11,048 results
1971ref. 161644N.p.: Cambist Films 1971. Vintage studio still photograph from the 1971 film. Provenance stamp on the verso on a label obscuring a previous provenance stamp. Based on the 1968 novel "Lie a Little Die a Little" by Michael Brett. The misadventures of a slobbish private detective hired by a millionaire to investigate a murder who gets mixed up in sex and blackmail. Shot on location in New York. 8 x 10 inches. Near Fine. Cambist Films unknown books
1990ref. 170773N.p.: N.p. 1990. Five vintage color transparencies from the 1990 film showing cast members during filming on location. A characteristically oddball romantic comedy set in Baltimore in the 1950s about the romance between rockabilly outcast Wade "Cry-Baby" Walker and an upper-class girl named Allison. Shot on location throughout Maryland in Ellicott City Hampden Baltimore Reisterstown Jessup Milford Mill and Sykesville and in Santa Clarita California and Hershey Pennsylvania. 5 x 4 inches. Near Fine. N.p. unknown
1990ref. 170773N.p.: N.p. 1990. Five vintage color transparencies from the 1990 film showing cast members during filming on location. A characteristically oddball romantic comedy set in Baltimore in the 1950s about the romance between rockabilly outcast Wade "Cry-Baby" Walker and an upper-class girl named Allison. Shot on location throughout Maryland in Ellicott City Hampden Baltimore Reisterstown Jessup Milford Mill and Sykesville and in Santa Clarita California and Hershey Pennsylvania. 5 x 4 inches. Near Fine. N.p. unknown books
1952ref. 144568West Germany: Rhombus Film 1952. Two vintage photographs of Zarah Leander on the set of the 1952 film. With manuscript annotations on the verso. Based on the 1952 novel by Tibor Yost. The second role in Zarah Leander's 1950s comeback after her career as a major star during the Nazi era 7 x 5 inches. Near Fine. Rhombus Film unknown
1952ref. 144568West Germany: Rhombus Film 1952. Two vintage photographs of Zarah Leander on the set of the 1952 film. With manuscript annotations on the verso. Based on the 1952 novel by Tibor Yost. The second role in Zarah Leander's 1950s comeback after her career as a major star during the Nazi era 7 x 5 inches. Near Fine. Rhombus Film unknown books
1961ref. 160655N.p.: N.p. 1961. Five vintage borderless oversize reference photographs from the 1961 film. Printed labels affixed to the versos. Considered overly sympathetic to the newly formed communist government the documentary was banned in France for two years. An early effort by director Chris Marker one of the French New Wave's few film essayists. 12 x 9.5 inches. Very Good with moderate edgewear. N.p. unknown
1961ref. 160655N.p.: N.p. 1961. Five vintage borderless oversize reference photographs from the 1961 film. Printed labels affixed to the versos. Considered overly sympathetic to the newly formed communist government the documentary was banned in France for two years. An early effort by director Chris Marker one of the French New Wave's few film essayists. 12 x 9.5 inches. Very Good with moderate edgewear. N.p. unknown books
1966ref. 169548N.p.: N.p. 1966. Three vintage borderless reference photographs from the 1966 film. "Photo Rank" stamps on the versos. Two wounded gangsters seek refuge in a secluded beachfront castle home to a meek Englishman and his strong-willed wife. Director Roman Polanski's second English-language release. Shot on location at Lindisfarne Castle Northumberland England. 9.5 x 7 inches. Near Fine. Criterion Collection 577. Grant US. N.p. unknown
1966ref. 159922N.p.: N.p. 1966. Vintage reference photograph from the 1966 film. Annotations in manuscript pencil on the verso. Two wounded gangsters seek refuge in a secluded beachfront castle home to a meek Englishman and his strong-willed wife. Shot on location at Lindisfarne Castle Northumberland England. 10 x 8 inches. Near Fine. Criterion Collection 577. Grant US. N.p. unknown
1966ref. 151448N.p.: N.p. 1966. Vintage reference photograph of Roman Polanski and a camera crew capturing a scene with actors Jacqueline Bisset Donald Pleasence and Lionel Stander. With a printed mimeo snipe specific to the film's UK release affixed to the verso. Two wounded gangsters seek refuge in a secluded beachfront castle home to a meek Englishman and his strong-willed wife. Shot on location at Lindisfarne Castle Northumberland England. 10 x 8 inches. Near Fine. Criterion Collection 577. Grant US. N.p. unknown
1966ref. 159922N.p.: N.p. 1966. Vintage reference photograph from the 1966 film. Annotations in manuscript pencil on the verso. Two wounded gangsters seek refuge in a secluded beachfront castle home to a meek Englishman and his strong-willed wife. Shot on location at Lindisfarne Castle Northumberland England. 10 x 8 inches. Near Fine. Criterion Collection 577. Grant US. N.p. unknown books
1967ref. 128071N.p.: Sigma III 1967. Vintage studio still photograph of Donald Pleasence from the 1966 film. Roman Polanski's third film and second film in English. Compared since its release to Harold Pinter and Samuel Beckett in terms of tone and theme a psychological thriller of the first order exploring themes of horror frustrated sexuality and alienation-concepts the director has mined and evolved for decades with great invention. Set in and shot on location at Lindisfarne Castle England. 10 x 8 inches. Near Fine. Criterion Collection 577. Grant UK. Sigma III unknown books
1966ref. 151448N.p.: N.p. 1966. Vintage reference photograph of Roman Polanski and a camera crew capturing a scene with actors Jacqueline Bisset Donald Pleasence and Lionel Stander. With a printed mimeo snipe specific to the film's UK release affixed to the verso. Two wounded gangsters seek refuge in a secluded beachfront castle home to a meek Englishman and his strong-willed wife. Shot on location at Lindisfarne Castle Northumberland England. 10 x 8 inches. Near Fine. Criterion Collection 577. Grant US. N.p. unknown books
1966ref. 169548N.p.: N.p. 1966. Three vintage borderless reference photographs from the 1966 film. "Photo Rank" stamps on the versos. Two wounded gangsters seek refuge in a secluded beachfront castle home to a meek Englishman and his strong-willed wife. Director Roman Polanski's second English-language release. Shot on location at Lindisfarne Castle Northumberland England. 9.5 x 7 inches. Near Fine. Criterion Collection 577. Grant US. N.p. unknown books
1983ref. 167921N.p.: Titan Productions 1983. Ten vintage studio still photographs from the 1983 film. The eighth film in the Pink Panther series and the second film in the series after actor Peter Sellers' death. David Niven's final film appearance. Shot on location in New York Nice Valencia and Ibiza. 8 x 10 inches. One photo with an annotation in manuscript ink on the bottom recto margin else about Fine. Titan Productions unknown
1983ref. 167921N.p.: Titan Productions 1983. Ten vintage studio still photographs from the 1983 film. The eighth film in the Pink Panther series and the second film in the series after actor Peter Sellers' death. David Niven's final film appearance. Shot on location in New York Nice Valencia and Ibiza. 8 x 10 inches. One photo with an annotation in manuscript ink on the bottom recto margin else about Fine. Titan Productions unknown books
1968ref. 130703Los Angeles: Columbia Broadcasting System CBS 1968. Third Revised Final Draft script for the 1970 television movie. A marshal returns home to find his town has been nearly wiped out by Mexican bandits and with the help of a young Mexican boy and his mother seeks to hunt them down. Set in New Mexico territory shot on location in Utah. Rust colored titled wrappers noted as Third Revised Final Draft on the front wrapperdated September 24 1968 with credit for screenwriter Savage. 127 leaves mechanical duplication with blue white yellow pink and green revision pages throughout dated variously between 9-30-68 and 10-24-68. Pages Near Fine wrapper Near Fine bound with two gold brads. Reyes 131. Columbia Broadcasting System [CBS] unknown
1968ref. 130703Los Angeles: Columbia Broadcasting System CBS 1968. Third Revised Final Draft script for the 1970 television movie. A marshal returns home to find his town has been nearly wiped out by Mexican bandits and with the help of a young Mexican boy and his mother seeks to hunt them down. Set in New Mexico territory shot on location in Utah. Rust colored titled wrappers noted as Third Revised Final Draft on the front wrapperdated September 24 1968 with credit for screenwriter Savage. 127 leaves mechanical duplication with blue white yellow pink and green revision pages throughout dated variously between 9-30-68 and 10-24-68. Pages Near Fine wrapper Near Fine bound with two gold brads. Reyes 131. Columbia Broadcasting System [CBS] unknown books
1980ref. 147664Beverly Hills CA: United Artists 1980. Collection of nine vintage studio still photographs from the 1981 film here under the working title "Cutter and Bone" dated 1980. Based on Newton Thornburg's 1976 novel "Cutter and Bone." Alex Cutter John Heard returned home from the Vietnam War minus an eye leg and arm. His friend an aimless playboy Richard Bone Jeff Bridges is witness to someone dumping the body of a young girl and thinks that it may be oil magnate JJ Cord Stephen Elliott. Cutter enlisting the help of the victim's sister Ann Dusenberry is determined to exact vengeance. Set in and shot on location in California. 8 x 10 inches. Near Fine. United Artists unknown books
1984ref. 149775N.p.: N.p. 1984. Draft script for an unproduced film. With a single editorial manuscript ink annotation to the title page. Laid in with the script are a typed letter from casting agent Paul Kohner to actor Charles Bronson dated September 13 1984 proposing that Bronson read it in consideration for the part of vice presidential candidate John Stevens. Also included is a xerographic copy of a letter from screenwriter Robert Goethals to Kohner introducing Kohner to the script. A satirical war comedy following Theodore Roosevelt and his attempt to nominate a pacifist for vice president to the chagrin of the US Marines stationed in Panama and defend the Panama Canal from attacking Huns. Screenwriter Goethals was best known for his television writing including episodes of "The Hitchhiker" and "Miami Vice." Set in Panama. Green untitled wrappers. Title page present with credits for screenwriter Robert Gothals. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with a moderate tide mark affecting the tops of the wrappers and top page edges bound with three gold brads. N.p. unknown
1984ref. 149775N.p.: N.p. 1984. Draft script for an unproduced film. With a single editorial manuscript ink annotation to the title page. Laid in with the script are a typed letter from casting agent Paul Kohner to actor Charles Bronson dated September 13 1984 proposing that Bronson read it in consideration for the part of vice presidential candidate John Stevens. Also included is a xerographic copy of a letter from screenwriter Robert Goethals to Kohner introducing Kohner to the script. A satirical war comedy following Theodore Roosevelt and his attempt to nominate a pacifist for vice president to the chagrin of the US Marines stationed in Panama and defend the Panama Canal from attacking Huns. Screenwriter Goethals was best known for his television writing including episodes of "The Hitchhiker" and "Miami Vice." Set in Panama. Green untitled wrappers. Title page present with credits for screenwriter Robert Gothals. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with a moderate tide mark affecting the tops of the wrappers and top page edges bound with three gold brads. N.p. unknown books
1974ref. 150409N.p.: N.p. 1974. Two vintage borderless photographs from the 1974 film one glossy and one matte-finish. One showing director Peter Bogdanovich in conversation with actresses Cloris Leachman and Eileen Brennan on the set the other showing Bogdanovich with actress Cybill Shepherd and an unknown woman likely during a promotional event for the film. Based on the 1878 novella by Henry James. An intense study in the rules of class boundaries crossed with American-British dichotomies. Bogdanovich's faithful adaptation of James' story concerns the courtship of a beautiful but flirtatious American girl Daisy Miller Shepherd by a sophisticated upper-class British compatriot named Winterbourne Brown. Miller's refusal to observe class boundaries in her flirtations leads Winterbourne to respond negatively to her-with dire consequences. One 10.5 x 8.25 inches one 10 x 8 inches. Near Fine. N.p. unknown
1974ref. 150409N.p.: N.p. 1974. Two vintage borderless photographs from the 1974 film one glossy and one matte-finish. One showing director Peter Bogdanovich in conversation with actresses Cloris Leachman and Eileen Brennan on the set the other showing Bogdanovich with actress Cybill Shepherd and an unknown woman likely during a promotional event for the film. Based on the 1878 novella by Henry James. An intense study in the rules of class boundaries crossed with American-British dichotomies. Bogdanovich's faithful adaptation of James' story concerns the courtship of a beautiful but flirtatious American girl Daisy Miller Shepherd by a sophisticated upper-class British compatriot named Winterbourne Brown. Miller's refusal to observe class boundaries in her flirtations leads Winterbourne to respond negatively to her-with dire consequences. One 10.5 x 8.25 inches one 10 x 8 inches. Near Fine. N.p. unknown books
1978ref. 132046Los Angeles: Lorimar Productions 1978. Vintage black-and-white still photograph from the long-running US television series. Rubber-stamped on the verso. Features Linda Gray who played Sue Ellen Ewing in sparkling jewelry. "Dallas" is the fourth longest running hour long drama in American television history and is still the standard bearer for quality and ingenuity in prime time soaps. 6 x 8 inches with no borders as issued. Ink annotations on the verso else Near Fine. Lorimar Productions unknown books
1992ref. 150347N.p.: N.p. 1992. Vintage borderless reference photograph of Louis Malle on the set of the 1992 film. Based on the 1991 novel by Josephine Hart. British cabinet minister Dr. Stephen Fleming Jeremy Irons falls desperately and obsessively in love with his son's fiancee Anna Juliette Binoche. After beginning a tempestuous affair Stephen tells Anna that he is willing to sacrifice his family and his cabinet position to be with her something which Anna has no intention of allowing. Nominated for an Academy Award for Best Supporting Actress for Miranda Richardson. Shot on location in England and France. 7 x 5 inches. Near Fine. N.p. unknown
