11,049 results
1967ref. 161561N.p.: N.p. 1967. Two vintage still photographs from the 1967 film both with provenance stamps on the versos. Brigitta is a sexually repressed bank teller who meets the mysterious and charming Bize releasing her appetites for all things erotic. Shot on location in Munich Germany. 8 x 10 inches. Very Good plus with light edgewear faint creasing and one pinhole. N.p. unknown books
1957ref. 1901200426Finland: Films Lutétia/S.L.P.F. 1957. No Binding. Fine. An unusual pairing: an original Finnish tour poster for Cette Sacrée Gamine Naughty Girl 1956 the French comedy starring Brigitte Bardot combined with a postcard-sized photographic print hand-signed by Bardot. The poster measures approximately 15.25 × 23.5 inches. Unused no pinholes no tape residue no notable edge wear. Superb condition ideal for display or a serious Bardot collection. Tour poster format; no printer information noted. The hand-signed photograph is a postcard-sized photographic image bearing Bardot's signature. An attractive combined lot for collectors of French cinema memorabilia or Bardot ephemera. Films Lutétia/S.L.P.F. unknown
1967ref. 141006N.p.: N.p. 1967. Three Draft scripts for an unproduced film. During the Korean War a group of marines are pinned down behind enemy lines in a remote village where the only survivor is a widowed Korean woman and her child. Chaos descends as the soldiers find their radio is broken they are running out of supplies and they are slowly being picked off by snipers. Set in Korea. Script 1: Self wrappers. Title page present with credits for screenwriter Jack Lewis. Twelve leaves with last page of text numbered twelve. Mimeograph duplication. Pages Very Good plus lacking wrappers unbound. Script 2: Self wrappers. Title page present with credits for screenwriter Jack Lewis. 101 leaves with last page of text numbered 100. Mimeograph duplication. Pages Very Good plus lacking wrappers unbound. Script 3: Self wrappers. Title page present with credits for screenwriter Jack Lewis. 100 leaves with last page of text numbered 99. Mimeograph duplication. Pages Very Good plus lacking wrappers unbound. N.p. unknown
1967ref. 140880N.p.: N.p. 1967. Draft script for an unproduced film. Laid in is a letter dated February 16 1967 from Elizabeth Leeson secretary of Leon Mirelli returning the screenplay to Ilse Lahn as well as 15 on-set photographs housed in an envelope. During the Korean War a group of marines are pinned down behind enemy lines in a remote village where the only survivor is a widowed Korean woman and her child. Chaos descends as the soldiers find their radio is broken they are running out of supplies and they are slowly being picked off by snipers. Set in Korea. Yellow untitled wrappers. Title page present with credits for screenwriter Jack Lewis. 103 leaves with last page of text numbered 101. Ribbon copy typescript. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
1967ref. 140880N.p.: N.p. 1967. Draft script for an unproduced film. Laid in is a letter dated February 16 1967 from Elizabeth Leeson secretary of Leon Mirelli returning the screenplay to Ilse Lahn as well as 15 on-set photographs housed in an envelope. During the Korean War a group of marines are pinned down behind enemy lines in a remote village where the only survivor is a widowed Korean woman and her child. Chaos descends as the soldiers find their radio is broken they are running out of supplies and they are slowly being picked off by snipers. Set in Korea. Yellow untitled wrappers. Title page present with credits for screenwriter Jack Lewis. 103 leaves with last page of text numbered 101. Ribbon copy typescript. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown books
1967ref. 141006N.p.: N.p. 1967. Three Draft scripts for an unproduced film. During the Korean War a group of marines are pinned down behind enemy lines in a remote village where the only survivor is a widowed Korean woman and her child. Chaos descends as the soldiers find their radio is broken they are running out of supplies and they are slowly being picked off by snipers. Set in Korea. Script 1: Self wrappers. Title page present with credits for screenwriter Jack Lewis. Twelve leaves with last page of text numbered twelve. Mimeograph duplication. Pages Very Good plus lacking wrappers unbound. Script 2: Self wrappers. Title page present with credits for screenwriter Jack Lewis. 101 leaves with last page of text numbered 100. Mimeograph duplication. Pages Very Good plus lacking wrappers unbound. Script 3: Self wrappers. Title page present with credits for screenwriter Jack Lewis. 100 leaves with last page of text numbered 99. Mimeograph duplication. Pages Very Good plus lacking wrappers unbound. N.p. unknown books
1938ref. 148844Culver City CA: RKO Radio Pictures 1938. Vintage double weight photograph of Katharine Hepburn Howard Hawks and a resting Cary Grant on the set of the 1938 film. One of the foundational entries in the canon of American screwball comedies. Based on the short story by Hagar Wilde which originally appeared in Collier's Weekly magazine on April 10 1937. Zoologist David Huxley Grant develops a wary interest in the niece of dowager Mrs. Carelton Random Hepburn which as in all great screwball comedies is not finalized as a romance until about the last ten seconds of the film. But what makes this film singular is that the story is built around the maintenance aspects of raising a pet leopard creating a rapid-fire blur of events and dialogue that doesn't let up for the entire 102-minute running time. The film bombed upon release causing RKO to drop both of the stars but today ranks as one of the best films made by either. 8 x 10 inches. Near Fine. National Film Registry. Byrge & Miller The Screwball Comedy Films: A History and Filmography 1934-1942. RKO Radio Pictures unknown
1938ref. 148844Culver City CA: RKO Radio Pictures 1938. Vintage double weight photograph of Katharine Hepburn Howard Hawks and a resting Cary Grant on the set of the 1938 film. One of the foundational entries in the canon of American screwball comedies. Based on the short story by Hagar Wilde which originally appeared in Collier's Weekly magazine on April 10 1937. Zoologist David Huxley Grant develops a wary interest in the niece of dowager Mrs. Carelton Random Hepburn which as in all great screwball comedies is not finalized as a romance until about the last ten seconds of the film. But what makes this film singular is that the story is built around the maintenance aspects of raising a pet leopard creating a rapid-fire blur of events and dialogue that doesn't let up for the entire 102-minute running time. The film bombed upon release causing RKO to drop both of the stars but today ranks as one of the best films made by either. 8 x 10 inches. Near Fine. National Film Registry. Byrge & Miller The Screwball Comedy Films: A History and Filmography 1934-1942. RKO Radio Pictures unknown books
1937ref. 148516Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1937. Vintage borderless reference photograph from the 1938 film musical showing actor Buddy Ebsen dressed as a jockey astride a horse. With an ink stamp to the verso identifying the film by its working title "Broadway Melody of 1937" along with the reference number 988-14B. A backstage musical revue most notable for featuring a young Judy Garland in an unexpectedly popular singing role which would eventually lead to her casting in "The Wizard of Oz" in 1939. Set in New York. 7 x 9 inches. Very Good plus. Metro-Goldwyn-Mayer [MGM] unknown books
1950ref. 159462N.p.: N.p. 1950. Vintage color portrait photograph of Debra Paget from the 1950 film. Based on Elliott Arnold's 1947 novel "Blood Brother" in turn based on the life of US Army scout Tom Jeffords. After years of vicious warfare between the Chiricahua Apache tribe and the white settlers of Tucson a former Union captain makes a peace agreement with the tribe's chief reconciling the two sides. Considered one of the first major Westerns to portray American Indians in a sympathetic manner using nearly 240 extras from Arizona's Fort Apache Indian Reservation and attempting to portray Apache customs in an authentic manner throughout the film. Set and shot on location in Arizona. 8 x 10 inches. Light edgewear else Near Fine. Pitts 519. N.p. unknown books
1919ref. 171466N.p.: N.p. 1919. Vintage publicity photograph from the 1919 film showing Lillian Gish in a patterned shawl and straw hat sitting on a coil of rope. A tragedy based on a short story by Thomas Burke about a young girl who is abused by her father an alcoholic ex-prizefighter and is taken in by a kindly Chinese man. Set in London. 6.75 x 8.5 inches trimmed irregularly with margins on two sides. Very Good plus with a crease to the bottom right corner. National Film Registry. N.p. unknown
1919ref. 171466N.p.: N.p. 1919. Vintage publicity photograph from the 1919 film showing Lillian Gish in a patterned shawl and straw hat sitting on a coil of rope. A tragedy based on a short story by Thomas Burke about a young girl who is abused by her father an alcoholic ex-prizefighter and is taken in by a kindly Chinese man. Set in London. 6.75 x 8.5 inches trimmed irregularly with margins on two sides. Very Good plus with a crease to the bottom right corner. National Film Registry. N.p. unknown books
1998ref. 171263Santa Monica: Steven Bochco Productions 1998. Vintage Draft script for Season 1 Episode 17 of the 1997-1998 television series. Originally aired March 9 1998 on CBS. This short-lived procedural followed the uniformed police officers at a Brooklyn precinct. In this episode tensions are high at the precinct following one of the officers acting as an informant for Internal Affairs. Winner of an Emmy for Outstanding Directing for its Pilot episode. Set in Brooklyn. White titled self-wrappers lacking rear wrapper production No. C117 dated February 9 1998 with credits for screenwriters Doug Palau and Nicholas Wootton and director Marc Buckland. Title page integral with front wrapper. 62 leaves with last page of text numbered 60. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Steven Bochco Productions unknown
1998ref. 171538N.p.: N.p. 1998. Draft script for Season 1 Episode 18 of the 1997-1998 television series. Originally aired March 16 1998 on CBS. With production document bound into the script preceding front self wrapper. This short-lived procedural followed the uniformed police officers at a Brooklyn precinct. In this episode two officers try to help a woman being abused by her husband until they find him dead. Winner of an Emmy for Outstanding Directing for its Pilot episode. Set in Brooklyn. White titled self wrapper lacking rear wrapper production No. C118 dated February 24 1998 with credits for director Michael Watkins and screenwriters Scott A. Williams Edward Allen Bernero and Matt Olmstead. Title page integral with front wrapper. 51 leaves with last page of text numbered 51. Xerographic duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. N.p. unknown
1998ref. 171263Santa Monica: Steven Bochco Productions 1998. Vintage Draft script for Season 1 Episode 17 of the 1997-1998 television series. Originally aired March 9 1998 on CBS. This short-lived procedural followed the uniformed police officers at a Brooklyn precinct. In this episode tensions are high at the precinct following one of the officers acting as an informant for Internal Affairs. Winner of an Emmy for Outstanding Directing for its Pilot episode. Set in Brooklyn. White titled self-wrappers lacking rear wrapper production No. C117 dated February 9 1998 with credits for screenwriters Doug Palau and Nicholas Wootton and director Marc Buckland. Title page integral with front wrapper. 62 leaves with last page of text numbered 60. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Steven Bochco Productions unknown books
1998ref. 171538N.p.: N.p. 1998. Draft script for Season 1 Episode 18 of the 1997-1998 television series. Originally aired March 16 1998 on CBS. With production document bound into the script preceding front self wrapper. This short-lived procedural followed the uniformed police officers at a Brooklyn precinct. In this episode two officers try to help a woman being abused by her husband until they find him dead. Winner of an Emmy for Outstanding Directing for its Pilot episode. Set in Brooklyn. White titled self wrapper lacking rear wrapper production No. C118 dated February 24 1998 with credits for director Michael Watkins and screenwriters Scott A. Williams Edward Allen Bernero and Matt Olmstead. Title page integral with front wrapper. 51 leaves with last page of text numbered 51. Xerographic duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. N.p. unknown books
1970ref. 152555Culver City CA: Columbia Pictures 1970. Draft script for the 1971 film here under the working title "Kane." Copy belonging to actor Bradford Dillman with his stamp to the title page and his manuscript ink annotations throughout. Laid in with the script are two manuscript pages with Dillman's notes on blocking for various scenes and two gatherings of cast and crew contact information. A mysterious African American man returns to his hometown for a funeral and is suspected by the police and district attorney of being a union organizer. His aging family doctor however knows the man holds a larger more meaningful purpose in the world. Set in Alabama shot on location in Marysville California. Blue titled wrappers dated January 30 1970 noted as production No. 8981. Title page present dated January 30 1970 with credits for director James Goldstone and screenwriter Ernest Kinoy. 141 leaves with last page of text numbered 140. Mimeograph duplication on eye-rest green stock rectos only with rainbow revision pages throughout dated variously between February 11 1970 and March 4 1970. Pages and wrapper Near Fine bound with two gold brads. Columbia Pictures unknown
1971ref. 157331N.p.: N.p. 1971. Vintage borderless reference photograph of director James Goldstone with a camera on the set of the 1971 film. A mysterious African American man returns to his hometown for a funeral and is suspected by the police and district attorney of being a union organizer. His aging family doctor however knows the man holds a larger more meaningful purpose in the world. Set in Alabama shot on location in Marysville California. 10 x 8 inches. Near Fine. N.p. unknown
1970ref. 152555Culver City CA: Columbia Pictures 1970. Draft script for the 1971 film here under the working title "Kane." Copy belonging to actor Bradford Dillman with his stamp to the title page and his manuscript ink annotations throughout. Laid in with the script are two manuscript pages with Dillman's notes on blocking for various scenes and two gatherings of cast and crew contact information. A mysterious African American man returns to his hometown for a funeral and is suspected by the police and district attorney of being a union organizer. His aging family doctor however knows the man holds a larger more meaningful purpose in the world. Set in Alabama shot on location in Marysville California. Blue titled wrappers dated January 30 1970 noted as production No. 8981. Title page present dated January 30 1970 with credits for director James Goldstone and screenwriter Ernest Kinoy. 141 leaves with last page of text numbered 140. Mimeograph duplication on eye-rest green stock rectos only with rainbow revision pages throughout dated variously between February 11 1970 and March 4 1970. Pages and wrapper Near Fine bound with two gold brads. Columbia Pictures unknown books
1971ref. 157331N.p.: N.p. 1971. Vintage borderless reference photograph of director James Goldstone with a camera on the set of the 1971 film. A mysterious African American man returns to his hometown for a funeral and is suspected by the police and district attorney of being a union organizer. His aging family doctor however knows the man holds a larger more meaningful purpose in the world. Set in Alabama shot on location in Marysville California. 10 x 8 inches. Near Fine. N.p. unknown books
1979ref. 78850Century City California: Twentieth Century-Fox 1979. Wraps. Very good. Third Revised Draft dated May 1 1979 of the script for the 1980 Stuart Rosenberg film starring Robert Redford as a newly arrived prison warden who attempts to clean up a corrupt and violent penal system. It was nominated for the Best Original Screenplay at the 1981 Academy Awards. This is Jack Hirshberg’s copy with the iconic film publicist’s signature or printed name on the first page of some of the revisions. Quarto: 292 pp. A rainbow script photomechanically reproduced on the recto of standard pink green white yellow and blue stock. The printed green paper front wrapper and plain blue rear wrapper are bound with two brass brads. Short closed tear to the left edge of the front wrapper just above the top brad; otherwise very good. Twentieth Century-Fox unknown
1980ref. 163607Los Angeles: Twentieth Century-Fox 1980. Vintage press kit for the 1980 film. A glossy bi-fold printed on the recto and verso enclosing a three-page promotional article and twelve black and white photographs. Inspired by the 1969 nonfiction book "Accomplices to the Crime" by Thomas O. Murton and Joe Hyams about abuse and corruption in the Arkansas prison system. Nominated for an Academy Award for Best Original Screenplay. Bi-fold and promotional material Near Fine. Photographs with one evenly toned else Near Fine. Twentieth Century-Fox unknown
1980ref. 168149Los Angeles: Twentieth Century-Fox 1980. Vintage studio still photograph from the 1980 film showing actor Robert Redford. Inspired by the 1969 nonfiction book "Accomplices to the Crime" by Thomas O. Murton and Joe Hyams exposing widespread abuse and corruption in the Arkansas prison system. Nominated for an Academy Award for Best Original Screenplay. 8 x 10 inches. Very Good plus with light discoloration affecting the right edge. Twentieth Century-Fox unknown books
1980ref. 163607Los Angeles: Twentieth Century-Fox 1980. Vintage press kit for the 1980 film. A glossy bi-fold printed on the recto and verso enclosing a three-page promotional article and twelve black and white photographs. Inspired by the 1969 nonfiction book "Accomplices to the Crime" by Thomas O. Murton and Joe Hyams about abuse and corruption in the Arkansas prison system. Nominated for an Academy Award for Best Original Screenplay. Bi-fold and promotional material Near Fine. Photographs with one evenly toned else Near Fine. Twentieth Century-Fox unknown books
1996ref. 171837N.p.: Film Roman Productions 1996. First Draft script for the pilot episode of the 1996-1997 syndicated animated series an internally duplicated copy with copied punch holes here under the working title "B.R.U.N.O. The Kid 'The Adventure Begins' Pilot." From the archive of screenwriter Stephen Sustarsic. Syndicated animated series about an eleven-year old who becomes a top secret spy which premiered on September 23 1996 and aired for a single 36-episode season ending on May 26 1997. In this episode Colonel Muckbar buys the BLAP disk from Lazlo Gigahertz Tim Curry and threatens to blow up the Hoover Dam if he doesn't get two billion dollars. Front wrapper integral with the title page dated 3/21/69 noted as FINAL DRAFT with credits for screenwriter Bill Baunstein. 44 leaves with last page of text numbered 43. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Film Roman Productions unknown books
