11,065 results
1942ref. 145119Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1942. Vintage double weight photograph of director Wells Root and actor Dan Dailey on the set of the 1942 film. Mimeo snipe manuscript annotations and an studio stamp on the verso. Based on a series of short stories by Jennie Harris Olver published in the 1930s. Mokey Robert Blake an eight year old boy who recently lost his mother struggles to adapt to his new household. His father is largely absent and his stepmother doesn't care to understand him and is quick to become angry when he acts out. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1978ref. 150162N.p.: N.p. 1978. Vintage borderless black and white reference photograph from the 1978 film showing actors Lily Tomlin and John Travolta. With an agency stamp on the verso. A socialite divorcee begins a May-December romance with a handsome younger drifter. A notorious box office flop at the time of its release noted by one of the film's crew members as "like being on the voyage of the damned" now considered a camp classic. Set and shot on location in Beverly Hills and Malibu California. 10 x 8 inches. Very Good plus with light wear to the bottom edge. N.p. unknown
1978ref. 150162N.p.: N.p. 1978. Vintage borderless black and white reference photograph from the 1978 film showing actors Lily Tomlin and John Travolta. With an agency stamp on the verso. A socialite divorcee begins a May-December romance with a handsome younger drifter. A notorious box office flop at the time of its release noted by one of the film's crew members as "like being on the voyage of the damned" now considered a camp classic. Set and shot on location in Beverly Hills and Malibu California. 10 x 8 inches. Very Good plus with light wear to the bottom edge. N.p. unknown books
1965ref. 144914Los Angeles: Mervyn LeRoy Productions 1965. Two vintage photographs of director Mervyn LeRoy and actors Jean Seberg Sean Garrison and Honor Blackman on the set of the 1966 film. Mimeo snipe on the verso of each. One photo shown. Please inquire to see the other. Kay Seaton Jean Seberg and her psychiatrist husband Neil Stanton Arthur Hill live on the French Rivera. Kay has an affair with an Mark Sean Garrison an American Naval officer who she accidentally shoots while trying to end their relationship. She abandons the body and anonymously reports it to the police. Later Neil takes on an amnesiac patient recovering from a gun shot wound. Shot on location in the South of France. 8 x 10 inches. Near Fine. Mervyn LeRoy Productions unknown
1965ref. 144914Los Angeles: Mervyn LeRoy Productions 1965. Two vintage photographs of director Mervyn LeRoy and actors Jean Seberg Sean Garrison and Honor Blackman on the set of the 1966 film. Mimeo snipe on the verso of each. One photo shown. Please inquire to see the other. Kay Seaton Jean Seberg and her psychiatrist husband Neil Stanton Arthur Hill live on the French Rivera. Kay has an affair with an Mark Sean Garrison an American Naval officer who she accidentally shoots while trying to end their relationship. She abandons the body and anonymously reports it to the police. Later Neil takes on an amnesiac patient recovering from a gun shot wound. Shot on location in the South of France. 8 x 10 inches. Near Fine. Mervyn LeRoy Productions unknown books
1987ref. 163760Alexandria VA: Public Broadcasting Service PBS 1987. Vintage studio still photograph from the 1987 documentary film showing the film's subject acclaimed filmmaker photojournalist and author Gordon Parks. Minute annotations in manuscript ink and pencil on the verso. 8 x 10 inches. Very Good plus lightly toned with brief wear along the right edge. Public Broadcasting Service [PBS] unknown
1987ref. 163760Alexandria VA: Public Broadcasting Service PBS 1987. Vintage studio still photograph from the 1987 documentary film showing the film's subject acclaimed filmmaker photojournalist and author Gordon Parks. Minute annotations in manuscript ink and pencil on the verso. 8 x 10 inches. Very Good plus lightly toned with brief wear along the right edge. Public Broadcasting Service [PBS] unknown books
1995ref. 151599N.p.: N.p. 1995. Final Shooting script for the 1995 film. Copy belonging to noted crime writer Mickey Spillane who appeared in a cameo in the film as a personal favor to director Max Allan Collins. With Spillane's name in manuscript ink on the front wrapper and annotations highlighting lines to pages 56-59. A woman's increasingly psychotic obsession with her young daughter culminates in a string of gruesome murders. Collins' debut film following a lengthy career as a mystery novelist and comic writer. Followed by a sequel "Mommy 2: Mommy's Day" in 1997. Shot on location in Muscatine Iowa. White titled wrappers. Title page integral with front wrapper noted as FINAL SHOOTING SCRIPT on the front wrapper with credits for director Max Allan Collins. 79 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1995ref. 151599N.p.: N.p. 1995. Final Shooting script for the 1995 film. Copy belonging to noted crime writer Mickey Spillane who appeared in a cameo in the film as a personal favor to director Max Allan Collins. With Spillane's name in manuscript ink on the front wrapper and annotations highlighting lines to pages 56-59. A woman's increasingly psychotic obsession with her young daughter culminates in a string of gruesome murders. Collins' debut film following a lengthy career as a mystery novelist and comic writer. Followed by a sequel "Mommy 2: Mommy's Day" in 1997. Shot on location in Muscatine Iowa. White titled wrappers. Title page integral with front wrapper noted as FINAL SHOOTING SCRIPT on the front wrapper with credits for director Max Allan Collins. 79 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
2003ref. 942062003 Editions de Fallois - 2003 - petit In-8 couverture illustrée - 198 pages - quelques illustrations dans l'ouvrage
1958ref. 157095N.p.: N.p. 1958. Vintage reference photograph from the 1958 film showing director Jacques Tati and a camera operator filming an outdoors scene. National Film Archive stamp on the verso along with annotations in manuscript ink and pencil regarding cropping. From the archive of film historian and author Joel Finler. Tati's second of four films featuring the inimitable Monsieur Hulôt. In this chapter Hulôt strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. Set in the Parisian suburbs. 10 x 8 inches. Near Fine. N.p. unknown
1958ref. 150440N.p.: N.p. 1958. Vintage borderless black and white photograph of director Jacques Tati at the premiere of his 1958 film preparing to pour a celebratory toast of champagne into an empty paper sleeve for the vinyl single from the film's soundtrack held by actress Mylene Demongeot. Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. 8 x 10 inches. Near Fine. N.p. unknown
1958ref. 155857N.p.: N.p. 1958. Vintage borderless reference photograph from the 1958 film showing director Jacques Tati filming an outdoors scene. National Film Archive stamp on the verso along with annotations in manuscript ink and pencil regarding cropping. From the archive of film historian and author Joel Finler. Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. Set in the Parisian suburbs. 7.75 x 10 inches. Near Fine. N.p. unknown
1958ref. 151249N.p.: N.p. 1958. Vintage borderless reference photograph from the set of the 1958 film showing director Jacques Tati smoking a cigarette and watching as cameraman Paul Rodier films a scene. With two Cine-Revue stamps on the verso along with manuscript ink and pencil layout annotations. Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. Set in the Parisian suburbs. 9.5 x 7 inches. Near Fine. N.p. unknown
1958ref. 143634Neuilly-sur-Seine France: Gaumont 1958. Three vintage borderless photographs showing director Jacques Tati at work on the set of the 1958 film. With the stamps of the French Film Office's New York address as well as film information on the verso. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. 7.25 x 9.5 inches. Near Fine. Criterion Collection 111. Ebert II. Rosenbaum 1000. Gaumont unknown
1958ref. 139689Paris: Gaumont 1958. Vintage photograph of Jacques Tati as Monsieur Hulot from the 1958 film. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. 7.25 x 5 inches. Near Fine with a shallow diagonal crease to one corner. Criterion Collection 111. Ebert II. Rosenbaum 1000. Gaumont unknown
1958ref. 139689Paris: Gaumont 1958. Vintage photograph of Jacques Tati as Monsieur Hulot from the 1958 film. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. 7.25 x 5 inches. Near Fine with a shallow diagonal crease to one corner. Criterion Collection 111. Ebert II. Rosenbaum 1000. Gaumont unknown books
1958ref. 150440N.p.: N.p. 1958. Vintage borderless black and white photograph of director Jacques Tati at the premiere of his 1958 film preparing to pour a celebratory toast of champagne into an empty paper sleeve for the vinyl single from the film's soundtrack held by actress Mylene Demongeot. Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. 8 x 10 inches. Near Fine. N.p. unknown books
1958ref. 157095N.p.: N.p. 1958. Vintage reference photograph from the 1958 film showing director Jacques Tati and a camera operator filming an outdoors scene. National Film Archive stamp on the verso along with annotations in manuscript ink and pencil regarding cropping. From the archive of film historian and author Joel Finler. Tati's second of four films featuring the inimitable Monsieur Hulôt. In this chapter Hulôt strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. Set in the Parisian suburbs. 10 x 8 inches. Near Fine. N.p. unknown books
1958ref. 155857N.p.: N.p. 1958. Vintage borderless reference photograph from the 1958 film showing director Jacques Tati filming an outdoors scene. National Film Archive stamp on the verso along with annotations in manuscript ink and pencil regarding cropping. From the archive of film historian and author Joel Finler. Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. Set in the Parisian suburbs. 7.75 x 10 inches. Near Fine. N.p. unknown books
1958ref. 151249N.p.: N.p. 1958. Vintage borderless reference photograph from the set of the 1958 film showing director Jacques Tati smoking a cigarette and watching as cameraman Paul Rodier films a scene. With two Cine-Revue stamps on the verso along with manuscript ink and pencil layout annotations. Tati's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. Set in the Parisian suburbs. 9.5 x 7 inches. Near Fine. N.p. unknown books
1958ref. 143634Neuilly-sur-Seine France: Gaumont 1958. Three vintage borderless photographs showing director Jacques Tati at work on the set of the 1958 film. With the stamps of the French Film Office's New York address as well as film information on the verso. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. 7.25 x 9.5 inches. Near Fine. Criterion Collection 111. Ebert II. Rosenbaum 1000. Gaumont unknown books
1986ref. 142597London: HandMade Films 1986. Vintage borderless photograph from the 1986 film showing director Jordan and star Hoskins together on location. With manuscript annotations on the verso. Hoskins stars as a recently released ex-con hired to drive a high class escort from job to job slowly falling in love with her as he does which leads trouble for them both. Hoskins won Best Actor at Cannes where the film was also nominated for the Palme d'Or and was nominated for an Academy Award losing to Paul Newman in "The Color of Money." Set and shot on location in London and Brighton where this photograph was likely taken. 10 x 8 inches. Fine. Arrow 1109. Criterion Collection 107. Grant UK. Spicer UK. HandMade Films unknown
1986ref. 142597London: HandMade Films 1986. Vintage borderless photograph from the 1986 film showing director Jordan and star Hoskins together on location. With manuscript annotations on the verso. Hoskins stars as a recently released ex-con hired to drive a high class escort from job to job slowly falling in love with her as he does which leads trouble for them both. Hoskins won Best Actor at Cannes where the film was also nominated for the Palme d'Or and was nominated for an Academy Award losing to Paul Newman in "The Color of Money." Set and shot on location in London and Brighton where this photograph was likely taken. 10 x 8 inches. Fine. Arrow 1109. Criterion Collection 107. Grant UK. Spicer UK. HandMade Films unknown books
1966ref. 161982Los Angeles: Olympic International Films 1966. Four vintage studio still photographs from the 1966 film. Provenance stamps and labels on the verso. "Documentary" exploitation classic featuring mostly faked travelogue footage including a Kyoto message parlor a Lebanese white slavery auction the Los Angeles art and peace scene and spring breakers on Balboa Island. Shot on location in Los Angeles and Newport Beach California Kyoto and Nassau Bahamas. 8 x 10 inches. Near Fine overall. Olympic International Films unknown
