Horton to production supervisor John Palmer and another photograph inscribed to Palmer from an unknown crew member in manuscript ink annotation to the verso. From the collection of John Palmer. Included with the collection is a brief typescript note signed from publicist Phil Gersdorf to Palmer gifting Palmer the contact sheets. Based on Boris Pasternak's controversial Nobel Prize-winning 1957 novel following a married physician whose life is irreversibly changed by the Russian Revolution and resulting Civil War. Nominated for ten Academy Awards winning five including Best Screenplay and Best Cinematography. Pasternak's novel was widely banned in the Soviet Union due to its perceived criticism of the Soviet government forcing director David Lean to begin filming on location in Spain-chosen in large part as a result of his positive experiences filming "Lawrence of Arabia" there several years prior as well as the promise of snow. The film was shot over ten months in Soria and Aragon and at the Aldeadavila Dam with a large-scale Moscow set built outside of Madrid as documented throughout the archive. An unseasonably warm winter in Spain obligated production to head to Finland and Canada in the final months of shooting in order to obtain a sufficiently wintry backdrop for landscape scenes. The archive includes eleven photographs of cast and crew members between takes on the Moscow set several shots featuring Palmer and director David Lean during a parade scene with crowds of extras in Soviet militia garb in the background. The Moscow photographs in particular highlight the intricate set and costume design elements which went into constructing the mock city including several striking images of parade participants holding huge portraits of Soviet officials. An unusual addition to the collection is a photograph of Palmer in conversation with noted Austrian-American director Fred Zinnemann who collaborated with actor Omar Sharif in "Behold a Pale Horse" earlier in 1964. Shot on location throughout Spain Finland and Canada. Photographs and contact sheets varying sizes. All materials generally Very Good plus several photographs with moderate toning. N.p. unknown books
1965ref. 159607N.p.: N.p. 1965. Vintage borderless reference photograph of cast and crew members filming on location for the 1965 film. Printed mimeo snipe affixed to the verso along with the stamp of photographer Federico Grau. Based on Boris Pasternak's controversial Nobel Prize-winning 1957 novel following a married physician whose life is irreversibly changed by the Russian Revolution and resulting Civil War. Nominated for ten Academy Awards winning five including Best Screenplay and Best Cinematography. Pasternak's novel was widely banned in the Soviet Union due to its perceived criticism of the Soviet government forcing director David Lean to begin filming on location in Spain-chosen in large part as a result of his positive experiences filming "Lawrence of Arabia" there several years prior as well as the promise of snow. The film was shot over ten months in Soria and Aragon and at the Aldeadavila Dam with a large-scale Moscow set built outside of Madrid as documented throughout the archive. An unseasonably warm winter in Spain obligated production to head to Finland and Canada in the final months of shooting in order to obtain a sufficiently wintry backdrop for landscape scenes. Shot on location throughout Spain Finland and Canada. 10 x 8 inches. Very Good plus lightly worn at the corners. N.p. unknown books
1965ref. 159607N.p.: N.p. 1965. Vintage borderless reference photograph of cast and crew members filming on location for the 1965 film. Printed mimeo snipe affixed to the verso along with the stamp of photographer Federico Grau. Based on Boris Pasternak's controversial Nobel Prize-winning 1957 novel following a married physician whose life is irreversibly changed by the Russian Revolution and resulting Civil War. Nominated for ten Academy Awards winning five including Best Screenplay and Best Cinematography. Pasternak's novel was widely banned in the Soviet Union due to its perceived criticism of the Soviet government forcing director David Lean to begin filming on location in Spain-chosen in large part as a result of his positive experiences filming "Lawrence of Arabia" there several years prior as well as the promise of snow. The film was shot over ten months in Soria and Aragon and at the Aldeadavila Dam with a large-scale Moscow set built outside of Madrid as documented throughout the archive. An unseasonably warm winter in Spain obligated production to head to Finland and Canada in the final months of shooting in order to obtain a sufficiently wintry backdrop for landscape scenes. Shot on location throughout Spain Finland and Canada. 10 x 8 inches. Very Good plus lightly worn at the corners. N.p. unknown
1965ref. 151829N.p.: N.p. 1965. Archive of 14 original reference photographs taken on the set of the 1965 film and two original contact sheets with 24 images of cast and crew members at what appears to be a wrap party. Several photographs with manuscript ink annotations to the verso identifying figures in the images. One photograph date-stamped APR 27 1964 inscribed on the recto by uncredited location manager Howard "Dutch" Horton to production supervisor John Palmer and another photograph inscribed to Palmer from an unknown crew member in manuscript ink annotation to the verso. From the collection of John Palmer. Included with the collection is a brief typescript note signed from publicist Phil Gersdorf to Palmer gifting Palmer the contact sheets. Based on Boris Pasternak's controversial Nobel Prize-winning 1957 novel following a married physician whose life is irreversibly changed by the Russian Revolution and resulting Civil War. Nominated for ten Academy Awards winning five including Best Screenplay and Best Cinematography. Pasternak's novel was widely banned in the Soviet Union due to its perceived criticism of the Soviet government forcing director David Lean to begin filming on location in Spain-chosen in large part as a result of his positive experiences filming "Lawrence of Arabia" there several years prior as well as the promise of snow. The film was shot over ten months in Soria and Aragon and at the Aldeadavila Dam with a large-scale Moscow set built outside of Madrid as documented throughout the archive. An unseasonably warm winter in Spain obligated production to head to Finland and Canada in the final months of shooting in order to obtain a sufficiently wintry backdrop for landscape scenes. The archive includes eleven photographs of cast and crew members between takes on the Moscow set several shots featuring Palmer and director David Lean during a parade scene with crowds of extras in Soviet militia garb in the background. The Moscow photographs in particular highlight the intricate set and costume design elements which went into constructing the mock city including several striking images of parade participants holding huge portraits of Soviet officials. An unusual addition to the collection is a photograph of Palmer in conversation with noted Austrian-American director Fred Zinnemann who collaborated with actor Omar Sharif in "Behold a Pale Horse" earlier in 1964. Shot on location throughout Spain Finland and Canada. Photographs and contact sheets varying sizes. All materials generally Very Good plus several photographs with moderate toning. N.p. unknown
1946ref. 149877N.p.: N.p. 1946. Vintage reference photograph of director David Lean and producer J. Arthur Rank on the set of the 1946 British film. Based on the 1861 novel. A happy-go-lucky orphan discovers that an unknown benefactor is offering to finance his education and introduction into high society. Lean's first Dickens adaptation followed by "Oliver Twist" 1948 and the film which many consider to be the finest in his oeuvre. Nominated for five Academy Awards and winning two. Set and shot on location in London and Kent UK. 10 x 8 inches. Very Good plus overall with some faint soil to the recto. N.p. unknown
1946ref. 151468N.p.: N.p. 1946. Vintage reference photograph of director David Lean and producer Ronald Neame in conversation with actor Anthony Wager between takes on the set of the 1946 film. With a printed mimeo snipe affixed to the verso. Based on Charles Dickens' 1861 novel. A critical and commercial success considered by many to be one of Lean's best feature films and one of the finest adaptations of a Dickens novel to date. 9.5 x 7.5 inches. Near Fine. Criterion Collection 31. Ebert II. Godard Histoires du cinema. N.p. unknown
1954ref. 150786N.p.: N.p. 1954. Vintage narrow margin double weight reference photograph of David Lean on the set of the 1954 film. Based on the 1916 play by Harold Brighouse. Previously made as a silent film in 1920 directed by Percy Nash and starring Arthur Pitt and Joan Ritz and in 1931 directed by Thomas Bentley and starring James Harcourt and Joan Maude. Victorian bootmaker stingy widow and a man of great thirst Henry Hobson an exceptionally brilliant Charles Laughton insists there will be no marriages of his three daughters to avoid the costly settlements but the independent-minded eldest Brenda de Banzie has her sights set on Hobson's prize bootmaker Will Mossop John Mills. Set in and shot on location in Manchester England. 9.75 x 8 inches. Near Fine with black paper affixed to verso. Criterion Collection 461. N.p. unknown
1962ref. 150547N.p.: N.p. 1962. Vintage reference photograph of Peter O'Toole Gamil Ratib and David Lean on the set of the 1962 film. Based on the 1926 autobiography "Seven Pillars of Wisdom" by T.E. Lawrence. An incomparable film. Opening in 1935 with the death of Lawrence Peter O'Toole in a motorcycle accident at the age of 46 we then follow in flashback Lawrence as a young intelligence officer in 1916 Cairo assigned to investigate the progress of the Arab revolt against the Turks. Winner of seven Academy Awards including Best Picture. Shot on location in England Saudi Arabia Spain and Morocco. 10.25 x 8 inches. Some edge and corner wear else Near Fine. National Film Registry. Ebert I. N.p. unknown
1962ref. 150467Culver City CA: Columbia Pictures 1962. Vintage keybook reference photograph of Alec Guinness Sam Spiegel Jack Hawkins and David Lean on the set of the 1962 film. Based on the 1926 autobiography "Seven Pillars of Wisdom" by T.E. Lawrence. An incomparable film. Opening in 1935 with the death of Lawrence Peter O'Toole in a motorcycle accident at the age of 46 we then follow in flashback Lawrence as a young intelligence officer in 1916 Cairo assigned to investigate the progress of the Arab revolt against the Turks. Winner of seven Academy Awards including Best Picture. Shot on location in England Saudi Arabia Spain and Morocco. 11 x 8 inches. Near Fine. National Film Registry. Ebert I. Columbia Pictures unknown
1970ref. 160694N.p.: N.p. 1970. Vintage borderless reference photograph of David Lean and a camera crew filming on location for the 1970 film. Mimeo snipe on the verso. The year after the suppressed 1916 Easter Rising a young Irish woman is torn between a British officer she loves and the nationalists from her own home town. The third collaboration between director Lean and screenwriter Robert Bolt following "Lawrence of Arabia" 1962 and "Doctor Zhivago" 1965. Winner of two Academy Awards including Best Cinematography and nominated for two more. Set in an isolated village on the Dingle Peninsula in County Kerry Ireland and shot on location in County Kerry and County Clare Ireland and in Cape Town South Africa. 10 x 8 inches. Near Fine. N.p. unknown
