11,048 results
1968ref. 144349N.p.: N.p. 1968. Two vintage borderless photographs from the set of the 1968 French experimental film mixing documentary with surreal imagery and fictitious characters. With mimeo snipe on one and manuscript annotations on the other. From the last scene of the film featuring "Eve Democracy" a graffiti artist played by Anne Wiazemsky who is followed by a film crew on the beach as she totes a rifle dressed in all white. "One Plus One" alternates documentary segments of The Rolling Stones creating the song "Sympathy for the Devil" in the studio during the band's last days with Brian Jones with surreal commentary about anarchy and revolution making references to Amiri Baraka Eldridge Cleaver and the Black Panthers pornography "Mein Kampf" and the Nazi movement. 10 x 7 inches. Near Fine. N.p. unknown
1968ref. 144349N.p.: N.p. 1968. Two vintage borderless photographs from the set of the 1968 French experimental film mixing documentary with surreal imagery and fictitious characters. With mimeo snipe on one and manuscript annotations on the other. From the last scene of the film featuring "Eve Democracy" a graffiti artist played by Anne Wiazemsky who is followed by a film crew on the beach as she totes a rifle dressed in all white. "One Plus One" alternates documentary segments of The Rolling Stones creating the song "Sympathy for the Devil" in the studio during the band's last days with Brian Jones with surreal commentary about anarchy and revolution making references to Amiri Baraka Eldridge Cleaver and the Black Panthers pornography "Mein Kampf" and the Nazi movement. 10 x 7 inches. Near Fine. N.p. unknown books
1965ref. 162057Los Angeles: Mark Brown Productions 1965. Vintage studio still photograph from the 1965 film. Provenance stamp on the verso. A business man and his wife move from Michigan to Los Angeles and there discover a world awash in decadence and swinging. Shot on location in Los Angeles. 8 x 10 inches. Very Good plus with faint creasing. Mark Brown Productions unknown
1965ref. 162057Los Angeles: Mark Brown Productions 1965. Vintage studio still photograph from the 1965 film. Provenance stamp on the verso. A business man and his wife move from Michigan to Los Angeles and there discover a world awash in decadence and swinging. Shot on location in Los Angeles. 8 x 10 inches. Very Good plus with faint creasing. Mark Brown Productions unknown books
1977ref. 168492N.p.: N.p. 1977. Five vintage borderless reference photographs for the 1977 film including two showing director Agnes Varda on the set. All five with French press stamps and layout annotations on the verso. A remarkable film depicting the lifelong friendship of two dissimilar but close-knit French women beginning when one helps the other raise money for an abortion. Agnes Varda an important and influential French director writer and artist garnered praise as a filmmaker for her uncompromising documentary-style realism focusing on women and marginalized members of society as well as her experimental style. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work stylistically prefigures the French New Wave and is today considered very much a part of it. Set and shot on location in France. 9.5 x 7 inches. Near Fine. N.p. unknown
1977ref. 168492N.p.: N.p. 1977. Five vintage borderless reference photographs for the 1977 film including two showing director Agnes Varda on the set. All five with French press stamps and layout annotations on the verso. A remarkable film depicting the lifelong friendship of two dissimilar but close-knit French women beginning when one helps the other raise money for an abortion. Agnes Varda an important and influential French director writer and artist garnered praise as a filmmaker for her uncompromising documentary-style realism focusing on women and marginalized members of society as well as her experimental style. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work stylistically prefigures the French New Wave and is today considered very much a part of it. Set and shot on location in France. 9.5 x 7 inches. Near Fine. N.p. unknown books
1969ref. 162058N.p.: UM Film Distributors 1969. Five vintage studio still photographs from the US release of the 1968 Swedish and German film. All photographs with provenance stamps on the versos. A young college violinist student spends the summer at his family's estate with his mother and has several trysts with young women of the area. Shot on location in Södermanlands län Sweden. 8 x 10 inches. Near Fine. UM Film Distributors unknown
1969ref. 162058N.p.: UM Film Distributors 1969. Five vintage studio still photographs from the US release of the 1968 Swedish and German film. All photographs with provenance stamps on the versos. A young college violinist student spends the summer at his family's estate with his mother and has several trysts with young women of the area. Shot on location in Södermanlands län Sweden. 8 x 10 inches. Near Fine. UM Film Distributors unknown books
1950ref. 138397Universal City CA: Universal Pictures 1950. Two post-production Continuity and Dialogue scripts for the 1950 film. Included are a script for the feature dated March 15 1950 and a script for the film's trailer dated March 20 1950. In this key film noir James Mason reprises in spirit his role from the British film noir "Odd Man Out" made three years before as a criminal who steals from the mob and is forced to go on the lam with mob boss Dan Duryea in no mood for forgiveness. The first American film to be directed by Argentinian import Hugo Fregonese. The AFI Catalog notes that Mexican Vice Consul Ernesto Romero acted as technical advisor and according to studio production notes an entire Mexican village was built on the Universal-International lot. Rodolfo Acosta Emma Roldan and Margarito Luna were all Mexican actors. Finally popular character actor James Best made his debut in "One-Way Street" appearing briefly in an uncredited role as a "Driver." Titled wrappers dated March 15 1950 and March 20 1950 both rubber-stamped 7684 with credits for actors Mason Toren Duryea Ruysdael Conrad Acosta Donovan and Espinoza as well as director Fregonese. Feature script noting nine reels 116 leaves; trailer script comprised of 7 leaves. Mimeograph on white stock. Feature script bound at the top with two silver brads; trailer script with punch holes top-stapled. Near Fine overall. Grant US. Selby Canon US. Silver Classic Noir. Spicer US. Universal Pictures unknown
1950ref. 138397Universal City CA: Universal Pictures 1950. Two post-production Continuity and Dialogue scripts for the 1950 film. Included are a script for the feature dated March 15 1950 and a script for the film's trailer dated March 20 1950. In this key film noir James Mason reprises in spirit his role from the British film noir "Odd Man Out" made three years before as a criminal who steals from the mob and is forced to go on the lam with mob boss Dan Duryea in no mood for forgiveness. The first American film to be directed by Argentinian import Hugo Fregonese. The AFI Catalog notes that Mexican Vice Consul Ernesto Romero acted as technical advisor and according to studio production notes an entire Mexican village was built on the Universal-International lot. Rodolfo Acosta Emma Roldan and Margarito Luna were all Mexican actors. Finally popular character actor James Best made his debut in "One-Way Street" appearing briefly in an uncredited role as a "Driver." Titled wrappers dated March 15 1950 and March 20 1950 both rubber-stamped 7684 with credits for actors Mason Toren Duryea Ruysdael Conrad Acosta Donovan and Espinoza as well as director Fregonese. Feature script noting nine reels 116 leaves; trailer script comprised of 7 leaves. Mimeograph on white stock. Feature script bound at the top with two silver brads; trailer script with punch holes top-stapled. Near Fine overall. Grant US. Selby Canon US. Silver Classic Noir. Spicer US. Universal Pictures unknown books
1958ref. 161581Hollywood: Paramount Pictures 1958. Vintage studio still photograph from the 1961 film. Based on the 1956 novel "The Authentic Death of Hendry Jones" by Charles Neider. Marlon Brando's only directorial effort after his production company fired original screenwriter Sam Peckinpah and director Stanley Kubrick and he rewrote the script first with Calder Willingham then with Guy Tropser. 10 x 8 inches. About Near Fine. Criterion Collection 884. Paramount Pictures unknown
1960ref. 162841New York: Graphic Arts Photo Service 1960. Vintage oversize borderless reference photograph of actor and director Marlon Brando on the set of the 1961 Western film. Date stamp and stamps of Graphic Arts and photographer Sam Shaw on the verso. Based on the 1956 novel "The Authentic Death of Hendry Jones" by Charles Neider. Marlon Brando's only directorial effort after his production company fired original screenwriter Sam Peckinpah and director Stanley Kubrick and he rewrote the script first with Calder Willingham then with Guy Tropser. From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. 14 x 11 inches. Very Good plus. Criterion Collection 884. Graphic Arts Photo Service unknown
1961ref. 143258Hollywood: Paramount Pictures / Pennebaker Productions 1961. Four vintage oversize double weight matte finish photographs from the 1961 film. Based on the 1956 novel "The Authentic Death of Hendry Jones" by Charles Neider. Marlon Brando's only directorial effort after his production company fired original screenwriter Sam Peckinpah and director Stanley Kubrick and he rewrote the script first with Calder Willingham then with Guy Tropser. Nominated for an Academy Award. Photographs roughly 13.5 x 9 inches one with a wide bottom margin to 13.5 x 10.5 inches. Near Fine. Criterion Collection 884. Paramount Pictures / Pennebaker Productions unknown
1961ref. 143258Hollywood: Paramount Pictures / Pennebaker Productions 1961. Four vintage oversize double weight matte finish photographs from the 1961 film. Based on the 1956 novel "The Authentic Death of Hendry Jones" by Charles Neider. Marlon Brando's only directorial effort after his production company fired original screenwriter Sam Peckinpah and director Stanley Kubrick and he rewrote the script first with Calder Willingham then with Guy Tropser. Nominated for an Academy Award. Photographs roughly 13.5 x 9 inches one with a wide bottom margin to 13.5 x 10.5 inches. Near Fine. Criterion Collection 884. Paramount Pictures / Pennebaker Productions unknown books
1960ref. 162841New York: Graphic Arts Photo Service 1960. Vintage oversize borderless reference photograph of actor and director Marlon Brando on the set of the 1961 Western film. Date stamp and stamps of Graphic Arts and photographer Sam Shaw on the verso. Based on the 1956 novel "The Authentic Death of Hendry Jones" by Charles Neider. Marlon Brando's only directorial effort after his production company fired original screenwriter Sam Peckinpah and director Stanley Kubrick and he rewrote the script first with Calder Willingham then with Guy Tropser. From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. 14 x 11 inches. Very Good plus. Criterion Collection 884. Graphic Arts Photo Service unknown books
1958ref. 161581Hollywood: Paramount Pictures 1958. Vintage studio still photograph from the 1961 film. Based on the 1956 novel "The Authentic Death of Hendry Jones" by Charles Neider. Marlon Brando's only directorial effort after his production company fired original screenwriter Sam Peckinpah and director Stanley Kubrick and he rewrote the script first with Calder Willingham then with Guy Tropser. 10 x 8 inches. About Near Fine. Criterion Collection 884. Paramount Pictures unknown books
1970ref. 162059N.p.: MFD Productions 1970. Three vintage studio still photographs from the 1970 film. All three photographs with provenance stamps on the versos two with labels obscuring previous provenance stamps. Obscure 1970 sexploitation film by prolific exploitation director Victor Petrashevic. 8 x 10 inches. Very Good plus with faint creasing and one with a wax pencil annotation along the bottom edge. MFD Productions unknown
1970ref. 162059N.p.: MFD Productions 1970. Three vintage studio still photographs from the 1970 film. All three photographs with provenance stamps on the versos two with labels obscuring previous provenance stamps. Obscure 1970 sexploitation film by prolific exploitation director Victor Petrashevic. 8 x 10 inches. Very Good plus with faint creasing and one with a wax pencil annotation along the bottom edge. MFD Productions unknown books
ref. 146406N.p.: N.p. Unknown. Draft script for an unproduced film. With a business card for "Ray Rocky Notaro's Left Hook Gym and Boxing School" stapled to the title page. Included with the script are two black and white photographs of Notaro in the ring in full boxing gear wearing a "Rocky III" shirt. Based on the life story of screenwriter Ray Notaro middleweight boxing champion owner of Left Hook Gym and Boxing School and personal trainer to Sylvester Stallone during the production of "Rocky III" 1982. The screenplay follows Ray as a young child engaging in petty theft and enduring physical abuse from his alcoholic father to his time as a soldier in the Korean War to his eventual success as a boxer. Set in New York and Canada. Black untitled wrappers with a die-cut title window. Title page present with credits for screenwriter Ray Notaro. 163 leaves with last page of text numbered 161. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown
ref. 146406N.p.: N.p. Unknown. Draft script for an unproduced film. With a business card for "Ray Rocky Notaro's Left Hook Gym and Boxing School" stapled to the title page. Included with the script are two black and white photographs of Notaro in the ring in full boxing gear wearing a "Rocky III" shirt. Based on the life story of screenwriter Ray Notaro middleweight boxing champion owner of Left Hook Gym and Boxing School and personal trainer to Sylvester Stallone during the production of "Rocky III" 1982. The screenplay follows Ray as a young child engaging in petty theft and enduring physical abuse from his alcoholic father to his time as a soldier in the Korean War to his eventual success as a boxer. Set in New York and Canada. Black untitled wrappers with a die-cut title window. Title page present with credits for screenwriter Ray Notaro. 163 leaves with last page of text numbered 161. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown books
1962ref. 150836N.p.: Kingsley International 1962. Vintage publicity portrait studio still photograph from the 1962 film showing actress Mai Zetterling. Based on Kingsley Amis' 1955 novel "That Uncertain Feeling." A bored librarian finds his attentions torn between a glamorous designer and his loving but stodgy wife. Set in the fictional town of Aberdarcy shot on location in Swansea South Wales. 8 x 10 inches. Very Good plus overall. Kingsley International unknown books
1981ref. 139716Culver City CA: Columbia Pictures 1981. Vintage studio still photograph from the 1981 film. Based on Neil Simon's 1971 play "The Gingerbread Lady." Playwright Neil Simon departed from his typical light hearted comedic style when he wrote "The Gingerbread Lady." This drama which netted three Academy Award nominations follows the struggles of a alcoholic Broadway actress whose attempt at sobriety is complicated by the realities of her daily life. Set in New York shot on location in California and New York. 10 x 8 inches. Fine. Columbia Pictures unknown books
1977ref. 143667N.p.: N.p. 1977. Draft script for an unproduced film. With 19 pages of budget estimates laid in. A man returns to his small southern home town and finds that he is the heir to a Voodoo artifact and the ancient spirit that possesses it. Had the script been picked up by a studio it would have been J.S. Cardone's first screenwriting credit. Black titled leatherette wrappers. Title page present with credits for screenwriters Lincoln Kilpatrick and J.S. Cardone and story writers Lincoln Kilpatrick and Bill Nolan. 150 leaves with last page of text numbered 149. Mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1977ref. 143667N.p.: N.p. 1977. Draft script for an unproduced film. With 19 pages of budget estimates laid in. A man returns to his small southern home town and finds that he is the heir to a Voodoo artifact and the ancient spirit that possesses it. Had the script been picked up by a studio it would have been J.S. Cardone's first screenwriting credit. Black titled leatherette wrappers. Title page present with credits for screenwriters Lincoln Kilpatrick and J.S. Cardone and story writers Lincoln Kilpatrick and Bill Nolan. 150 leaves with last page of text numbered 149. Mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1984ref. 153832N.p.: N.p. 1984. Draft script for an unproduced film. Laid in with the script is a letter from Kodiak Films producer Wolf Schmidt to agent Walter Kohner declining to produce the film. A group of scientists accidentally create a deadly chemical compound which is promptly stolen by a rival scientist who threatens to kill thousands of people with the compound unless he is given one billion dollars. Two spies from the mysterious Sub Rosa agency are sent to retrieve the chemical. Blue card wrappers with a printed title label affixed to the front wrapper. Title page present dated 1984 with credits for screenwriter R. Delano Brown. 99 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a silver prong. N.p. unknown
