10,190 results
1954ref. 157301N.p.: N.p. 1954. Vintage borderless double weight reference photograph from the 1954 film. Stamp of the film's title in German on the verso. An exploitation film focusing on fashion models' diet plans and cosmetics regimens. 9.5 x 7.25 inches. Near Fine. N.p. unknown books
1964ref. 164248Burbank CA: Warner Brothers 1964. Collection of five vintage studio still photographs and six vintage reference photographs taken on the set of the 1964 film. Two with printed mimeo snipes affixed to the versos and all with annotations in manuscript pencil on the same. Based on the 1956 Broadway musical by Lerner and Loewe itself adapted from George Bernard Shaw's 1913 play "Pygmalion." Winner of eight Academy Awards including Best Picture Best Director and Best Actor for Harrison reprising his Broadway and West End role as Henry Higgins. 10 x 8 inches. Very Good to Very Good plus overall. Ebert III. Warner Brothers unknown books
1957ref. 165095Hollywood: Paramount Pictures 1957. Vintage borderless press photograph from the set 1957 film showing actress Audrey Hepburn posing with an oversized hat. Paris agency stamp and layout annotations in manuscript pencil on the verso. Based on the unproduced musical "Wedding Bells" by screenwriter Leonard Gershe and featuring music from George and Ira Gershwin including four songs from their 1927 musical "Funny Face" though the musical and film have nothing in common beyond the title. Nominated for four Academy Awards including Best Screenplay and nominated for the Palme d'Or at Cannes. 8 x 10 inches. Very Good or better. Hirschhorn The Hollywood Musical. Paramount Pictures unknown books
1967ref. 159923Los Angeles: Twentieth Century-Fox 1967. Two vintage reference photographs of actor Albert Finney Audrey Hepburn and director Stanley Donen on the set of the 1967 film. Stamp of photographer Pierluigi on the verso. One photograph shows Hepburn and Finney with Donen on a ship between takes while the other shows Hepburn and Finney cutting into Donen's birthday cake frosted with the names of Donen's films "Charade" "Funny Face" and "Two for the Road". A husband and wife examine their twelve-year relationship while on a road trip through rural France. 10.5 x 8.25 inches. Near Fine. Eureka 107. Twentieth Century-Fox unknown books
1952ref. 160124London: Ealing Studios / Lippert Pictures 1952. Vintage reference photograph from the 1952 film noir. A woman and her younger sister flee London after their father is murdered by a dictator. When she returns seven years later she comes across her old lover who is planning to kill that same dictator. Audrey Hepburn's first significant role. Set in London. 10 x 8 inches. Very Good plus with some wear to the finish and some minor creasing along the edges. Grant UK. Selby UK. Selby US. Spicer UK. Ealing Studios / Lippert Pictures unknown books
1957ref. 165095Hollywood: Paramount Pictures 1957. Vintage borderless press photograph from the set 1957 film showing actress Audrey Hepburn posing with an oversized hat. Paris agency stamp and layout annotations in manuscript pencil on the verso. Based on the unproduced musical "Wedding Bells" by screenwriter Leonard Gershe and featuring music from George and Ira Gershwin including four songs from their 1927 musical "Funny Face" though the musical and film have nothing in common beyond the title. Nominated for four Academy Awards including Best Screenplay and nominated for the Palme d'Or at Cannes. 8 x 10 inches. Very Good or better. Hirschhorn The Hollywood Musical. Paramount Pictures unknown
1964ref. 164248Burbank CA: Warner Brothers 1964. Collection of five vintage studio still photographs and six vintage reference photographs taken on the set of the 1964 film. Two with printed mimeo snipes affixed to the versos and all with annotations in manuscript pencil on the same. Based on the 1956 Broadway musical by Lerner and Loewe itself adapted from George Bernard Shaw's 1913 play "Pygmalion." Winner of eight Academy Awards including Best Picture Best Director and Best Actor for Harrison reprising his Broadway and West End role as Henry Higgins. 10 x 8 inches. Very Good to Very Good plus overall. Ebert III. Warner Brothers unknown
1995ref. 157245N.p.: Alliance International 1995. Vintage portrait matte photograph of director Atom Egoyan from the 1995 film. Bruce Greenwood depressed and grieving over the loss of his child is obsessed with Mia Kirshner a young stripper at an upscale strip club whose ex-boyfriend Elias Koteas the club's MC still jealously pines for her. Nominated for the Palme d'Or. Set in and shot on location in Toronto. 8 x 10 inches. Near Fine. Ebert III. Grant US. Rosenbaum 1000. Alliance International unknown books
1991ref. 150744N.p.: Alliance Entertainment 1991. Three vintage studio still photographs from the 1991 film. An unorthodox insurance claims adjuster and his family are approached by a wealthy voyeuristic couple who want to make a film in their house. Canadian auteur Atom Egoyan's fourth feature a fetishistic and unsettling psychological journey. Shot on location in Toronto. 10 x 8 inches. Near Fine. Alliance Entertainment unknown books
2000ref. 171952Los Angeles: Twentieth Century-Fox 2000. Draft script for the 2000 comedy film. Two deadbeat stoners wake up from a long night of partying and embark on a journey to find their car whose cargo includes anniversary gifts for their girlfriends. Self wrappers. Title page present dated February 25 2000 with credit for screenwriter Philip Stark. 99 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Twentieth Century-Fox unknown books
2000ref. 171952Los Angeles: Twentieth Century-Fox 2000. Draft script for the 2000 comedy film. Two deadbeat stoners wake up from a long night of partying and embark on a journey to find their car whose cargo includes anniversary gifts for their girlfriends. Self wrappers. Title page present dated February 25 2000 with credit for screenwriter Philip Stark. 99 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1998ref. 143688Los Angeles: Freyda Rothstein Productions 1998. Draft script for the 1998 television film originally aired July 19 1998 on Lifetime Television. Elaine Marshall Jean Smart catches her husband John Terry with his male lover in a hotel room. Their idyllic family life is turned upside down as they are forced to confront his long kept secret. Shot on location in Portland Oregon. Green titled self-wrappers dated 3/21/98 with credits for screen writers Aaron Mendelsohn Ken Carter and Annette Haywood-Carter. 124 leaves with last page of text numbered 102. Xerographic duplication with green blue and pink revision pages throughout dated variously between 3/16/98 and 3/21/98. Pages Near Fine wrapper Very Good plus bound with three gold brads. Freyda Rothstein Productions unknown books
1998ref. 143688Los Angeles: Freyda Rothstein Productions 1998. Draft script for the 1998 television film originally aired July 19 1998 on Lifetime Television. Elaine Marshall Jean Smart catches her husband John Terry with his male lover in a hotel room. Their idyllic family life is turned upside down as they are forced to confront his long kept secret. Shot on location in Portland Oregon. Green titled self-wrappers dated 3/21/98 with credits for screen writers Aaron Mendelsohn Ken Carter and Annette Haywood-Carter. 124 leaves with last page of text numbered 102. Xerographic duplication with green blue and pink revision pages throughout dated variously between 3/16/98 and 3/21/98. Pages Near Fine wrapper Very Good plus bound with three gold brads. Freyda Rothstein Productions unknown
1971ref. 149549Mexico: Cinematografica Jalisco 1971. Vintage poster for the 1971 Mexican Western film. 26 x 36.75 inches. Very Good with pinholes to the corners starting to the creases and light toning. Folded as issued. Cinematografica Jalisco unknown books
1971ref. 149549Mexico: Cinematografica Jalisco 1971. Vintage poster for the 1971 Mexican Western film. 26 x 36.75 inches. Very Good with pinholes to the corners starting to the creases and light toning. Folded as issued. Cinematografica Jalisco unknown
1974ref. 161544N.p.: N.p. 1974. Vintage studio still photograph from the 1974 film with a provenance stamp on the verso. Also released as "Street Sisters." Based on the 1969 play "Don't Leave Go My Hand" by director and screenwriter Arthur Roberson. A mixed-race boy raised on a farm by his grandmother attempts to reconnect with his mother a Black prostitute. Set in and shot on location in Long Beach and Stockton California. 8 x 10 inches. Near Fine. Parish and Hill Black Action Films. N.p. unknown books
1974ref. 161544N.p.: N.p. 1974. Vintage studio still photograph from the 1974 film with a provenance stamp on the verso. Also released as "Street Sisters." Based on the 1969 play "Don't Leave Go My Hand" by director and screenwriter Arthur Roberson. A mixed-race boy raised on a farm by his grandmother attempts to reconnect with his mother a Black prostitute. Set in and shot on location in Long Beach and Stockton California. 8 x 10 inches. Near Fine. Parish and Hill Black Action Films. N.p. unknown
1969ref. 164092N.p.: N.p. 1969. Archive of 339 contact sheets comprising over 6750 studio still and on-the-set images from renowned still photographer Muky from the 1969 film. The archive is bound in two three-ring binders each labeled with the title "Directed by Arthur Penn" and "Still Photographs by Muky" with the binders labeled "Volume 1" and "Volume 2" on the spine respectively. The contact sheets in the archive are nearly all mounted back-to-back and affixed to the left edge with binders tape each with a three-hole punch to the binders tape. Muky born Menyhert Munkacsi was a renowned photographer for over 60 years and one of the foremost still photographers in the movie industry for over 25 years. Beginning as a photographer for theatrical productions in Budapest Hungary Muky was hired by Warner Brothers in the mid 1930s. By the 1950's Muky was one of Hollywood's most well respected still photographers. After relocating to New York in the mid 1950s Muky became perhaps the best known film still photographer in New York. Among the films on which Muky worked include: "12 Angry Men" 1957 "The Apartment" 1960 "The Miracle Worker" 1962 "Midnight Cowboy" 1969 and "Dog Day Afternoon" 1975. Based on Guthrie's 1967 folk protest song a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. Set and shot on location in New York and Massachusetts. 339 Contact Sheets 8.5 x 10 inches all but eleven mounted back-to-back. Near Fine overall. Two Binders 11 x 11.5 x 3.25 inches. Very Good plus with light overall rubbing. N.p. unknown books
1962ref. 137095Beverly Hills CA: United Artists 1962. Seven vintage studio photographs from the 1962 film. Winner of both Best Actress and Best Supporting Actress Academy awards for Bancroft and Duke respectively and nominated for three others including Best Director for Penn and Best Adapted Screenplay for Gibson working from his Tony Award winning play. 10 x 8 inches. Very Good plus overall. A few photographs lightly creased one with a dampstain to the top edge. United Artists unknown books
1980ref. 138127New York: Filmways Pictures 1980. Revised Draft script for the 1981 film. Included is a second script a revised draft in wrappers containing the latest revisions and two shooting schedules one detailing shooting dates beginning Week Three and one detailing dates beginning about Week Nine. Notations throughout both scripts in manuscript ink and pencil. Based on screenwriter Tesich's own coming-of-age in Indiana in the 1960s. Danilo Wason Georgia Thelen David Huddleston and Tom Metzler are four friends growing up in a 1960s industrial town. Told through a series of vignettes in the eyes of Danilo the film chronicles each friend as they come to accept that their lives may have become something they never thought possible. Shot on location in Indiana Illinois and Pennsylvania. One of director Penn's final and lesser known films after "The Missouri Breaks" 1976 and before "Target" 1985. First script without wrappers or title page a rainbow copy with several sets of revision pages pink yellow goldenrod blue gray green dated variously between 7/7/80 and 8/29/80. Second script in blue Studio Duplicating Service wrappers with no title page a revised draft dated 8/29/80 throughout. Shooting schedules corner-stapled. All items Very Good plus overall. Filmways Pictures unknown books
1966ref. 133029Culver City CA: Columbia Pictures 1966. Vintage black-and-white reference photograph from the US release of the 1966 film noir. An underrated key film for director Penn something of an intellectual thriller made between two better known films "Mickey One" 1965 and "Bonnie and Clyde" 1967. Also very much an acting tour de force with early performances by Robert Duvall Jane Fonda and Robert Redford and an exceptional turn by Brando as a town sheriff facing painful choices. The film itself was the subject of am acrimonious struggle for creative control between the director and studio coincidentally making the production mirror the themes of upheaval of the social order and the fight for freedom within the film story. A story set in Texas shot partially on location there. 8 x 10 inches. Near Fine. Spicer US. Columbia Pictures unknown books
1966ref. 142660Culver City CA: Columbia Pictures 1966. Vintage photograph on Jane Fonda taking a peek through a camera during shooting on the set of the 1966 film. With a Columbia Pictures stamp on the verso. Based on the 1952 Broadway play by Horton Foote about a small town sheriff on the look out for an escaped prisoner he believes is innocent while the townspeople whip themselves into a vigilante frenzy. 8 x 10 inches. Near Fine. Spicer US. Twilight Time 242. Columbia Pictures unknown books
1966ref. 151565Culver City CA: Columbia Pictures 1966. Vintage matte-finish double weight borderless reference photograph of director Arthur Penn talking with actress Jane Fonda on the set of the 1966 film. With a Columbia Pictures stamp on the verso along with a provenance stamp. Based on the 1952 Broadway play by Horton Foote about a small-town sheriff on the lookout for an escaped prisoner he believes is innocent while the townspeople whip themselves into a vigilante frenzy. 8 x 10 inches. Near Fine. Spicer US. Twilight Time 242. Columbia Pictures unknown books
1966ref. 158842Culver City CA: Columbia Pictures 1966. Vintage studio still photograph of Martha Hyer from the 1966 film. An underrated key film for director Penn something of an intellectual thriller made between two better known films "Mickey One" 1965 and "Bonnie and Clyde" 1967. Also very much an acting tour de force with early performances by Robert Duvall Jane Fonda and Robert Redford and an exceptional turn by Brando as a town sheriff facing painful choices. The film itself was the subject of am acrimonious struggle for creative control between the director and studio coincidentally making the production mirror the themes of upheaval of the social order and the fight for freedom within the film story. Set in Texas shot on location in California Calabasas and Chico. 8 x 10 inches. Near Fine with faint toning and light creating at the extremities. Spicer US. Twilight Time. Columbia Pictures unknown books
1962ref. 137096Beverly Hills CA: United Artists 1962. Vintage studio photograph from the 1962 film showing director Arthur Penn in thoughtful consultation with producer Fred Coe. Winner of both Best Actress and Best Supporting Actress Academy awards for Bancroft and Duke respectively and nominated for three others including Best Director for Penn and Best Adapted Screenplay for Gibson working from his Tony Award winning play. 10 x 8 inches. Near Fine. United Artists unknown books
