10,190 results
1981ref. 144334Paris: Studio Canal 1981. Vintage borderless photograph of Catherine Deneuve Patrick Dewaere and Etienne Chicot on the set of the 1981 film. With manuscript annotations regarding layout and photographer Tony Frank's name typed on the verso. Helene Catherine Deneuve an anesthetist depressed and mourning her recently drowned lover almost crashes her car into Gilles Patrick Dewaere a young working class man who lives at his mother's hotel. The two fall into a difficult relationship that brings up their painful past histories. Shot on location in France. 10.5 x 8 inches. Near Fine. Studio Canal unknown
1980ref. 147126Brussels: Monome 1980. Draft script for an unproduced French film written by French director-screenwriter Andre Soupart. With a manuscript ink annotation on the front wrapper noting the film's title and to the first leaf noting a change of address for Monome Films. Text in French. The lives of two women intersect in dreamlike mysterious ways. Beige titled wrappers. Title page present noted as Decoupage technique avec amorce de dialogues cutting and dialogue script with credits for screenwriters Andre SOUPART Paul PAQUAY and Jean-Marie VERVISCH. 120 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Very Good plus with a few light splashes throughout wrapper Very Good plus with perfect binding. Monome unknown books
1980ref. 147126Brussels: Monome 1980. Draft script for an unproduced French film written by French director-screenwriter Andre Soupart. With a manuscript ink annotation on the front wrapper noting the film's title and to the first leaf noting a change of address for Monome Films. Text in French. The lives of two women intersect in dreamlike mysterious ways. Beige titled wrappers. Title page present noted as Decoupage technique avec amorce de dialogues cutting and dialogue script with credits for screenwriters Andre SOUPART Paul PAQUAY and Jean-Marie VERVISCH. 120 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Very Good plus with a few light splashes throughout wrapper Very Good plus with perfect binding. Monome unknown
1962ref. 140353France: Cinetel 1962. Archive of 64 vintage borderless single weight still photographs from the 1962 French film. Seen in the images are starring actor Phillippe Noiret actor Rene Lefevre and actresses Berthe Granval and Zouzoue as well as several shots of the film crew and director Michel in action. Numerical annotations and some with layout annotations on the verso of nearly all photos in manuscript pencil. Housed in a vintage French Kodak brand photo paper box. Little-known drama about a man who aspires to be a sailor. One of director Michel's final films after notable others "Confession Under Four Eyes" 1954 and "The Blonde Witch" 1956. Most photos approximately 7 x 9.25 inches several 5 x 7 inches and one slightly smaller. Very Good plus overall photos with moderate curling and photo box Very Good plus. Cinetel unknown books
1962ref. 140353France: Cinetel 1962. Archive of 64 vintage borderless single weight still photographs from the 1962 French film. Seen in the images are starring actor Phillippe Noiret actor Rene Lefevre and actresses Berthe Granval and Zouzoue as well as several shots of the film crew and director Michel in action. Numerical annotations and some with layout annotations on the verso of nearly all photos in manuscript pencil. Housed in a vintage French Kodak brand photo paper box. Little-known drama about a man who aspires to be a sailor. One of director Michel's final films after notable others "Confession Under Four Eyes" 1954 and "The Blonde Witch" 1956. Most photos approximately 7 x 9.25 inches several 5 x 7 inches and one slightly smaller. Very Good plus overall photos with moderate curling and photo box Very Good plus. Cinetel unknown
1964ref. 139751Beverly Hills CA: United Artists 1964. Two vintage studio still photographs from the 1964 French film. A 1960s update on the deathless French crime figure. Fantomas is an infamous criminal with uncanny impersonation skills. With the use of various masks and disguises he assumes a plethora of identities in order to successfully carry out his crimes. Pictured in these photos is the hapless Inspector Juve here played by Louis de Funes for whom Fantomas is always just a few steps away but still out of reach. Shot on location in various locations around France. 10 x 8 inches. Near Fine with a manuscript notation to the verso. United Artists unknown books
1978ref. 157293N.p.: N.p. 1978. Vintage borderless reference photograph taken on the set of the 1978 film. Annotations in manuscript pencil on the verso. Based on the 1962 novel "The Passion Flower Hotel" about a sexually experienced American teenager who convinces her boarding school classmates to sleep with the boys at the boarding school across the lake. Set in Switzerland. 9.25 x 7 inches. Near Fine. N.p. unknown books
1977ref. 171038N.p.: N.p. 1977. Vintage borderless reference photograph from the 1977 film showing André Dussollier and Anémone covered in wires. A slapstick satire of modernism and government control about a French couple who are chosen by the Ministry of the Future to be the country's "model couple" and used as test subjects for the creation of a new updated city by the year 2000. 5 x 7 inches. Very Good plus moderately toned. N.p. unknown books
1977ref. 171038N.p.: N.p. 1977. Vintage borderless reference photograph from the 1977 film showing André Dussollier and Anémone covered in wires. A slapstick satire of modernism and government control about a French couple who are chosen by the Ministry of the Future to be the country's "model couple" and used as test subjects for the creation of a new updated city by the year 2000. 5 x 7 inches. Very Good plus moderately toned. N.p. unknown
1953ref. 130749Universal City CA: Universal Pictures 1953. Final Draft script for the 1954 film. Actor Van Heflin's copy. Safari guide Van Heflin is hired to hunt murderer Abel McCracken in the wilds of Africa but soon finds his guide's motives may go beyond the role for which he was hired. Pink titled wrappers noted as Final Screenplay on the front wrapper dated September 24 1953. Title page integral with the first page of the text. 147 leaves Multilith duplication with yellow carbon typescript revision pages collected at the end dated variously between 10-3-53 and 10-10-53. Pages Fine wrapper Fine bound with three gold brads. Universal Pictures unknown books
1959ref. 167837Beverly Hills CA: United Artists 1959. Vintage reference photograph from the 1959 Western film showing actor Burl Ives. Based on Lee Wells' 1955 novel. A gang of outlaws menace a town already divided by a land war between a greedy rancher and a group of cowboy homesteaders. Director Andre de Toth's final Western feature. Shot on location in Flagstaff and San Francisco Peaks Arizona and in Mount Bachelor Oregon. 8 x 10 inches. About Fine. Pitts 981. United Artists unknown books
1958ref. 159205Culver City CA: Columbia Pictures 1958. Two vintage studio still photographs from the 1958 film. With mimeo snipes affixed to the verso. A British man is placed in the German Army as a spy at the end of World War I. He is able to infiltrate high ranking Nazi command during the World War II eventually working his way to the top. Scripted by writers on the Hollywood blacklist. Set in Germany shot on location in Berlin Germany and London and Hertfordshire England. 8 x 10 inches. Very Good plus. Spicer UK. Columbia Pictures unknown books
1953ref. 148245Burbank CA: Warner Brothers 1953. Vintage studio still photograph of Vincent Price from the 1953 film. Two "Reporters Associes" stamps on the verso. Based on the 1932 short story "The Wax Works" by Charles S. Belden. Previously filmed in 1933 as "Mystery of the Wax Museum" directed by Michael Curtiz and starring Lionel Atwill and Fay Wray. The first color 3-D feature film from a major American studio which premiered two days after Columbia Pictures "Man in the Dark" the first major black and white 3-D feature. Also the first 3-D movie with stereophonic sound to be presented in a theater. Professor Henry Jarrod Price sculptor of wax figures miraculously manages to survive a fire set by his business partner Matthey Roy Roberts and re-emerges years later opening a new wax museum while corpses mysteriously begin vanishing from the city morgue. Selected for the National Film Registry in 2014. 8 x 10 inches. Light creasing at top else Near Fine. Warner Brothers unknown books
1953ref. 130749Universal City CA: Universal Pictures 1953. Final Draft script for the 1954 film. Actor Van Heflin's copy. Safari guide Van Heflin is hired to hunt murderer Abel McCracken in the wilds of Africa but soon finds his guide's motives may go beyond the role for which he was hired. Pink titled wrappers noted as Final Screenplay on the front wrapper dated September 24 1953. Title page integral with the first page of the text. 147 leaves Multilith duplication with yellow carbon typescript revision pages collected at the end dated variously between 10-3-53 and 10-10-53. Pages Fine wrapper Fine bound with three gold brads. Universal Pictures unknown
1968ref. 159702Rome: Galatea Film 1968. Two vintage studio still photographs from the 1968 television re-release of the 1957 film. A surgeon who suggested a woman go to a hospital instead of being treated by him dies at the hospital. Her husband believing the surgeon to be responsible for her death seeks revenge. Set in North Africa shot on location in Spain. 8 x 10 inches. Near Fine. Galatea Film unknown books
1990ref. 167769New York: The Green Card Production Company 1990. Sixth Final Draft script for the 1990 film. Copy belonging to an unidentified crew member with annotations in manuscript ink throughout highlighting filming locations. An American woman and a French man enter into a marriage of convenience-the man hoping to gain American citizenship the woman needing to be married to land her dream apartment. Actor Gérard Depardieu's American film debut. Set and shot on location in New York. Self wrappers. Title page present dated February 1990 noted as FINAL DRAFT #6 with credit for screenwriter Peter Weir. 138 leaves with last page of text numbered 120. Xerographic duplication rectos only with blue revision pages throughout dated March 20 1990. Pages Very Good plus bound with three gold brads. The Green Card Production Company unknown books
1997ref. 160283Sherman Oaks CA: CineSon 1997. Revised script for the 1998 film seen here under the working titles "The Scalper" and "A Piece of Cake." Copy belonging to production coordinator Shelley Houis housed in a black three-ring binder with approximately 250 pages of production documents including in addition to the script cast and crew contact lists cost-per-day spreadsheets location lists shooting schedules maps and travel documents. Desperate to win back his girlfriend a ticket scalper decides to try to strike it rich by buying marking up and reselling tickets to see the Pope in New York. Shot on location in New York and New Jersey. Title page present dated 6/06/97 with credit for director and screenwriter Richard Wenk. 133 leaves with last page of text numbered 112. Xerographic duplication rectos only. Pages about Fine binder Near Fine. CineSon unknown books
1990ref. 167769New York: The Green Card Production Company 1990. Sixth Final Draft script for the 1990 film. Copy belonging to an unidentified crew member with annotations in manuscript ink throughout highlighting filming locations. An American woman and a French man enter into a marriage of convenience-the man hoping to gain American citizenship the woman needing to be married to land her dream apartment. Actor Gérard Depardieu's American film debut. Set and shot on location in New York. Self wrappers. Title page present dated February 1990 noted as FINAL DRAFT #6 with credit for screenwriter Peter Weir. 138 leaves with last page of text numbered 120. Xerographic duplication rectos only with blue revision pages throughout dated March 20 1990. Pages Very Good plus bound with three gold brads. The Green Card Production Company unknown
ref. 021183André Castelot (1911-2004), historien, journaliste, scénariste. L.S. + enveloppe, 2 avril 1975, 1p in-8. Amusante lettre à Jean Bruhat (1905-1983) lui disant que l'orthographe de son nom sera corrigée dans la seconde édition du Napoléon III de Castelot. mais le nom est encore écorché sur l'enveloppe : Bruat. [520]
1961ref. 138761Beverly Hills CA: United Artists 1961. Vintage borderless black-and-white still photograph from the French release of the 1961 film. Featuring Ingrid Bergman holding up Anthony Perkins as he seems to be falling backwards outside of a large doorway. From the Tele Cine Documentation archive originally known as the Collection Daniel Bouteiller with their sticker to the verso. Also on the verso is the rubber stamp of Maurice Bessy from whose archives the photo originally came alongside another small rubber stamp and light manuscript annotations in ink. Based on the 1959 novel "Aimez-vous Brahms" by Francoise Sagan. Ingrid Bergman is the mistress of a philandering business executive who refuses to change his ways until Bergman begins seeing the son of one of his wealthy clients played by Anthony Perkins. Fresh from his role as Norman Bates in Hitchcock's "Psycho" Perkins shines as a charming aimless bachelor in what would be one of the few non-typecast characters of his career. Nominated for the Palme d'Or at Cannes where Anthony Perkins also won Best Actor. 6.75 x 9 inches. United Artists unknown books
1939ref. 132529London: Films in London Publications 1939. Vintage black-and-white still photograph from the 1939 UK release of the 1938 US film. Distributors rubber-stamps on the verso. Based on the Myron Brinig novel about three sisters who are considered the most desirable young women in a tiny town in Montana and the troubled marriages each faces. 8 x 10 inches with no borders as issued. Faint discoloration at the center of the recto see image else Near Fine. Films in London Publications unknown books
1956ref. 147087Los Angeles: Twentieth Century-Fox 1956. Final draft script for the 1956 film. Wrappers trimmed to conform to text block separating spine from wrapper abd cropping copy number stamp "650" and re-written in manuscript ink. Production number adjusted in manuscript pencil with ."5." "#3" in manuscript in on edge of spine. Based on Marcelle Maurette's 1952 stage play about a scheme to conspiracy to extort ten million pounds from a bank by teaching a homeless girl to impersonate the missing Russian princess Anastasia. Ingrid Bergman won an Academy Award for her lead role. Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 650 and production No. 2677 dated June 7 1956. Title page present dated June 7 1956 noted as Final Script with credits for screenwriter Arthur Laurents. 139 leaves with last page of text numbered 136. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus trimmed to conform to text block with spine separate bound with two gold brads. Twilight Time 203. Twentieth Century-Fox unknown books
1956ref. 132186London: Twentieth Century-Fox 1956. Seven vintage British front-of-house cards from the UK release of the 1956 US film. Based on Marcelle Maurette's stage play about a scheme to conspiracy to extort ten million pounds from a bank by teaching a homeless girl to impersonate the missing Russian princess Anastasia. Ingrid Bergman won an Academy Award for her lead role. 8 x 10 inches. Tiny faint creases overalland light soil to one still else Near Fine. Twentieth Century-Fox unknown books
1954ref. 148790Beverly Hills CA: United Artists 1954. Vintage three-sheet poster for the 1953 film. Based on the 1949 novel "The Girl on the Via Flaminia" by Alfred Hayes. Visiting Villefrance in the early 1950s Robert Teller Kirk Douglas reminisces on his time in the US Army in Paris nearing the end of WWII and his romance with the beautiful French peasant girl Lise Dany Robin. Set in and shot on location in Paris and the French Riviera France. 40.75 x 78 inches. Two panels folded as issued. Very Good with large closed tear to mid-right splitting to some folds several small closed tears at the extremities and light soiling. Royal Books can arrange for archival linen backing of posters. Please inquire. United Artists unknown books
1956ref. 147087Los Angeles: Twentieth Century-Fox 1956. Final draft script for the 1956 film. Wrappers trimmed to conform to text block separating spine from wrapper abd cropping copy number stamp "650" and re-written in manuscript ink. Production number adjusted in manuscript pencil with ."5." "#3" in manuscript in on edge of spine. Based on Marcelle Maurette's 1952 stage play about a scheme to conspiracy to extort ten million pounds from a bank by teaching a homeless girl to impersonate the missing Russian princess Anastasia. Ingrid Bergman won an Academy Award for her lead role. Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 650 and production No. 2677 dated June 7 1956. Title page present dated June 7 1956 noted as Final Script with credits for screenwriter Arthur Laurents. 139 leaves with last page of text numbered 136. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus trimmed to conform to text block with spine separate bound with two gold brads. Twilight Time 203. Twentieth Century-Fox unknown
