4,909 results
1968ref. 162499N.p.: Joseph Brenner Associates 1968. Two vintage studio still photographs from the US release of the 1967 British film. Photographs with provenance stamps on the versos one with a label obscuring a previous provenance stamp. Released in the UK as "Mini Weekend" wherein Anthony Trent stars as Tom a horny man lost in fantasies desperate for some fun in "Swinging London." Shot on location in London. 8 x 10 inches. Near Fine. Joseph Brenner Associates unknown
1971ref. 162501N.p.: Futurama International 1971. Vintage studio still photograph from the 1971 film here under the working title "The Touch of Melissa." Photograph with provenance stamps on the verso. On the road from San Francisco to Austin Jodie makes a brief stop at a farm where he meets and falls in love with Melissa the lovely farmer's daughter. Unfortunately Melissa's insane great-grandmother is in the mix unaware Melissa is in fact a 127-year old witch and that Melissa is actually her sister. Shot on location in Santa Ynez California. 8 x 10 inches. Near Fine. Nightmare USA. Code Red. Futurama International unknown
1971ref. 150335N.p.: N.p. 1971. Vintage photograph of director Ingmar Bergman setting up a shot with actors Elliott Gould Bibi Andersson and Max Von Sydow. With a printed mimeo snipe affixed to the verso along with a stamp noting No. 11620 and the stamps of PIX Inc. and Camera Press Ltd. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Gould working alongside Bergman regulars Sydow and Andersson. Set and shot on location in Sweden and England. 12 x 8.5 inches. Very Good plus faintly toned along the top edge. N.p. unknown
1971ref. 150229N.p.: N.p. 1971. Vintage photograph of director Ingmar Bergman and a camera crew preparing to film a scene between actors Elliott Gould and Bibi Andersson. With a printed mimeo snipe affixed to the verso along with a stamp noting No. 11620 and the stamps of Pix Inc and Camera Press Ltd. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Gould working alongside Bergman regulars Andersson and Max von Sydow. Set and shot on location in Sweden and England. 10 x 7.75 inches. Very Good plus lightly creased. N.p. unknown
1971ref. 147252N.p.: N.p. 1971. Draft script for the 1971 film. With what we assume to be translator Alan Blair's handwritten ink annotations throughout the script mostly in English but occasionally in Swedish noting many substantive revisions and deletions. Text in English. Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Elliott Gould working alongside Bergman regulars Max von Sydow and Bibi Andersson. A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. Set and shot on location in Sweden and England. Blue untitled wrappers. Title page present with credits for director Ingmar Bergman and English translator Alan Blair. 57 leaves with last page of text numbered 56. Xerographic duplication rectos only. Pages Very Good wrapper Very Good plus with a black comb binding. N.p. unknown
1961ref. 162511N.p.: Phaeton Productions 1961. Vintage studio still photograph of Doris Gohlke from the 1961 film. A Prohibition-era bookkeeper attempts to hide from gangsters at a health farm teeming with beautiful scantily-clad women. 8 x 10 inches. Near Fine. Phaeton Productions unknown
1950ref. 135620Paris: B.M.P. Films 1950. Draft script for the 1950 French film "The Treasure of Cantenac" here under its title of origin "Le Tresor de Cantenac" on the title page with the film's working title "Un miracle" also on the title page. French copy company rubber stamp and faint pencil annotations on the front wrapper. Pre-New Wave items are scarce this being a completely original example with text in French throughout. Set in a rundown French village the film is a series of vignettes illustrating the human condition. The Baron de Cantenac on the verge of suicide after losing his fortune goes on one last walk through his dying town. On the way he meets the town's oldest citizen who reveals a royal treasure that he has been jealously guarding for years. Director-screenwriter-actor Guitry was a prominent French filmmaker during the post-WWI years of French cinema following in the footsteps of his father silent film actor Lucien Guitry. His notable film credits include English titles "The Lover of Camille" 1924 "The Story of a Cheat" 1936 "Nine Bachelors" 1939 "Royal Affairs in Versailles" 1954 a film notable for its appearance of a young Brigitte Bardot and "Napoleon" 1955. Blue titled wrappers. Title page present undated with a credit for Guitry and B.M.P. Films in Paris the US branch is in California. 102 leaves with last page of text numbered 100. Mimeograph duplication. Pages Near Fine wrapper Very Good perfect-bound and side-stiched. B.M.P. Films unknown
1974ref. 168123N.p.: Golden Films 1974. Seven vintage studio still photographs from the 1974 film seen here under the working title "Evil in the Deep." A crew of maritime adventurers search for a long-lost sunken Spanish Galleon carrying a massive amount of treasure. 10 x 8 inches. Very Good plus. Golden Films unknown
1962ref. 151672N.p.: Agnes Delahaie Productions 1962. Three vintage photographs from the 1962 French film including two studio still photographs from the US release of the film and one borderless reference photograph. A dramatization of the imprisonment and killing of Jeanne a French peasant girl claiming to receive visions from God. Bresson's sixth release filmed in his typically spare style using non-professional performers and a screenplay drawn from transcriptions of Jeanne's trial at Rouen. Two photographs 10 x 8 inches one photograph 9.25 x 7 inches. Near Fine. Agnes Delahaie Productions unknown
1963ref. 158196N.p.: N.p. 1963. Three vintage borderless reference photographs from the 1963 French- Italian film. Numerical annotations in manuscript pencil on the verso. Based on the 1936 play by Jean Sarment. A country stationmaster dreams of vacationing in the famous resort town of Biarritz with his family especially hoping to repair his relationship with his son. The final film appearance of Arletty. Shot in Biarritz. 3.5 x 4.75 inches. Very Good plus one photo lightly faded. N.p. unknown
1963ref. 158194N.p.: N.p. 1963. Eight vintage borderless reference photographs from the 1963 French- Italian film. Features a photograph of a camera crew on the set shooting a driving scene. Numerical annotations in manuscript pencil on the verso. Based on the 1936 play by Jean Sarment. A country stationmaster dreams of vacationing in the famous resort town of Biarritz with his family especially hoping to repair his relationship with his son. The final film appearance of Arletty. Shot in Biarritz. 3.5 x 4.75 inches. Very Good plus one photo with a bruise and dampstaining at a corner. N.p. unknown
1969ref. 147241N.p.: N.p. 1969. Revised draft script for an unproduced film carbon typescript on onionskin stock unbound housed in an envelope with a "Winkast Programming Limited" label with "Hadrian VII Screenplay Stage play" scratched out and "'THE TRUMPH' BY JOHN KENNETH GALBRAITH" written in in green manuscript marker. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. Canadian economist diplomat and noted author John Kenneth Galbraith's adaptation of his 1968 novel "The Triumph" a political satire of a myopic and inept US foreign policy response to a revolution by a moderate liberal in a small Central American country. Title page present dated 29 May 1969 noted as Revised Draft with credits for author and screenwriter John Kenneth Galbraith. 168 leaves with last page of text numbered 167. Carbon typescript on onionskin stock rectos only. Pages Near Fine envelope Very Good plus with some small closed tears unbound. N.p. unknown
1955ref. 150634Los Angeles: Paramount Pictures 1955. Complete set of ten vintage color studio still photographs from the 1955 film. Stamped production No. 63-71 on the versos and bottom right corner of the rectos. Based on Jack Trevor Story's 1950 novel. The dead body of a local man is discovered in the woods near a small New England town leading the townspeople to speculate on what should be done with the corpse and more importantly the identity of the culprit. One of director Alfred Hitchcock's few true comedies. Set and shot in Craftsbury Vermont. 10 x 8 inches. Near Fine. Rosenbaum 1000. Paramount Pictures unknown
1957ref. 166060Beaconsfield UK: Beaconsfield Films 1957. Draft script for the 1957 British film copy belonging to Art Director George Provis with manuscript pencil and ink annotations in his hand throughout and his name written on the top of revision page 85. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Laurence Harvey stars as Sir Humphrey Tavistock who consoles his son-in-law Roland Culver who finds all women impossible to love with tales of found lovers and lost love. Tall maroon untitled wrappers. Title page present dated 14.1.57 with credits for screenwriter Muriel Box. 109 leaves with last page of text numbered 108. Mimeograph duplication rectos only with undated green revision pages throughout. Pages Near Fine wrapper Very Good bound internally with a prong binding. Beaconsfield Films unknown
1957ref. 150849N.p.: Continental Distributing 1957. Two vintage photographs from the US release of the 1957 UK film one studio still photograph and one reference photograph. A man recalls his past and present relationships in order to help another man understand his wife. One 10 x 8 inches one 9.75 x 7.7x inches. Near Fine. Continental Distributing unknown
1995ref. 167510Los Angeles: Twentieth Century-Fox 1995. Draft script for the 1996 film. Script incomplete ending on page 124 lacking the final pages likely as issued. Loosely based as a modern gender-reversal of Edmond Rostand's 1897 play "Cyrano de Bergerac." Janeane Garofalo stars as a veterinarian and radio show host who has her beautiful neighbor Uma Thurman impersonate her when a handsome fan of her radio show Ben Chaplin expresses interest in her. Screenwriter Audrey Wells first feature film. Set in and shot on location in Los Angeles and Santa Monica California. Blue titled wrappers. Title page present dated February 6 1995 with credits for screenwriter Audrey Wells. 129 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two metal brads. Twentieth Century-Fox unknown
1958ref. 163067N.p.: N.p. 1958. Vintage studio still photograph from the 1958 film showing uncredited actor Russell Nype. Newspaper clippings and reference library stamps on the verso. A comedy of errors about a married man who comes to believe that he has impregnated the owner of an adoption agency and that she will serve as the surrogate. From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. 8 x 10 inches archivally matted on a 11 x 14 inch mat. Very Good with annotations in manuscript ink on the recto regarding cropping and a small splash on the right edge. N.p. unknown
1976ref. 156769Los Angeles: Twentieth Century-Fox 1976. Revised Final script for the 1977 film. A portrait of the second wave of feminism at its turning point in the late 1970s about two former dancers whose lives have gone separate ways one having become a professional dancer the other a housewife and whose unexpected reunion yields dramatic consequences. Nominated for eleven Academy Awards including Best Picture Best Director and Best Screenplay. Shot on location in Oklahoma City. Green titled Twentieth Century-Fox wrappers dated July 2 1976. Title page present dated July 2 1976 noted as REVISED FINAL with credits for screenwriter Arthur Laurents. 119 leaves with last page of text numbered 118. Xerographic duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Housed in a custom cloth slipcase. Twentieth Century-Fox unknown
1977ref. 145151Los Angeles: Twentieth Century-Fox 1977. Vintage photograph of director Herbert Ross and actor Shirley Maclaine on the set of the 1977 film. Manuscript annotations on the verso. A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s in which MacLaine and Bancroft play former dance colleagues whose lives have gone separate ways one became and professional dancer the other a settled domestic life and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards including Best Picture Best Director and Best Screenplay. Shot on location in Oklahoma City. 8 x 10 inches. Near Fine. Grant US. Selby US. Silver Classic Noir. Spicer US. Twentieth Century-Fox unknown
1976ref. 129783Los Angeles: Twentieth Century-Fox 1976. Draft script for the 1977 film. Presumed estimating script with "Budgeting" in manuscript ink on the front wrapper. Notations in manuscript blue and black ink throughout. A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s in which MacLaine and Bancroft portray former dance colleagues whose lives have gone separate ways one becomes a professional dancer the other a settled domestic woman and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards including Best Picture Best Director and Best Screenplay. Mustard titled wrappers noted as "Budgeting" on the front wrapper. Title page present dated 3/2/76 with a credit for screenwriter Laurents. 116 leaves mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1958ref. 159205Culver City CA: Columbia Pictures 1958. Two vintage studio still photographs from the 1958 film. With mimeo snipes affixed to the verso. A British man is placed in the German Army as a spy at the end of World War I. He is able to infiltrate high ranking Nazi command during the World War II eventually working his way to the top. Scripted by writers on the Hollywood blacklist. Set in Germany shot on location in Berlin Germany and London and Hertfordshire England. 8 x 10 inches. Very Good plus. Spicer UK. Columbia Pictures unknown
1970ref. 143943Hollywood: N.p. 1970. Draft script for an unproduced film. Don and Irene are a young and unhappy married couple whose lives and relationship are thrown asunder as Don gravitates toward Spiritology a spiritual organization that promises the 'Ultimate Release." Gold titled wrappers. Title page present with credits for screenwriter Aaron Nash. 101 leaves with last page of text numbered 100. Xerographically reproduced. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown
1969ref. 162531N.p.: American Film Distributing 1969. Three vintage studio still photographs from the 1969 film. Two photographs with provenance stamps on the versos. Maria answers a personal ad and is invited to a house in Vermont. The house owner Spencer places Maria and other girls under the influence of aphrodisiacs and drugs. Spencer and his assistant Boris sit back and let the good times roll. Shot on location in New York City. 8 x 10 inches. Very Good plus with light edgewear and faint creasing overall one photograph with pinholes and light dampstaining to the left side and one photograph with pinholes and a small closed tear to the bottom margin and a 1.5 inch closed tear to the right side. American Film Distributing unknown
1964ref. 159823Paris: Parc Film 1964. Vintage borderless reference photograph of actors Catherine Deneuve and Nino Castelnuovo with director Jacques Demy on the set of the 1964 film. Stamp of Parc Film on the verso. One of Demy's most beloved films about a young woman in Cherbourg who falls in love with a man who is promptly drafted into the Algerian War. A classic of French cinema with every word of dialogue sung in recitative. The first French film musical shot in color and the movie that made Catherine Deneuve a star. Winner of the Palme d'Or and two other prizes at the 1964 Cannes Film Festival and nominated for five Academy Awards Set and shot on location in Cherbourg Normandy France. 7.25 x 5 inches. Very Good plus with a small bruise and light wear to the finish on the top edge. Criterion Collection 716. Godard Histoires du cinema. Parc Film unknown
1965ref. 151677Glendale CA: Allied Artists 1965. Six vintage studio still photographs from the US release of the 1964 French film. One of director Jacques Demy's most beloved films about a young woman in Cherbourg who falls in love with a man who is promptly drafted into the Algerian War. A classic of French cinema with every word of dialogue sung in recitative. The first French film musical shot in color and the movie that made Catherine Deneuve a star. Winner of the Palme d'Or and two other prizes at the 1964 Cannes Film Festival and nominated for five Academy Awards Set and shot on location in Cherbourg Normandy France. 10 x 8 inches. Near Fine. Criterion Collection 716. Godard Histoires du cinema. Allied Artists unknown
