11,049 results
1974ref. 150272N.p.: Bryanston Pictures 1974. Vintage studio still photograph from the 1974 film featuring Joe Dallesandro and Roman Polanski uncredited in the role of 'man in tavern' here under the working title "Andy Warhol's Dracula" title visible through paper tape covering byline in bottom margin. One of Warhol's two horror films the other being "Frankenstein" released the previous year both USA/Italy/France co-productions and the pinnacle of his film career in terms of popularity outside avant-garde film circles. Attempts to court commercial markets included rating the film X and director Paul Morrissey very much influenced by the look of the Hammer horror films of the 1960s gave the films a lurid shocking appeal. Set in Italy and shot on location in Italy and Serbia. 9.75 x 8 inches. Slight diagonal trim on upper left side margin else Near Fine. Criterion Collection 28. Bryanston Pictures unknown books
1974ref. 170346N.p.: N.p. 1974. Three vintage borderless reference photographs from the 1974 film including one showing director Paul Morrissey sitting with Udo Kier and Joe Dallesandro on the set. Annotations in manuscript ink in French on the versos. Count Dracula travels from Transylvania to pre-fascist Italy in search of virgin blood to drink but soon discovers there are no longer any virgins to be found in the entirety of Italy. One of Andy Warhol's two horror films the other being "Frankenstein" released the same year on a double bill both USA/Italy/France co-productions and the pinnacle of his film career in terms of popularity outside avant-garde circles. Set in Italy shot on location in Italy and Serbia. Approximately 7.25 x 9.25 inches. Near Fine. Criterion Collection 28. Severin Films 721. N.p. unknown books
1974ref. 159119Amsterdam: Meteor Film 1974. Five vintage lobby cards from the Dutch release of the 1974 film. Stamps of Meteor Film on the versos and all six with blindstamps on the corners. Count Dracula travels from Transylvania to pre-fascist Italy in search of virgin blood to drink but soon discovers there are no longer any virgins to be found in the entirety of Italy. One of Andy Warhol's two horror films the other being "Frankenstein" released the same year on a double bill both USA/Italy/France co-productions and the pinnacle of his film career in terms of popularity outside avant-garde circles. Set in Italy shot on location in Italy and Serbia. 11 x 9 inches. Very Good plus with pinholes and light wear at the corners. Criterion Collection 28. Severin Films 721. Meteor Film unknown books
1974ref. 158123N.p.: N.p. 1974. Two vintage oversize borderless color reference photographs from the 1974 film. Printed labels specific to the film's French release affixed to the verso. Count Dracula travels from Transylvania to pre-fascist Italy in search of virgin blood to drink but soon discovers there are no longer any virgins to be found in the entirety of Italy. One of Andy Warhol's two horror films the other being "Frankenstein" released the same year on a double bill both USA/Italy/France co-productions and the pinnacle of his film career in terms of popularity outside avant-garde circles. Set in Italy shot on location in Italy and Serbia. 11.5 x 8.5 inches. Very Good plus with light wear at the corners. Severin Films 721. Criterion Collection 28. N.p. unknown books
1970ref. 141219N.p.: N.p. 1970. Draft script for an unproduced film. A police officer discovers a brutal and seemingly random massacre of nine people in a store. With no motives or leads he must track down and stop the killer. Screenwriter Dirk Evans is better known for his work as an actor most notably in "The Professionals" 1966 "Branded" 1966 and "The Silencers" 1966. Set in Boston. Off-white titled wrappers with credit for screenwriter Dirk Evans. Title page present with credit for screenwriter Dirk Evans. 142 leaves with last page of text numbered 141. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1970ref. 141219N.p.: N.p. 1970. Draft script for an unproduced film. A police officer discovers a brutal and seemingly random massacre of nine people in a store. With no motives or leads he must track down and stop the killer. Screenwriter Dirk Evans is better known for his work as an actor most notably in "The Professionals" 1966 "Branded" 1966 and "The Silencers" 1966. Set in Boston. Off-white titled wrappers with credit for screenwriter Dirk Evans. Title page present with credit for screenwriter Dirk Evans. 142 leaves with last page of text numbered 141. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1969ref. 167422Los Angeles: Paragon Pictures 1969. Draft script for the 1969 film. Count Dracula and his wife are alive or undead and well in modern-day Arizona where they use their hunchbacked butler to capture and kill young girls allowing them to drink their victims' blood in martini glasses as Bloody Marys. A humorously campy entry in the Dracula canon produced by noted exploitation studio Crown International Pictures. Set in Arizona shot on location in Lancaster California. Red titled wrappers. Title page present undated. 93 leaves with last page of text numbered 92. Mimeograph duplication rectos only. Pages Very Good wrapper Good moderately soiled and dampstained on the left and right sides bound with two gold brads. Paragon Pictures unknown
1969ref. 167422Los Angeles: Paragon Pictures 1969. Draft script for the 1969 film. Count Dracula and his wife are alive or undead and well in modern-day Arizona where they use their hunchbacked butler to capture and kill young girls allowing them to drink their victims' blood in martini glasses as Bloody Marys. A humorously campy entry in the Dracula canon produced by noted exploitation studio Crown International Pictures. Set in Arizona shot on location in Lancaster California. Red titled wrappers. Title page present undated. 93 leaves with last page of text numbered 92. Mimeograph duplication rectos only. Pages Very Good wrapper Good moderately soiled and dampstained on the left and right sides bound with two gold brads. Paragon Pictures unknown books
1958ref. 150599N.p.: N.p. 1958. Four vintage borderless reference photographs from the 1958 film. The anemic undead governor of a nineteenth century prison for the criminally insane conducts cruel illegal experiments on his inmates mostly involving blood transfusions. Set in Transylvania. 7 x 5 inches. Near Fine. N.p. unknown
1958ref. 150599N.p.: N.p. 1958. Four vintage borderless reference photographs from the 1958 film. The anemic undead governor of a nineteenth century prison for the criminally insane conducts cruel illegal experiments on his inmates mostly involving blood transfusions. Set in Transylvania. 7 x 5 inches. Near Fine. N.p. unknown books
ref. 155115Hollywood: Occult Productions 1973. Draft script for the 1973 film. Working production copy housed in a black leather binder with production materials bound in before and after the script including handwritten cast and crew contact information and call sheets. A young woman joins a black magic coven governed by a psychic witch queen with dubious and eventually murderous intentions. Considered one of the best and arguably most polished releases from noted psychotronic Z-budget horror director Ted V. Mikels heavily inspired by "Rosemary's Baby" 1968 and the occult concerns of the Age of Aquarius. Pink titled wrappers. Title page present undated with credits for director-screenwriter Ted V. Mikels. 67 leaves with last page of text numbered 64. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine. Nightmare USA. Occult Productions unknown
ref. 155115Hollywood: Occult Productions 1973. Draft script for the 1973 film. Working production copy housed in a black leather binder with production materials bound in before and after the script including handwritten cast and crew contact information and call sheets. A young woman joins a black magic coven governed by a psychic witch queen with dubious and eventually murderous intentions. Considered one of the best and arguably most polished releases from noted psychotronic Z-budget horror director Ted V. Mikels heavily inspired by "Rosemary's Baby" 1968 and the occult concerns of the Age of Aquarius. Pink titled wrappers. Title page present undated with credits for director-screenwriter Ted V. Mikels. 67 leaves with last page of text numbered 64. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine. Nightmare USA. Occult Productions unknown books
1977ref. 149823Burbank CA: Warner Brothers 1977. Final Draft script for the 1978 film. Based on the 1976 coming-of-age novel. A young man from a working class Italian background struggles to balance the blue collar desires of his volatile family with his own dream of becoming a teacher. Nominated for an Academy Award for Best Screenplay. Set in the Bronx New York. Goldenrod titled Warner Brothers wrappers noted as FINAL on the front wrapper dated March 14 1977. Title page present dated March 14 1977 noted as FINAL DRAFT with credits for screenwriter Walter Newman and novelist Richard Price. 129 leaves with last page of text numbered 132. Mimeograph duplication rectos only with blue revision pages throughout dated 3/28/77. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Warner Brothers unknown
1977ref. 149823Burbank CA: Warner Brothers 1977. Final Draft script for the 1978 film. Based on the 1976 coming-of-age novel. A young man from a working class Italian background struggles to balance the blue collar desires of his volatile family with his own dream of becoming a teacher. Nominated for an Academy Award for Best Screenplay. Set in the Bronx New York. Goldenrod titled Warner Brothers wrappers noted as FINAL on the front wrapper dated March 14 1977. Title page present dated March 14 1977 noted as FINAL DRAFT with credits for screenwriter Walter Newman and novelist Richard Price. 129 leaves with last page of text numbered 132. Mimeograph duplication rectos only with blue revision pages throughout dated 3/28/77. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Warner Brothers unknown books
1981ref. 142167US: Cinema 77 / Geria Productions / Filmways 1981. Eight vintage borderless color photographs from the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 7 x 9.5 inches. Fine. Criterion Collection 562. Grant US. Spicer US Neo-Noir. Cinema 77 / Geria Productions / Filmways unknown
1981ref. 142167US: Cinema 77 / Geria Productions / Filmways 1981. Eight vintage borderless color photographs from the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 7 x 9.5 inches. Fine. Criterion Collection 562. Grant US. Spicer US Neo-Noir. Cinema 77 / Geria Productions / Filmways unknown books
1981ref. 127394N.p.: Filmways 1981. Vintage one sheet poster for the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 27 x 41 inches. Very Good plus with light splashing to the top third. Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown
1981ref. 151952N.p.: Filmways 1981. Vintage reference photograph of Brian De Palma on the set of the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 8 x 10 inches. Near Fine. Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown
1981ref. 142109US: Filmways 1981. Vintage borderless color photograph from the 1981 film. Director Brian De Palma and Nancy Allen confer on the set with the stage setup for the film's wild parade sequence ending clearly in the background. Conceptual remake of Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 7 x 9.5 inches. Fine. Criterion Collection 562. Grant US. Spicer US Neo-Noir. Filmways unknown
1981ref. 127394N.p.: Filmways 1981. Vintage one sheet poster for the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 27 x 41 inches. Very Good plus with light splashing to the top third. Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown books
1981ref. 142109US: Filmways 1981. Vintage borderless color photograph from the 1981 film. Director Brian De Palma and Nancy Allen confer on the set with the stage setup for the film's wild parade sequence ending clearly in the background. Conceptual remake of Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 7 x 9.5 inches. Fine. Criterion Collection 562. Grant US. Spicer US Neo-Noir. Filmways unknown books
1981ref. 151952N.p.: Filmways 1981. Vintage reference photograph of Brian De Palma on the set of the 1981 film. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 8 x 10 inches. Near Fine. Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown books
1981ref. 132103N.p.: Filmways Pictures 1981. Vintage black-and-white still photograph of John Travolta from the 1981 film. A De Palma highspot with influences from Antonioni's "Blow-Up" and Francis Ford Coppola's "The Conversation." A fine role for John Travolta who would experience a slight career dip and bounce back hard with Quentin Tarantino's "Pulp Fiction." 8 x 10 inches. About Near Fine. Filmways Pictures unknown books
1981ref. 168110Culver City CA: Columbia Pictures / Filmways 1981. Two vintage studio still photographs from the 1981 film both showing actor John Travolta. Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 8 x 10 inches. Fine. Criterion Collection 562. Grant US. Spicer Neo-Noir. Columbia Pictures / Filmways unknown books
1966ref. 162417N.p.: N.p. 1966. Five vintage borderless reference photographs from the 1966 film showing a scene with David Hemmings staging a photoshoot with a topless Vanessa Redgrave Michelangelo Antonioni's first English-language film marking the beginning of the final phase of his work co-produced by companies in Italy the United States and the United Kingdom featuring an international cast. The director's brash use of color set design nonstandard editing techniques and typical emphasis of atmosphere over plot would carry over into the two major films that followed "Zabriskie Point" 1970 and "The Passenger" 1975. Winner of the Palme d'Or. Nominated for the Academy Awards for Best Director and Best Screenplay. Set and shot on location in London. 9.75 x 8 inches. Near Fine. Criterion Collection 865. Ebert I. Grant UK. N.p. unknown