11,049 results
1955ref. 156363Culver City CA: Hal Roach Studios 1955. Revised Draft script for the 1955 television episode originally aired on NBC on October 26 1955. A young woman arrives in a quiet western town claiming her wagon train was destroyed by a roving band of Indians. Director and screenwriter George Waggner was better known for his work in the horror genre most notably "The Wolf Man" 1941. Tan titled wrappers noted as production No. 9604. Distribution page present with receipt INTACTORREMOVED. Title page present dated 8/31/55 noted as REVISED with credits for screenwriter and director George Waggner. 42 leaves with last page of text numbered 40. Mimeograph duplication rectos only with blue revision pages throughout dated 8/31/55. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Hal Roach Studios unknown
1955ref. 156363Culver City CA: Hal Roach Studios 1955. Revised Draft script for the 1955 television episode originally aired on NBC on October 26 1955. A young woman arrives in a quiet western town claiming her wagon train was destroyed by a roving band of Indians. Director and screenwriter George Waggner was better known for his work in the horror genre most notably "The Wolf Man" 1941. Tan titled wrappers noted as production No. 9604. Distribution page present with receipt INTACTORREMOVED. Title page present dated 8/31/55 noted as REVISED with credits for screenwriter and director George Waggner. 42 leaves with last page of text numbered 40. Mimeograph duplication rectos only with blue revision pages throughout dated 8/31/55. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Hal Roach Studios unknown books
1932ref. 25270Doubleday Doran Garden City NY 1932. HB NODJ 1st edition 1932 Dates Match on Title & Copyright page Early Issue VG-/VG AS-IS NOJACKET X-LIBRARY MAY CO. Usual Wear Stamps Usage Interior nice tight light Wear FOX Black Cloth with Decorated & Titled Spine cover of Woman in Black & Green 308 pgs INDEX . She hates every Step because it separates Her farther From Her Love. Pure Fiction but against Background of Hollywood. First Edition. Hard Cover. Doubleday, Doran , Garden City NY hardcover
1935ref. 124528Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1935. Dashiell Hammett's original submitted Treatment script for the first sequel to "The Thin Man" here referred to only as "Thin Man Sequel" and ultimately titled "After the Thin Man." With a single manuscript correction by Hammett and letter of provenance from Hammett's daughter Josephine Hammett Marshall regarding the discovery of the treatment in the family's estate. The first "Thin Man" film released in 1934 and based on Hammett's novel was a smash hit and is today a key film in the American screwball comedy cycle. Five sequels were made between 1936 and 1947 all starring the original acting team of William Powell and Myrna Loy and this previously unknown attempt at a sequel by Hammett was clearly commissioned by MGM but never produced making this script an entire unpublished Hammett work. The story is a completely original one never reworked for the other films very much written in Hammett's trademark style and reading a bit more like a story treatment i.e. a novel than a final screenplay which is likely as far as the story got on the road to production. The piece is dated Sept. 17 1935 at the lower right corner of the front panel along with Hammett's name and Hammett's name is noted in pencil next to the title label though not in Hammett's hand. There is only one single-word correction to the entire text at page 83 in Hammett's hand where the word "compact" is replaced with "cigarette case." Accompanying the screenplay is a typed letter signed from Hammett's daughter who edited a recently published collection of Hammett's letters on her personal stationery stating that the screenplay was discovered by Hammett's wife in 1980 and that it had been a part of the family's estate until that time. Probably one of only 2-3 copies that could have been produced and very possibly the only copy extant. To our knowledge no other copy of this story in any form has ever been recorded at auction or sold on the market. Light blue titled wrappers with the white MGM studio label present manuscript pencil notation of Hammett's name secretarial rubber-stamped COMPLETE dated September 17 1935 with a single credit for Hammett. 115 leaves mimeograph duplication. Pages and wrapper Very Good plus bound with two gold brads. In a custom clamshell box. Full pagination available upon request. Metro-Goldwyn-Mayer [MGM] unknown
1935ref. 124528Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1935. Dashiell Hammett's original submitted Treatment script for the first sequel to "The Thin Man" here referred to only as "Thin Man Sequel" and ultimately titled "After the Thin Man." With a single manuscript correction by Hammett and letter of provenance from Hammett's daughter Josephine Hammett Marshall regarding the discovery of the treatment in the family's estate. The first "Thin Man" film released in 1934 and based on Hammett's novel was a smash hit and is today a key film in the American screwball comedy cycle. Five sequels were made between 1936 and 1947 all starring the original acting team of William Powell and Myrna Loy and this previously unknown attempt at a sequel by Hammett was clearly commissioned by MGM but never produced making this script an entire unpublished Hammett work. The story is a completely original one never reworked for the other films very much written in Hammett's trademark style and reading a bit more like a story treatment i.e. a novel than a final screenplay which is likely as far as the story got on the road to production. The piece is dated Sept. 17 1935 at the lower right corner of the front panel along with Hammett's name and Hammett's name is noted in pencil next to the title label though not in Hammett's hand. There is only one single-word correction to the entire text at page 83 in Hammett's hand where the word "compact" is replaced with "cigarette case." Accompanying the screenplay is a typed letter signed from Hammett's daughter who edited a recently published collection of Hammett's letters on her personal stationery stating that the screenplay was discovered by Hammett's wife in 1980 and that it had been a part of the family's estate until that time. Probably one of only 2-3 copies that could have been produced and very possibly the only copy extant. To our knowledge no other copy of this story in any form has ever been recorded at auction or sold on the market. Light blue titled wrappers with the white MGM studio label present manuscript pencil notation of Hammett's name secretarial rubber-stamped COMPLETE dated September 17 1935 with a single credit for Hammett. 115 leaves mimeograph duplication. Pages and wrapper Very Good plus bound with two gold brads. In a custom clamshell box. Full pagination available upon request. Metro-Goldwyn-Mayer [MGM] unknown books
1980ref. 163482N.p.: N.p. 1980. Draft script for the pilot of an unproduced television series. Bound in preceding the script is a one-page treatment a "Suggested Casting" page a "Set" page a two-page description of the primary characters an "Occasional Characters" page and a two-page description of "Guest Characters." Attached to the title page by a paper clip is a business card for agent Judy McHugh of John La Rocca and Associates. Screenwriter Stephen Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s most memorably for the television series "Alice" 1976-1985 and "The Jeffersons" 1975-1985. Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" 1998-2004. A sitcom about a small local bar "Screwdriver Heaven" in San Diego where a wide variety of customers seek refuge from their life's troubles and the advice of the crusty but endearing bartender Albert. Clear mylar front wrapper orange rear wrapper. Title page present with credits for screenwriter Stephen Thomas Sustarsic II. 54 leaves with last page of text numbered 44. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three metal brads. N.p. unknown
1980ref. 163482N.p.: N.p. 1980. Draft script for the pilot of an unproduced television series. Bound in preceding the script is a one-page treatment a "Suggested Casting" page a "Set" page a two-page description of the primary characters an "Occasional Characters" page and a two-page description of "Guest Characters." Attached to the title page by a paper clip is a business card for agent Judy McHugh of John La Rocca and Associates. Screenwriter Stephen Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s most memorably for the television series "Alice" 1976-1985 and "The Jeffersons" 1975-1985. Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" 1998-2004. A sitcom about a small local bar "Screwdriver Heaven" in San Diego where a wide variety of customers seek refuge from their life's troubles and the advice of the crusty but endearing bartender Albert. Clear mylar front wrapper orange rear wrapper. Title page present with credits for screenwriter Stephen Thomas Sustarsic II. 54 leaves with last page of text numbered 44. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three metal brads. N.p. unknown books
1995ref. 155633N.p.: N.p. 1995. Vintage reference photograph of actors Morgan Freeman and Brad Pitt talking with producer Arnold Kopelson between takes on the set of the 1995 film. Two detectives-one younger and inexperienced the other older and ready to retire-track down a serial killer who bases his murders on the seven deadly sins. Director David Fincher's breakthrough film. Shot on location throughout California. 10 x 6.5 inches. Fine. Ebert IV. Grant US. Silver and Ward Neo-Noir. N.p. unknown
1995ref. 155633N.p.: N.p. 1995. Vintage reference photograph of actors Morgan Freeman and Brad Pitt talking with producer Arnold Kopelson between takes on the set of the 1995 film. Two detectives-one younger and inexperienced the other older and ready to retire-track down a serial killer who bases his murders on the seven deadly sins. Director David Fincher's breakthrough film. Shot on location throughout California. 10 x 6.5 inches. Fine. Ebert IV. Grant US. Silver and Ward Neo-Noir. N.p. unknown books
1953ref. 132573Culver City CA: RKO Radio Pictures 1953. Eight vintage full-color front-of-house cards from the UK release of the 1953 American-English film. Based on Victor Hugo's 1866 novel "Les travailleurs de la mer" about a fisherman-turned-smuggler on the isle of Guernsey who helps a beautiful woman to the French coast. The fisherman falls in love with the woman who is actually an English spy pretending to be an ally of Napoleon. 8 x 10 inches. A few brief corner creases and faint soil to the versos else Near Fine. RKO Radio Pictures unknown
1953ref. 132573Culver City CA: RKO Radio Pictures 1953. Eight vintage full-color front-of-house cards from the UK release of the 1953 American-English film. Based on Victor Hugo's 1866 novel "Les travailleurs de la mer" about a fisherman-turned-smuggler on the isle of Guernsey who helps a beautiful woman to the French coast. The fisherman falls in love with the woman who is actually an English spy pretending to be an ally of Napoleon. 8 x 10 inches. A few brief corner creases and faint soil to the versos else Near Fine. RKO Radio Pictures unknown books
1931ref. 148163New York: Continental Talking Pictures 1931. Vintage borderless reference photograph from the 1931 film showing actress Molly O'Day. A newly escaped ex-convict decides to stow away on a treasure hunting ship bound for far-off waters. 7.25 x 9.5 inches trimmed for press use. Very Good plus. Continental Talking Pictures unknown books
1953ref. 139797North Hollywood: Republic Pictures 1953. Vintage black-and-white proof trial poster photograph from the 1953 film. The son of a deceased Coast Guard hero joins the Coast Guard Academy with his close friend. He is eventually thrown out bringing disgrace to his father's memory. The film was made as a tribute to the Coast Guard. Shot on location in California. 8 x 10 inches. Fine. Republic Pictures unknown books
1966ref. 131621Hollywood: Paramount Pictures 1966. Three vintage black-and-white still photographs from the 1966 film. All are reference photographs featuring director John Frankenheimer on the set: the first from a scene at the beach with his shooting crew including James Wong Howe behind the camera the second in a social setting with the film's star Rock Hudson and the third showing Frankehimer working directly with Howe. Middle-aged banker Arthur Hamilton is given the opportunity to start a completely new life when he receives calls from his old friend Charlie. The only problem is that Charlie is supposed to be dead. Hamilton is eventually introduced to a firm that will fake his death and create an entirely new look and life for him. After undergoing physical reconstruction surgery and months of training and psychotherapy Hamilton returns to the world in the form of artist Tony Wilson. He has a nice house in Malibu and a manservant a company employee who is there to assist him with his adjustment. He finds that the life he had hoped for isn't quite what he expected and asks the company to go through the process with surprising results. 8 x 10 inches. Near Fine. Paramount Pictures unknown
1966ref. 131621Hollywood: Paramount Pictures 1966. Three vintage black-and-white still photographs from the 1966 film. All are reference photographs featuring director John Frankenheimer on the set: the first from a scene at the beach with his shooting crew including James Wong Howe behind the camera the second in a social setting with the film's star Rock Hudson and the third showing Frankehimer working directly with Howe. Middle-aged banker Arthur Hamilton is given the opportunity to start a completely new life when he receives calls from his old friend Charlie. The only problem is that Charlie is supposed to be dead. Hamilton is eventually introduced to a firm that will fake his death and create an entirely new look and life for him. After undergoing physical reconstruction surgery and months of training and psychotherapy Hamilton returns to the world in the form of artist Tony Wilson. He has a nice house in Malibu and a manservant a company employee who is there to assist him with his adjustment. He finds that the life he had hoped for isn't quite what he expected and asks the company to go through the process with surprising results. 8 x 10 inches. Near Fine. Paramount Pictures unknown books
1947ref. 164576Universal City: Universal-International 1947. Vintage borderless publicity photograph from the 1947 film noir showing actress Barbara O'Neil. Printed mimeo snipe affixed to the verso. Loosely based on the French fairy tale of Bluebeard about a newlywed woman who suspects that her husband is trying to kill her. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and was tand went on to be the head of the still photography department at Universal Pictures where he worked well into the 1950s. Approximately 7.5 x 9 inches trimmed irregularly. Very Good. Universal-International unknown
1947ref. 164576Universal City: Universal-International 1947. Vintage borderless publicity photograph from the 1947 film noir showing actress Barbara O'Neil. Printed mimeo snipe affixed to the verso. Loosely based on the French fairy tale of Bluebeard about a newlywed woman who suspects that her husband is trying to kill her. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and was tand went on to be the head of the still photography department at Universal Pictures where he worked well into the 1950s. Approximately 7.5 x 9 inches trimmed irregularly. Very Good. Universal-International unknown books
1968ref. 153217Universal City: Universal Pictures 1968. Vintage reference photograph of director Joseph Losey in conversation with actresses Elizabeth Taylor and Mia Farrow between takes on the set of the 1968 film. To the left is script supervisor Pamela Davies giving instruction. Stamp of photographer Barrie Pattison on the verso. An impoverished woman meets a young girl who claims to be her long-lost daughter believed to have died in a drowning accident years before. Set and shot on location in London. 8 x 10 inches. Very Good plus with two short closed tears to the right edge. Grant US. Universal Pictures unknown
1968ref. 157722N.p.: N.p. 1968. Vintage reference photograph of director Joseph Losey on the set of the 1968 film. An impoverished woman meets a young girl who claims to be her long-lost daughter believed to have died in a drowning accident years before. Set and shot on location in London. 8 x 10 inches. About Near Fine. N.p. unknown
1968ref. 158000N.p.: N.p. 1968. Vintage reference photograph of director Joseph Losey watching a scene with Elizabeth Taylor and Mia Farrow on the set of the 1968 film. Provenance stamp on the verso. From the archive of film historian and author Joel Finler. An impoverished woman meets a young girl who claims to be her long-lost daughter believed to have died in a drowning accident years before. Set and shot on location in London. 10 x 8 inches. Very Good plus with brief wear at the corners. N.p. unknown
1968ref. 151323Universal City: Universal Studios 1968. Vintage borderless reference photograph of Joseph Losey directing actress Mia Farrow during a bathtub scene on the set of the 1968 film. With a mimeo snipe on the verso along with a provenance stamp. From the archive of film historian and author Joel Finler. An impoverished woman meets a young girl who claims to be her long-lost daughter believed to have died in a drowning accident years before. Set and shot on location in London. 9.5 x 7.5 inches. Very Good plus overall with a couple of small bruises near the bottom right corner. Universal Studios unknown
1968ref. 153217Universal City: Universal Pictures 1968. Vintage reference photograph of director Joseph Losey in conversation with actresses Elizabeth Taylor and Mia Farrow between takes on the set of the 1968 film. To the left is script supervisor Pamela Davies giving instruction. Stamp of photographer Barrie Pattison on the verso. An impoverished woman meets a young girl who claims to be her long-lost daughter believed to have died in a drowning accident years before. Set and shot on location in London. 8 x 10 inches. Very Good plus with two short closed tears to the right edge. Grant US. Universal Pictures unknown books
1968ref. 157722N.p.: N.p. 1968. Vintage reference photograph of director Joseph Losey on the set of the 1968 film. An impoverished woman meets a young girl who claims to be her long-lost daughter believed to have died in a drowning accident years before. Set and shot on location in London. 8 x 10 inches. About Near Fine. N.p. unknown books
1968ref. 158000N.p.: N.p. 1968. Vintage reference photograph of director Joseph Losey watching a scene with Elizabeth Taylor and Mia Farrow on the set of the 1968 film. Provenance stamp on the verso. From the archive of film historian and author Joel Finler. An impoverished woman meets a young girl who claims to be her long-lost daughter believed to have died in a drowning accident years before. Set and shot on location in London. 10 x 8 inches. Very Good plus with brief wear at the corners. N.p. unknown books
1968ref. 151323Universal City: Universal Studios 1968. Vintage borderless reference photograph of Joseph Losey directing actress Mia Farrow during a bathtub scene on the set of the 1968 film. With a mimeo snipe on the verso along with a provenance stamp. From the archive of film historian and author Joel Finler. An impoverished woman meets a young girl who claims to be her long-lost daughter believed to have died in a drowning accident years before. Set and shot on location in London. 9.5 x 7.5 inches. Very Good plus overall with a couple of small bruises near the bottom right corner. Universal Studios unknown books
