11,067 results
1979ref. 133572Beverly Hills CA: United Artists 1979. Vintage studio still photograph from the 1979 film showing actors Michael Murphy and Anne Byrne. Isaac Woody Allen is divorced from Jill Meryl Streep who is living with another woman and is writing a book. Isaac is also dating Tracy Mariel Hemingway a 17-year-old when he meets Mary Diane Keaton the mistress of his best friend Yale Michael Murphy with whom he falls in love. Woody Allen's first foray into black-and-white was an instant classic and took the talent for drama and auteur status hinted at in "Annie Hall" 1977 to completion. Set in New York and shot on location there. 8 x 10 inches. And a few tiny creases and a closed tear else Near Fine. National Film Registry. United Artists unknown books
1949ref. 160993Paris: Keystone 1949. Vintage borderless reference photograph of director Henri-Georges Clouzot talking with actors Michel Auclair and Cécile Aubry on the set of the 1949 film. Mimeo snipe and stamp of Keystone Press Agency on the verso. Loosely based on Antoine François Prévost's 1731 novel "Manon Lescaut." During World War II a French Resistance fighter begins a relationship with a woman soon souring as they become involved in prostitution and murder. Shot on location in Calvados Val-de-Marne Paris and Alpes-Maritimes France and in Erfoud and Ksar Es-Souk Morocco. 7.25 x 5 inches. Very Good plus lightly age toned. Keystone unknown
1949ref. 160993Paris: Keystone 1949. Vintage borderless reference photograph of director Henri-Georges Clouzot talking with actors Michel Auclair and Cécile Aubry on the set of the 1949 film. Mimeo snipe and stamp of Keystone Press Agency on the verso. Loosely based on Antoine François Prévost's 1731 novel "Manon Lescaut." During World War II a French Resistance fighter begins a relationship with a woman soon souring as they become involved in prostitution and murder. Shot on location in Calvados Val-de-Marne Paris and Alpes-Maritimes France and in Erfoud and Ksar Es-Souk Morocco. 7.25 x 5 inches. Very Good plus lightly age toned. Keystone unknown books
1960ref. 157082New York: Manhattan Films International 1960. Vintage studio still photograph from the 1960 film showing actress Delilah Lee posing in her dressing room. Stamp of Manhattan Films International on the verso. A magician's assistants begin dying off in increasingly violent ways. Set and shot on location in New York. 8 x 10 inches. Very Good with moderate edgewear and pinholes at the corners. Manhattan Films International unknown
1960ref. 161914N.p.: William Mishkin Motion Pictures 1960. Vintage studio still photograph from the 1960 film. Provenance stamp on the verso on a label obscuring a previous provenance stamp. Currently believed to be a lost film. Dante the magician has been experiencing fits of dizziness and is rumored to be going insane. His female assistants becoming increasingly frightened of Dante begin showing up murdered but Dante is not the only suspect. Shot on location in New York City. 8 x 10 inches. Very Good plus with light edgewear. William Mishkin Motion Pictures unknown books
1960ref. 157082New York: Manhattan Films International 1960. Vintage studio still photograph from the 1960 film showing actress Delilah Lee posing in her dressing room. Stamp of Manhattan Films International on the verso. A magician's assistants begin dying off in increasingly violent ways. Set and shot on location in New York. 8 x 10 inches. Very Good with moderate edgewear and pinholes at the corners. Manhattan Films International unknown books
1976ref. 127320Los Angeles: Paramount Pictures 1976. Vintage one sheet poster for the 1976 film One of the best thrillers of the 1970s built on a great story great characters and exceptional performances by Hoffman and Olivier. Hoffman plays a marathon runner in New York City who is unwittingly caught in the middle of an international diamond ring conspiracy run by former Nazi dentist Olivier. Nominated for an Academy Award for Best Supporting Actor for Olivier. Set in and shot on location in New York City. 27 x 41 inches. Folded as issued. Near Fine. Paramount Pictures unknown
1976ref. 127320Los Angeles: Paramount Pictures 1976. Vintage one sheet poster for the 1976 film One of the best thrillers of the 1970s built on a great story great characters and exceptional performances by Hoffman and Olivier. Hoffman plays a marathon runner in New York City who is unwittingly caught in the middle of an international diamond ring conspiracy run by former Nazi dentist Olivier. Nominated for an Academy Award for Best Supporting Actor for Olivier. Set in and shot on location in New York City. 27 x 41 inches. Folded as issued. Near Fine. Paramount Pictures unknown books
1980ref. 129295Rome: Vides Cinematografica 1980. Set of 10 master typescripts for the ambitious 1982 television miniseries all dated June 1980 used as a master for printing the final scripts. Anthony Burgess was one of the series writers credited on the title page of each segment and Ennio Morricone composed the original score. Present are scripts for all 8 segments of the miniseries. Also included is a script for an unproduced segment titled "Ruby of Ceylon" and a separately bound "Series Outline." Screenwriters Burgess and Labella are present on the title page of all 8 produced segments though not on "The Ruby of Ceylon". An international co-production financed by the US Italy Japan and China. Shot on location in Beijing Inner Mongolia Italy and Morocco. Nominated for two Prime Time Emmys. Oversize volume shipping billed at cost. Series Outline: Yellow titled wrappers. Title page present noted as Outline with credits for screenwriters Burgess and Labella. 27 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode I Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 37 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode II: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 35 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode III: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 31 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode IV: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 44 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode V: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 47 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode VI: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 38 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode VII: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 40 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode VIII: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 66 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. The Ruby of Ceylon unfilmed: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 28 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Vides Cinematografica unknown
1980ref. 129295Rome: Vides Cinematografica 1980. Set of 10 master typescripts for the ambitious 1982 television miniseries all dated June 1980 used as a master for printing the final scripts. Anthony Burgess was one of the series writers credited on the title page of each segment and Ennio Morricone composed the original score. Present are scripts for all 8 segments of the miniseries. Also included is a script for an unproduced segment titled "Ruby of Ceylon" and a separately bound "Series Outline." Screenwriters Burgess and Labella are present on the title page of all 8 produced segments though not on "The Ruby of Ceylon". An international co-production financed by the US Italy Japan and China. Shot on location in Beijing Inner Mongolia Italy and Morocco. Nominated for two Prime Time Emmys. Oversize volume shipping billed at cost. Series Outline: Yellow titled wrappers. Title page present noted as Outline with credits for screenwriters Burgess and Labella. 27 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode I Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 37 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode II: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 35 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode III: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 31 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode IV: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 44 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode V: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 47 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode VI: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 38 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode VII: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 40 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Episode VIII: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 66 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. The Ruby of Ceylon unfilmed: Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 28 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Vides Cinematografica unknown books
1973ref. 163968N.p.: N.p. 1973. Collection of 20 vintage oversize borderless reference photographs from the Canadian release of the 1972 French film including eleven in color and nine black-and-white. Canadian censorship label affixed to the rectos and a Québec censorship stamp dated 1973 on the versos. A woman begins her own affair in response to her adulterous husband but falls in love with her new partner and is ultimately forced to decide between the two men. Approximately 12 x 9.5 inches. Pinholes at the corners else Near Fine to Very Good plus. Not in Pitts. N.p. unknown
1973ref. 163968N.p.: N.p. 1973. Collection of 20 vintage oversize borderless reference photographs from the Canadian release of the 1972 French film including eleven in color and nine black-and-white. Canadian censorship label affixed to the rectos and a Québec censorship stamp dated 1973 on the versos. A woman begins her own affair in response to her adulterous husband but falls in love with her new partner and is ultimately forced to decide between the two men. Approximately 12 x 9.5 inches. Pinholes at the corners else Near Fine to Very Good plus. Not in Pitts. N.p. unknown books
1955ref. 158190N.p.: N.p. 1955. Vintage borderless reference photograph from the French version of the 1955 French-German film showing actor Gil Vidal. Based on Peter von Mendelssohn's 1932 novel "Douloureuse Arcadie." While staying at a lakeside boarding school in Bavaria a young man from Argentina falls in love with a ghostly beauty living in a mansion across the lake. Shot in both French and German versions each with a different cast except for Marianne Hold in the lead role. Set in Bavaria shot on location at Hohenschwangau Castle and Schloss Fuschl in Salzberg. 7 x 5.25 inches. Very Good plus with a light diagonal crease on the top portion of the photograph. N.p. unknown
1955ref. 144440Paris: Filmsonor 1955. Collection of 17 vintage reference photographs from the 1955 film. Mimeo snipe on the verso of one portrait photograph and several with annotations in manuscript pencil and ink noting numbers and title on the versos. Based on Peter von Mendelssohn's 1935 novel "Douloureuse Arcadie." Shot in both French and German versions each with a different cast with the exception of Marianne Hold in the lead role. Director Julien Duvivier's other films include "Pépé le Moko" 1937 "Maria Chapdelaine" 1934 and "Panique" 1946 Set and shot on location in Bavaria. Photos range from 3.25 x 4.5 inches to 7 x 9.5 inches several with small white borders. Very Good plus with light curling and a few faint creases. Filmsonor unknown
1955ref. 144440Paris: Filmsonor 1955. Collection of 17 vintage reference photographs from the 1955 film. Mimeo snipe on the verso of one portrait photograph and several with annotations in manuscript pencil and ink noting numbers and title on the versos. Based on Peter von Mendelssohn's 1935 novel "Douloureuse Arcadie." Shot in both French and German versions each with a different cast with the exception of Marianne Hold in the lead role. Director Julien Duvivier's other films include "Pépé le Moko" 1937 "Maria Chapdelaine" 1934 and "Panique" 1946 Set and shot on location in Bavaria. Photos range from 3.25 x 4.5 inches to 7 x 9.5 inches several with small white borders. Very Good plus with light curling and a few faint creases. Filmsonor unknown books
1955ref. 158190N.p.: N.p. 1955. Vintage borderless reference photograph from the French version of the 1955 French-German film showing actor Gil Vidal. Based on Peter von Mendelssohn's 1932 novel "Douloureuse Arcadie." While staying at a lakeside boarding school in Bavaria a young man from Argentina falls in love with a ghostly beauty living in a mansion across the lake. Shot in both French and German versions each with a different cast except for Marianne Hold in the lead role. Set in Bavaria shot on location at Hohenschwangau Castle and Schloss Fuschl in Salzberg. 7 x 5.25 inches. Very Good plus with a light diagonal crease on the top portion of the photograph. N.p. unknown books
ref. 147407N.p.: N.p. Unknown. Draft script for an unproduced film. With a few manuscript annotations throughout most noting deletions. Two professional gamblers plan to pull off an international long con. Set in Lucerne and Las Vegas. Red titled wrappers. Title page present with credits for screenwriter Michael Curry. 122 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown
ref. 147407N.p.: N.p. Unknown. Draft script for an unproduced film. With a few manuscript annotations throughout most noting deletions. Two professional gamblers plan to pull off an international long con. Set in Lucerne and Las Vegas. Red titled wrappers. Title page present with credits for screenwriter Michael Curry. 122 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown books
1997ref. 169196N.p.: N.p. 1997. Production Draft #2 for an unproduced film a duplicated working copy with copied hole punches with manuscript ink and pencil annotations on the versos or rectos of 26 pages. Film is noted in IMDB but we found no other evidence of it having been completed or distributed. Based on Mark Leyner's 1992 absurdist postmodern novel wherein a hyper-narcissistic author named Mark Leyner with tattooed internal organs and cyborg-enhanced bodyguards becomes an intergalactic celebrity. Front wrapper integral with title page dated October 3 1997 noted as Production Draft #2 with credits for screenwriter Jefery Levy and author Mark Leyner. 117 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
1997ref. 169196N.p.: N.p. 1997. Production Draft #2 for an unproduced film a duplicated working copy with copied hole punches with manuscript ink and pencil annotations on the versos or rectos of 26 pages. Film is noted in IMDB but we found no other evidence of it having been completed or distributed. Based on Mark Leyner's 1992 absurdist postmodern novel wherein a hyper-narcissistic author named Mark Leyner with tattooed internal organs and cyborg-enhanced bodyguards becomes an intergalactic celebrity. Front wrapper integral with title page dated October 3 1997 noted as Production Draft #2 with credits for screenwriter Jefery Levy and author Mark Leyner. 117 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown books
1964ref. 170777N.p.: N.p. 1964. Four vintage color transparencies from the 1964 film all four showing Tippi Hedren. Based on Winston Graham's 1961 novel which follows a wealthy businessman's unwanted often cruel attempts to help a troubled young woman come to terms with her past. The production faced several setbacks in its development most relating to Hitchcock's insistence on including a rape scene present in the novel and the subsequent troubles in casting the lead role given the emotional complexity demanded for the character. Set and shot on location in California Pennsylvania New Jersey Virginia and Maryland. 5 x 4 inches. Near Fine. Godard Histoires du cinema. Grant US. Spicer US. N.p. unknown
1964ref. 170777N.p.: N.p. 1964. Four vintage color transparencies from the 1964 film all four showing Tippi Hedren. Based on Winston Graham's 1961 novel which follows a wealthy businessman's unwanted often cruel attempts to help a troubled young woman come to terms with her past. The production faced several setbacks in its development most relating to Hitchcock's insistence on including a rape scene present in the novel and the subsequent troubles in casting the lead role given the emotional complexity demanded for the character. Set and shot on location in California Pennsylvania New Jersey Virginia and Maryland. 5 x 4 inches. Near Fine. Godard Histoires du cinema. Grant US. Spicer US. N.p. unknown books
1964ref. 167791Universal City: Universal Pictures 1964. Vintage reference photograph from the 1964 film showing actor Sean Connery talking with director Alfred Hitchcock between takes during filming on location in San Francisco with the Bay Bridge in the background. Printed mimeo snipe affixed to the verso. Based on Winston Graham's 1961 novel which follows a wealthy businessman's unwanted often cruel attempts to help a troubled young woman come to terms with her past. The production faced several setbacks in its development most relating to Hitchcock's insistence on including a rape scene present in the novel and the subsequent troubles in casting the lead role given the emotional complexity demanded for the character. Set and shot on location in California Pennsylvania New Jersey Virginia and Maryland. 10 x 8 inches. Faint discoloration on the top edge of the verso else about Near Fine. Godard Histoires du cinema. Grant US. Spicer US. Universal Pictures unknown
1964ref. 150493Universal City: Universal Pictures 1964. Vintage studio still photograph from the set of the 1964 film showing director Alfred Hitchcock and a camera crew capturing a shot of actress Tippi Hedren at a desk in the publishing company office. With a printed mimeo snipe affixed to the verso along with the stamp of Culver Pictures and a stamp noting No. 75147. Based on Winston Graham's 1961 novel which follows a wealthy businessman's unwanted often cruel attempts to help a troubled young woman come to terms with her dark past. The production faced several setbacks in its development most relating to Hitchcock's insistence on including a rape scene present in the novel and the subsequent troubles in casting the lead role given the emotional complexity demanded for the character. Set and shot on location in California Pennsylvania New Jersey Virginia and Maryland. 10 x 8 inches. Near Fine. Godard Histoires du cinema. Grant US. Spicer US. Universal Pictures unknown
1964ref. 147892Universal City: Universal Pictures 1964. Vintage photograph from the 1964 film a publicity shot of Sean Connery and Tippi Hedren. Based on Winston Graham's 1961 novel. Set in and shot on location in California Pennsylvania New Jersey Virginia and Maryland. 8 x 10 inches. Near FIne. Collation details available on request. Universal Pictures unknown books
