11,049 results
1998ref. 173117Culver City CA: Columbia Pictures 1998. Two vintage satin-finished studio still photographs from the 1999 film here under alternate title "Hoofbeats." A foal is separated from its mother when it arrives in a German Southwest Africa mining town but is taken in by a orphan boy. Set in German Southwest Africa shot on location in Namibia and Germany. 8 x 10 inches. Fine. Columbia Pictures unknown books
1979ref. 151119Universal City: Universal Pictures 1979. Vintage press kit for the 1979 film. Full-color illustrated pocketed folder containing 11 black and white photographs and 13 gatherings of promotional reading material. A marathon runner training to qualify in the Summer Olympics faces estrangement from his wife and struggles with unemployment due to his dedication to the sport. Folder photographs and promotional material Near Fine. Universal Pictures unknown
1979ref. 151119Universal City: Universal Pictures 1979. Vintage press kit for the 1979 film. Full-color illustrated pocketed folder containing 11 black and white photographs and 13 gatherings of promotional reading material. A marathon runner training to qualify in the Summer Olympics faces estrangement from his wife and struggles with unemployment due to his dedication to the sport. Folder photographs and promotional material Near Fine. Universal Pictures unknown books
1968ref. 141636N.p.: Aspen 1968. Final Draft script for an unproduced film. A man is unwillingly drawn into a debate around morality and death as he is questioned by the police following his best friend's suicide. Dark green wrappers with British-style die-cut window. Title page present dated July 23 1968 noted as FINAL DRAFT with credits for screenwriter Ian McLellan Hunter. 124 leaves with last page of text numbered 122. Mechanical duplication with white and blue revision pages throughout dated variously between June 17 1968 and July 23 1968. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Aspen unknown
1968ref. 141636N.p.: Aspen 1968. Final Draft script for an unproduced film. A man is unwillingly drawn into a debate around morality and death as he is questioned by the police following his best friend's suicide. Dark green wrappers with British-style die-cut window. Title page present dated July 23 1968 noted as FINAL DRAFT with credits for screenwriter Ian McLellan Hunter. 124 leaves with last page of text numbered 122. Mechanical duplication with white and blue revision pages throughout dated variously between June 17 1968 and July 23 1968. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Aspen unknown books
1955ref. 164817Universal City: Universal-International 1955. Vintage publicity photograph from the 1955 film showing actress Mamie Van Doren leaning against a jukebox. Based on Ben Benson's 1954 novel "Girl in the Cage" about an undercover cop working to stop an automobile theft ring run by teenagers. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. About Near Fine. Universal-International unknown
1955ref. 164817Universal City: Universal-International 1955. Vintage publicity photograph from the 1955 film showing actress Mamie Van Doren leaning against a jukebox. Based on Ben Benson's 1954 novel "Girl in the Cage" about an undercover cop working to stop an automobile theft ring run by teenagers. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. About Near Fine. Universal-International unknown books
1964ref. 139221California: Art Theatre Guild / Eve Productions 1964. Original black-and-white program for the 1964 film printed for the Art Theatre Guild. The Art Theatre Guild ATG began in 1961 as an independent agency distributing films mostly Japanese rejected by major studios. The company operated until the 1980s with theaters in Arizona California Colorado Illinois Kentucky Massachusetts Missouri New Mexico Ohio and Tennessee. The first of Meyer's "noir" cycle 1964-1965 or "Gothic" period as Meyer puts it a series of sexploitation films shot in black-and-white powerful psycho-sexual female characters male impotence and a serious dramatic plot involving less of the "nudie" filmmaking style so prominent in the director's early films. Other films in his "Gothic" period include "Mudhoney" 1965 "Motorpsycho!" 1965 and the epic and legendary "Faster Pussycat! Kill! Kill! " 1965. "Fanny Hill" 1964 snuck in right after "Lorna" although that film is generally left out of the "Gothic" period. "Lorna" was written by James Griffith who stars as the Preacher narrator of the film and stars Lorna Maitland as a voluptuous sexually unfulfilled newlywed. Her husband Jim Rucker works in a salt mine all day and studies all night giving Lorna too much time to herself. One day while Lorna skinny-dips in a nearby river an escaped convict Bradley rapes her in the reeds. The vile act could otherwise have been exploited perhaps comically by Meyer but here the scene acts as a catalyst for one repressed woman's sexual awakening. Lorna invites the convict into her home while her husband is gone prompting Jim's coworkers among them the underrated Hal Hopper to tease him about Lorna's infidelity. Things take a bitter fatal turn when Jim returns home to discover Lorna and her object of desire. 5.5 x 8.5 inches folded once as issued. Two horizontal creases and faint foxing else Near Fine. Art Theatre Guild / Eve Productions unknown
1964ref. 139221California: Art Theatre Guild / Eve Productions 1964. Original black-and-white program for the 1964 film printed for the Art Theatre Guild. The Art Theatre Guild ATG began in 1961 as an independent agency distributing films mostly Japanese rejected by major studios. The company operated until the 1980s with theaters in Arizona California Colorado Illinois Kentucky Massachusetts Missouri New Mexico Ohio and Tennessee. The first of Meyer's "noir" cycle 1964-1965 or "Gothic" period as Meyer puts it a series of sexploitation films shot in black-and-white powerful psycho-sexual female characters male impotence and a serious dramatic plot involving less of the "nudie" filmmaking style so prominent in the director's early films. Other films in his "Gothic" period include "Mudhoney" 1965 "Motorpsycho!" 1965 and the epic and legendary "Faster Pussycat! Kill! Kill! " 1965. "Fanny Hill" 1964 snuck in right after "Lorna" although that film is generally left out of the "Gothic" period. "Lorna" was written by James Griffith who stars as the Preacher narrator of the film and stars Lorna Maitland as a voluptuous sexually unfulfilled newlywed. Her husband Jim Rucker works in a salt mine all day and studies all night giving Lorna too much time to herself. One day while Lorna skinny-dips in a nearby river an escaped convict Bradley rapes her in the reeds. The vile act could otherwise have been exploited perhaps comically by Meyer but here the scene acts as a catalyst for one repressed woman's sexual awakening. Lorna invites the convict into her home while her husband is gone prompting Jim's coworkers among them the underrated Hal Hopper to tease him about Lorna's infidelity. Things take a bitter fatal turn when Jim returns home to discover Lorna and her object of desire. 5.5 x 8.5 inches folded once as issued. Two horizontal creases and faint foxing else Near Fine. Art Theatre Guild / Eve Productions unknown books
1929ref. 151068N.p.: N.p. 1929. Seven vintage oversize double weight reference photographs four of William Dieterle and Lien Deyers two of Dieterle and one of Dieterle and Nikolai Malikoff from the 1929 German silent film-made prior to Dieterle fleeing Germany. Viola von Birkenfeld Deyers falls madly in love with the young Friedrich von Bornim Dieterle while he cares for her grandfather after an accident. Upon finding out Friedrich is married her grandfather seeks retribution for breaking his granddaughter's heart. 15.5 x 12 inches. Near Fine. N.p. unknown
1929ref. 151068N.p.: N.p. 1929. Seven vintage oversize double weight reference photographs four of William Dieterle and Lien Deyers two of Dieterle and one of Dieterle and Nikolai Malikoff from the 1929 German silent film-made prior to Dieterle fleeing Germany. Viola von Birkenfeld Deyers falls madly in love with the young Friedrich von Bornim Dieterle while he cares for her grandfather after an accident. Upon finding out Friedrich is married her grandfather seeks retribution for breaking his granddaughter's heart. 15.5 x 12 inches. Near Fine. N.p. unknown books
1970ref. 160694N.p.: N.p. 1970. Vintage borderless reference photograph of David Lean and a camera crew filming on location for the 1970 film. Mimeo snipe on the verso. The year after the suppressed 1916 Easter Rising a young Irish woman is torn between a British officer she loves and the nationalists from her own home town. The third collaboration between director Lean and screenwriter Robert Bolt following "Lawrence of Arabia" 1962 and "Doctor Zhivago" 1965. Winner of two Academy Awards including Best Cinematography and nominated for two more. Set in an isolated village on the Dingle Peninsula in County Kerry Ireland and shot on location in County Kerry and County Clare Ireland and in Cape Town South Africa. 10 x 8 inches. Near Fine. N.p. unknown
1970ref. 150783N.p.: N.p. 1970. Vintage borderless double weight reference photograph of David Lean Sarah Miles Trevor Howard and John Mills on the set of the 1970 film. Two mimeo snipes and photographer "Ken Danvers" stamp on verso. The third collaboration between director Lean and screenwriter Bolt following "Lawrence of Arabia" 1962 and "Doctor Zhivago" 1965. The year after the suppressed 1916 Easter Rising a young Irish woman is caught between a British officer she loves and the nationalists from her own home town. Winner of two Academy Awards for Best Cinematogray and Best Supporting Actor for John Mills nominated for two more. Set in an isolated village on the Dingle Peninsula in County Kerry Ireland shot on location in County Kerry and County Clare Ireland and Cape Town South Africa. 10 x 8 inches. Near Fine. N.p. unknown
1970ref. 137367Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage deluxe press kit for the epic 1970 film including two oversize photos and six reference photographs. The third collaboration between director Lean and screenwriter Bolt following "Lawrence of Arabia" 1962 and "Doctor Zhivago" 1965. Winner of two Academy Awards for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more as well as ten BAFTA awards. The press kit contains: Ten loose sheets of heavy weight paper each folded to 11 x 14 inches printing on rectos only. The first sheet with a press release regarding the film the other nine with a description from Bolt's screenplay in English French Spanish German Italian and Japanese on the outside and the corresponding full-color printed image from the film inside. Two 11 x 14 sheets of photographic paper each containing two images one of David Lean on the set the second of the same scene from the film. With descriptions of the scenes printed on the verso of each photograph. Six 10 x 8 reference photographs one showing Lean and crew filming on the coast of Ireland the rest depicting scenes from the film. Each with captions printed on the verso. One biography of David Lean three pages printed on rectos only. 8.5 x 11 inches bound with a single staple. All items housed in a studio clamshell box as issued. Clamshell box: About Near Fine with light fading and a few small bruises. Press materials Fine. Metro-Goldwyn-Mayer [MGM] unknown
1970ref. 139510Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage oversize double weight borderless still photograph from the 1970 film showing director David Lean as he imparts some advice to star Christopher Jones during a smoke break. Winner of two Academy Awards for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more as well as ten BAFTA awards. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 9.25 x 13.25 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1970ref. 137367Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage deluxe press kit for the epic 1970 film including two oversize photos and six reference photographs. The third collaboration between director Lean and screenwriter Bolt following "Lawrence of Arabia" 1962 and "Doctor Zhivago" 1965. Winner of two Academy Awards for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more as well as ten BAFTA awards. The press kit contains: Ten loose sheets of heavy weight paper each folded to 11 x 14 inches printing on rectos only. The first sheet with a press release regarding the film the other nine with a description from Bolt's screenplay in English French Spanish German Italian and Japanese on the outside and the corresponding full-color printed image from the film inside. Two 11 x 14 sheets of photographic paper each containing two images one of David Lean on the set the second of the same scene from the film. With descriptions of the scenes printed on the verso of each photograph. Six 10 x 8 reference photographs one showing Lean and crew filming on the coast of Ireland the rest depicting scenes from the film. Each with captions printed on the verso. One biography of David Lean three pages printed on rectos only. 8.5 x 11 inches bound with a single staple. All items housed in a studio clamshell box as issued. Clamshell box: About Near Fine with light fading and a few small bruises. Press materials Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1970ref. 139510Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage oversize double weight borderless still photograph from the 1970 film showing director David Lean as he imparts some advice to star Christopher Jones during a smoke break. Winner of two Academy Awards for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more as well as ten BAFTA awards. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 9.25 x 13.25 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1970ref. 160694N.p.: N.p. 1970. Vintage borderless reference photograph of David Lean and a camera crew filming on location for the 1970 film. Mimeo snipe on the verso. The year after the suppressed 1916 Easter Rising a young Irish woman is torn between a British officer she loves and the nationalists from her own home town. The third collaboration between director Lean and screenwriter Robert Bolt following "Lawrence of Arabia" 1962 and "Doctor Zhivago" 1965. Winner of two Academy Awards including Best Cinematography and nominated for two more. Set in an isolated village on the Dingle Peninsula in County Kerry Ireland and shot on location in County Kerry and County Clare Ireland and in Cape Town South Africa. 10 x 8 inches. Near Fine. N.p. unknown books
1970ref. 150783N.p.: N.p. 1970. Vintage borderless double weight reference photograph of David Lean Sarah Miles Trevor Howard and John Mills on the set of the 1970 film. Two mimeo snipes and photographer "Ken Danvers" stamp on verso. The third collaboration between director Lean and screenwriter Bolt following "Lawrence of Arabia" 1962 and "Doctor Zhivago" 1965. The year after the suppressed 1916 Easter Rising a young Irish woman is caught between a British officer she loves and the nationalists from her own home town. Winner of two Academy Awards for Best Cinematogray and Best Supporting Actor for John Mills nominated for two more. Set in an isolated village on the Dingle Peninsula in County Kerry Ireland shot on location in County Kerry and County Clare Ireland and Cape Town South Africa. 10 x 8 inches. Near Fine. N.p. unknown books
1970ref. 137424Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage press kit for the epic 1970 film. The third collaboration between director Lean and screenwriter Bolt following "Lawrence of Arabia" 1962 and "Doctor Zhivago" 1965. Winner of two Academy Awards for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more as well as ten BAFTA awards. Press kit "introducing" director David Lean containing a biography an additional anecdote related to filming a detailed production guide press clippings and six black and white reference photographs of the subject along with a caption sheet. Housed in a tri-fold studio folder specific to the subject. Folder Very Good plus. Press material Near Fine or better. Photographs Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1988ref. 163529Los Angeles: Twentieth Century-Fox 1988. First Draft script for the pilot episode of an unproduced television series. Playfully INSCRIBED by screenwriter Savage Steve Holland on the front wrapper: "Diane / Thank you for posing naked for the Sabras logo / love always / Savage Steve." A comedy about three female Israeli secret agents who return to America. Holland is best known for the comedy films "Better Off Dead" 1985 and "One Crazy Summer" 1986. Pink titled Twentieth Century-Fox wrappers dated February 1 1988 on the front wrapper noted as First Draft. Title page present dated February 1 1988 noted as First Draft with credit for Holland. 82 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with light foxing on the page and wrapper edges. Bound with two gold brads. Twentieth Century-Fox unknown
1988ref. 163529Los Angeles: Twentieth Century-Fox 1988. First Draft script for the pilot episode of an unproduced television series. Playfully INSCRIBED by screenwriter Savage Steve Holland on the front wrapper: "Diane / Thank you for posing naked for the Sabras logo / love always / Savage Steve." A comedy about three female Israeli secret agents who return to America. Holland is best known for the comedy films "Better Off Dead" 1985 and "One Crazy Summer" 1986. Pink titled Twentieth Century-Fox wrappers dated February 1 1988 on the front wrapper noted as First Draft. Title page present dated February 1 1988 noted as First Draft with credit for Holland. 82 leaves with last page of text numbered 79. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with light foxing on the page and wrapper edges. Bound with two gold brads. Twentieth Century-Fox unknown books
1954ref. 143155Hollywood: Paramount Pictures 1954. Two vintage studio still photographs from the 1954 film. One of the photographs with a sticker noting the photograph is from the collection of film historian collector and founder of the Tele Cine Documentation TCD cinema photo library Daniel Bouteiller on the verso. The second photograph is from a later Paramount re-release of the film. Based on the 1953 Broadway play by screenwriter Samuel Taylor. Winner of an Academy Award and nominated for five more including Best Director Best Actress and Best Adapted Screenplay. Remade by director Sydney Pollack in 1995 starring Julia Ormond Harrison Ford and Greg Kinnear. 8 x 10 inches. Near Fine National Film Registry. Paramount Pictures unknown books
1957ref. 141635Glendale CA: Allied Artists 1957. Two vintage color British front-of-house cards from the 1957 film. A young boy from the jungle becomes involved with a genie. 8 x 10 inches. Near Fine. Allied Artists unknown books
ref. 4119in 12 carré,broché.Couverture rempliée,faux-titre, frontispice d’après un portrait inédit dessiné et gravé sur bois par Andréa Szekely de DOBA,124 pages,1 feuillet de sommaire,illustrations hors-texte de Sacha Guitry.Fac-similé de lettres,textes de René BENJAMIN,G.de PAWLOWSKI, Henri DUVERNOIS,René BIZET,Albert DUBEUX,Sacha GUITRY; éditions de la Revue Le Capitole 20 juillet 1926. Exemplaire numéroté sur papier vélin,petites rousseurs en marge extérieure du premier plat
