11,046 results
1995ref. 149323Universal City: Universal Pictures 1995. Two truly striking vintage reference photographs taken on the set of the 1995 film each demonstrating the film's true aspect ratio. With manuscript pencil and ink annotations regarding layout and the printed label of the film's still photographer Phillip V. Caruso to the verso. Shown in the two photographs are Scorsese working with actors and crew on the expansive casino floor set. Also shown are Robert De Niro Don Rickles Billy Crystal and others. Based on screenwriter Nicholas Pileggi's 1995 nonfiction book "Casino: Love and Honor in Las Vegas." Martin Scorsese's fifteenth film one of his finest a fast-paced bloody tale following a low-level mobster and gambling expert who climbs to power at the Mafia-run Tangiers Casino in the 1970s. Set and shot on location in Las Vegas with casino scenes shot at the Riviera. 10 x 8 inches. Fine. Spicer US Neo-Noir. Universal Pictures unknown books
ref. 13543CASSE-COU texte et dessins de BOURDIN mensuel illustré de 20 pages, 240x300mm. Couverture illustrée en couleurs, Editions de la Foux Draguignan. Atelier BOURDIN ; N°3 temple interdit avril 1950. N°4 Le trésor de l’ile longue Mars 1950n°5 mort aux pirates juin 1950 n°6 Knock-out juillet 1950. (Agrafes remplacées par une couture) chaque numéro 8€
1982ref. 162736Studio City CA: Private Eye Productions 1982. Revised Final Draft script for Season 1 Episode 8 of the short-lived 1982 television series. The series followed Cassie Holland a scrappy former police officer turned private eye. In this episode Cassie looks into the murder of a successful lawyer only to discover the lawyer's widow is the mistress of her mentor. Originally aired on July 6 1982 on NBC. Self wrappers. Title page present dated February 2 1982 noted as REVISED FINAL DRAFT and production No. 1814 with credit for screenwriter Abram S. Ginnes. 65 leaves with last page of text numbered 58. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 2/10/82 and 2/18/82. Pages Near Fine wrapper Near Fine bound with two gold brads. Private Eye Productions unknown
1982ref. 162751Studio City CA: Private Eye Productions 1982. Revised Final Draft script for Season 1 Episode 6 of the short-lived 1982 television series. The series followed Cassie Holland a scrappy former police officer turned private eye. In this episode Cassie's secretary is framed in a robbery case. Originally aired on June 22 1982 on NBC. Blue titled wrappers noted as production No. 1827 on the front wrapper. Title page present dated February 28 1982 noted as FINAL DRAFT and production No. 1827 with credit for screenwriter Robert Crais. 65 leaves with last page of text numbered 57. Xerographic duplication on blue stock rectos only with pink yellow green and white revision pages throughout dated variously between March 1 and 11 1982. Pages Near Fine wrapper Near Fine bound with two gold brads. Private Eye Productions unknown
1982ref. 162751Studio City CA: Private Eye Productions 1982. Revised Final Draft script for Season 1 Episode 6 of the short-lived 1982 television series. The series followed Cassie Holland a scrappy former police officer turned private eye. In this episode Cassie's secretary is framed in a robbery case. Originally aired on June 22 1982 on NBC. Blue titled wrappers noted as production No. 1827 on the front wrapper. Title page present dated February 28 1982 noted as FINAL DRAFT and production No. 1827 with credit for screenwriter Robert Crais. 65 leaves with last page of text numbered 57. Xerographic duplication on blue stock rectos only with pink yellow green and white revision pages throughout dated variously between March 1 and 11 1982. Pages Near Fine wrapper Near Fine bound with two gold brads. Private Eye Productions unknown books
1982ref. 162736Studio City CA: Private Eye Productions 1982. Revised Final Draft script for Season 1 Episode 8 of the short-lived 1982 television series. The series followed Cassie Holland a scrappy former police officer turned private eye. In this episode Cassie looks into the murder of a successful lawyer only to discover the lawyer's widow is the mistress of her mentor. Originally aired on July 6 1982 on NBC. Self wrappers. Title page present dated February 2 1982 noted as REVISED FINAL DRAFT and production No. 1814 with credit for screenwriter Abram S. Ginnes. 65 leaves with last page of text numbered 58. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 2/10/82 and 2/18/82. Pages Near Fine wrapper Near Fine bound with two gold brads. Private Eye Productions unknown books
1966ref. 168193Beverly Hills CA: Batjac Productions 1966. Vintage studio still photograph from the 1966 film showing actors Kirk Douglas and Topol. Based on the real experiences of David "Mickey" Marcus a US military officer recruited to command units of the Israel Defense Forces forces during the 1948 Arab-Israel War. Shot on location in Israel and Italy. 10 x 8 inches. Near Fine. Batjac Productions unknown
1966ref. 149516Beverly Hills CA: Batjac Productions 1966. Vintage borderless reference photograph from the 1966 film showing actors Kirk Douglas and Angie Dickinson. With manuscript pencil annotations regarding layout on the verso. Based on the real experiences of David "Mickey" Marcus a US military officer recruited to command units of the Israel Defense Forces forces during the 1948 Arab-Israel War. Shot on location in Israel and Italy. 10 x 8 inches. Near Fine. Batjac Productions unknown
1966ref. 168193Beverly Hills CA: Batjac Productions 1966. Vintage studio still photograph from the 1966 film showing actors Kirk Douglas and Topol. Based on the real experiences of David "Mickey" Marcus a US military officer recruited to command units of the Israel Defense Forces forces during the 1948 Arab-Israel War. Shot on location in Israel and Italy. 10 x 8 inches. Near Fine. Batjac Productions unknown books
1966ref. 149516Beverly Hills CA: Batjac Productions 1966. Vintage borderless reference photograph from the 1966 film showing actors Kirk Douglas and Angie Dickinson. With manuscript pencil annotations regarding layout on the verso. Based on the real experiences of David "Mickey" Marcus a US military officer recruited to command units of the Israel Defense Forces forces during the 1948 Arab-Israel War. Shot on location in Israel and Italy. 10 x 8 inches. Near Fine. Batjac Productions unknown books
1971ref. 161586N.p.: Gentlemen II Productions 1971. Three studio still photographs from the presumably lost 1971 film. All photographs with provenance stamps on the verso one with a label obscuring a previous provenance stamp. Posters from the film have survived but photographs are excessively rare. 8 x 10 inches. Very Good plus one with wax pencil annotations on the recto. Gentlemen II Productions unknown
1971ref. 161586N.p.: Gentlemen II Productions 1971. Three studio still photographs from the presumably lost 1971 film. All photographs with provenance stamps on the verso one with a label obscuring a previous provenance stamp. Posters from the film have survived but photographs are excessively rare. 8 x 10 inches. Very Good plus one with wax pencil annotations on the recto. Gentlemen II Productions unknown books
1974ref. 159140N.p.: N.p. 1974. Three vintage reference photographs from the 1974 avant-garde film. Two photographs with snipes affixed to the versos and one with annotations in manuscript pencil regarding cropping. Noted independent director Mark Rappaport's first feature length film shot in pieces over a year and a half. Two photographs 10 x 8 inches one photograph 7 x 5 inches. Near Fine to Very Good plus. N.p. unknown
1974ref. 157656N.p.: N.p. 1974. Two vintage reference photographs from the 1975 film. One with a printed snipe label affixed to the bottom edge of the recto. Noted independent director Mark Rappaport's first feature an experimental film shot in pieces over eighteen months in New York. 10 x 8 inches. Near Fine. N.p. unknown
1974ref. 159140N.p.: N.p. 1974. Three vintage reference photographs from the 1974 avant-garde film. Two photographs with snipes affixed to the versos and one with annotations in manuscript pencil regarding cropping. Noted independent director Mark Rappaport's first feature length film shot in pieces over a year and a half. Two photographs 10 x 8 inches one photograph 7 x 5 inches. Near Fine to Very Good plus. N.p. unknown books
1974ref. 157656N.p.: N.p. 1974. Two vintage reference photographs from the 1975 film. One with a printed snipe label affixed to the bottom edge of the recto. Noted independent director Mark Rappaport's first feature an experimental film shot in pieces over eighteen months in New York. 10 x 8 inches. Near Fine. N.p. unknown books
1970ref. 161589N.p.: Grove Press 1970. Vintage studio still photograph from the US release of the 1967 German-Polish film. Rare. Based on the 1961 novella by Günter Grass the second book in the Danzig Trilogy and sequel to his 1959 novel "The Tin Drum." A former gymnast returns to his home town Danzig and reflects on the fate of his classmate Joachim who disappeared during the war. Shot on location in Gdansk Gdynia and Sopot Poland. 8 x 10 inches. Very Good plus with a small closed tear in the top left margin. Grove Press unknown
1970ref. 161589N.p.: Grove Press 1970. Vintage studio still photograph from the US release of the 1967 German-Polish film. Rare. Based on the 1961 novella by Günter Grass the second book in the Danzig Trilogy and sequel to his 1959 novel "The Tin Drum." A former gymnast returns to his home town Danzig and reflects on the fate of his classmate Joachim who disappeared during the war. Shot on location in Gdansk Gdynia and Sopot Poland. 8 x 10 inches. Very Good plus with a small closed tear in the top left margin. Grove Press unknown books
1958ref. 162526N.p.: N.p. 1958. Two vintage reference photographs of director Richard Brooks on the set of the 1958 film one showing Brooks talking with Elizabeth Taylor the other showing Brooks with Paul Newman. Printed mimeo snipes affixed to the versos along with the printed labels of Stillphoto in Amsterdam. Based on the 1955 Pulitzer Prize-winning play by Tennessee Williams about the deeply dysfunctional family of a dying plantation owner on the Mississippi Delta. Nominated for six Academy Awards. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. N.p. unknown
1958ref. 150861N.p.: N.p. 1958. Vintage reference photograph of Paul Newman and director Richard Brooks on the set of the 1958 film. Based on the 1955 Pulitzer Prize-winning play of the same name by Tennessee Williams though without much of the homosexual themes and cultural critique of the original. Brick Pollitt Paul Newman is a troubled man beat up from a drunken accident on his way to visit his dying father Big Daddy Burl Ives and the rest of his family with his wife Maggie Elizabeth Taylor. The gathering brings out the family's deeply buried tension repression and anxiety. Nominated for six Academy Awards. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. N.p. unknown
1958ref. 144474Beverly Hills CA: MGM 1958. Vintage photograph of director Richard Brooks and actor Paul Newman on the set of the 1958 film. Typed description and manuscript annotations on the verso. Based on the 1955 Pulitzer Prize-winning play of the same name by Tennessee Williams though without much of the homosexual themes and cultural critique of the original. Brick Pollitt Paul Newman is a troubled man beat up from a drunken accident on his way to visit his dying father Big Daddy Burl Ives and the rest of his family with his wife Maggie Elizabeth Taylor. The gathering brings out the family's deeply buried tension repression and anxiety. Nominated for six Academy Awards. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. MGM unknown
1958ref. 144474Beverly Hills CA: MGM 1958. Vintage photograph of director Richard Brooks and actor Paul Newman on the set of the 1958 film. Typed description and manuscript annotations on the verso. Based on the 1955 Pulitzer Prize-winning play of the same name by Tennessee Williams though without much of the homosexual themes and cultural critique of the original. Brick Pollitt Paul Newman is a troubled man beat up from a drunken accident on his way to visit his dying father Big Daddy Burl Ives and the rest of his family with his wife Maggie Elizabeth Taylor. The gathering brings out the family's deeply buried tension repression and anxiety. Nominated for six Academy Awards. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. MGM unknown books
1958ref. 150861N.p.: N.p. 1958. Vintage reference photograph of Paul Newman and director Richard Brooks on the set of the 1958 film. Based on the 1955 Pulitzer Prize-winning play of the same name by Tennessee Williams though without much of the homosexual themes and cultural critique of the original. Brick Pollitt Paul Newman is a troubled man beat up from a drunken accident on his way to visit his dying father Big Daddy Burl Ives and the rest of his family with his wife Maggie Elizabeth Taylor. The gathering brings out the family's deeply buried tension repression and anxiety. Nominated for six Academy Awards. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. N.p. unknown books
1958ref. 162526N.p.: N.p. 1958. Two vintage reference photographs of director Richard Brooks on the set of the 1958 film one showing Brooks talking with Elizabeth Taylor the other showing Brooks with Paul Newman. Printed mimeo snipes affixed to the versos along with the printed labels of Stillphoto in Amsterdam. Based on the 1955 Pulitzer Prize-winning play by Tennessee Williams about the deeply dysfunctional family of a dying plantation owner on the Mississippi Delta. Nominated for six Academy Awards. Shot on location in Long Island New York. 8 x 10 inches. Near Fine. N.p. unknown books
1980ref. 147225N.p.: N.p. 1980. Treatment script for an unproduced film. Based on a presumably unpublished novel by Michael Joseph who also adapted the screenplay. Set in the near future the Ayatollah Khomeini has recently died and the new leftist regime in Iran has begun to work together with the Soviet Union. The young and nontraditional US president embarks on an diplomacy trip to address the Soviet Union's recent breach of an antinuclear treaty. His first stop is the UK where he narrowly avoids assassination. White titled wrappers. Title page present dated 1980 noted as Story Outline with credits for screenwriter Michael Joseph. 29 leaves with last page of text numbered 26. Xerographically reproduced on orange stock rectos only. Pages Very Good plus wrapper Very Good plus with black comb binding. N.p. unknown
