11,049 results
1978ref. 144304Paris: Roissy Films 1978. Vintage oversize borderless color photograph of Gerard Depardieu and the star chimpanzee from the 1978 film. With manuscript ink annotations on the verso. An Italian-French production about a man who lives in a New York City basement and works as a jack of all trades for the owner of a wax museum and a feminist theater group. He finds an abandoned chimpanzee on the beach who he attempts to raise. A bleak and desolate depiction of New York City. Filmed in English and released dubbed in both French and Italian. Shot on location in New York City. 9.5 x 12 inches. Very Good plus. Roissy Films unknown books
1978ref. 155852Paris: Roissy Films 1978. Two vintage borderless reference photographs from the 1978 film. Manuscript ink annotations on the verso. From the archive of film historian and author Joel Finler. A darkly comic dystopian fantasy set in New York about a lonely French electrician who attempts to raise a baby chimpanzee. Shot on location in New York City. 9.5 x 7 inches. Near Fine. Roissy Films unknown books
1970ref. 166463Los Angeles: Rogallian Productions 1970. Fourth Draft script for the 1970 film seen here under the working title "C.C. Ryder and Company." Bound in with the script is a two-page call sheet. A biker falls in with the "Heads Company" a notorious biker gang and must save a young woman and defeat the gang's leader in a motorcycle race. Set and shot on location in Arizona. Blue titled wrappers. Title page present dated April 3 1970 noted as FOURTH DRAFT with credits for screenwriter Roger Smith. 125 leaves with last page of text numbered 127. Mimeograph duplication rectos only. Pages Near Fine wrapper Good with foxing and chipping and closed tears at the extremities bound with two gold brads. Rogallian Productions unknown
1970ref. 166463Los Angeles: Rogallian Productions 1970. Fourth Draft script for the 1970 film seen here under the working title "C.C. Ryder and Company." Bound in with the script is a two-page call sheet. A biker falls in with the "Heads Company" a notorious biker gang and must save a young woman and defeat the gang's leader in a motorcycle race. Set and shot on location in Arizona. Blue titled wrappers. Title page present dated April 3 1970 noted as FOURTH DRAFT with credits for screenwriter Roger Smith. 125 leaves with last page of text numbered 127. Mimeograph duplication rectos only. Pages Near Fine wrapper Good with foxing and chipping and closed tears at the extremities bound with two gold brads. Rogallian Productions unknown books
1998ref. 157392Pasadena: Madison Avenue Productions 1998. Shooting script for the 1998 television film with annotations in manuscript highlighter on pages 8-9. Laid in is a Crew Call Sheet with copied annotations ten reduced copies of ten pages of the script with copied annotations and a copy of a map for the crew to the Metropolitan Baptist Church with the copied date of 6/6/98. Bound in following the script is a nine page Crew List a June 2 1998 Memorandum and a two page shooting schedule. The television film aired on CBS on November 29 1998. Based on a true story of a Pasadena cab driver who picks up an elderly woman en route to a funeral who ends up insisting the driver take her on a cross-county trip ending in Vancouver. Shot on location in Los Angeles. Front wrapper integral with the title page dated 4/27/98 noted as SHOOTING SCRIPT with credits for screenwriter Dalene Young and story by Beth Polson. 117 leaves with last page of text numbered 106. Xerographic duplication rectos only with blue and pink revision pages throughout dated 5/5/98 and 5/15/98. Pages Near Fine bound with two gold brads. Crew Call Sheet 6 x 9 inches stapled to the reduced script pages. Near Fine. Ten Reduced Script Pages 5.75 x 7.5 inches. Near Fine Map 14 x 8.5 inches. With a single vertical fold else Near Fine. Madison Avenue Productions unknown
1998ref. 157392Pasadena: Madison Avenue Productions 1998. Shooting script for the 1998 television film with annotations in manuscript highlighter on pages 8-9. Laid in is a Crew Call Sheet with copied annotations ten reduced copies of ten pages of the script with copied annotations and a copy of a map for the crew to the Metropolitan Baptist Church with the copied date of 6/6/98. Bound in following the script is a nine page Crew List a June 2 1998 Memorandum and a two page shooting schedule. The television film aired on CBS on November 29 1998. Based on a true story of a Pasadena cab driver who picks up an elderly woman en route to a funeral who ends up insisting the driver take her on a cross-county trip ending in Vancouver. Shot on location in Los Angeles. Front wrapper integral with the title page dated 4/27/98 noted as SHOOTING SCRIPT with credits for screenwriter Dalene Young and story by Beth Polson. 117 leaves with last page of text numbered 106. Xerographic duplication rectos only with blue and pink revision pages throughout dated 5/5/98 and 5/15/98. Pages Near Fine bound with two gold brads. Crew Call Sheet 6 x 9 inches stapled to the reduced script pages. Near Fine. Ten Reduced Script Pages 5.75 x 7.5 inches. Near Fine Map 14 x 8.5 inches. With a single vertical fold else Near Fine. Madison Avenue Productions unknown books
1972ref. 162216N.p.: N.p. 1972. Vintage reference photograph from the 1972 film showing actors Fritz Wepper and Marisa Berenson. French release stamps on the verso. Based on Joe Masteroff's 1966 musical which was based on John Van Druten's 1951 Broadway play "I Am a Camera" which was in turn based on short stories by Christopher Isherwood from his collection "Goodbye to Berlin." A decadent beautiful story of cabaret life desperation and love all under the increasingly deadly presence of the Nazi Party in Weimar-era Berlin. Nominated for ten Academy Awards and winning eight including Best Picture Best Director Best Cinematography Best Adapted Screenplay Best Actress for Minnelli and Best Supporting Actor for Joel Grey. Set in Berlin and shot on location throughout Germany. 8 x 10 inches with a wide bottom margin. Near Fine. National Film Registry. N.p. unknown
1972ref. 152128Glendale CA: Allied Artists 1972. Vintage reference photograph from the 1972 film showing actress Marisa Berenson. With a printed mimeo snipe affixed to the verso. Based on Joe Masteroff's 1966 musical which was based on John Van Druten's 1951 Broadway play "I Am a Camera" which was in turn based on short stories by Christopher Isherwood from his collection "Goodbye to Berlin." A decadent beautiful story of cabaret life desperation and love all under the increasingly deadly presence of the Nazi Party in Weimar-era Berlin. Nominated for ten Academy Awards and winning eight including Best Picture Best Director Best Cinematography Best Adapted Screenplay Best Actress for Liza Minnelli and Best Supporting Actor for Joel Grey. Set in Berlin and shot on location throughout Germany. 10 x 8 inches. Near Fine. National Film Registry. Allied Artists unknown
1972ref. 162216N.p.: N.p. 1972. Vintage reference photograph from the 1972 film showing actors Fritz Wepper and Marisa Berenson. French release stamps on the verso. Based on Joe Masteroff's 1966 musical which was based on John Van Druten's 1951 Broadway play "I Am a Camera" which was in turn based on short stories by Christopher Isherwood from his collection "Goodbye to Berlin." A decadent beautiful story of cabaret life desperation and love all under the increasingly deadly presence of the Nazi Party in Weimar-era Berlin. Nominated for ten Academy Awards and winning eight including Best Picture Best Director Best Cinematography Best Adapted Screenplay Best Actress for Minnelli and Best Supporting Actor for Joel Grey. Set in Berlin and shot on location throughout Germany. 8 x 10 inches with a wide bottom margin. Near Fine. National Film Registry. N.p. unknown books
1972ref. 152128Glendale CA: Allied Artists 1972. Vintage reference photograph from the 1972 film showing actress Marisa Berenson. With a printed mimeo snipe affixed to the verso. Based on Joe Masteroff's 1966 musical which was based on John Van Druten's 1951 Broadway play "I Am a Camera" which was in turn based on short stories by Christopher Isherwood from his collection "Goodbye to Berlin." A decadent beautiful story of cabaret life desperation and love all under the increasingly deadly presence of the Nazi Party in Weimar-era Berlin. Nominated for ten Academy Awards and winning eight including Best Picture Best Director Best Cinematography Best Adapted Screenplay Best Actress for Liza Minnelli and Best Supporting Actor for Joel Grey. Set in Berlin and shot on location throughout Germany. 10 x 8 inches. Near Fine. National Film Registry. Allied Artists unknown books
1943ref. 166020Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1943. Vintage keybook set design photograph from the 1943 film showing the exterior of a nightclub advertising a one-night-only performance by Duke Ellington and his band. Property Department stamp and annotations in manuscript pencil on the verso. Based on the 1940 Broadway musical. A compulsive gambler killed in a nightclub shooting is visited by God and the Devil who agree to give him six months to atone for his earthly misdeeds and decide the fate of his eternal soul. A star-studded affair featuring jazz great Louis Armstrong as one of Satan's minions and a showcase musical number by Ellington and his orchestra. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1943ref. 166020Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1943. Vintage keybook set design photograph from the 1943 film showing the exterior of a nightclub advertising a one-night-only performance by Duke Ellington and his band. Property Department stamp and annotations in manuscript pencil on the verso. Based on the 1940 Broadway musical. A compulsive gambler killed in a nightclub shooting is visited by God and the Devil who agree to give him six months to atone for his earthly misdeeds and decide the fate of his eternal soul. A star-studded affair featuring jazz great Louis Armstrong as one of Satan's minions and a showcase musical number by Ellington and his orchestra. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1970ref. 141218N.p.: N.p. 1970. Treatment script for an unproduced television series. An American private investigator lives on the French Riviera where he is tasked with bringing perpetrators of white-collar crime to justice. Set in France and Italy. Orange titled wrappers with credit for screenwriter Albert J. Cohen. Title page present with credit for screenwriter Albert J. Cohen. 14 leaves with last leaf of text numbered twelve. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1970ref. 141218N.p.: N.p. 1970. Treatment script for an unproduced television series. An American private investigator lives on the French Riviera where he is tasked with bringing perpetrators of white-collar crime to justice. Set in France and Italy. Orange titled wrappers with credit for screenwriter Albert J. Cohen. Title page present with credit for screenwriter Albert J. Cohen. 14 leaves with last leaf of text numbered twelve. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1982ref. 137892Koln Cologne: N.p. 1982. Draft script for an unproduced German film. Laid in is a manuscript letter addressed to Kinski from Kremser dated 1982 and signed by Kremser. The letter states that Kremser wrote the screenplay with Kinski in mind as the lead role in a film that would be a "political science-fiction fairy tale." Both script and letter in German. Cream untitled wrappers. Title page present with title written in manuscript ink. 329 leaves with last page of text numbered 368. Xerographic duplication versos and rectos. Pages Very Good plus wrapper Near Fine perfect-bound. Letter Very Good plus dated March 8 1982. N.p. unknown
1982ref. 137892Koln Cologne: N.p. 1982. Draft script for an unproduced German film. Laid in is a manuscript letter addressed to Kinski from Kremser dated 1982 and signed by Kremser. The letter states that Kremser wrote the screenplay with Kinski in mind as the lead role in a film that would be a "political science-fiction fairy tale." Both script and letter in German. Cream untitled wrappers. Title page present with title written in manuscript ink. 329 leaves with last page of text numbered 368. Xerographic duplication versos and rectos. Pages Very Good plus wrapper Near Fine perfect-bound. Letter Very Good plus dated March 8 1982. N.p. unknown books
1949ref. 137478Universal City CA: Universal Pictures 1949. Final shooting script for the 1950 film. Copy belonging to actor Marshall Reed who here plays the role of the villain with his name in black manuscript ink on the front wrapper. A ruthless man attempts to rekindle a settled feud between two rancher families in order to take both their lands when they kill each other off. Luckily the town has a good sheriff and a standup rancher gal to help save the day. An odd short musical western with a good crop of the genre's favorite themes bar brawls ambushes sharpshooters to help round out the plot. Red titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper production No. A7 dated November 2 1949. Title page present with credits for screenwriter Joseph O'Donnell. 47 leaves with last page of text numbered 46. Mimeograph duplication. Pages Fair wrapper Fair bound with three gold brads. Foxing and dampstaining to much of the wrappers and extremities. Universal Pictures unknown
1949ref. 137478Universal City CA: Universal Pictures 1949. Final shooting script for the 1950 film. Copy belonging to actor Marshall Reed who here plays the role of the villain with his name in black manuscript ink on the front wrapper. A ruthless man attempts to rekindle a settled feud between two rancher families in order to take both their lands when they kill each other off. Luckily the town has a good sheriff and a standup rancher gal to help save the day. An odd short musical western with a good crop of the genre's favorite themes bar brawls ambushes sharpshooters to help round out the plot. Red titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper production No. A7 dated November 2 1949. Title page present with credits for screenwriter Joseph O'Donnell. 47 leaves with last page of text numbered 46. Mimeograph duplication. Pages Fair wrapper Fair bound with three gold brads. Foxing and dampstaining to much of the wrappers and extremities. Universal Pictures unknown books
1970ref. 132902Culver City CA: Columbia Pictures 1970. Vintage black-and-white still photograph from the UK release of the 1969 US film. Mimeograph snipe and layout annotations on the verso with layout annotations on the recto. Based on the play "Fleur de cactus" by Barillet and Gredy starring Walter Matthau as Julian Winston physician and lover to Toni Simmons played by Goldie Hawn in her first starring role. Julian tells women he's married to avoid getting involved annoying Toni. When Julian decides to become exclusive with Toni she insists on meeting his wife and Julian enlists the aid of his receptionist Stephanie Dickinson Ingrid Bergman to act the part. Shot on location in New York. 8 x 10 inches with no borders as issued. And faint rubbing to the edges else Near Fine. Columbia Pictures unknown books
1990ref. 160456Los Angeles: European American Entertainment 1990. Second Draft script for the 1991 film here under the working title "Chained Heat II" with a manuscript marker annotation of copy number "40" on the front wrapper. Not to be confused with the 1993 film "Chained Heat II" directed by Lloyd Simandl and starring Brigitte Nielsen and Paul Koslo. Copy likely belonging to actor Ray Sharkey with manuscript annotations in blue highlighter and ink on five pages highlighting all the dialogue of Sharkey's character "Hayes." Also released under the title "Hotel Oklahoma." David Keith stars as Tommy an ex-con who disguises himself as a warden to free his innocent girlfriend Kristen Cloke from a women's penitentiary after she took the fall for a crime he committed. Shot on location in McAlester Oklahoma. Front wrapper integral with title page dated 6/20/90 noted as SECOND DRAFT with credits for screenwriter Bobby Houston. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. European American Entertainment unknown
1990ref. 160456Los Angeles: European American Entertainment 1990. Second Draft script for the 1991 film here under the working title "Chained Heat II" with a manuscript marker annotation of copy number "40" on the front wrapper. Not to be confused with the 1993 film "Chained Heat II" directed by Lloyd Simandl and starring Brigitte Nielsen and Paul Koslo. Copy likely belonging to actor Ray Sharkey with manuscript annotations in blue highlighter and ink on five pages highlighting all the dialogue of Sharkey's character "Hayes." Also released under the title "Hotel Oklahoma." David Keith stars as Tommy an ex-con who disguises himself as a warden to free his innocent girlfriend Kristen Cloke from a women's penitentiary after she took the fall for a crime he committed. Shot on location in McAlester Oklahoma. Front wrapper integral with title page dated 6/20/90 noted as SECOND DRAFT with credits for screenwriter Bobby Houston. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. European American Entertainment unknown books
1984ref. 171314Los Angeles CA: Orion Television Productions 1984. First Draft script for Season 4 Episode 18 of the 1981-1988 television series. Originally aired February 25 1985 on CBS. Internal wrapper inscribed in manuscript ink by actress Sharon Gless. With manuscript ink annotation of the name of an unknown cast or crew member on the front internal wrapper and on the recto of the last page of narrative text. Series following two women police women one single and one married. In this episode one of the women ponders retirement following a breast surgery and one has her corvette stolen. Set in Manhattan. Untitled brown external wrappers with manuscript ink annotation. Green titled internal wrappers. Title page present dated December 10 1984 noted as First Draft with credits for screenwriter Georgia Jeffries. 56 leaves with last page of text numbered 52. Xerographic duplication rectos only. Pages Fine external wrapper Very Good plus wrapper Fine bound internally with three silver brads. Orion Television Productions unknown
1984ref. 171314Los Angeles CA: Orion Television Productions 1984. First Draft script for Season 4 Episode 18 of the 1981-1988 television series. Originally aired February 25 1985 on CBS. Internal wrapper inscribed in manuscript ink by actress Sharon Gless. With manuscript ink annotation of the name of an unknown cast or crew member on the front internal wrapper and on the recto of the last page of narrative text. Series following two women police women one single and one married. In this episode one of the women ponders retirement following a breast surgery and one has her corvette stolen. Set in Manhattan. Untitled brown external wrappers with manuscript ink annotation. Green titled internal wrappers. Title page present dated December 10 1984 noted as First Draft with credits for screenwriter Georgia Jeffries. 56 leaves with last page of text numbered 52. Xerographic duplication rectos only. Pages Fine external wrapper Very Good plus wrapper Fine bound internally with three silver brads. Orion Television Productions unknown books
1960ref. 1165791960 N° 111 - tome XIX (Septembre 1960) - In-4 broché - Couverture illustrée (Joseph Losey), nombreuses reproductions photographiques dans l'ouvrage - 64 pages
1960ref. 1165781960 N° 113 - tome XIX (Novembre 1960) - In-4 broché - Couverture illustrée (Janet Leigh et John Gavin dans Psycho d'Alfred Hitchcock), nombreuses reproductions photographiques dans l'ouvrage - 64 pages
