11,047 results
1975ref. 170771France: Arcadie Productions 1975. Collection of promotional ephemera from the 1975 French film including a program ten lobby cards and two black-and-white reference photographs. Text in French. One of ten films directed by Alain Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgängers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material than in the actual film. Lobby cards 10: 11.5 x 9.25 inches. Very Good plus. Photographs 2: 7 x 5 inches. Near Fine. Program: 7.25 x 10.25 inches. 17 leaves. Near Fine in saddle-stapled wrappers. All material housed together in an original glassine envelope as issued. Arcadie Productions unknown
1975ref. 144355France: Arcadie Productions 1975. Vintage borderless photograph of Sylvia Kristel from the 1975 film. With manuscript annotations in pencil on the verso. One of ten films made by the French novelist Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgangers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material than in the actual film. 7 x 5 inches. Near Fine. Arcadie Productions unknown
1975ref. 170771France: Arcadie Productions 1975. Collection of promotional ephemera from the 1975 French film including a program ten lobby cards and two black-and-white reference photographs. Text in French. One of ten films directed by Alain Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgängers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material than in the actual film. Lobby cards 10: 11.5 x 9.25 inches. Very Good plus. Photographs 2: 7 x 5 inches. Near Fine. Program: 7.25 x 10.25 inches. 17 leaves. Near Fine in saddle-stapled wrappers. All material housed together in an original glassine envelope as issued. Arcadie Productions unknown books
1975ref. 144355France: Arcadie Productions 1975. Vintage borderless photograph of Sylvia Kristel from the 1975 film. With manuscript annotations in pencil on the verso. One of ten films made by the French novelist Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgangers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material than in the actual film. 7 x 5 inches. Near Fine. Arcadie Productions unknown books
1975ref. 142089France: Arcadie Productions 1975. Two vintage color and five borderless black and white reference photographs from the 1975 film. One of ten films made by the French novelist Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgangers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material she appears in two of the photographs here than in the actual film. 7 x 5 inches. Fine. Arcadie Productions unknown books
1967ref. 162083N.p.: Leo-Todd Productions 1967. Three vintage studio still photographs from the 1967 film. Provenance stamps on the verso of each. An obscure and likely lost sexploitation film from 1967. A wife searches for her missing husband experiencing the city's seedy underbelly. 8 x 10 inches. Near Fine. Leo-Todd Productions unknown
1967ref. 162083N.p.: Leo-Todd Productions 1967. Three vintage studio still photographs from the 1967 film. Provenance stamps on the verso of each. An obscure and likely lost sexploitation film from 1967. A wife searches for her missing husband experiencing the city's seedy underbelly. 8 x 10 inches. Near Fine. Leo-Todd Productions unknown books
1967ref. 159622N.p.: N.p. 1967. Four vintage borderless color reference photographs from the 1967 film. A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. Set in Paris. Approximately 10.5 x 8.5 inches. Light wear at the corners else Near Fine. N.p. unknown
1967ref. 159622N.p.: N.p. 1967. Four vintage borderless color reference photographs from the 1967 film. A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. Set in Paris. Approximately 10.5 x 8.5 inches. Light wear at the corners else Near Fine. N.p. unknown books
1967ref. 159120N.p.: N.p. 1967. Vintage oversize borderless color reference photograph from the 1967 film. A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. Set in Paris. Approximately 9.5 x 12 inches. Light wear at the corners else Near Fine. N.p. unknown
1967ref. 159120N.p.: N.p. 1967. Vintage oversize borderless color reference photograph from the 1967 film. A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. Set in Paris. Approximately 9.5 x 12 inches. Light wear at the corners else Near Fine. N.p. unknown books
1967ref. 149330Paris: Jolly Film 1967. Three vintage reference photographs one borderless from the 1967 film. With manuscript annotations regarding layout to the verso and one with the stamp of Specta Films. A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. Set in Paris. 7 x 5 inches. Very Good plus with light edgewear. Jolly Film unknown
1967ref. 149330Paris: Jolly Film 1967. Three vintage reference photographs one borderless from the 1967 film. With manuscript annotations regarding layout to the verso and one with the stamp of Specta Films. A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. Set in Paris. 7 x 5 inches. Very Good plus with light edgewear. Jolly Film unknown books
1961ref. 151518N.p.: International Classics 1961. Vintage borderless reference photograph of Brigitte Bardot and director Roger Vadim on the set of the 1961 film. "Photo Walter Carone" stamp two "La Bride sur le cou" stamps and faint recurring "Paris Match Marie Claire" stamps on verso. Sophie learns her boyfriend is thinking of leaving her for another woman and her first thought is to win him back or kill the woman but with the help of her friend Alain she resolves on the former. Shot on location in Alps Haute-Savoie France. 7.75 x 10.25 inches. Very Good plus. International Classics unknown
1961ref. 151518N.p.: International Classics 1961. Vintage borderless reference photograph of Brigitte Bardot and director Roger Vadim on the set of the 1961 film. "Photo Walter Carone" stamp two "La Bride sur le cou" stamps and faint recurring "Paris Match Marie Claire" stamps on verso. Sophie learns her boyfriend is thinking of leaving her for another woman and her first thought is to win him back or kill the woman but with the help of her friend Alain she resolves on the former. Shot on location in Alps Haute-Savoie France. 7.75 x 10.25 inches. Very Good plus. International Classics unknown books
1975ref. 151589N.p.: Joseph Green Pictures 1975. Vintage press kit for the US release of the 1975 French film for use by distributors and the press containing two pressbooks 15 black and white photographs and a poster for the film. A married couple played by real-life husband and wife Paul Gegauff and Daniele Gegauff decide to spice up their sex lives by beginning an open relationship but the husband's jealousy soon pushes them both to a breaking point. Poster photographs and pressbooks Near Fine. Joseph Green Pictures unknown
1973ref. 162086N.p.: N.p. 1973. Vintage studio still photograph from the US release of the 1973 Canadian film. Also released in the US under its Canadian title "Corrupted." Photograph with provenance stamps on the verso. An unhappily married wealthy man has an affair with an attractive clerk at a photography studio that specializes in having male clients to take nude photos of their models. Shot on location in Toronto. 8 x 10 inches. Very Good plus with a small closed tear in the lower right margin. N.p. unknown
1973ref. 162086N.p.: N.p. 1973. Vintage studio still photograph from the US release of the 1973 Canadian film. Also released in the US under its Canadian title "Corrupted." Photograph with provenance stamps on the verso. An unhappily married wealthy man has an affair with an attractive clerk at a photography studio that specializes in having male clients to take nude photos of their models. Shot on location in Toronto. 8 x 10 inches. Very Good plus with a small closed tear in the lower right margin. N.p. unknown books
1975ref. 151589N.p.: Joseph Green Pictures 1975. Vintage press kit for the US release of the 1975 French film for use by distributors and the press containing two pressbooks 15 black and white photographs and a poster for the film. A married couple played by real-life husband and wife Paul Gegauff and Daniele Gegauff decide to spice up their sex lives by beginning an open relationship but the husband's jealousy soon pushes them both to a breaking point. Poster photographs and pressbooks Near Fine. Joseph Green Pictures unknown books
1984ref. 167521Burbank CA: Pressman Productions 1984. First Draft script for the 1985 UK/US film circa 1984 with manuscript pencil annotations on the cast of characters page noting the actor's names adjacent to their characters. Based on the 1978 play by screenwriter David Hare. Spanning nearly 20 years in the life of Englishwoman Susan Traherne played by Meryl Streep the film follows her from her life-changing experiences as a French Resistance fighter during World War II to her life in post-war England which she finds inadequate and trivial her alienation often leading her to act with disregard for those around her. Nominated for two BAFTA Awards. Of note screenwriter Hare divided the script found here into eight segments of which there is a note on the first leaf that this was not for the viewing audience but for clarity in reading for the cast and crew. The eight segments are: "The War" "Europe On The Move" "Austerity" "Plenty" "Suez" "Iran" "The Crisis" and "Liberation." Set in and shot on location in London Brusels Belgium France and Tunisia. Front wrapper integral with first introductory note leaf. Title page present noted as FIRST DRAFT with credits for screenwriter David Hare. 112 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Pressman Productions unknown
1984ref. 167521Burbank CA: Pressman Productions 1984. First Draft script for the 1985 UK/US film circa 1984 with manuscript pencil annotations on the cast of characters page noting the actor's names adjacent to their characters. Based on the 1978 play by screenwriter David Hare. Spanning nearly 20 years in the life of Englishwoman Susan Traherne played by Meryl Streep the film follows her from her life-changing experiences as a French Resistance fighter during World War II to her life in post-war England which she finds inadequate and trivial her alienation often leading her to act with disregard for those around her. Nominated for two BAFTA Awards. Of note screenwriter Hare divided the script found here into eight segments of which there is a note on the first leaf that this was not for the viewing audience but for clarity in reading for the cast and crew. The eight segments are: "The War" "Europe On The Move" "Austerity" "Plenty" "Suez" "Iran" "The Crisis" and "Liberation." Set in and shot on location in London Brusels Belgium France and Tunisia. Front wrapper integral with first introductory note leaf. Title page present noted as FIRST DRAFT with credits for screenwriter David Hare. 112 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Pressman Productions unknown books
1975ref. 151533Paris: Les Films du Carrosse 1975. Vintage borderless reference photograph of François Truffaut cinematographer Pierre-William Glenn and cast and crew members on the set of the 1976 film. French and English printed snipe and "Sygma" and photographer "Simonpietri" stamps on verso. An interrelated series of vignettes about the lives of children in a small French town primarily using non-professional actors ranging in age from infancy to 14 years old. One of Truffaut's best loved and most financially successful films. Set in and shot on location in and around Thiers France. 11.75 x 8 inches. Near Fine. Les Films du Carrosse unknown
1976ref. 132912Paris: Les Films du Carrosse / Les Productions Artistes Associes 1976. Collection of ten vintage reference photographs from the UK release of the 1976 French film. Released in the US as "Small Change." An interrelated series of vignettes about the lives of children in a small French town primarily using nonprofessional actors ranging in age from infancy to 14 years old. One of François Truffaut's best loved and most financially successful films. Shot on location in and around Thiers France. 8 x 10 inches. Fine. Les Films du Carrosse / Les Productions Artistes Associes unknown
1976ref. 132912Paris: Les Films du Carrosse / Les Productions Artistes Associes 1976. Collection of ten vintage reference photographs from the UK release of the 1976 French film. Released in the US as "Small Change." An interrelated series of vignettes about the lives of children in a small French town primarily using nonprofessional actors ranging in age from infancy to 14 years old. One of François Truffaut's best loved and most financially successful films. Shot on location in and around Thiers France. 8 x 10 inches. Fine. Les Films du Carrosse / Les Productions Artistes Associes unknown books
1975ref. 151533Paris: Les Films du Carrosse 1975. Vintage borderless reference photograph of François Truffaut cinematographer Pierre-William Glenn and cast and crew members on the set of the 1976 film. French and English printed snipe and "Sygma" and photographer "Simonpietri" stamps on verso. An interrelated series of vignettes about the lives of children in a small French town primarily using non-professional actors ranging in age from infancy to 14 years old. One of Truffaut's best loved and most financially successful films. Set in and shot on location in and around Thiers France. 11.75 x 8 inches. Near Fine. Les Films du Carrosse unknown books
