11,160 results
1970ref. 157995N.p.: N.p. 1970. Vintage reference photograph from the 1970 film showing Donald Sutherland watching a fantasy version of himself on a camera crane. Handwritten snipe affixed to the verso. From the archive of film historian and author Joel Finler. Heavily influenced by Federico Fellini's "8 1/2" 1963 about an aging film director agonizing over his next project loosely based on director Paul Mazursky's own experiences after the success of "Bob and Carol and Ted and Alice" 1969. Shot on location in Los Angeles. 8 x 10 inches. About Very Good plus with a small tear on the top edge repaired with paper tape. N.p. unknown
1970ref. 149801Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Archive of five vintage oversize double weight photographs from the 1970 film four of which are borderless. One photograph SIGNED and dated 1969 by photographer Alan Pappe on the verso all photographs with his stamp. All five photographs feature legendary Italian director Federico Fellini in his cameo role as himself with one showing the director on the set with a clapboard and crew members in front of him while a second features a manuscript pencil annotation describing Fellini and actor Donald Sutherland discussing a scene with an out-of-frame director Paul Mazursky. Pappe worked as a film still and press photographer for 30 years photographing a who's who of film and music stars including iconic images of Sharon Tate Jimi Hendrix and Liza Minnelli as well as album cover for the "Grease" soundtrack album and the interior images of Jefferson Airplane's "After Bathing at Baxter's." His 1972 "Time" magazine cover photograph of Minnelli in "Cabaret" is part of the permanent collection of the Smithsonian's National Portrait Gallery. A young filmmaker struggles to come up with ideas for new film after his previous commercial and critical success while ruminating on his past present and possible futures. One photograph 11 x 11 inches four photographs roughly 14 x 11 or 11 x 14 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1970ref. 157995N.p.: N.p. 1970. Vintage reference photograph from the 1970 film showing Donald Sutherland watching a fantasy version of himself on a camera crane. Handwritten snipe affixed to the verso. From the archive of film historian and author Joel Finler. Heavily influenced by Federico Fellini's "8 1/2" 1963 about an aging film director agonizing over his next project loosely based on director Paul Mazursky's own experiences after the success of "Bob and Carol and Ted and Alice" 1969. Shot on location in Los Angeles. 8 x 10 inches. About Very Good plus with a small tear on the top edge repaired with paper tape. N.p. unknown books
1960ref. 172856Beverly Hills CA: United Artists 1960. Eight vintage studio still photographs from the 1960 re-release of the 1956 film. A fictionalized account of the life of Alexander the Great who conquered the entire known world in his relatively short life. Shot on location in Andalucía and Madrid Spain. 8 x 10 inches. Very Good plus. Twilight Time. United Artists unknown
1960ref. 172856Beverly Hills CA: United Artists 1960. Eight vintage studio still photographs from the 1960 re-release of the 1956 film. A fictionalized account of the life of Alexander the Great who conquered the entire known world in his relatively short life. Shot on location in Andalucía and Madrid Spain. 8 x 10 inches. Very Good plus. Twilight Time. United Artists unknown books
1955ref. 172860Beverly Hills CA: United Artists 1955. Vintage studio still photograph from the 1956 film. A fictionalized account of the life of Alexander the Great who conquered the entire known world in his relatively short life. Shot on location in Andalucía and Madrid Spain. 8 x 10 inches. Very Good plus. Twilight Time. United Artists unknown books
1976ref. 132911London: National Screen Service / EMI 1976. Vintage full-color still photograph from the 1976 UK film. Based on Bill Naughton's 1970 novel sequel to his 1966 play "Alfie" basis for the 1966 film starring Michael Caine starring Alan Price as the womanizing Alfie galavanting until he meets the equally charged Abby Jill Townsend. Shot on location in England and France. 8 x 10 inches. Near Fine. National Screen Service / EMI unknown books
1966ref. 159144Hollywood: Paramount Pictures 1966. Vintage borderless photograph from the set of the 1966 UK film showing actor Michael Caine in conversation with director Lewis Gilbert. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Based on Bill Naughton's 1966 play set in sexy swinging 1960s London about a young working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique used again by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. Set and shot on location in London. 10 x 8 inches. Near Fine lightly age toned. Paramount Pictures unknown
1966ref. 159144Hollywood: Paramount Pictures 1966. Vintage borderless photograph from the set of the 1966 UK film showing actor Michael Caine in conversation with director Lewis Gilbert. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Based on Bill Naughton's 1966 play set in sexy swinging 1960s London about a young working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique used again by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. Set and shot on location in London. 10 x 8 inches. Near Fine lightly age toned. Paramount Pictures unknown books
1943ref. 130866Universal City CA: Universal Pictures 1943. Revised Draft script for the 1944 film. The second of Universal's Technicolor fantasy adventures after "Arabian Nights" 1942 and "White Savage" 1943 loosely based on the classic Arabian Nights tales with a fitting score by Edward Ward to match Lubin's directorial flair. A fun but often overlooked desert romp. Gray titled wrappers noted as Revised and copy No. 113 on the front wrapper rubber-stamped production No. 7142 dated 5-20-43 with credit for screenwriter Hartmann. 114 leaves mimeograph duplication with annotations throughout. Pages Near Fine wrapper Poor with front wrapper starting bound with three gold brads. Weaver p. 565. Universal Pictures unknown
1943ref. 130866Universal City CA: Universal Pictures 1943. Revised Draft script for the 1944 film. The second of Universal's Technicolor fantasy adventures after "Arabian Nights" 1942 and "White Savage" 1943 loosely based on the classic Arabian Nights tales with a fitting score by Edward Ward to match Lubin's directorial flair. A fun but often overlooked desert romp. Gray titled wrappers noted as Revised and copy No. 113 on the front wrapper rubber-stamped production No. 7142 dated 5-20-43 with credit for screenwriter Hartmann. 114 leaves mimeograph duplication with annotations throughout. Pages Near Fine wrapper Poor with front wrapper starting bound with three gold brads. Weaver p. 565. Universal Pictures unknown books
1949ref. 170744Hollywood: Paramount Pictures 1949. Vintage studio still photograph from the 1949 film noir. Annotations in manuscript pencil on the verso. Loosely based on the Faust myth about a district attorney who makes a deal with the devil in order to put a criminal ringleader behind bars. 10 x 8 inches. Very Good or better lightly toned with creasing at three corners. Grant US. Selby US. Spicer US. Paramount Pictures unknown
1949ref. 170744Hollywood: Paramount Pictures 1949. Vintage studio still photograph from the 1949 film noir. Annotations in manuscript pencil on the verso. Loosely based on the Faust myth about a district attorney who makes a deal with the devil in order to put a criminal ringleader behind bars. 10 x 8 inches. Very Good or better lightly toned with creasing at three corners. Grant US. Selby US. Spicer US. Paramount Pictures unknown books
1967ref. 162219N.p.: Screen Gems 1967. Vintage reference photograph of actor Sammy Davis Jr. in the recording studio on the set of the 1966 animated musical film holding a poster with a drawing by John Tenniel and pointing to the character Davis voiced in the movie-the Cheshire cat. A modern adaptation of Lewis Carroll's classic 1865 novel with Alice falling through the "looking glass" of the television screen into Wonderland. Originally broadcast on ABC on March 30 1966 the special featured music by composer Charles Strouse and lyricist Lee Adams best known for the Broadway production "Bye Bye Birdie" 1960. 10 x 8 inches. About Near Fine. Screen Gems unknown
1967ref. 162219N.p.: Screen Gems 1967. Vintage reference photograph of actor Sammy Davis Jr. in the recording studio on the set of the 1966 animated musical film holding a poster with a drawing by John Tenniel and pointing to the character Davis voiced in the movie-the Cheshire cat. A modern adaptation of Lewis Carroll's classic 1865 novel with Alice falling through the "looking glass" of the television screen into Wonderland. Originally broadcast on ABC on March 30 1966 the special featured music by composer Charles Strouse and lyricist Lee Adams best known for the Broadway production "Bye Bye Birdie" 1960. 10 x 8 inches. About Near Fine. Screen Gems unknown books
1977ref. 149743N.p.: N.p. 1977. Four vintage borderless reference photographs from the set of the 1977 French film showing actress Sylvia Kristel variously with director Claude Chabrol and actors Charles Vanel and Jean Carmet. A young woman in the process of leaving her husband discovers her car's windshield has mysteriously shattered forcing her to spend the night at an isolated mansion in the countryside. Shot on location in Villennes sur Seine France. 7 x 4.5 inches. Fine. N.p. unknown
1977ref. 149743N.p.: N.p. 1977. Four vintage borderless reference photographs from the set of the 1977 French film showing actress Sylvia Kristel variously with director Claude Chabrol and actors Charles Vanel and Jean Carmet. A young woman in the process of leaving her husband discovers her car's windshield has mysteriously shattered forcing her to spend the night at an isolated mansion in the countryside. Shot on location in Villennes sur Seine France. 7 x 4.5 inches. Fine. N.p. unknown books
1972ref. C102028London: Josef Shaftel Productions 1972. First Edition. Wraps. Very Good. First Edition. Wraps. Alice's adventures in Wonderland: Final shooting script by William Sterling copy belonging to actor Mike Elles playing Guinea Pig Two; with his signature on the title page. Typed 159 page script presented in a black card binder with title window/ Original Programme of the 'Royal Premiere in the Gracious Presence of Her Majesty The Queen in aid of The Gurkha Welfare Appeal Odeon Marble Arch 4th December 1972. Small 4to. Original publisher's wraps in old gold lettered Black and Orange with background illustrations of the traditional characters from the book. Contents Include Frontispiece photograph of HM Queen Elizabeth II; information on The Gurkha Welfare Appeal Premiere Committee with Patron Admiral of the Fleet The Earl Mountbatten of Burma and many period advertisements which add graphic interest; 32 Page souvenir booklet with Cast List Technical Credits and copious colour production photographs. Loosely inserted black and white stills photographs x 5 featuring the Guinea Pigs; Newspaper review clippings x 3 by Giles Brandreth and Lida Handsley with a feature on Fiona Fullerton 'The Girl Lord Snowdon Discovered.' / Production flyer for the Premiere promoting The Gurkha Welfare Appeal and a colour production illustration of Fiona Fullerton as Alice surrounded by a cast of characters/ Josef Shaftel Productions 'Script Amendments and Deletions' 24 March 1972 issued to all concerned from Rene DuPont/ Six typed Call Sheets No.s 13452734 giving scene details with artists and characters involved. Very good. Josef Shaftel Productions paperback
1969ref. 160695Beverly Hills CA: United Artists 1969. Two vintage studio still photographs from the 1969 film both showing Tina Chen and Arlo Guthrie. Based on Guthrie's 1967 folk protest song a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. Set and shot on location in New York and Massachusetts. 10 x 8 inches. Near Fine. United Artists unknown
1969ref. 149517Beverly Hills CA: United Artists 1969. Five vintage borderless reference photographs taken on the set of the 1969 film. Included are: 1 a shot of Arlo Guthrie on a motorcycle next to Michael McLanahan 2 a shot of director Arthur Penn producer Hillard Elkins and another crew member on motorcycles 3 a shot of McLanahan Penn and actress Patricia Quinn working on a scene 4 Guthrie with Quinn and 5 Guthrie with a donkey and members of the cast. Based on Arlo Guthrie's 1967 folk protest song a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. Set and shot on location in New York and Massachusetts. 10 x 8 inches. Near Fine. United Artists unknown
1969ref. 164092N.p.: N.p. 1969. Archive of 339 contact sheets comprising over 6750 studio still and on-the-set images from renowned still photographer Muky from the 1969 film. The archive is bound in two three-ring binders each labeled with the title "Directed by Arthur Penn" and "Still Photographs by Muky" with the binders labeled "Volume 1" and "Volume 2" on the spine respectively. The contact sheets in the archive are nearly all mounted back-to-back and affixed to the left edge with binders tape each with a three-hole punch to the binders tape. Muky born Menyhert Munkacsi was a renowned photographer for over 60 years and one of the foremost still photographers in the movie industry for over 25 years. Beginning as a photographer for theatrical productions in Budapest Hungary Muky was hired by Warner Brothers in the mid 1930s. By the 1950's Muky was one of Hollywood's most well respected still photographers. After relocating to New York in the mid 1950s Muky became perhaps the best known film still photographer in New York. Among the films on which Muky worked include: "12 Angry Men" 1957 "The Apartment" 1960 "The Miracle Worker" 1962 "Midnight Cowboy" 1969 and "Dog Day Afternoon" 1975. Based on Guthrie's 1967 folk protest song a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. Set and shot on location in New York and Massachusetts. 339 Contact Sheets 8.5 x 10 inches all but eleven mounted back-to-back. Near Fine overall. Two Binders 11 x 11.5 x 3.25 inches. Very Good plus with light overall rubbing. N.p. unknown
1969ref. 164092N.p.: N.p. 1969. Archive of 339 contact sheets comprising over 6750 studio still and on-the-set images from renowned still photographer Muky from the 1969 film. The archive is bound in two three-ring binders each labeled with the title "Directed by Arthur Penn" and "Still Photographs by Muky" with the binders labeled "Volume 1" and "Volume 2" on the spine respectively. The contact sheets in the archive are nearly all mounted back-to-back and affixed to the left edge with binders tape each with a three-hole punch to the binders tape. Muky born Menyhert Munkacsi was a renowned photographer for over 60 years and one of the foremost still photographers in the movie industry for over 25 years. Beginning as a photographer for theatrical productions in Budapest Hungary Muky was hired by Warner Brothers in the mid 1930s. By the 1950's Muky was one of Hollywood's most well respected still photographers. After relocating to New York in the mid 1950s Muky became perhaps the best known film still photographer in New York. Among the films on which Muky worked include: "12 Angry Men" 1957 "The Apartment" 1960 "The Miracle Worker" 1962 "Midnight Cowboy" 1969 and "Dog Day Afternoon" 1975. Based on Guthrie's 1967 folk protest song a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. Set and shot on location in New York and Massachusetts. 339 Contact Sheets 8.5 x 10 inches all but eleven mounted back-to-back. Near Fine overall. Two Binders 11 x 11.5 x 3.25 inches. Very Good plus with light overall rubbing. N.p. unknown books
1969ref. 149517Beverly Hills CA: United Artists 1969. Five vintage borderless reference photographs taken on the set of the 1969 film. Included are: 1 a shot of Arlo Guthrie on a motorcycle next to Michael McLanahan 2 a shot of director Arthur Penn producer Hillard Elkins and another crew member on motorcycles 3 a shot of McLanahan Penn and actress Patricia Quinn working on a scene 4 Guthrie with Quinn and 5 Guthrie with a donkey and members of the cast. Based on Arlo Guthrie's 1967 folk protest song a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. Set and shot on location in New York and Massachusetts. 10 x 8 inches. Near Fine. United Artists unknown books
1969ref. 160695Beverly Hills CA: United Artists 1969. Two vintage studio still photographs from the 1969 film both showing Tina Chen and Arlo Guthrie. Based on Guthrie's 1967 folk protest song a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. Set and shot on location in New York and Massachusetts. 10 x 8 inches. Near Fine. United Artists unknown books
1988ref. 169170Los Angeles: Twentieth Century-Fox 1988. Vintage film program for the 1988 film. Bi-fold with a two color front panel and full credits in the interior spread. In 1988 Earth makes first contact with an alien civilization and in 1991 after three years of quarantine the "Newcomers" are slowly integrated into society. Mandy Patinkin stars as Sam Francisco the first "Newcomer" police officer partnered with a racist police officer James Caan to investigate a homicide. Set in and shot on location in Los Angeles. The film spawned a short-lived Fox television series 1989-1990 five Fox network television movies 1994-1997 as well as eight comic books 1988-1992 and eight novels 1993-1995. 9 x 11.5 inch Bi-fold. Very Good with light overall rubbing and creasing to the extremities. Twentieth Century-Fox unknown
